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This Week In "What Are Those Two GOOD WILL HUNTING Guys Doing?" (Aka "The Matt Damon and Ben Affleck Report")

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Vulture has updates on not one, but two (both) GOOD WILL HUNTING stars/writers, Ben Affleck and Matt Damon. But no, sadly neither project is a collaboration between the two DOGMA stars.

First up, while Ben Affleck directs ARGO, he is becoming more and more involved in preproduction of his adaptation of THE STAND. Affleck hired writer David Kajganich (INVASION) to pen the screenplay version  of Stephen King's novel about the survivors of a weaponized super flu.

Kajganich is hot at Warner Bros. after wowing his bosses with the remake of Stephen King's IT that he recently penned for the studio.

Hit the jump to find out what Affleck's ole' buddy Matt Damon is up to!


Warner Bros may giveth to Affleck, but only as they taketh from Damon.

WB has canceled plans to make Damon's next movie, which was set to be a about a small time salesman and directed by Gus Van Sant. The project also boasted a script from Dave Eggers (WHERE THE WILD THINGS ARE, AWAY WE GO) which was rewritten by Damon and John Krasinski (THE OFFICE).

Though the project is dead at WB, there is speculation that Universal Pictures is in negotiations with Damon to back and distribute his $15 million drama. After all, he was that studio's JASON BOURNE and ADJUSTMENT BUREAU star.

SARAH MARSHALL and THE MUPPETS' Nick Stoller Sells Comedy To CBS

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Writer/director Nick Stoller has sold CBS its first comedy pilot of the 2012/2013 season, per Variety.

Nick Stoller frequently works with one CBS star of HOW I MET YOUR MOTHER, Jason Segel, which may have helped him with his pilot sale to CBS. Stoller directed Segel in FORGETTING SARAH MARSHALL and co-wrote THE MUPPETS with the actor. He also directed GET HIM TO THE GREEK.

Stoller's CBS project follows a guy who has to work one cubicle away from the girl who broke his heart at an advertising agency. Stoller will direct the pilot for CBS.

FOG! Chats With ARCHER Himself, H. JON BENJAMIN!

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H. Jon Benjamin took some time out of his busy schedule to answer a few questions for us before the premiere of the third season of Archer tonight at 10 on FX.

The star of Archer, Bob's Burgers, and Jon Benjamin Has a Van talked about doing his multiple voices, live acting, and what's coming in the future. Talking about things like serious voice acting and improvisation. So click through to see what he had so say, also there might be a spoiler, but really it's more like a teaser.

Read on my friends.

Jon doesn't really do voices, he has his own and uses that to portray different characters. Bob and Archer have the same voice but are completely different with their inflections and vocal cadences. So I asked him about the amount of yelling and if he wanted a quite script.
"I would love to in parentheses …. Just once. It is, and I have to say, like I recently, whenever I finish—it’s not grueling or anything, but my vocal cords don’t recover for like a day after an Archer session. So they owe me. And it’s not like I’m at war, but it’s hard on the throat. But, yes, I would like to do … someday."
Continuing with his voice acting he talked about serious voice acting and doing the lines for the more dramatic parts in the series.
"It’s always odd when you have to like cry or something—like for real, when he was like, whatever—your woman dies or something and you’re crying. It’s so easy to do a … but it’s weird to—like I’d always be was that terrible? It’s not like a movie, I guess, where everybody’s standing around and people are watching and you really got to do it. There’s something odd—very false about just standing in front of a microphone. So hopefully the cries are believable. I actually cry. I actually cried a couple of times."
Going into the future of Archer, he talked about what he wanted to see Adam Reed write into the story and about returning to the style of the second season and focusing on the characters and missions. Also I got him to reveal that they're going to space in the upcoming season.
"There is so much, obviously, like spy world stuff to explore and I’m sure he hasn’t gotten to all the possibilities yet. I guess I would want him to sing more, maybe. Maybe start a band, like a really bad blues band or something. You know like Jim Belushi style.
"I think it does get crazier—not crazier, but there are definitely moments of pure craziness, as there always is, I guess, in the show. But I think, he returns back to his regular life, so he doesn’t go off the rails completely. The show gets back to what it did in the second season which is focus on all the characters who work for the spy agency and stuff like that. So he doesn’t have any more like crazy flights of—but they go to space. They get to go to space, but I think that was part of the mission, so it’s not like he was just like I’m going to go to space and take off."
Talking about improvising on Archer and Bob's Burgers he said:
"There is not a lot of room. The scripts are tightly written and he[Adam Reed] encourages sometimes on occasion, he’ll be like do you want to add anything, and I’ll say no. So it’s not the same kind of production as Bob’s Burgers, which is a lot improvising all the time, but the scripts don’t really require it."
His live action show Jon Benjamin Has a Van ended it's first season last year and hasn't been picked up yet for a second season. He wants to keep it going though.
"I liked doing it a lot. But, you know, voice work right now is predominantly what I do. But it took a year to make that show, and it was a lot of work, but I enjoyed it, so I would probably like to do more stuff on camera, but with this …, it doesn’t bode well.
"We wrote half of the second season of the van show, and we’re waiting to hear. But I’ve heard nobody watched it. That doesn’t seem like it’s encouraging, but I hope we can do more of them. And the scripts we wrote are, I think, sublimely funny."
There have been some more serious point in Archer's run of episodes. The show has done long arcs with complex story lines and one shot episodes that are fast and funny. When asked if he had a favorite:
"I think it’s very successful when they try and do more longer arcs, but I don’t necessarily think it’s a detriment when they don’t. The television I watch is probably more story—more narratives. But I don’t know— Adam Reed is so good at crafting narrative threads that run throughout everything that like it’s kind of always a combination of one-offs and I guess it’s like any sort of really good sitcom where you start to love all the characters. He does such a good job keeping it vibrant. I’m sorry I said that—keeping it vibrant. I never wanted to use that. I never wanted to say those three words, but I think like when Archer got cancer and this sort of first of three-parter—those were really fun to do."
Here's a bonus little clip for you.




Archer premieres tonight at 10:00 PM/EST on FX

WAR HORSE Writer Will Direct ABOUT TIME

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Richard Curtis, writer of films like Four Wedding and a Funeral, Notting Hill, and War Horse, will make his return to directing with About Time and a script he wrote.

According to The Hollywood Reporter, the longtime writer will be making the "low-budget time-travel picture" with Working Title Films. Casting has already started for the project which is expected to go into production sometime this summer. Nothing is really known about the story of the film or even the type of actors they are looking for.

The writer/director has also written Love/Actually and an episode of Doctor Who. In 2009 he directed The Boat That Rocked. Curtis is currently working on other projects including a collaboration with Ben Elton, whom he co-created BlackAdder with. He has also been writing a script for Stephen Daldry to direct called Trash.

First Trailer For RESIDENT EVIL: RETRIBUTION

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There is a brand new Resident Evil movie coming out soon and now you can see just what it's going to look like.

Resident Evil: Retribution is the fifth film in the franchise and will see the return of star Milla Jovovich as Alice as she will once more try to bring down the evil Umbrella Corporation. The film is a direct continuation of the last one and will pick up with Alice still on the Arcadia vessell. Watch the trailer right after the jump

I didn't post an add, just keep watching it.


MARSDEN,JANE, THORNTON Cast in RED MACHINE

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James Marsden, Thomas Jane, and Billy Bob Thornton will join a grizzly bear to star in Red Machine.

Variety reports that the three actors have picked up the lead next to a live grizzly that is the focus of the film. Marsden and Jane are set to play two estranged brothers on a camping trip with their girlfriends. In their attempt to reconcile in the wilderness, things go terribly wrong and they are attacked, and then stalked by a bear. Thankfully Thornton's "legendary bear expert and hunter" is able to help out.

David Hackl(Saw V) will direct the film with a script from J.R. Reher. Hackl said "In Red Machine I want to examine the thrill of very real fear. An audience is more easily drawn in by a story that they consider plausible and relatable -- something that could actually take place in the real world. Just by the premise you know something bad is going to happen."

New Trailer and Poster For PROJECT X

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Producer of The Hangover and Old School, Todd Phillips has a new Project X that's all about partying. Check out the new trailer and poster for the movie.

Everyone remembers those fun teen years when partying was all about overdoing it when your parents weren't around and setting the street on fire with a flamethrower. Ok, maybe not everyone. Take a look at the craziest party ever in Todd Phillips Project X. The film was directed by Nima Nourizadeh and stars a list of unknowns including Thomas Mann, Miles Teller, Oliver Cooper, Jonathan Daniel Brown, Kirby Bliss Blanton, Dax Flame, Nichole O’Connor, and Alexis Knapp
Project X opens March 12th, 2012. Hit the jump to check out the trailer and a new poster.





CBS Picks Up Bruckheimer's TROOPER

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Jerry Bruckheimer's next producing gig is for the cop drama Trooper which was just picked up by CBS.

According to Variety, CBS has ordered a pilot for the drama centered around a New York State Trooper. Written by Aron Eli Coleite(Heroes), the story is centered around an everyday mother in New York who uses a common-sense approach at her new job as a State Trooper.

Bruckheimer with executive produce along with Coleite and Jonathan Littman. KristieAnne Reed would serve as co-exec producer. Bruckheimer Television already has CSI and The Amazing Race at CBS, but this does mark the first formal pilot greenlight for the season. The shingle also has commitments from ABC for a Navy SEALs drama and at NBC a 1980's wrestling drama.

GREAT SCOTT Is a BACK TO THE FUTURE Love Letter

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In 1985 a movie called Back to the Future came out. Hopefully you've heard of it. Now production is getting started on an homage to the movie called Great Scott.

Moviehole reports that Great Scott is a movie about a teenager in '80's Manchester, England who is so enamored with the BTTF film that he tries to become Marty McFly. Doing the same things McFly did – you know, traveling through time; sleeping in Lea Thompson’s bed; Having Huey Lewis watch you perform.

Phil Hawkins is directing the project with a script from Alex Child and Hiram Bleetman. Hawkins is sort of known for his time on the reality show On the Lot. His directing credits include the adaptation of Philip Pullman's The Butterfly Tattoo and The Women of Troy.

This film is like a love letter to Back to the Future and is really about a teen trying to do anything to get away from his boring, mundane life. The idea follows the vien of recent films like Son of Rambow or Fanboys.

The project is being produced by Philm Company, Sonic Screenworks, and Lip Sync. The last one on that list being the investment and equity firm that has financed films like We Need to Talk About Kevin and Jane Eyre. Production is scheduled to start around Easter.

Fox Greenlights Teen Spy Drama From BONES Producer

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Fox is getting a teen spy show from the former producer of Bones Karyn Usher.

Variety reports that the network has given a pilot order for an untitled spy drama that is centered around an orphaned 17-year-old daughter of a CIA operative who is recruited by the CIA to become an operative herself. 20th Century Television will produce with Shawn Levy and Mary Adelstein's 21 Laps/Adelstein Productions.

Usher will write the pilot and exec produce with Adelstein, Levy and Becky Clements. The show is the second female-lead spy drama that has been given a pilot at Fox this season. The show joins Greg Berlanti's Guilty, Kevin Williamson's untitled serial killer drama and Friedman's spy piece as dramas given a pilot. Usher also has credits for Prison Break and The Playboy Club.

Two Stars Join TOM CRUISE For Untitled Sci-Fi Film

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Tom Cruise has a sci-fi movie he's working on and now Universal has picked Olga Kurylenko and Andrea Riseborough to join him.

According to Variety, the two will join Cruise for Joseph Kosinski's still untitled sci-fi flick. The script is currently being rewritten by Michael Arndt and saw earlier scripts from William Monahan and Karl Gajdusek. Production is expected to start in the first quarter of 2012.

The story follows a soldier on Earth of which the surface has been destroyed by aliens. Upon discovering a woman in a crashed pod, he begins to question everything that he has been taught.

In the past the project has had names like Jessica Chastain signed on, she left the project after deciding to go to Kathryn Bigelow's Osama bin Laden film. Kurylenko was one of the the actress testing for the role with Chastain along with Olivia Wilde and Noomi Rapace

Kurylenko played a Bond girl in Quantum of Solace and will soon be seen in the series Magic City. Riseborough never tested for the part and has only been in Brit films up to this point.

The Footprints of Monsters: Symbolism and Biology of REPTILICUS

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In the 60s, there were a lot of monsters following in Godzilla’s footsteps.   Each nation wanted its own Kaiju: Korea created Yongary; England created Gorgo; and then there was Denmark.  Yes, Denmark decided to make its own Kaiju flick, Reptilicus.  

As things spread, though, the core idea of what a Kaiju means is lost, which is only partly the case with Reptilicus. This film has the added bonus of having edits done to make it better in the international market that simultaneously make it worse.


Symbolism

Kaiju, as a general rule, are living embodiments of disaster or otherwise forces beyond mankind’s control.  Even the nice ones like Mothra and King Caesar are actually deities.  These are beasts that mankind cannot deal with, without going to extreme measures.  This is one of the reasons the monster in the American Godzilla (1998) was received so harshly.  It was not a Kaiju, but just another animal enlarged and mutated that once roamed the screen in great numbers in the 1960s and 1970s.

From Godzilla Meets Ferris Bueller (1998)

So, does Reptilicus meet that standard?

Well, it does and it doesn’t.  The creature is pretty well armored, but extreme enough force can pierce its hide and blow it apart.  The problem comes from the fact that it’s a reptilian starfish, and each little bit can grow into a new Reptilicus.  The commentary is blatant: overt military action and wanton use of that power is dangerous and even worse than any problem it may face.  Precision is the key to victory.  A fun little cold war message.


The shape of Reptilicus is another point of symbolism.  Though it is called a Dinosaur, the creature is without a doubt a heraldic dragon.  Particularly, it brings to mind the engravings off Ulisse Aldrovandi, with the way the wing is shaped and the overall body plan.  This monster has some pretty deep links in Denmark (the epic Beowulf featuring one, albeit not within Denmark proper).   The Dragon remains a symbol of mass destruction and danger—a perfect guise for a Kaiju.


Biology

This is where things get weird. 

See, there are two different cuts of the film, and each one presents us with different abilities for the monster.   The first cut is the original, Danish copy.  The second is the American/International version recorded in English, but then dubbed over anyway. 

But let’s start with the basics.   The monster is called an archosaur (a group that includes dinosaurs, crocodiles and others), though a very primitive one which for some reason is fully amphibious (able to hide underwater for long periods of time or is in the minds of the writer, fully able to breathe water).  Its limbs are quite stumpy both in front and in back.  This combination of features brings to mind primitive snakes like Pachyrhachis, Eudophis, Haasiophis and Najash, which all had legs they were in the process of losing and most were either aquatic or semi-aquatic.  


The forearms have little claws, but jutting from the shoulder are “Wings”.  These are not wings as any other living creature has them, they are almost like the gliding flanges of the modern flying dragon (Draco volans), though all originating at the shoulder rather than spread along the body.  It crawls along its belly like an elephant seal (or Jabba the Hutt) and has four pairs of huge fangs. 

The monster is also gifted with powerful regeneration, like that of a starfish.

From a tail fragment or severed leg, the creature can grow whole.  The rate is realistic, but the energy requirements are still pretty extreme.  Starfish can get away with it due to multiple redundancy systems in their body and a general lack of a proper brain.  Reptilicus . . . ostensibly, is more complicated than that.

But there are worse things to make fun of in this one.

Now comes the tricky part.

In the Danish version, Reptilicus could fly – one off the most unconvincing effects ever put to film.

We’re talking Ed Wood level flying. 

But don’t take MY word for it:




Yeah, that’s fishing line flying at its finest.  Big things flying is worse than big things just standing in terms of stresses on the body.

So the distributors cut that and gave him another power to compensate: spitting acidic slime.  Like a spitting cobra, only stickier and sillier.  This effect is super imposed on several scenes of people running (and laughing).  



They also cut out a musical number and inserted in its stead a scene of Reptilicus eating a paper cut out.




Okay, sidetrack over, back to venom.  There are quite a few cobras that can spit their venom (all in the genus Naja), and they tend to have a spitting range of over 6 feet.  This is used to blind attackers and is primarily defensive.  

In Reptilicus, it’s more like Godzilla’s breath.  It’s used defensively, but it’s implicitly lethal to all it hits, as their super-imposed nature doesn’t allow after shots.  



It’s probably a personal matter at which ability is sillier.

KRISTIN WIIG To Star With BEN STILLER In WALTER MITTY

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Comedian and actress Kristin Wiig is in the final stages to star next to Ben Stiller in The Secret Life of Walter Mitty.

THR reports that Wiig will play a co-worker of Stiller's Walter Mitty. The remake of the 1947 film focuses on Mitty a timid magazine photo manager who has dreams of being an adventurer. Wiig's character is the girl of his dreams as he goes on an unexpected adventure of his own.

The original was based on James Thurber's short story and directed by Danny Kaye. The remake of the film has been in the works for a while. Stiller is signed on to direct in addition to starring in the fantasy comedy.

Wiig got her first starring role in Bridesmaids last year and is currently in two independent project Imogene and Revenge of the Jolly! This would be her first big role with a major studio. The film is expected to start production in April and is shooting in New York and Iceland.

Smallville: Random, Awesome and WTF?! - S3E06: Relic

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So it turns out Kryptonians have been treating Smallville the way Amish folk treat the outside world during rumspringa since at least the 1960s.

Things must really suck on Krypton if they’re hitting up Kansas to prove a point.


The Random:
1. We find out that not only was Lana’s great aunt murdered in some sort of love quadrangle, but was also kind of slutty. Was her family ever drama free?

2. Clark’s grandparents sheltering and abetting Jor El in the past raises the question of whether Jonathan and Martha finding Clark was an accident after all…

3. Seeing Chloe’s midriff and bra bearing outfit in the hallways of Smallville High really makes me wish I went there. Zod bless the lax dress code.

Is it just me or does 1961 Jor El look…ethnic..?

The Awesome:
1. I don’t know whose idea it was to have half this episode set in 1961, but bravo. It also helps that 1961 Lana is insanely hot with none of the annoyances we’re used to.

2. Mayor Cancer Man is back and Clark totally pulls a Ghost of Christmas Past mind$%#& to get him to confess his crimes.

3. Lex starts piecing thing together about Lionel’s role in his grandparents’ deaths and it’s only a matter of time before Luthor shenanigans are afoot.

“I’m the Ghost of Christmas Kicking Your Ass.
The truth is right here, Cancer Man…”

The WTF?!:
1. Pete is unnecessarily skeptical with Clark considering how much he knows about his origins and how much he’s seen over the years.

2. You’d think after Dr. Dick almost blew up, they’d have put some tight security up at the caves. And in doing so, you’d think incorrectly.

3. It’s never really explained why exactly the superbly technically advanced Kryptonians slum it in the asscrack of the American Midwest as a rite of passage, now is it?

“Not gonna lie, Officer. I’m here for the fine ladies.”

INDULGE IN AN AFTERNOON OF ART AND BEAUTY WITH FRENCH GRAPHIC NOVELIST JOANN SFAR On January 25th in NYC.

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If you are unfamiliar with the French graphic novelist Joann Sfar let me give you a brief rundown.

Sfar is part of the new wave of Franco-Belgian comics (comics which are held to high literary standard and are part of the culture- think The Adventures of Tin Tin) and his comics, in particular, run the gamut from his Jewish heritage (his Professeur Bell series) to contemporary themes like vampires (Vampire Loves which tells the story of Ferinand who bites people with only one tooth so that his trespasses against mankind can pass as mosquito bites).

His work is both silly and serious and certainly worth taking a look at if you want to delve into a world of foreign comics.

But if you aren't convinced yet and need a little more prodding to get into Sfar, in 2010 the biopic he wrote and directed of French singer Serge Gainsbourg (Serge Gainsbourg: Une Vie Heroique) was released to critical acclaim (and was based on his graphic novel)and will kill you emotionally.

On January 25th, at the Walter Reade Theater in Lincoln Center, there will be two showings of the film Joann Sfar Draws from Memory (3:00pm and 8:30pm) directed by Sam Ball. The film follows Sfar through his favorite neighborhood spots while he talks about the creative process and where his idea and stories come from.

After the break is a sneak peek at the film (which is shown with another film The Silent Historian, it's a two-fer!).





CAPTAIN KIRK DIES FROM A FALL OFF A BRIDGE...AGAIN

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How many times does this guy have to get splattered on rocks before you people will book a goddamn vacation through Priceline

Source: Vulture

ANIMAX Brings Exclusive Content To CRACKLE

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ANIMAX LAUNCHES ON CRACKLE

World’s largest anime channel comes to Crackle, bringing exclusive content  
to U.S. and Canada

Crackle, Inc., Sony Pictures Entertainment’s multi-platform video entertainment network, has announced Animax, the world’s largest anime channel, will now appear on its multi-platform network in the U.S. and Canada. This launch brings some of the most beloved franchises, sought-after series and titles not previously available in the U.S. or Canada to Crackle users. Offering an extensive collection of anime content with curated updates, the Animax channel on Crackle will be available via the Crackle site as well as on tablets, mobile and OTT devices.

“We are thrilled to bring new, exclusive anime series and films to Crackle fans, providing the widest distribution of free anime content on mobile and OTT devices,” said Eric Berger, EVP, Digital Networks, Sony Pictures Television. “Crackle is the single best multi-platform source of free, ad-supported movies and television and the launch of Animax is no exception.”

The launch of Animax on Crackle marks the U.S. and Canadian entry of the largest cable network in Japan and the largest anime channel in the world. Numerous series will also be available exclusively on Crackle.

Currently, 25 anime series and eight anime films are housed on Crackle, such as:
·         “Samurai X”
·         “Blue Exorcist”
·         “Blood +”
·         “Fist of the North Star”
·         “Viper’s Creed”
·         “Durarara!!”

With Animax, Crackle will launch a long list of new series and movies, such as:
  • “Kurozuka” (US Premiere and Crackle-exclusive)
  • “Initial D”
  • “Fate/Zero”
  • “Ikki Tousen”
  • “Aquarion” “Murder Princess”
  • “Kaena: The Prophecy”
  • “Vexille”
  • “Blood: The Last Vampire”
New episodes and/or series will launch every Wednesday on Crackle.

Crackle, Inc.
Crackle, Inc. is a multi-platform next-generation video entertainment network that distributes digital content including original short form series and full-length traditional programming from Sony Pictures’ vast library of television series and feature films. Crackle is one of the fastest growing entertainment destinations on the Internet today, offering audiences quality programming in a variety of genres, including comedy, action, sci-fi, horror, music and reality. Crackle reaches an impressive audience through its diverse online and mobile distribution network. Visit Crackle’s site at www.crackle.com.   

Just Look Away: RED HILL

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“Alice? Have you seen my gun?”

Red Hill is a 2010 Australian thriller. It’s 78% fresh on Rotten Tomatoes, where 56% of viewers report liking it.



Why Bother?
"We'd be having a different conversation if you were dead.“


Want to know what Ryan Kwanten did before he was Jason Stackhouse on True Blood?

You could do worse than watch this movie.

Want to know what happened to Steve Bisley after he played Jim Goose in Mad Max?

Actually, he did a lot. This is just something he did recently.

If you want to see the impact of American Westerns on international filmmaking, this is a very good example.




Still, it’s not a great film. If you want to know why, and you don’t mind a spoiler or two, read on after the break.

I watched it
“We got a convicted murderer out there killing every man 
in this town and you're suggesting we don't call it in? “

Shane Cooper (Ryan Kwanten) is an Australian constable with two problems. The first is that his wife, Alice (Claire van der Boom), is pregnant. She miscarried six months into her previous pregnancy, and the doctor’s recommended that she and Shane move to a quieter place where she could stay calm and keep her blood pressure down.

His other problem is that he was shot on duty. He came across a kid who was armed and strung out. Shane couldn’t shoot the boy. He thought the junkie needed help, not a bullet.

So they’ve moved out to Red Hill, a village in the Australian countryside. The movie opens as Shane reports for his first day of police work at his new station.



While he’s out investigating a wild animal attack on a herd of horses, and hearing a story about a pregnant cougar escaping from a traveling circus, the rest of the town learns that Jimmy Conway has escaped from prison. Fifteen years ago, Jimmy killed his wife, burned his house down, and generally went crazy until Old Bill (Steve Bisley) and his “boys” arrested Jimmy.

Convinced that Jimmy is coming to Red Hill for revenge, Old Bill calls in every available man, arms them, and sets a deathtrap.

The stage is set for a bloody showdown, but on whose terms?


The Verdict

Red Hill does a lot of things right.

The direction and cinematography are top-notch. The way John Ford saw the American West clearly influences how these folks see the Australian countryside, and I mean that as a compliment. It’s a beautiful film, astonishingly so considering that it’s writer/director Patrick Hughes’ first full-length film.

Ryan Kwanten is clearly an up-and-comer. He does a very sympathetic job as a young husband and father-to-be facing one of the worst first days on a job ever.

The supporting cast are terrific. We clearly grasp who they are and their relationships to each other very early in the movie, and that makes the rest of the film matter.

If only that were all it takes.

Jimmy Conway (played by Tommy Lewis) is the kind of magical aborigine that throws a harsh light on racism in Australia. Not that the US should get off scott-free. We’ve had magical aborigines back at least as far as Nathaniel Hawthorne.

I think it’s pretty clear that director Patrick Hughes is uncomfortable with Jimmy as a character. On the one hand, his disfigured face and keen senses make him almost supernatural. Heck, the man even gets hit by a car and shrugs it off. However, the film never goes far enough to turn Jimmy into a Freddy, Jason, or Michael Myers.


The film needs that.

The “twist” (and here comes the spoiler) that Jimmy is innocent is telegraphed early on. I saw it coming from the moment the town hears about his escape. There are multiple other clues, too.

He’s not a supernatural force of revenge, he’s just a very good tracker bent on avenging himself and his wife. On the other hand, we never see him suffer like every other human would, given the injuries he suffers in the course of the film. I’ve seen enough Australian cinema to spot the Neanderthal stoicism and toughness as a signifier for aboriginal Australians. Maybe it’s accepted Down Under, but here it plays as racist because it keeps him from being fully human.

Because the “twist” is so obvious, and because Jimmy isn’t portrayed as either human or monster, the ending has less impact than it should.

I hate telling you to Just Look Away from this one, so let me add that you should look for more Ryan Kwanten and more Patrick Hughes. I think they’ve got big futures ahead of them.

Sexy Super-Heroes, Or Not

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One day in eighth-grade English class, these two girls decided to hit on me for fun.

I, like many nerds in junior high, didn't get hit on very much, so this was OK.

But it all went downhill once one of them said these words: “You can be Batman, and I'll be Catwoman.”

Yeeeeaaaaahhh.

In the days before puberty, my nerdiness was read through my glasses and good grades more than anything else. In those days, everyone liked cartoons and video games and stuff.

After puberty, I was pegged as The Guy Who Likes Superheroes.

Which was cute, except for one thing, which these two girls, and many other people since, have ignored: I don't want to have sex with superheroes.



Yes, superhero stuff can be damn sexy.

Real-life people are sexy enough, so imagine us on a superhuman scale. Yes, the common mainstays of comic book superheroes can have a sexual component. You see it in some fetish gear: heavy boots, skin-tight latex. Masks can be hot. But put 'em all together, give them a wacky name and say they're fighting crime?

Not hot to me.

And that's before we even discuss how supers showcase the idealized body. Yes, look at them. Enjoy the perfection. The men with mammoth muscles that began with the bulk of circus strongmen and lean solidity of Olympic athletes, to the post-steroid looks of modern sports stars and bodybuilders.

And the women reflect the fantasies of the age.

In the Golden and Silver Age, their physiques started with Ava Gardner and Lana Turner, Marilyn Monroe and Lainie Kazan. The past 20 years have seen countless pages, pencil and ink devoted to Victoria Secret-style, super-slim, super-muscled and ridiculously buxom, cheesecake-contorted, O-faced porn queens.

(An aside: Thanks to guys such as Michael Turner, Jim Balent, J. Scott Campbell for making it extra embarrassing to read comics in public. At least guys like Adam Hughes, Dave Stevens, Frank Cho, Terry Dodson and Sam Basri combine the best of both looks.)

But try explaining all this to people who don't read comics. Try explaining to the people who make their little girls spew out force-fed, faux-liberal platitudes on why Starfire shouldn't look/be so slutty. (Never mind that they're reviving the old slut-shaming dressed up in the language of equality.)

Try explaining why Tarot and Lady Death wear bikins rather than uniforms, and Power Girl has a keyhole top. When non-superpowered Huntress – who gets shot at on a regular basis – wears a costume with her midriff out and biker shorts.

Try explaining that to people who notice that the women have mammoth breasts and think the equivalent is drawing the men with enormous crotch bulges. They bypass all the rippling beefcake wrapped in Superman's shield.

"I have a super soldier.  In my pants"

On the comic book page, the disparity is glaring. But in the multiplex, the disparity swings the other way.

These days, the superhero movie has shifted the sexualized gaze toward the men instead. We laughed when Joel Schumacher had a butt shot in Batman Forever and put nipples on the suit in Batman and Robin. But he was a decade ahead of the curve.





Look at how the camera lingers in Captain America on Chris Evans' torso, pumped up more than a pack of Ball Park Franks, as he steps out of the super soldier incubator. Ryan Reynolds spends a few scenes of Green Lantern in his underwear. Hugh Jackman shows his ass in X-Men Origins: Wolverine. Will Cap and Thor have a pose-down in The Avengers?

Yet January Jones in X-Men: First Class received a cavalcade of unimpressed sighs when she strutted around in Emma Frost's battle lingerie.

In this world, no wonder people think I want to have sex with superheroes. Half my female superhero action figures have cleavage.

I really knew I didn't have any sexual attraction to superheroes when the porn parodies started coming out. I own three of them, based on the swinging-'60s Batman TV show, the '70s Superman movie, and the Superfriends-style Justice League. I've watched all three several times, but after the first viewing I skip the sex parts. The parody parts are far more fun when they're being parodies, after all.


And I just didn't really want to see my favorite superheroes making sex. Nope. Just not interested. Makes more sense for the supervillains, though; Randy Spears as The Joker having his way with a pair of henchgirls makes sense to me.

Of course that's what supervillains do in their spare time.

Sex in superhero stuff like Ed Brubaker's Incognito and Garth Ennis' The Boys makes more sense to me, despite all the in taboo-obliterating perversity that would be more at home in Victorian-age pornography. When you're more human than human, sex has to register on a superhuman scale, right? If we normal humans think missionary is boring, what would Nightcrawler think? But chances are you'd have just as many supers who'd rather be normal in that one moment.

Figuring out the psychology of superhero characters and how that would translate to their sexualities is interesting stuff. If we use superheroes as grand-scale representations of ourselves, then superhero sexuality is important and should be covered, too. Writers such as Alan Moore figured that out and continue to take us there with multilayered portrayals dressed in superhero glory.

But, when it comes down to it, aren't superheroes supposed to be fun?

So why can't their hypersexualized ideal be fun, too?

Power Girl as depicted by the king of comic book cheesecake, Adam Hughes
If you're Power Girl, a 6-foot-tall, nigh-indestructible Kryptonian with 180 pounds of muscle and and perfect G-cups, why would you cover up?  If The Flash didn't want attention, he wouldn't wear a skin-tight red outfit with yellow boots, would he? Tony Stark wouldn't make Iron Man look like a Lamborghini. Vampirella deserves to live out her fantastical existence in that classic Trina Robbins swimsuit. Outsized superhumans and ghouls want to come out and play, too.

Just know that not all us comic book nerds have superhero sex fantasies. No girl ever ever morphed into Wonder Woman when she saw my comics collection and thought it was cool. There's no slash fiction in my browser history.

If you wanna get with me, put the Catwoman mask down. You're perfect just being you.

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