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The Pull List: GREEN HORNET #1, FANTASTIC FOUR #5AU, BATMAN INCORPORATED #9 & More!

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Check out what I checked out this week.

Whether the comics are inspiring or disappointing, I read them all.

Welcome to The Pull List.

And, as always...Spoilers ahead!

Uncanny Avengers #5 (Pick of the Week)
Writer: Rick Remender
Art: Oliver Coipel & Mark Morales
Colors: Laura Martin & Larry Molinar
Publisher: Marvel Comics
Price: $3.99

Rogue and Wasp are not getting along; Scarlet Witch feels she should be the leader of this group, Wolverine is recruiting a new member in Japan, and Captain America organizes a press conference in an attempt to keep the peace until Death comes a knockin'.

The assortment of Avenger initiatives have different reasons for being and this one is designed to bridge the gap between mutants and humans. Cap feels he should have done better by mutants and Havok wants to prove to his big brother that abandoning Xavier’s dream was a mistake.


At the press conference, Havok states he doesn't want mutants to be called the “M” word anymore and says to call him Alex when a reporter asks what to call him.

This topic has engulfed the Marvel landscape for the majority its existence. Rick Remender examines this issue by bringing the political nature of it all to the forefront. While diversity may not be something you would want to read about in a comic book, it is a reflection of the world we live and is pulled off quite nicely.

Grade: A


Batman Incorporated #9
Writer: Grant Morrison
Art: Chris Burnham & Jason Masters
Colors: Nathan Fairbairn & Hi-Fi
Letters: Dave Sharpe
Publisher: DC Comics
Price: $2.99

It is Damian Wayne’s funeral and the opening images show Bruce Wayne, Dick Grayson, Tim Drake, and Alfred serving as pallbearers.

Obviously, everyone is sad but Bruce is addled with a personal loss, and looks as if he can barely hold the coffin. Everyone wants to say something but no one knows how to say it to Bruce.

Robins have come and gone over the years and they all looked at Bruce like a father. The difference is Damian was actually Bruce’s son which makes the day even harder to deal with.

The art team of Burnham and Masters depict these moments so well because it has you feeling a little bit of the agony they are going through. The book goes back and forth between flashbacks leading to Damian’s last moments and his final resting place. Morrison masterfully and slowly elevates tension because like we’ve seen in the past, eventually, Batman is going to snap and take his vengeance.

Knowing that this incident hits home more than any before it makes the tension more abundant for the reader. With three issues left on Grant Morrison’s run on this series, there is little doubt that heads are going to roll like never before and we all get a front row seat

Grade: B

Green Hornet #1
Writer: Mark Waid
Art: Daniel Indro
Colors by Marcio Menyz
Lettering by Troy Peteri
Covers by Alex Ross & Paolo Rivera
Publisher: Dynamite Entertainment
Price: $3.99

Mark Waid takes his talents to Dynamite Entertainment and….. Yes, the same Mark Waid who writes the critically acclaimed Daredevil series for Marvel and puts together one hell of a Green Hornet book that will keep you enthralled for all 32 pages.

It reads like a great cop show and is more than the usual crime fighting saga. Waid reminds us of who the characters without making it seem your meeting them again for the first time.

This book ignores the other Hornet comics published by Dynamite, which makes it a great jumping on point for new readers. Despite the story taking place in the 1940’s, Daniel Indro art makes everything fresh and new and produces great character work. If pulp heroes are your thing and you want a comic that will make you come back for more, you've found it, right here.

Grade: A-


Fantastic Four #5AU
Writer: Matt Fraction
Art: Mark Bagley, Mark Farmer
Colors: Paul Mounts
Publisher: Marvel Comics
Price: $3.99

Age of Ultron is one of those disastrous events that has changed the landscape of the Marvel Universe. However, the world is not going to stay destroyed forever.  You know that somehow, the world is going to revert back to its normal self through some cosmic entity of a super-sciencey time travel scenario.

So far, Sue Storm is the only FF member to make an appearance in AU and this issue tells us why. Matt Fraction delivers to his readers an emotional punch in the face as Reed, Johnny, and Ben’s last words to the children via a holographic message is somehow heart wrenching even though you know not only the end result, but you know that result will not last forever.

Grade: B



East of West #1
Writer: Jonathan Hickman
Art: Nick Dragotta
Colors: Frank Martin
Publisher: Image Comics
Price: $3.50

The master of alternate history comic books strikes again, and again. On the surface, East of West is a dystopian western filled with cowboys, Indians, and shootouts.

It’s more than that, though. Aliens, magic, and politics influence everything that transpires as mystery surrounds the missing member of the Four Horsemen of the Apocalypse.

Nick Dragotta's artwork is the best of the week as it brings a dark sense of wonder to this world. Dragotta's pencil work knows no bounds and the coloring of Frank Martin exceptionally boosts the imagery at hand.

If you are looking for something new, you’ve found it and if you have heard the hype surrounding this release, believe it.

Grade: A-

Think Tank #6
Writer: Matt Hawkins
Art: Rahsan Ekedal
Cover: Rahsan Ekedal & Brian Reber
Price: $3.99

Think Tank is one of the best comic books on the market today.

It's ability to be funny, serious, and clever at the same time is devoid of any filibuster and exudes great storytelling due to its superior craftsmanship. Everyone’s favorite slacker genius David Loren has created a weaponized pathogen that can kill the enemy according to the ethnic genetic code it was designed for.

For someone who is always three steps ahead of everyone, he can’t stop getting out of his own way at times, which is fascinating for a number of reasons. Rahsan Ekedal's art does a great job of depicting facial reactions.

Military personal in particular are the people pulling the strings and are always working some sort of angle.

The cover says “Reading this book will make you smarter” and I think it just might.

Grade: A-

Superior Spider-Man #6AU
Writer: Christos Gage
Art: Dexter Soy
Colors: Dexter Soy
Cover: Marco Checchetto
Publisher: Marvel Comics
Price: $3.99

One of the questions that have been on everyone's mind, as it relates to Age of Ultron, is which Spider-Man are we seeing?

Is it Doctor Octopus or did Peter Parker find his way back to the land of the living along the way to oblivion? Rest assured, the good doctor is still our friendly neighborhood web-slinger.

Christos Gage takes over for Dan Slott, and does an excellent job of putting together a battle of superior artificial intelligence and superior human intellect.

Otto thinks he is the smartest being ever created so naturally, he is the only man for the job and won’t take orders from the likes of Tony Stark.

While it is not the best Superior Spider-Man you will ever read, it is a great tie-in to this mega event and those normally can be ignored. Make sure you read this issue before reading Age of Ultron #3.

Grade: B+


Teen Titans #18
Writer: Scott Lobdell
Art: Eddy Barrows & Eber Ferreira
Publisher: DC Comics
Price: $2.99

The death of Damian Wayne has driven Red Robin to refocus on the reason why he created the Teen Titans in the first place: to protect super powered teens.

Unbeknownst to the team, Robin is not well and getting worse due to the events of Death in the Family.

He gets a lead on a teen being held captive at Belle Reve and rounds up the team to embark in a rescue mission. They clash with Suicide Squad upon their arrival.

This issue serves as a renaissance for Tim Drake’s character. Sure, he formed the Titans but he was the Robin making the least amount of waves.

Scott Lobdell manages to use Damian’s passing as something meaningful instead of letting it just sit there as a shocking moment.

Tim and Damian have a heartfelt moment regarding the Robin mantle that was extremely well done due to its honesty. Darke is the Robin I grew up with, so it was refreshing to finally see a solid development with the character that could have lasting repercussions with Superboy, Cassie and the rest of the crew.

The twist at the end is one of those “I’m doing things my way and if you don’t like it, there’s the door” type of moments that was uncharacteristic, but a welcomed change of pace. The most likely end game is either a struggle along the beaten path that culminates with a rude awakening or something different that is here to stay.

This is an enjoyable comic book that is as a great jumping on point and will hopefully gain more steam in the months ahead.

Grade: C+


Titles that didn't make the list but may tickle your fancy.

Age of Ultron #3 (Marvel Comics)
Nothing really happens here but is still kind of fun and worth picking up if you want every installment in your collection.

Talon #6 (DC Comics) 
Very close to making the list but was missing that little something to put it over the top. James Tynion IV is doing some great work with this series.

Deathmatch #4 (Boom! Studios) 
While this is probably the weakest issue of the series, there is still some story progression worth checking out.



MUSIC VIDEO MONDAY: Yeah Yeah Yeahs- Sacrilege (NSFW)

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I'm not a big fan of "new" music (anything created after 1997) because I'm a music snob and try to look cool at parties. But a few groups have managed to sneak past my glorified sense of superiority and the Yeah Yeah Yeahs are one of them.

I became enamored of them after listening to their second album Show Your Bones (2006) and since then have put them on regular rotation on by iPod.

But there's something about their song Sacrilege (from Mosquito out on April 16th) that makes me love them even more and their video for the song, starring British model/actress Lily Cole (The Moth Diaries) certainly intensifies that feeling.

Now the video, shot completely backwards, is chock-full of actors whose own story lines you would think would be particularly difficult to construct in a mere four minutes, but it manages to do so in a way that makes you appreciate the intensity, and Lily Cole's magnificent face is so startling that you can't take your eyes off her.

It truly is an epic example of storytelling and I will be watching it at least fifteen more times today.

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GIRL HOPPED UP ON GOOFBALLS Apologizes to Her Wisdom Teeth For Murdering Them

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A young woman emerges from the depths of a Dentist's office. Her head is comically bandaged. She is put into her mom's mini-van to be taken back home and put to bed. The girl, realizing what she has done to her wisdom teeth, is filled with sorrow and guilt. This is her lament:

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Red Band THIS IS THE END Trailer Kills Michael Cera Once and For All

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Everybody dies.

But it's funny, so it's ok.

TUESDAY BLUs (& DVDs): This Week's New Releases 4/2/13

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A relatively small week of releases with a few gems including two baseball films, Tom Hanks' charming directorial debut, an adaptation of Douglas Adams' Holistic Detective, Coscarelli's latest cult film, and much more!

Batten down the hatches and fire up the queues...


Dirk Gently

Meet Dirk Gently. He's poorly dressed, perpetually insolvent and uncommonly good at solving mysteries. As proprietor of the Holistic Detective Agency, Dirk follows methods that are, in his own words, based on an almost unswerving belief in the fundamental interconnectedness of all things. Affably played by Stephen Mangan (Episodes), Dirk is aided and frequently irritated by his hapless assistant, Richard MacDuff (Darren Boyd, Holy Flying Circus). Together, they tackle cases ranging from a missing cat to a murder that may involve the Pentagon. Based on the novels by beloved author Douglas Adams (The Hitchhiker's Guide to the Galaxy), Dirk Gently follows the detective as he spins coincidences into explanations for seemingly unsolvable mysteries. Although he's regarded as a mere con man by some, Dirk often delivers astonishing results with his unusual tactics. This rollicking adaptation also features Helen Baxendale (Friends, Kidnap and Ransom), Lisa Jackson (Daniel Deronda), Jason Watkins (Being Human), and Bill Paterson (Traffik).  

John Dies At The End


It's all about the Soy Sauce, a drug that promises an out-of-body experience with each hit. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs.  Extras include Deleted Scenes, Getting Sauced: The Making Of John Dies At The End, Creature Corps: The Effects Of Soy Sauce, Casting Sessions, Fangoria Interview With Paul Giamatti, Commentary With Writer/Director Don Coscarelli, Producer Brad Baruh, Chase Williamson and Rob Mayes and Trailers

The Sweeney

Armed and dangerous the Sweeney Flying Squad are London's elite crime fighting force. Led by legendary Detective Jack Regan (Ray Winstone) they are not afraid to use old school bare-knuckle tactics to bring down the modern underworld. Now with a master criminal on the loose and a major bank heist in progress Regan will do whatever it takes to get the job done even if that means defying the orders of his boss (Damian Lewis) and taking the law into his own hands.  

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THE COMIC LIST: Releases For 4/3/12

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After the jump check out a list of which which comics, graphic novels, toys and other pop-culture merchandise will arrive at your local comic shop via Diamond Comics Distributors.   Please check with your retailer for availability.

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INFOGRAPHIC - How To Prepare A Zombie Apocalypse First Aid Kit

Greg Rucka and Michael Lark Reunite For LAZARUS

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OUR FUTURE DYSTOPIA IN LAZARUS

New sci-fi Image series from Rucka and Lark debuts in June

LAZARUS, the upcoming Image Comics series by the Eisner Award-winning creative team of Greg Rucka (Whiteout, Queen and Country, Gotham Central, Wonder Woman) and Michael Lark (Daredevil, Gotham Central, Scene of the Crime) is set in a dystopia where society has reverted to a feudal state — the elite Families who control the wealth control every aspect of the world, and those without are their vassals and serfs. Serving these powerful Families are individuals called their "Lazarus” — lethal protectors of their families' interests. The Lazarus of the Carlyle Family, which controls the world's genetic research and development, is a young woman called Forever. Her story starts the day she is killed.

To writer Rucka, the dystopia he created for LAZARUS isn't a far-fetched science fiction world; it's a logical extrapolation of where our society is heading. After talking to a friend who works in finance and considering the Occupy Movement, Rucka asked himself, "What would the world look like if 99% became 99.99999%? What if the 1% became the .00001%? What happens when that much wealth and power becomes that concentrated?”

He continued, "That's how the world was born, this idea that wealth equals power, until such a point that the wealth becomes almost irrelevant to that power because everything is now owned, and power settles amongst a very select few, and everyone else is on the outside.”

Concentration of power leads to the powerful using all means to protect what they have — and that is where Forever comes in. Manipulated by her Family patriarch to believe she is his beloved daughter, Forever is willing to kill and die for him. But even though she lives in the elite world, she will never be part of it. Regarded variably as a tool, pet, and science project, Forever must break through her lifelong conditioning to find out what and who she really is in a world that sees her as something less — and more — than human.

"If you ask me what the series is about, yes, it's about this dark vision of the future, certainly,” said Rucka. "But it's about Forever, her journey, the questions of nature versus nurture, and of power, and of corruption.”

Lark's art, on gorgeous display in the four-page "prelude” released after its unveiling at Emerald City Comicon in March, renders Forever's world in deep shadow and is heightened with moody colors by Santi Arcas, perfectly capturing the fractured, violent world of LAZARUS as well as Forever's vulnerability and naïveté, which her deadly exterior belies.

"I'm trying to demonstrate the contrast between the 'haves' and the 'have-nots,'” said artist Lark. "Because one side has, literally, EVERYTHING, and the other has NOTHING, the contrast is strong. In issue two we are really going to see that, with scenes in the homes of the Carlyles juxtaposed with scenes of the extreme poverty facing the rest of society. I realize that while we in the United States haven't seen this come to pass — yet — there are other parts of the world where it is already a stark reality.”

Lark agrees that his and Rucka's main character is the key to LAZARUS's story. "We are seeing this world through Forever's eyes, and her journey in this story is not going to be an easy one. The readers need to be able to feel her confusion and pain, as well as her toughness and strength.”

"LAZARUS is a book I've been looking forward to from the moment Greg shared the rough idea with me," said Image Comics Publisher Eric Stephenson. "Every step of the process leading up to this series' debut has just further fueled my anticipation: learning that Greg would be collaborating with the amazing Michael Lark, reading the first script, seeing Michael's initial pages, see the first colored work… This is truly inspired work by a pair of comics' absolute best, and I can't wait for everyone else to be able to love this book as much as I do."

LAZARUS #1 will be in stores on June 26 and is available for pre-order now (Diamond Comics code APR130420) from the April issue of Previews.
Check out the prelude after the jump.

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Contest! Win TORMENTED 3D Blu-ray!

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Daigo doesn't speak anymore. Not since he killed that rabbit on the playground at school. His sister, Kiriko, is worried. He's bullied. He sleepwalks. And their father is no help, trapped in his own grief and illustrating fantasy worlds where families are happily reunited and no one dies.

They never should have gone to that 3D movie. The one with the stuffed rabbit that floated out of the screen. Now Daigo is missing. He's in danger, and Kiriko will have to follow him into a world of nightmares to discover the truth.

And the truth is worse than any dream.

From the legendary director of The Grudge, Takashi Shimizu takes an unflinching look into childhood fears, the ties that hold a family together, and bloody secrets that won't stay dead.


And we're giving away three copies!

To enter, please send an email with the subject header "TORMENTED 3D" to geekcontest @ gmail dot com and answer the following question:

Director Takashi Shimizu remade his 2002 film Ju-On as The Grudge in 2004. Which Vampire Slayer starred in the lead role?

Please include your name and address (U.S. Residents only. You must be 18 years old).

Only one entry per person and a winner will be chosen at random.

Contest ends at 11:59 PM EST on April 28th, 2013.

Sequart Analyzes THE MAN WITHOUT FEAR!

WRAP YOUR PIG STICK With a Fat Back-Style Condom...Safe Sex Has Never Tasted This Meaty

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Every guy on the planet likes to think of his Johnson as a giant meaty Brat but now, thanks to the purveyors of bacon goodness J and D's, he can slip on a bacon-like tube (slicked up with bacon lube) and happily bone away protected from STDs and salmonella.

Is there anything more ideal for a fat back lover?
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ARROW: "Salvation" S1E18 (review)

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By PJ Hruschak
You gotta have heart, miles and miles of (very pointy arrows) and heart

This week Ollie decides to take down another baddie from his father's little black book of doom but, as (bad) luck would have it, someone beats him to the target. 

A vigilante who wants to clean up the town by exterminating all the vile scum. (Sound familiar?) 

We do get to see the slightly more vulnerable side to Ollie and his mother gets pretty dern close to getting scratched from the show.


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THE HOWLING FAT MEN Of the Coen Brothers

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This is an almost six minute compilation of every rotund man who has howled during a Coen Bros. movie (although, to be fair, it consists of mostly John Goodman).

 Oh internet, you never fail to win me over.
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BATES MOTEL: "What’s Wrong With Norman" S1E3 (review)

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By Steve Belgard
Things are moving along swiftly for the Bates family in this episode.  Norman starts blacking out (and we all know what happens when that happens), Dylan begins his new “legit” job, mama starts banging the deputy, and Norman, Emma and Bradley become a triangle.

Dylan (Max Thieriot) gets ready for his new job, by doing his best Travis Bickel/Taxi Driver“you talking to me” routine - looking in the mirror pointing a gun.

The new gig looks very promising.  He goes downstairs and says “Good morning, Mr. and Mrs. Bates,” while Norman and Norma (Freddie Highmore and Vera Farmiga) are having breakfast together. 


At school, Emma (Olivia Cooke) freaks out about the manga book (see Episode 2).  Although she feels guilty about using the dead girl as and her desire to hang out with Norman, when she saw the shed in the woods, the reality of the dead girl's situation overtook her causing her to get a little overwrought.  Norman dismisses her and tells her the book is too pornographic to have at school and gets a little overwrought himself when he accuses Emma of being obsessed with the book.

While taking a test in class, Norman sees images of bondage and depravity from the manga book instead of seeing the test on his desk.  His teacher notices this and is concerned.  The drawings turn to “real” images in his mind and Norman blacks out (which will  become his modus operandi when he turns into Norma down the road). If we’ve learned anything from this scene, we’ve learned that you don’t really have to have good test scores to be a great psychopath.



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BIOSHOCK INFINITE Edited As A Three-and-A-Half Hour Movie

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The Bioshock games are, on their own, a beautiful piece of cinema, but YouTube user dansg08 goes one step further and has made an entire movie from Bioshock Infinite by removing most of the combat and concentrated on the commentary and playthroughs instead.

If you're interested in falling into another universe without losing countless hours to gameplay, then this might just be up your alley.

Of course, you should probably play the game as well, it is, after-all, Bioshock.
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MY AMITYVILLE HORROR (review)

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By Todd Sokolove

As you may know, I'm a bit of a fanatic when it comes to the great American haunting known in the cultural zeitgeist as the "Amityville Horror."

I've been a fan of the book since it scared the crap out of me as a kid in the late 70s, and just a few years ago I even had the pleasure of going inside the actual house during a tag sale.

Although a rug from the house's "sewing room" now adorns my living room, I've yet to have anything out of the ordinary happen from it.  I do get a kick out of calling it the Amityville Horror Rug.

Daniel Lutz, on the other hand probably wouldn't step two feet into my living room.  As the oldest kid of the first family to move into 112 Ocean Avenue after the brutal murders, he has a lifetime of personal haunts, seemingly paranormal and deeply psychological.

In the new documentary My Amityville Horror, director Eric Walter attempts to exorcise some of Daniel's demons.


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THE FOLLOWING… ""Whips and Regret""

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The juxtaposition of Ryan Hardy (Kevin Bacon) sleeping in and hungover and Joe Carroll (James Purefoy) out for an early morning run talks volumes about the characters and their motivations. Their phone call is about tired clichés, the kind of tired cliches this show both tries to avoid and simultaneously wallows in.

This episode seems to be about love, relationships and betrayal. We explore Emma's relationship with Jacob, who she betrayed many episodes back. We explore Hardy's relationship with Carroll, who both love the same woman. We see the relationship between Hailey Mercury, a dominatrix (but not a killer or part of Carroll's cult) and Vince, a cult member and an ex-militiaman who lost his best friend last episode.


Claire Matthews, who allowed herself to be taken by Carroll's followers last episode, is taken to the compound and demands to see her son, Joey Jr. as was promised. Instead she's shown to a locked room. To force her cooperation Jacob tells Claire that he can't cut or bruise her face, but he has permission to hurt her if necessary.


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HOW TO FAKE A MOON LANDING: FOG! Talks to Science Writer and Cartoonist Darryl Cunningham About His New Book, Exposing Science Myths and Why People Shouldn't Dismiss Comics As A Learning Tool

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I have been a science/nature junkie from the day my dad brought home a mammoth's tooth from Alaska and began explaining to me (in great detail)that the planet that I was standing on had been around for millions of years and that the earth had experienced several mass extinction events during its time. Holding up the tooth he told me something that both frightened and exhilarated me: That one of these extinction events caused the death of all the dinosaurs and that no one knew exactly what that was and there may come a day when humans will experience one for themselves.

From that moment on, I was hooked.

Unfortunately as I got older, I felt myself pulled away from science by teachers and a society that didn't always put a value on the subject as a tool to expand one's mind (just memorize these facts and pass the test). While I still enjoyed reading about various scientific topics like Quantum physics, Chaos Theory and Astrophysics, it was done on a purely self-education journey and not as a career (which I sadly regret).

But now, as I am reaching middle-age (Oh God, really?) I have witnessed that where science has always been an absolute (while still being fluid enough to accept or reject a theory when new evidence is introduced), the age of pseudo-science has come to rein supreme and people are willing to take such information as fact without questioning the politics behind it.

Darryl Cunningham, a science writer and cartoonist who specializes in taking pseudo-science to task, has had his UK book, Science Tales released here in the US (How to Fake A Moon Landing: Exposing the Myths of Science Denial) which not only busts various myths, he does so through the use of comics, making the argument that simplifying the message is the best way to educate the masses.

His interview is after the break
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Animated Nostalgia – Revisiting the X-Men’s Cartoon Adventures of the 1990s

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There are some cartoons from my youth that will likely forever hold a special place in my heart.  Voltron, Thundercats, G.I. Joe, He-Man—man, those were the days.  I remember just sitting down in front of the television with a great big bowl of sugar-infused cereal for hours at a time, trying my hardest to rot my brain and my teeth simultaneously because, hey, multitasking, right?

I was just about in my teens when Fox Kids debuted X-Men: The Animated Series, but don’t think that stopped me from carrying on like a six year old.  Quite the contrary, I remember almost being late to all important track meets in high school because I was trying to catch the latest episode, and I bought the comic book based on the show just so I could see it from a slightly different perspective.

None of this should really surprise my regular readers, given my…let’s be charitable and call it an “affinity” towards those men and women of X on display both here in Danger Rooms and elsewhere in American History X(-Men).

Oh, Brain, you never stood a chance, you poor, hapless bastard…

So imagine my delight when I was scrolling through the offerings on Netflix and found they had all of the episodes.  As much a fan of the show as I was, I never did get around to seeing every episode when they aired, and not having things like streaming Internet or DVR in those olden days, what with all the busyness of walking uphill to school in the snow both ways, I was anxious to make up for a missing piece of my childhood.

I popped an episode on just as my daughter came home from church with my wife, and she was immediately transfixed.  And, thus, began a two week odyssey through every episode, my daughter by my side, the kid in me excited to share the series with her and answer all of her questions.

And, great shades of Elvis, were there a lot of questions from this little three year old.

Seriously.  It was like watching television with the frikkin’ Riddler.

Watching the entire series, I was struck by just how serious a lot of episodes were, and how many big storylines from Days of Future Past to Phalanx Covenant to Age of Apocalypse were played out to varying degrees.  Some things in the series I completely forgot, but I’m pretty sure that was by choice, or perhaps my brain setting up a natural defense to block parts out.

Like Storm.

Or, more specifically, the voice(s) of Storm.

Just shoot the lightning; we don’t need a whole speech about it, lady.

I thought it started with Halle Berry and her on again/off again accent from no country ever established on Earth, let alone one in Africa, but apparently, it began much earlier with Iona Morris (and then, in later seasons, Alison Sealy-Smith) voicing Storm.

Now, for the record, I love me some Ororo Munroe.  Always have.  At one point, she had a Mohawk and no powers, and still led the X-Men.  Even Wolverine was like, “Look, I may be a nutty Canadian with an unbreakable skeleton and claws that go through steel like Oprah goes through ham, but I’m not stepping to O-Mun even if you paid me in maple syrup and six packs of Molson.”

But the voice acting for the cartoon was so over the top, like the worst of Claremont’s verbosity given life and a really bad accent, that every time she commanded the arctic winds to chill the bones or whatever she was going on about, I wanted to cry a bit.

After this, he made her a sandwich and grabbed her a beer.

Most of the other voices were decent enough, except when Cedric Smith (Professor X) and Lenore Zann (Rogue) had to scream and sounded like cows mating with farm equipment, and to this day, I have no idea why Gambit spoke in the third person so much and sounded drunker than Kathie Lee and Hoda.

Still, all kidding and voice atrocities aside, it was an awesome cartoon.  Even after they changed the theme song in season five to add some really bad pitch-modulating guitars, it stayed faithful to the 90s era of the comics, while incorporating a lot of the themes of the earlier stories, notably those by Claremont.

And my favorite part?  That Anastasia got so into it, far beyond just the superficiality of the bright animation and action sequences.  She learned some lessons from it, even at this early age.

One day, I picked her up from daycare and was informed that she stuck up for a kid that some of the boys were bullying, a kid with really thick glasses in a class where no one else has any at all.  She pushed one kid away and said, “We don't be mean to different people; that's what my dad says me [sic.] when we watch X-Men.”

I’m counting this one as a parenting win.

Now if only she’d stop calling him A-popsicle-lips…

DOGS ARE PEOPLE TOO: Belgian Band, The Recorders, Use Canines to Infuse Their Song 'Purple and Gold' with Emotional Depth...And They Succeed

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You know what? I have found that any band that uses animals in an anthropomorphous way, has my attention, and I'm not about to apologize for this particular character flaw at all.

In fact, the Recorders video for their song Purple and Gold not only makes a good use of human-like dogs, it completely enthralls me to the bone.

Dammit, I just like dogs...don't judge me.

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