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Stream On: New to Netflix for August 2016

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streamonNeed a break between the political machine and the Olympics? No worries. Netflix has your back.

Sort of.

Nothing must see, but a handful of classic pics that are sure to help build on your personal cinematic knowledge with films featuring Paul Newman, Doris Day, and Clark Gable, as well as a bunch of insightful docs.

Also this month, Netflix offers a selection of pics from the Norwegian Slow TV movement, which is perfect for folks who wish the annual yule log was year round. And longer.

AUGUST 1

The American Side (2016)

Set in Niagra Falls, a second-rate gumshoes discovers a decades-long conspiracy involving Nikola Tesla.

An Inconvenient Truth (2006)

Al Gore’s attempt to spread the truth about global warming that inspired many a folks to counter with, “But it’s so cold this winter!”

APEX: The Story of the Hypercar (2016)

Documentary follows gearhead Christian von Koenigsegg has he attempts to build a “mega” car that can go from 0 to 200 MPH

Beethoven’s Christmas Adventure (2011)

Dog’s still do the darndest things…

Big Daddy (1999)

Adam Sandler finds a kid and opts to use said kid as a tool to get back with girlfriend. As with many of these Sandler plots, implications in the real world would often result in arrest.

Black Widow (1987)

Debra Winger plays a fed on the hunt for a serial killer who plays Fuck, Marry, Kill IRL, but all with the same guy.

Critical Condition (1987)

Richard Pryor is a con man who pretends to be a doctor. Chaos ensues.

Deadfall (2012)

Brother-sister thieves Olivia Wilde and Eric Bana are on the run after a casino heist. After splitting up, Wilde makes goo-goo eyes at former boxer Charlie Hunnam, who is also on the run.

Destination: Team USA (2016)

Get ready for the Rio 2016 Olympic Games with this docu on five athletes.

Funny or Die Presents: Donald Trump’s The Art of the Deal: The Movie (Netflix Original)

Johnny Depp plays presidential wannabe Velveeta Jesus in this satire of Trump’s 1987 best seller.

The Family Man (2000)

Before Nicolas Cage went off the deep end, he was still a bankable star that was occasionally cast in romantic comedies. But this was directed by Brett Ratner, so you can see the decline before the fall.

The Fast and the Furious (2001)

Paul Walker and Vin Diesel team for the first time in this street racing franchise. Watch it and admire they they were just babies when they made this.

The Fast and the Furious: Tokyo Drift (2006)

No Vin. No Paul. This time it’s Lucas Black and he’s in Japan. Cheesy, yes. But a personal favorite in the guilty pleasure series.

Final Destination 3 (2006)

More pretty teenagers die in really cool ways.

From the Terrace (1960)

Paul Newman and Joanne Woodward star in this drama about a WWII vet turned exec who builds his entire life on revenge against his wealthy pops. All goes well in his shallow existence until he falls in love for reals.

Holding the Man (2015)

Love story about a 15 year relationship between two men who met when they were teenagers.

How To Win The US Presidency (2016)

Apparently, it’s not that hard…

In the Shadow of the Moon (2007)

Brit doc about the American manned missions to the moon, beginning with the Kennedy administration and following the achievement to Neil Armstrong’s moon walk.

ISIS: Women Unveiled (2016)

A stirring look at the terrorist organization and the women who survive within it.

Masha and the Bear (Season 2, Netflix Original)

Russian animated series about a little girl and her BFF, a bear.

Memoria (2015)

Based on James Franco’s ‘Palo Alto Stories’, pic follows lad named Ivan who struggles with teen angst in the Californian suburb.

The Naked Prey (1966)
Sort of a precursor to Cannibal Holocaust, a safari guide takes a group of assholes out into African wilderness where they immediate insult a local tribe. After killing the tourist group, the tribe give the guide a head start as he becomes prey in their hunt.

ARVE Error: no id set

NCIS (Season 13)

Really? 13 years? Good on them.

Pay It Forward (2000)

Before Haley Joel Osment became the new Kevin Smith “It Boy,” he was an adorable kid actor. Kevin Spacey and Helen Hunt co-star in this saccharine sweet drama.

Roseanne Collection: Third Season

Former “Domestic Goddess” Roseanne in the original series that made her a household name. Watch this and not the horrible jumped-the-shark final season of the show.

Sleepy Hollow (1999)

Tim Burton and his boycrush Johnny Depp star in the quirky retelling of The Legend of Ichabod Crane. Featuring a black and white palate, a Danny Elfman soundtrack and Winona Ryder temporary replacement Christina Ricci.

Sliding Doors (1998)

Before she was known as an out-of-touch rich lady who offered useless tips to housewives via a condescending blog, Gwyneth Paltrow was an indie darling and a Miramax muse. Here she stars in a movie that tracks two “what-if” scenarios in dual storylines.

Star Trek: Nemesis (2002)

Chaos ensues after Picard and the gang try to negotiate peace with Romulans. Also: Double Datas, Riker returns to his career path and tie-ins to Voyager.

Teacher’s Pet (1958)

Clark Gable plays a newspaper editor who first fights then falls for a journalism teacher played by Doris Day.

The Verdict (1982)

Paul Newman and Charlotte Rampling star in this drama about an alcoholic lawyer who ends up taking on the church.

The Wedding Planner (2001)

Before the recent McConaissance, Matthew McConaughey starred in more romantic comedies than you can possibly imagine. In this one, he falls of Jennifer Lopez who is his wedding planner. Shocker.

What Women Want (2000)

Mel Gibson movie with a title that now reads as total irony.

He can read the minds of women and give them what they want, because an honest relationship with a guy who isn’t sleazy was super hard to figure out before.

Young@Heart (2007)

Docu about a senior citizen choir who cover modern day rock covers as part of their act. Beyond adorable and perfect to watch with grandma.

AUGUST 3

Beat Bugs: Season 1 (Netflix Original series)

Netflix tries to bring the golden tunes of the Beatles to a new generation through adorable animated insects.

AUGUST 5

David Cross: Making America Great Again (Netflix Original)

Because this is what America needs right now: a ranting David Cross.

Ever After High: Epic Winter (Netflix Original)

Teen kids of classic princesses, princes and bad guys all go to highschool together in an attempt to get you to crack open your wallet for your kids.

The Little Prince (Netflix Original)

“When an overscheduled girl befriends an eccentric aviator, he regales her with tales about the adventures of an unusual boy who lives on an asteroid.”

Punk’s Dead: SLC Punk 2 (2016)

Punk’s not dead. It just needed a 20 year nap.

The original pic was great little indie movie that brilliantly featured a punk slice-o-life in Utah. While this sequel is not nearly as good as the original, it is fun to find out where favorite characters have ended up.

Slow TV: National Firewood Evening (2016)
Slow TV: National Firewood Morning (2016)
Slow TV: National Firewood Night (2016)
Slow TV: National Knitting Evening (2016)
Slow TV: National Knitting Morning (2016)
Slow TV: National Knitting Night (2016)
Slow TV: Northern Passage (2016)
Slow TV: Northern Railway (2016)
Slow TV: Salmon Fishing (2016)
Slow TV: The Telemark Canal (2016)
Slow TV: Train Ride Bergen to Oslo (2016)

So, what is Slow TV?

This is a Norwegian concept of a long-form TV program that runs the length of the activity/event.
Let’s put it this way: Did you think that season four of Game of Thrones was a little long in the tooth? Than this might not be the program for you…

For some it is relaxation. For other’s, it’s torture. To each his own.

AUGUST 6

The Confirmation (2016)

Clive Owen plays a carpenter who takes his young son on an outing to catch the thieves that stole his toolbox. Bonding ensues.

AUGUST 9

Real Husbands of Hollywood (Season 4)

Because being shallow and vain shouldn’t be limited to just housewives in the suburbs of major cities.

T­-Rex (2015)

Teen Claressa ‘T-Rex’ Shield dreams of escaping Flint, Michigan and becoming the first woman to win gold in Olympic boxing.

AUGUST 10

St. Vincent (2014)

Bill Murray plays a crotchety old curmudgeon who befriends the kid of his single-mother neighbor and proceeds to give an an alternative education.

AUGUST 11

Flight of the Butterflies (2012)

Docu about the study of migration patterns of monarch butterflies.

No Country for Old Men (2007)

The Coen brothers take hold of Cormac McCarthy captivating novel and turn it into gold.
Josh Brolin plays a man who finds a fortune in the ruins of a gunfight, but becomes the prey of a cold-hearted killer played by Javier Bardem (who won an Oscar for his efforts).

AUGUST 12

Ask the StoryBots: Season 1 (Netflix Original)

“Five curious little creatures track down the answers to kids’ biggest questions, like how night happens or why we need to brush our teeth.”

The Get Down: Part 1 ­ (Netflix Original)

“Told through the lives and music of a ragtag crew of South Bronx teens, The Get Down is a mythic saga of the transformation of 1970s New York City.”

Project Mc2: Season 2 (Netflix Original)

“Teenage spy McKeyla teams up with three other super-smart girls to become secret agents who use their science and tech skills to save the day.”

AUGUST 13

13 Cameras (2016)

The usual trials and tribulations that follow the first year of marriage are put through a grinder when a young couple’s landlord keeps track of their day-to-day through hidden cameras.

AUGUST 15

Louis CK: Live at the Comedy Store (2015)

The title says it all.

AUGUST 16

Let’s Go to Prison (2006)

Dax Shepard plays a convict looking for revenge on the judge that sentenced him through his son, played by Will Arnett.

Our Last Tango (2015)

Docu on world famous Argentinian tango dancers María Nieves Rego and Juan Carlos Copes.

AUGUST 17

The Curse of Sleeping Beauty (2016)

Dark and gothic take on the classic tale of Briar Rose.

The Last Heist (2016)

Bank robbers find that their latest target is a bit more arduous when they discover that one of the hostages is actually a serial killer (played by Henry Rollins).

Puffin Rock: Season 2 (Netflix Original)

“Life is sweet on beautiful Puffin Rock, where puffling Oona, her baby brother Baba and their pals learn about nature, friendship and family.”

AUGUST 19

Bottersnikes and Gumbles: Season 1 (Netflix Original)

“Based on the much-loved books, three young Gumbles bounce and play while they avoid getting tin-canned by their grumpy neighbors, the Bottersnikes.”

Fearless: Season 1 (Netflix Original)

“On a journey from Brazil to the Las Vegas championships, professional bull riders risk it all to earn money, respect and titles.”

I’ll Sleep When I’m Dead ­ (Netflix Original)

“Before the biggest show of his career, DJ Steve Aoki examines his influential father, Benihana founder Rocky Aoki, in an exciting, moving documentary.”

AUGUST 21

Maz Jobrani: I’m Not a Terrorist, But I’ve Played One On TV (2015)

Based on the funny memoir by Jobrani about growing up Iranian in the U.S.

AUGUST 22

Law & Order: Special Victims Unit: The Seventeenth Year

“In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories…” DA-DUM x 17 = Yay.

AUGUST 23

Septembers of Shiraz (2015)

Drama based on Dalia Sofer’s 2007 novel about a Jewish family facing turmoil and danger in Iran.

AUGUST 25

The Road (2009)

Adaptation of Cormac McCarthy’s post-apocalyptic novel about an unnamed man attempting to survive the desolate and dangerous landscape of the United States with his young son.

AUGUST 26

Blue Is the Warmest Color (2013)

Cannes winner that follows a true-to-life relationship between an artist and a younger women from beginning to end.

Dawn of the Croods: Season 2 (Netflix Original Series)

“The world’s first family is back for more laughs as they discover sports, sleepovers and other wonders in a world of exotic creatures and adventures.”

Glitter Force: Season 2 (Netflix Original Series)

“Five preteen girls learn they’re a legendary superhero squad known as the Glitter Force. Their mission? To defend Earth from evil fairy-tale villains.”

Jeff Foxworthy and Larry the Cable Guy: We’ve Been Thinking… ­(Netflix Original)

“Grammy-nominated comedians Jeff Foxworthy and Larry the Cable Guy bring their distinctive brand of humor to a packed crowd in Minneapolis.”

Once Upon a Time (Season 5)

Featuring Evil Emma (aka Dark Swan) as the hero becomes the villain when she takes on the mantel of The Dark One.

XOXO (2016) (Netflix Original)

“The lives of a budding DJ, his loyal pal, a hopeless romantic, a jaded has-been and a troubled couple intersect at an electronic dance music festival.”

AUGUST 27

Rams (2015) (aka Hrútar)

Two brothers who spent the better part of their lives at odds with each other much come together to save their flocks from infection.

Won the Prix Un Certain Regard at the Cannes Film Festival.

AUGUST 29

The State of Marriage (2015)

A documentary about the origins of the marriage equality movement.


Boston Cinegeeks! We’ve Got Passes for ‘Anthropoid’ Starring Cillian Murphy and Jamie Dornan

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ANTHROPOID is based on the extraordinary true story of “Operation Anthropoid,” the code name for the Czechoslovakian operatives’ mission to assassinate SS officer Reinhard Heydrich.

Heydrich, the main architect behind the Final Solution, was the Reich’s third in command behind Hitler and Himmler and the leader of Nazi forces in Czechoslovakia. The film follows two soldiers from the Czechoslovakian army-in-exile, Josef Gabčík (Cillian Murphy) and Jan Kubiš (Jamie Dornan), who are parachuted into their occupied homeland in December 1941. With limited intelligence and little equipment in a city under lock down, they must find a way to assassinate Heydrich, an operation that would change the face of Europe forever.

To enter, send an email with the subject heading “FOG!” to AnthropoidBoston@gmail.com

The screening will be on Thursday, August 11 at Kendall Square Cinema, 7:00PM.
You must live in the Southern New England area to enter.

‘The Conjuring 2’ Arrives on Blu-ray & DVD 9/13; on Digital HD 8/30

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Resist the temptations of oppressive spirits when “The Conjuring 2” arrives onto Blu-ray, DVD and Digital HD. New Line Cinema’s supernatural thriller “The Conjuring 2,” with James Wan (“Furious 7”) once again at the helm following the record-breaking success of “The Conjuring” and bringing to the screen another real case from the files of renowned demonologists Ed and Lorraine Warren.

Reprising their roles, Oscar nominee Vera Farmiga (“Up In the Air,” TV’s “Bates Motel”) and Patrick Wilson (the “Insidious” films), star as Lorraine and Ed Warren, who, in one of their most terrifying paranormal investigations, travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.

Rounding out the cast are Frances O’Connor (TV’s “The Missing”) as the single mom, with Madison Wolfe (TV’s “Zoo”) and newcomers Lauren Esposito, Patrick McAuley and Benjamin Haigh as her children.

The Conjuring 2” will be available on Blu-ray for $28.98, and includes the film in high definition on Blu-ray disc, a DVD and a digital version of the movie in Digital HD with UltraViolet*. Fans can also own “The Conjuring 2 via purchase from digital retailers beginning August 30.

The Blu-ray disc of “The Conjuring 2” will feature a Dolby Atmos® soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers or a Dolby Atmos enabled sound bar are required. Dolby Atmos soundtracks are fully backward compatible with traditional audio configurations and legacy home entertainment equipment that aren’t Dolby Atmos compatible.

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BLU-RAY AND DVD ELEMENTS

“The Conjuring 2” Blu-ray contains the following special features:

  • The Enfield Poltergeist: Living The Horror
  • The Conjuring 2: Hollywood’s Haunted Stage
  • Creating Crooked
  • Crafting The Conjuring 2
  • Sounds of Scary
  • Deleted Scenes

“The Conjuring 2” Standard Definition DVD contains the following special features:

  • The Enfield Poltergeist: Living The Horror
  • The Conjuring 2: Hollywood’s Haunted Stage
  • Creating Crooked
  • Crafting The Conjuring 2
  • Sounds of Scary
  • Deleted Scenes

#TheConjuring2
https://www.facebook.com/TheConjuringMovie

‘Cage Hero’ (review)

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CageHeroCoverCage Hero TPB
Written by Kevin Eastman, Ian Parker,
Mark Mastrandrea, Rik Hoskin
Illustrated by Renalto Rei
Colored by Ross Campbell
Published by Dynamite Entertainment
ISBN-13: 978-1-5241-0000-1 | Price $14.99
Release date: July 21

When MMA star Randy Couture fought Tim Sylvia in March of 2008, he did so against the wishes of the MMA faithful. People were concerned for his safety as Couture was 43 years old and coming out of retirement to battle the much larger champion who stands at 6 feet, 8 inches, tips the scales at 300 lbs. and is 13 years his junior.

Couture rocked the monstrous Sylvia with his first punch, eight seconds into the fight, and dominated the entire affair in an awe inspiring performance to capture his third UFC Heavyweight Championship. That night, “Captain America” went from hero to legend.

High school student and wrestling sensation Ryder Stone learns about his true destiny when he joins a super-powered team of mixed martial arts fighters and strives to live up to his adopted name, Legend, in the pages of Dynamite Entertainment’s Cage Hero. The foreword, written by reputable MMA reporter Mike Straka and the dedication, penned by one of Cage Hero‘s owners and former UFC Middleweight title holder Chris Wediman spend some time conveying the book’s MMA sincerity along with propagating the brand’s mantra “the hero comes from within.”

The combative aspects within the narrative does the same as the protagonists’ skills and preparation mirror those of legitimate fighters. Stone’s combative specialty is wrestling, but he trains in other disciplines, such as boxing, in order to become a complete fighter and a true Cage Hero.

Character and world building are done very well and serve the story well as some of the more cheesy aspects are introduced later on. The first chapter/issue is a day in the life of Ryder Stone who is kind of an awkward teenager socially, but is an absolute wizard on the mat.

He has trouble seeing things beyond the abstract, but that doesn’t stop him from lending a helping hand when a school yard bully rears his ugly head. Stone’s story gets more interesting with each turn of the page as flashbacks of his family’s past are woven in; setting up bread crumbs for the super hero action to come. Stone’s grandfather and teacher are considerate people, which makes the reader connect with them because of how they make our hero better.

A massive shift in tone occurs at the peak of Stone’s personal struggle as an evildoer busts through a window, and lines such as “I thought I smelled your stench when I entered the building” and “It’s time to fulfill your destiny as a cage hero” occupy the character’s dialog. Think of Doctor Claw trading barbs with a 1966 Batman, and it sounds like a concept too cheesy to be taken seriously, however, it works because at this point, the book isn’t taking itself too seriously. The new tone is not underprepared or overcooked, it’s just right, which makes the story more enjoyable.

Renalto Rei’s artwork exhibits an abundance of energy. Layouts, character work, and action scenes fill the pages with narrative substance and impressive visuals. The coloring could have been better as the palettes used didn’t match the atmosphere and flow of the story as more vibrant colors would have improved the artistic presentation.

I have been reading comics virtually my entire life, and I’ve been an MMA enthusiast since the day Tank Abbott floored John Matua with an onslaught of punches at UFC 6 in 1995 and the Cage Hero logo on the cover immediately drew me in because I recognize it from the slew of fighters the company has sponsored over the years.

Outside of those things, there is nothing else that would either draw someone in or keep them engaged in the story past the dramatic shift in tone. The purposeful cheesiness of the plot’s execution was welcomed but it could be a turn off to readers who don’t realize it early on.

Kevin Eastman’s name is on the marquee for this project, but I wonder how much input he imparted past the concept stage. I would like to see what writer and MMA diehard Blair Butler could do with this concept as she presented a thoughtful and grounded comic in her caged fable, Heart.

Overall, Cage Hero is no different than what wrestling, football, basketball and other sports have done with comics. It’s a fun enough read that you won’t remember that long after putting it down.

Livestream ‘Ultraman: 50th Anniversary’ Marathon To Premiere Tomorrow, July 31st on Shout! Factory TV

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It’s ultra-thrills, ultra-action, and ultra-monster mayhem for Ultraman fans, as Shout! Factory TV celebrates the 50th anniversary of the landmark Japanese show with a marathon of epic proportions. Join us for a six-hour live streaming event hosted by Tokusatsu expert August Ragone as twelve handpicked episodes of Ultraman come to life on Sunday, July 31 at 12 p.m. (PST) at http://www.shoutfactorytv.com/.

The marathon will be streaming 12 curated episodes of the show starring everybody’s favorite monster-battling Ultra Crusader, presented in Japanese with English subtitles. After fans have watched the marathon episodes here, all 39 episodes of Ultraman will be available on Shout! Factory TV for evergreen streaming.

When the world is threatened by alien invaders and giant prehistoric monsters, there is only one agency equipped to handle the situation, The Science Patrol, an ultra-sophisticated police force equipped with high-tech weaponry and spacecrafts. Led by Captain Muramatsu, the team defends the planet from the unknown. Unbeknownst to the team, one of their members, Hayata, has the ability to transform himself into the giant superhero from Nebula M7B, Ultraman, when all their weaponry and skills can’t stop their foes!

Created by special effects wizard Eiji Tsuburaya (Godzilla, Mothra), the 1960’s television series Ultraman remains one of Japan’s most beloved science-fiction exports. Airing between 1966 and 1967 with a total of 39 episodes, the live-action series followed a high-tech police force and their alien superhero Ultraman as they battled to save the Earth from invading aliens and monsters.

The Ultraman 50th Anniversary Marathon comes complete with original introductions and insider content from renowned Tokusatsu authority August Ragone, commenting on the impact of this series through its 50 years of availability. A two-time Rondo Award-winning author of Eiji Tsuburaya: Master of Monsters, Ragone has commented on Japanese film and popular culture on radio, television, in print, online, and at events for more than three decades.

Fans of Ultraman and classic Japanese TV won’t want to miss these episodes streaming free! Join the conversation with host August Ragone and other fans with the hashtag #Ultraman while you watch.

Tune in and participate in the fandom on:

Twitter: @ShoutFactoryTV

Facebook: https://www.facebook.com/shoutfactorytv

Schedule of Episodes*

~12:00 p.m. –Ultraman 101 – an opening segment with host August Ragone

~12:15 p.m. – Episode 01: Ultra Operation No. 1

~12:45 p.m. – Episode 03: Science Patrol, Move Out!

~1:10 p.m. – Episode 07: The Blue Stone of Villarge

~1:40 p.m. – Episode 15: Terror of the Cosmic Rays

~2:10 p.m. – Episode 16: Science Patrol into Space

~2:40 p.m. – Episode 17: Passport to Infinity

~3:10 p.m. – Episode 25: Cyphon, the Mysterious Comet

~3:40 p.m. – Episode 27: Monster Majesty

~4:00 p.m. – Episode 28: Human Specimens 5 and 6

~4:30 p.m. – Episode 33: The Forbidden Words

~5:00 p.m. – Episode 36: Arashi, Don’t Shoot!

~5:30 p.m. – Episode 39: Farewell, Ultraman!

*Times listed are Pacific time, approximate and subject to change.

 

Shout! Factory TV’s Ultraman 50th Anniversary Marathon will be streaming from noon to 6 p.m. (PST) on Sunday July 31st at http://www.shoutfactorytv.com/ and on Pluto TV, CH 515. For mobile, tablet and connected TV devices the marathon is accessible via the Pluto TV app. The marathon is also available via Pluto TV in the living room (Roku, Amazon’s Fire TV and Fire TV Stick, Android TV devices, Chromecast and Apple Airplay), on the go (apps for iOS, Android and Amazon) and at your fingertips on PC’s, Mac’s or on the web.

 

That Time of The Week – DVD & Blu-ray Releases 7/12 – 7/26

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DVD

And somehow, here we are in August.

It’s amazing how quickly this summer has passed.  Movies that came out just a few months ago at the beginning of the summer are already finding their way to DVD & Blu.  Lots of great stuff in this batch, folks, including the improved upon Ultimate Cut of Batman v Superman: Dawn of Justice, The Invitation, Green Room and much more!

So sit back, crank up that AC, fire up that queue and prep that shopping cart, it’s That Time of The Week!

 

Lionsgate / Released 7/12/16

Lionsgate / Released 7/12/16

Green Room

Green Room is a brilliantly crafted and wickedly fun horror-thriller starring Patrick Stewart as a diabolical club owner who squares off against an unsuspecting but resilient young punk band. Down on their luck punk rockers The Ain’t Rights are finishing up a long and unsuccessful tour, and are about to call it quits when they get an unexpected booking at an isolated, run-down club deep in the backwoods of Oregon.

What seems merely to be a third-rate gig escalates into something much more sinister when they witness an act of violence backstage that they weren’t meant to see.

Now trapped backstage, they must face off against the club’s depraved owner, Darcy Banker (Patrick Stewart), a man who will do anything to protect the secrets of his nefarious enterprise.

But while Darcy and his henchmen think the band will be easy to get rid of, The Ain’t Rights prove themselves much more cunning and capable than anyone expected, turning the tables on their unsuspecting captors and setting the stage for the ultimate life-or-death showdown. Intense, emotional, and ingeniously twisted, Green Room is genre filmmaking at its best and most original. Saulnier continues to build his reputation as one of the most exciting and distinctive directors working today, with a movie that’s completely different from his previous, highly acclaimed Blue Ruin, but which is just as risk-taking and even more full of twists. The entire cast deliver first-rate performances, but Patrick Stewart gives a transformative and brilliantly devious turn as Darcy-elegant yet lethal, droll yet terrifying, Stewart makes the film simply unforgettable. Extras include making of and commentary.

Last Word: Jeremy Saulnier follows up his impressive debut film Blue Ruin with a taut and brutal thriller that’s one of the best films of the year so far.

The Ain’t Rights — fronted by Amber (Alia Shawkat) and Pat (the late Anton Yelchin) — are about ready to pack in their dwindling tour, but decide to take on one last decidedly sketchy gig at an out-of-the-way bar in Oregon.

They’re not thrilled it’s a Neo-Nazi hangout, but they figure they can do the gig, get paid and get out. Unfortunately, a quick show turns into all-night fight for survival after they witness a murder.

Now the band is trapped in the green room with a corpse, her best friend (Imogen Poots), and an oversized skinhead with a shotgun. On his way is club owner Darcy (Patrick Stewart), who knows he can’t let these witnesses go, at least not alive.

Although Stewart has played villains before (in Conspiracy Theory and Masterminds), it’s a shock to see him playing such a ruthless character.

At first, he seems almost fatherly to the band. He’s just trying to make sure they’re all right. Everything will be fine. The police are on their way. Of course that’s what they want to hear, but they know better than to trust him.

That’s when the skinheads make a tactical error that, frankly, doesn’t make any sense (the film’s only real flaw), but it evens the playing field, at least momentarily, for the band.

To call what follows “a game of cat and mouse” would be a gross understatement.

While Blue Ruin was a slow burn with quick bursts of violence, Green Room is a rapidly escalating battle with scenes that had the audience gasping and covering their eyes.

For such a limited concept — a band trapped in the green room of a club — the film delivers a surprising amount of well-plotted intensity. As in any good thriller, the ordinary joes prove surprisingly resourceful in this life-or-death game, just as Blair did in Blue Ruin. And there’s a dark sense of humor underlying even the most violent scenes and that’s a tricky thing to pull off.

Part of the humor is due to the underdog punkers Shawkat (who was so good in The Final Girls) and Yelchin, who doesn’t seem much older than the teen he played in Alpha Dog. Starting off their set with The Dead Kennedys’ “Nazi Punks Fuck Off” for an all-skinhead audience is obviously not a smart thing for their characters to do, but it is funny.

The star of Blue Ruin, Macon Blair, has a much smaller role here as a skinhead trying to earn his red shoelaces. He’s almost unrecognizable as the shambling hero of Saulnier’s first film, but he proves to be a pivotal player.

Saulnier is carving out a niche somewhere between Martin Scorsese’s brutal mob dramas and the darker side of the Coen Bros,’ where the hero’s survival is never a sure thing. He’s becoming one of my favorite directors and I can’t wait to see what he does next. (– Sharon Knolle)

 

Paramount / Released 7/12/16

Paramount / Released 7/12/16

Everybody Wants Some!!

Everybody Wants Some!! follows freshman pitcher Jake as he arrives at college in the summer of 1980 and meets his new rowdy teammates. Together, they must navigate their way between girls, parties and baseball, all in the last weekend before school begins. The film features an outstanding ensemble cast of up-and-coming actors including Blake Jenner, Tyler Hoechlin, Wyatt Russell, Glen Powell, J. Quinton Johnson, Ryan Guzman and Zoey Deutch.Extras include featurettes and outtakes/raw footage.

Last Word: Linkletter returns to the spirit of some of his lighter fare, more specifically, Dazed and Confused.  With a young ensemble cast, a soundtrack filled with nostalgic music and a very light touch, Everybody Wants Some!! is more character than plot driven (nothing really happens of any significance).   The film is reminiscent of many teen comedies (though better made and in far better taste) of the 80’s with the benefit of Linkletter’s precise and sharp observations.  Everybody Wants Some!! is entertaining, instantly forgettable and will likely be remembered for a launching pad for several future stars.

 

Paramount / Released 7/12/16

Paramount / Released 7/12/16

iZombie: The Complete Second Season

Warner Bros. Home Entertainment provided me with a free copy of the DVD I reviewed in this Blog Post. The opinions I share are my own.

One of television’s most addictive series returns for a second season. From Veronica Mars creators Rob Thomas and Dianne Ruggerio and based on the comic series created by Chris Roberson and Mike Allred, iZombie stars Rose McIver as Olivia “Liv” Moore, a medical resident on the fast track to a perfect life … until she’s turned into a zombie. But Liv finds her calling — and an endless supply of food — working at the Seattle coroner’s office, helping to solve crimes with her “visions,” while her boss and sole confidante, Dr. Ravi Chakrabarti, works on a cure for her unthinkable condition.

As season two begins, Liv’s ex-fiancé and love, Major, is reeling from recent events and the knowledge that Liv is a zombie. Meanwhile, Blaine — now human — struggles to maintain his zombie world; Clive searches for Blaine and suspects Major’s involvement in the Meat Cute massacre; and Ravi remains devoted to finding an antidote to the zombie virus. Unlikely alliances will be struck, relationships will be challenged and the line between good and evil will blur for both zombies and the fully living.

Guest stars include Guest stars include Steven Weber, Robert Knepper, Aly Michalka, Raphael Sbarge, Eddie Jemison, Steven Williams, Rick Fox, Enrico Colantoni, Oscar Nuñez, Wallace Langham, Daran Norris, Ken Marino and Matchbox 20’s Rob Thomas. Extras include 2015 Comic-Con Panel and Deleted Scenes.

Includes the episodes:

  • Grumpy Old Liv: Ravi suspects Major might be experiencing a side effect of the cure, and Liv pays Blaine a surprise visit. Liv consumes the brain of a cantankerous old man.
  • Zombie Bro: Liv and Detective Babineax investigate the shocking murder of a hard-partying frat boy. A mysterious person from Blaine’s past appears.
  • Real Dead Housewives of Seattle: Liv eats the brains of a murdered trophy wife and a wine-sipping, suddenly fashion-obsessed Liv and Detective Babineaux begin questioning suspects. Peyton returns.
  • Even Cowgirls Get the Black and Blues: Liv eats the brains of a country music-singing waitress. Blaine tries to entice a former associate to return to the dark side. Major continues his downward spiral.
  • Love & Basketball: Currently consumed with the brain of an overzealous youth basketball coach, Liv gives Major a pep talk. Blaine and Ravi are forced to work together to recreate the cure.
  • Max Wager: Detective Babineaux has a super-fan moment when he and Liv question an NBA Hall of Famer while investigating the murder of a degenerate gambler.
  • Abra Cadaver: Liv consumes the brains of a death-obsessed illusionist who was murdered in cold blood during a magicians’ convention. Blaine gives Liv some interesting news.
  • The Hurt Stalker: A murder victim was stalking Detective Babineaux, and he is now the number one suspect in her murder. Major is having a tough time with Liv after she consumes brains of a stalker.
  • Cape Town: Working to solve the murder of a high school teacher/vigilante crime fighter, Liv gets into trouble on super hero brains. Major has an eye-opening conversation with a new friend.
  • Method Head: Liv is crushed to find an actor on her favorite show, Zombie High, has been murdered on set. Vaughn tests Major’s loyalty and Blaine gets an unexpected visitor.
  • Fifty Shades of Grey Matter: Things get interesting for Liv as she and Clive investigate the murder of a young librarian who was a writer of erotic fiction. Major is hit with an unforeseen snag in his plan.
  • Physician, Heal Thy Selfie: A very hungry Liv is forced to consume the brain of an unfortunate social media-hungry soul. Peyton leans on Ravi for support. Blaine’s worlds start to collide.
  • The Whopper: Liv and Detective Babineaux investigate the murder of a well-known pathological liar. Ravi makes an unsettling discovery and Major finds himself in a precarious situation.
  • Eternal Sunshine of the Caffeinated Mind: When an incredibly optimistic coffee-shop owner is murdered, Liv uses her sunny outlook to help Clive solve the murder.
  • He Blinded Me??…With Science: Blaine pays Ravi a visit at the morgue, and Liv discovers something new about Drake. Plus, Vaughn du Clark confronts Major.
  • Pour Some Sugar, Zombie: Liv consumes the brain of a recently murdered stripper. Major and Ravi are helping Peyton move back in with Liv when she receives a surprising phone call.
  • Reflections of the Way Liv Used to Be: After consuming the brain of a type-A, ambitious and competitive student near the top of her class, Liv becomes very much like the girl she was before becoming a zombie.
  • Dead Beat: Liv and Ravi find an unlikely ally in Blaine. Meanwhile, when Major finds himself in a world of trouble, sleazebag Brant Stone comes to his rescue.
  • Salivation Army: Working together, Liv, Detective Babineaux and Major crash Vaughn’s Super Max Rager party, where singer Rob Thomas performs.

 

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Shout! Factory / Released 7/12/16

IMAX: Flight Of The Butterflies

It’s a natural history epic. It’s a compelling detective story. It’s an adventure.  Experience one of the most incredible natural phenomen on Earth – the migration of hundreds of millions of Monarch butterflies – and the remarkable story of a determined scientist and his wife who spent decades unraveling the mystery of where the butterflies disappeared to each Fall. Flight of the Butterflies will immerse you in a world of wonder and inspire you with its story of both animal and human perseverance. Includes 4K SDR And 4K HDR for the full UHD Experience. Ultra HD TV with HDR needed to access 4K HDR. Extras include Special Message From Lic. Felipe Calderon Hinojosa, President Of Mexico 2006-2012, featurette, image gallery and 4K trailers.

 

Cinelicious Pics / Released 7/12/16

Cinelicious Pics / Released 7/12/16

Belladonna Of Sadness

One of the great lost masterpieces of Japanese animation, newly restored in 4k for this first-ever U.S. release. Belladonna Of Sadness follows the mad and sensual tale of Jeanne, an innocent young woman who makes a pact with the devil (voiced by Tatsuya Nakadai, from Akira Kurosawa’s Ran).

Filled with explicit Egon Schiele-inspired eroticism, the film is a swirling, psychedelic light-show of medieval tarot-card imagery replete with horned demons, haunted forests and La Belle Dame Sans Merci. Extremely transgressive and not for the easily offended, Belladonna is fueled by a mindblowing Japanese psych rock soundtrack by noted avant-garde jazz composer Masahiko Satoh.

Belladonna Of Sadness is the last in the adult-themed Animerama Trilogy produced by the godfather of Japanese anime & manga, Osamu Tezuka, and directed by his long time collaborator Eiichi Yamamoto (Astro Boy, Kimba The White Lion). All but lost since the its 1970s release, the film was restored by Cinelicious Pics using the original 35mm camera negative and sound elements – including over 8 minutes of surreal and explicit footage cut from the negative.

 

Shout! Factory / Released 7/12/16

Shout! Factory / Released 7/12/16

IMAX: Rocky Mountain Express

Rocky Mountain Express propels audiences on a steam train journey through the breathtaking vistas of the Canadian Rockies and relates the epic adventure of building the nation’s first transcontinental railway.

Retracing the original route aboard the majestic steam engine 2816, the film transports the audience back to the age of steam to re-live this alpine nation-building odyssey.

The film weaves together spectacular aerial cinematography, breathtaking vistas of the West, archival photographs and maps and the potent energy and rhythms of a live steam locomotive to immerse audiences in an era of remarkable ingenuity and struggle. Ride the rails along deep river canyons and over high mountain passes through a region of stunning natural beauty.

Discover some of the most beautiful and rugged landscapes on Earth and the heroic human drama and epic engineering that shaped a continent.

Includes 4K SDR And 4K HDR for the full UHD Experience. Ultra HD TV with HDR needed to access 4K HDR. Extras include animated short The Romance Of Transportation In Canada (1952) and Railroader (1958) documentary. Also includes 4K UHD IMAX Trailer Set.

 

Kino Lorber / Released 7/12/16

Kino Lorber / Released 7/12/16

Yellow Sky

Screen legends Gregory Peck (On the Beach) and Richard Widmark (Road House) co-star in this brilliantly cast western epic featuring an unusually fine story and magnificent direction by the great William Wellman (The Ox-Bow Incident) – unleashing dramatic power seldom found in this type of film.

A band of outlaws, led by tough, gruff Stretch (Peck), find themselves knocking at death’s door after becoming lost in the treacherous western Badlands – only to find their salvation in a lonesome town called Yellow Sky, where the only inhabitants are a doddering old man and his mysterious alluring daughter.

But their deliverance from danger is short-lived when the gang discovers a fateful secret hidden within the dusty, rotting walls of this ghost town – one that will turn brother against brother in a desperate battle to the death!

Beautifully shot in glorious black-and-white by Joseph MacDonald (My Darling Clementine) and features a splendid cast that includes Anne Baxter (The Blue Gardenia), John Russell (Fort Massacre) and Harry Morgan (TV’s Dragnet and M*A*S*H). Extras include commentary and trailer.

 

Kino Lorber / Released 7/12/16

Kino Lorber / Released 7/12/16

Invisible Invaders

Cult director Edward L. Cahn (Curse of the Faceless Man) wonderfully directs this sci-fi shocker about invisible body snatchers invading earth to conquer humanity one corpse at a time.

There’s not just one man or even an army of men can do to stop them, but a scientist, a sergeant and a sexy gal figure out a way to destroy these invading grave robbers and defeat their transparent plot?

The wonderful cast includes John Agar (Journey to the Seventh Planet, Miracle Mile), Jean Byron (The Patty Duke Show), Philip Tonge (Witness for the Prosecution), Robert Hutton (The Steel Helmet), Paul Langton (The Incredible Shrinking Man) and the great John Carradine (House of the Long Shadows). Extras include commentary and trailers

 

Kino Lorber / Released 7/12/16

Kino Lorber / Released 7/12/16

The Ox-Bow Incident

Gil Carter (Henry Fonda, My Darling Clementine) and Art Croft (Henry Morgan, Dragnet) ride into a town frustrated by the prevalence of cattle rustlers. Suddenly, word comes that a popular rancher has been murdered, which puts the already enraged town over the edge.

When the spiteful mayor forms a posse, Gil and Croft are swept up in their mission – to seek vengeance – even upon those innocent of any wrongdoing.

As it becomes clear that bloodlust may win out over rationality, the tension mounts in this masterpiece with its timeless message about the dangers of mob mentality.

The great William Wellman (Yellow Sky) directed this classic western, which was nominated for a Best Picture Academy Award and featured a stellar cast that includes Dana Andrews (Boomerang) and Anthony Quinn (Across 110th Street). Extras include Henry Fonda: Hollywood’s Quiet Hero documentary, restoration comparison and trailer gallery.

 

Shout! Factory / Released 7/12/16

Shout! Factory / Released 7/12/16

Slasher: Season 1

When Sarah Bennett (Katie McGrath, Jurassic World, TV’s Merlin) returns to her small hometown, she finds herself the centerpiece in a series of horrifying copycat murders based on the grisly killings of her parents. As the murders escalate, long-buried secrets are revealed, making everyone around her a suspect… or a victim. Brandon Jay McLaren, Steve Byers, Dean McDermott and Wendy Crewson also star in this eight-episode nail-biter, the first slice of a truly terrifying horror anthology series from Chiller and creator Aaron Martin (Killjoys, Being Erica). Extras include featurette.

Includes the episodes:

  • An Eye for an Eye: When Sarah Bennett returns to the small town where she was born and her parents were killed, she is plunged into a new, even bloodier murder mystery as history starts to repeat itself.
  • Digging Your Grave with Your Teeth: After receiving a disturbing package with a gory message, Sarah is determined to stop The Executioner from wreaking vengeance on the people of Waterbury.
  • Like as Fire Eateth Up and Burneth Wood: Sarah’s certainty that the police have arrested the wrong person for the murders is validated when she learns a shocking secret from her past.
  • As Water Is Corrupted Unless It Moves: Sarah’s efforts to help the investigation due to the police chief’s inaction result in more tragedy.
  • Ill-Gotten Gains: Sarah shoulders Cam’s blame after another shocking murder, while Dylan’s TV commentaries on the killings bring out the best and worst in Alison.
  • The One Who Sows His Own Flesh: Sarah learns disturbing information about her past from Tom Winston, leading her to determine the next probable victim on the Executioner’s list.
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  • In the Pride of His Face: Sarah learns that Dylan knew about her past before they met. Tom Winston escapes from prison, convinced that Sarah is going to be The Executioner’s final victim.
  • Soon Your Own Eyes Will See: Hurt and confused by Dylan’s betrayal, Sarah seeks solace with Cam while The Executioner works to exact a final vengeance

 

Anchor Bay/Starz / Released 7/12/16

Anchor Bay/Starz / Released 7/12/16

The Dresser

One fateful night in a small English regional theatre during World War II, a troupe of touring actors stage a production of Shakespeare’s King Lear.

Bombs are falling, sirens are wailing, the curtain is going up in one hour, but the actor/manager Sir (Anthony Hopkins) who is playing Lear is nowhere to be found. His dresser Norman (Ian McKellen) must scramble to keep the production alive.

Meanwhile, Sir reflects on his lifelong accomplishments and seeks to reconcile his turbulent friendships with those in his employ before the final curtain.

Adapted from the classic 1980 West End and Broadway play by Ronald Harwood, the wickedly funny and deeply moving story of friendship and loyalty also stars Academy Award nominee Emily Watson (The Theory of Everything, War Horse) and Vanessa Kirby (Jupiter Ascending, Insomniacs).

 

Shout! Factory / Released 7/12/16

Shout! Factory / Released 7/12/16

Road Games

After a disastrous summer trip, Jack (Andrew Simpson, Rebellion) finds himself hitchhiking through the sun-drenched rural French countryside with nothing but his British passport.

Unaware of dangers that are plaguing the roads, he tries without much success to get home. Along the way, he partners with another hitchhiker, a beautiful French girl, Véronique (Joséphine de La Baume, Kiss of the Damned).

But when they accept a ride from a local oddball (Frédéric Pierrot, The Returned), the pair find themselves thrown in a deadly game of cat and mouse in which nothing is what it seems. Bursting with nonstop twists and turns and an undercurrent of Hitchcockian malice, this riveting psychological thriller is a hell of a ride.

Legendary cult actress Barbara Crampton (Re-Animator, You’re Next) co-stars. Extras include commentary, outtakes, alternate scene, deleted scenes, Q & A, teaser and trailer.

 

Synapse Films / Released 7/12/16

Synapse Films / Released 7/12/16

Just Desserts: The Making Of “Creepshow”

In 1982, Author Stephen King, and Director George A. Romero collaborated on a feature-film tribute to the controversial EC comics of the 1950s. Told through five jolting tales of terror, Creepshow has become a celebrated horror classic over the past three decades.

With an all-star cast, and featuring groundbreaking special effects by genre legend Tom Savini, Creepshow stands as a horrific and hilarious tribute to the stories that helped influence (and corrupt) a generation of writers and filmmakers. Now the tales behind the creation of this chilling masterpiece can finally be told!

Featuring rare behind-the-scenes footage and photographs, Just Desserts: The Making Of “Creepshow” also contains over a dozen interviews, including George A. Romero, Tom Savini, Adrienne Barbeau, Tom Atkins and many others. Extras include commentaries, interivews, on-set video footage, photo gallery vintage Evening Magazine segment and Scream Greats Volume One: Tom Savini, Master of Horror Effects with optional commentary by Tom Savini.

Last Word: Not the most polished execution, but the enthusiasm with in makes it worth it.  A love letter to Creepshow, Just Desserts is a celebration of the film and features several participants (and several noticeable omissions, especially Stephen King) and a fair amount of anecdotes, but no startling or gossipy revelations.  Nevertheless, if you’re a fan of the film, this is a must see; Just Desserts will make you instantly want to revisit Creepshow (I did) and the plentiful and impressive extras are also essential must-watches.

 

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Kino Lorber / Released 7/5/16

Circle

In a massive, mysterious chamber, fifty strangers awaken to find themselves trapped with no memory of how they got there. Organized in an inward-facing circle and unable to move, they quickly learn that every two minutes, one of them must die… executed by a strange device in the center of the room.

At first, the attacks seem random, but soon the strangers realize that they, as a group, have the power to decide who will be the next to be killed. A vote. A chance to control the machine. But how can they choose who deserves to die? And what happens when there’s only one person left?

Circle is a film about people, how they value one another, and what they do under the worst possible circumstances. A film about what makes us human – who we are, what we believe, and ultimately, the lengths we will go to save ourselves.  Extras include featurette and trailer.

 

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Kino Lorber / Released 7/12/16

13 Cameras

Newlyweds, Ryan (PJ McCabe) and Claire (Brianne Moncrief) move into a new home across the country, having no idea their grim and lascivious landlord, Gerald (Neville Archambault), has installed secret cameras in their rental home.

As Ryan and Claire’s relationship strains from the stress of their pregnancy, Gerald becomes increasingly consumed with their lives, and begins to physically invade their privacy.

Ryan and Claire soon find out that their marital issues are nothing in comparison to the monster that watches their every move.

Extras include featurettes: Finding the Monster: the Search for the Perfect Slumlord, Highlight-Lowlight with the Cast and Crew of 13 Cameras, Horror on a Shoestring: Making a Low Budget Horror Film and trailer.

 

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Kino Lorber / Released 7/19/16

Comix: Beyond the Comic Book Pages

Comix: Beyond the Comic Book Pages is an exciting documentary about the worldwide comic book phenomenon told through the thoughts and images of comic book creators, artists, writers, and collectors, but especially the passionate fans who have made the art form the success that it is today.

Comix includes exclusive one-on-one interviews with icons from the comic book industry, like Stan Lee (Spider-Man, X-Men, Fantastic Four) and Frank Miller (Sin City, 300), while capturing the fans, many dressed in full costume, as they talk about their love for the characters and cosplay, at conventions like Comic-Con, Wizard World, and more.

Extras include extended scenes and outtakes, and full one hour interviews with Lee and Miller.

 

Kino Lorber / Released 7/26/16

Kino Lorber / Released 7/26/16

Paul Verhoeven’s Tricked

After his string of subversive Hollywood hits like Basic Instinct, Robocop, and Total Recall, director Paul Verhoeven has returned home to Holland for his most experimental project of all – the first user-generated film, Tricked.

The first five minutes of this comedic-erotic thriller were written by a professional screen-writer and filmed by Verhoeven. After this first scene was posted to the internet, viewers were invited to submit their version of the rest of the story. Verhoeven and his team then pieces together the rest of the plot from their submissions.

This unique feature begins with a documentary of Tricked‘s production, Paul’s Experience, which takes you through nine months of behind-the-scenes adventures, as the whole nation guided Verhoeven in his project. The second part presents Tricked itself, a slickly realized thriller of lies and romantic betrayal.

It follows a real estate tycoon and womanizer (Peter Blok, Black Book) whose entire family is caught up in his web of lies, leading to shady corporate takeovers and pregnancies of unknown origin. A prockling, erotic, and hilarious satire of modern capitalism, it’s a rollicking film only Verhoeven could make. Extras include behind the scenes footage, interviews and trailer.

 

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Kino Lorber / Released 7/26/16

H8RZ

After a mysterious high school tragedy, an attorney questions the only witness, a student, in hopes of protecting the school from any lawsuits.

But as this student weaves his tale, it’s clear that there is much more to this story than meets the eye.

H8RZ has the intrigue of a thriller, while cleverly dealing with issues of bullying, school corruption, and the darker side of teen interactions.

Cast includes Israel Broussard, Eliza Bennett, Sophie Lane Curtis, Jeremy Sisto, Abigail Spencer, Cary Elwes, Malcolm M. Mays, Chris Petrovski and Darren Ewing.

 

 

 

 

Lionsgate / Released 7/12/16

Lionsgate / Released 7/12/16

Naked and Afraid XL: Season 1

It’s the ultimate contest of courage, wits, and endurance when twelve of the world’s best survivalists from the Naked and Afraid TV series return to take on a grueling survival challenge: 40 days and 40 nights in the Colombian badlands, with no food, no water, no clothes—and no help from the camera crews.

Hunting for food and building shelters is only the beginning, as the survivalists confront such dangers as a fierce puma, a giant electric eel, debilitating heat, and the terror of Piranha Lake.

Some contestants will tap out and go home. For any competitor who makes it to the final extraction point, there is no prize—only the pure adrenaline rush of survival.

Includes the episodes:

  • Welcome to the Jungle: A sneak peak at the upcoming season which includes a cast of returning competitors as they attempt to survive in Colombia for 40 days and 40 nights.
  • 40 Days & 40 Nights: Veteran survivalists are dropped into the badlands of Colombia, where they must survive for 40 days and nights with no food, water or clothes.
  • 40 Days No Escape: After a week of being dropped into the dangerous and desolate badlands of Colombia with no food or water, one survivalist has already tapped out, another is on the brink, and hunger, thirst, and distrust are threatening to take down several more.
  • 40 Days Snake in the Grass: After fourteen days, many who remain are struggling to adapt to their environment and each other. Some consider migrating to try and find new resources, while in other camps tension continues to rise and may lead to our second tap out of the season.
  • 40 Days Jungle Rich: After nearly three weeks in the bush, two survivalists have tapped out and most others are making desperate treks across the savannah in search of food. If they can’t find sustenance, they’ll be forced out of the most difficult challenge of their lives.
  • 40 Days Death March: The 10 remaining survivalists cross the 21-Day milestone and enter into unchartered waters. Scarce resources send the survivalists on a collision course. They fight for their lives with a huge electric eel and are visited in the night by a gigantic puma.
  • 40 Days Sacrifice: With 15 days to go in the 40-day challenge, the ten remaining survivalists – dehydrated and protein starved – find themselves converging at dangerous Piranha Lake where they will they compete over scarce food and water.
  • 40 Days Falling Apart: After thirty-one days in the Colombian jungle, the pressure is on to get the nourishment they need to survive extraction, but when one member doesn’t play by the rules, the future of one group is thrown into jeopardy.
  • 40 Days Filth and Fury: The final, and most difficult, part of the 40-day challenge begins. Jeff and EJ decide to attempt their extraction alone, and relationships grow contentious between both teams as they navigate the treacherous landscape to try and finish the challenge.
  • Dirty Dozen Return: The “dirty dozen” survivors from Naked and Afraid XL come together for the first time since their life-changing 40 day challenge. They’ll discuss good times, hard times, and try to heal unresolved issues.

 

Sony / Released 7/12/16

Sony / Released 7/12/16

No Men Beyond This Point

Imagine a world where, since 1953, women have been able to reproduce without men and they are no longer giving birth to male babies.

Now, over 60 years later, this deadpan mockumentary follows the youngest man still alive – 37 year-old Andrew Myers. Working as a housekeeper for a family of women, Andrew finds himself at the center of a battle to prevent men from going extinct.

No Men Beyond This Point is a feature film that asks the question, what would the world be like if women were in charge?

Last Word: Owing a considerable amount of debt to Brian K. Vaughan and Pia Guerra’s Y The Last Man, No Men Beyond This Point, is a mockumentary that impresses only with the borrowed premise and bores with the execution.  The concept is never truly explored, or even worse, examined; taking and abandoning it’s rich premise.  The acting is amateurish and the film itself at 80 minutes feels overstuffed and overlong.

 

Kino Lorber / Released 7/19/16

Kino Lorber / Released 7/19/16

Where’s Poppa?

Insane and Outrageous! George Segal (California Split) and Ruth Gordon (Harold and Maude) give the funniest performances of their careers in this outrageous comedy that stomps gleefully on the idea of devotion to Mom above all.

Featuring some of the boldest gags to ever hit the screen, Where’s Poppa? is a riotously funny film. Segal is a man with a problem – his mother. He promised his late father he’d take care of her, but when he finally meets the girl of his dreams, his batty, eccentric mother is intent on turning his dreams into one huge nightmare. Soon he becomes obsessed with getting rid of her… before she gets rid of his girlfriend!

The great Carl Reiner (The Jerk) directed this hilarious black comedy, featuring a stellar cast that includes Trish Van Devere (Harry in Your Pocket), Ron Leibman (The Super Cops), Bernard Hughes (The Hospital), Vincent Gardenia (Death Wish), Paul Sorvino (Goodfellas), Rob Reiner (All in the Family) and Garrett Morris (Saturday Night Live). Extras include alternate ending, two teasers and trailers.

 

IFC / Released 7/19/16

IFC / Released 7/19/16

A Perfect Day

It’s just another day on the job for a band of badass combat zone rescue workers as they defy death and confront war’s aftermath – all to make innocent victims’ lives bearable. The setting is 1995, somewhere in the Balkans.

Over the course of 24 breathless hours, aid worker Mambrú (Benicio Del Toro, Sicario, Inherent Vice, Traffic, The Usual Suspects) leads his team of humanitarians – including a hard-bitten, wisecracking veteran known as B (Tim Robbins, The Shawshank Redemption, Mystic River) and new recruit Sophie (Mélanie Thierry, Babylon A.D., The Zero Theorem) – as they deal with a range of crises, both large and small.

But their central mission is simply to find a good length of rope. They need it to haul a decaying corpse out a well before the water becomes contaminated, which would be devastating to the local population already reeling from military attack.

But their quest for rope brings them up against layers of bureaucratic red tape, odd and ingrained local practices, dead cows blocking their way and the reappearance of Mambrú’s old flame (Olga Kurylenko, Quantum of Solace, Seven Psychopaths, Magic City). Through it all, the group handles the less-than-glamorous realities of life in a combat zone the only way they know how: with selfless bravery and a healthy dose of irreverent humor.

 

Olive Films / Released 7/19/16

Olive Films / Released 7/19/16

Gang Related

In his final film appearance, rap icon Tupac Shakur (Poetic Justice) is paired with James Belushi (Red Heat) in the gritty crime drama Gang Related.

Corrupt detectives Rodriguez and Divinci (Shakur and Belushi), having framed an innocent man (Dennis Quaid, Undercover Blues) for the murder of an undercover DEA agent, will find their lives unravelling when their activities come under the scrutiny of DEA investigator Richard Simms (Gary Cole, In the Line of Fire).

Written and directed by Jim Kouf (Disorganized Crime), Gang Related features supporting performances by James Earl Jones (Star Wars), Lela Rochon (Waiting to Exhale) and David Paymer (Mr. Saturday Night). Extras include trailer and a featurette.

 

eOne / Released 7/19/16

eOne / Released 7/19/16

Bitten: The Final Season

Based on the “Otherworld” novels by New York Times best-selling author Kelley Armstrong, Bitten stars Laura Vandervoort as Elena Michaels, the world’s only female werewolf. For three seasons, the show’s rabid followers have tuned in as Elena evolved from a photographer who hides her dark secret after being bitten, to a ferocious leader of the Stonehaven pack.

Bitten: The Final Season picks up several months after the harrowing battle in the season two finale. Bolstering their ranks in the wake of the carnage, the Stonehaven Pack is on the hunt for the Russian Alpha and his brethren, seeking to end a decades-old vendetta. Meanwhile, Elena struggles with Pack Alpha Jeremy Danvers’ new draconian leadership style, and makes a shocking and surprising discovery about herself. Extras include deleted scenes, extended scenes and featurette.

Includes the episodes:

  • Family, of Sorts: In order to solidify his power, a war hardened Jeremy has tasked Elena, Clay and Nick with recruiting all North American Mutts into the Pack. Meanwhile, Elena is accosted by mysterious new characters who challenge her with a surprising claim.
  • Our Own Blood: Elena struggles to deal with shocking news as Clay readies Stonehaven for a possible attack. Meanwhile, Jeremy and Nick find a clue that ultimately leads them back to Stonehaven, where they find the Russian Alpha, Roman Navikev.
  • Right Behind You: More of Roman’s soldiers descend on Bear Valley as Elena struggles to convince Jeremy to protect her blood family. Meanwhile, Nick uses his contacts and detective skills to uncover what Roman and his werewolves are up to.
  • A Quiet Dog: Jeremy attempts to broker a negotiation to end the thirty-year blood feud between Sasha and Roman. Meanwhile, Elena watches over Pack prisoner, Konstantin, who tries to deduce why she is protecting Sasha.
  • Of Sonders Weight: Jeremy must deal with the fallout of the failed negotiations between Roman and Sasha; first and foremost, how much did Karen Morgan see? As Elena tends to a convalescing Sasha, he tells her the truth about why he abandoned her thirty years ago. And Clay and Alexei must track down the victim of the young wolf’s attack.
  • Rule of Anger: Elena and Clay face off against a deadly new foe in order to save the imprisoned Marsten. Meanwhile, Paige and Nick work together to figure out what is causing the magical outbreaks in Rachel’s house. Katia makes a desperate move to save her family.
  • On the Brink: Paige and Rachel use magic to help Nick track Katia. Elena invites Konstantin to Stonehaven to ask for his help in ending the blood feud, as well as calling off the Russian assassin. Clay and Jorge keep an eye on the Albino, but it ends in more bloodshed.
  • Tili Tili Bom: When Elena and Clay confront the Russian assassin, they quickly discover he is always two steps ahead. Nearby, Nick and Katia are captured by Roman’s henchmen and must struggle to escape, or become the Albino’s next victims. Meanwhile, Jeremy gets help from a surprising ally in his lone wolf quest to kill the Russian Alpha, Roman.
  • Shock the System: Elena rallies the troops, but when she tries to bolster a grieving Sasha, they are lured into the woods to an unexpected fate. Jeremy wages a psychological war against his captor, Roman Navikev. And Clay, Nick and Alexei race against time to save their new Alpha from a fate worse than death.
  • Truth, Changes, Everything: Elena comes up with a bold and dangerous plan to take back Stonehaven and save what remains of the Pack. If successful, her idea will do much more than save her family and their home – what she plans to do will change everything, forever.

 

Universal / Released 7/26/16

Universal / Released 7/26/16

The Boss

Melissa McCarthy stars as Michelle Darnell, a titan of industry who is sent to prison for insider trading. After doing her time, Michelle emerges, ready to rebrand herself as America’s latest sweetheart, but not everyone she steamrolled is so quick to forgive and forget. With nowhere to go and no one to scam, Michelle is forced to move in with former assistant Claire (Kristen Bell – Frozen, “House of Lies”) and her young daughter, Rachel. Now at her lowest point, Michelle wastes no time in devising a winner-take-all plan to rebuild her empire. Can she reclaim her status as the No. 1 screwer, or will the love of one family screw her for good?

McCarthy and Bell are joined by an all-star cast including Peter Dinklage (“Game of Thrones”), Kathy Bates (“American Horror Story,” Tammy) and Cecily Strong (“Saturday Night Live”). The Boss also features cameos from some of Groundlings’ favorite graduates including Michael McDonald, Steve Mallory, Ben Falcone, Damon Jones and more! Extras include alternate ending, deleted scenes, extended/alternate scenes, gag reel, Groundlings footage, and featurettes.

Last Word: Another vanity project for Melissa McCarthy regurgitates a previously performed sketch character into a feature film with zero success.  What might play well in front of a live audience of a 100 people definitely falls flat on film.  The entire thing reeks of bad decisions and is more akin to Tammy than her solid performances in Bridesmaids and Spy.  The fact that two of the three screenwriters of the film are McCarthy and husband Falcone is evidence that their instincts in developing material is far from good.

 

Lionsgate / Released 7/26/16

Lionsgate / Released 7/26/16

Criminal

Kevin Costner stars in this story of the right man in the wrong body. In a last-ditch effort to stop a diabolical plot, a dead CIA operative’s memories, secrets, and skills are implanted into an unpredictable and dangerous death-row inmate in the hopes that he will complete the operative’s mission. Cast also includes Gary Oldman, Tommy Lee Jones, Alice Eve, Michael Pitt, Jordi Mollà, Antje Traue, Scott Adkins, Amaury Nolasco, Danny Webb, Colin Salmon and Gal Gadot. Extras include featurettes, deleted scenes and music video.

Last Word: A ridiculously talented A-list cast is wasted in this ridiculous science fiction thriller.  Ryan Reynolds plays a man who finds himself in another person’s body (Self/less); in this case, in the body of arch criminal Jericho Stewart (Costner).  This time, it’s the poor writing that decimates this fairly standard sci-fi premise.  Bonus points to the entire ensemble for playing this so serious that with sharper dialogue it could have be been a modern Airplane!  It’s not a good film, but if you want to see some great actors do good work in a terrible movie, Criminal delivers!

 

Warner Bros. / Released 7/26/16

Warner Bros. / Released 7/26/16

Barbershop: The Next Cut

It’s been more than 10 years since our last appointment at Calvin’s Barbershop. Calvin (Ice Cube) and his longtime crew, including Eddie (Cedric the Entertainer), are still there, but the shop has undergone some major changes. Most noticeably, our once male-dominated sanctuary is now co-ed. The ladies bring their own flavor, drama and gossip to the shop challenging the fellas at every turn. Despite the good times, big laughs and camaraderie within the shop, the surrounding community has taken a turn for the worse, forcing Calvin and his friends to come together in an effort to not only save the shop, but their neighborhood. Extras include featurette, gag reel and deleted scenes.

Last Word: I don’t know what’s more surprising; the fact that a Barbershop sequel was made almost a dozen years after it’s last installment or, that it’s actually a really solid film?

Most of the cast returns to the latest installment which not only entertains, but also deals with social commentary on race and politics.  The film shines with the palpable and warm chemistry amongst the cast, who pick up their roles right where they left off.  Honest, sentimental and very funny, Barbershop: The Next Cut delivers.  Recommended.

 

Lionsgate / Released 7/26/16

Lionsgate / Released 7/26/16

I am Wrath

Unemployed engineer Stanley Hill (John Travolta) witnesses the brutal murder of his wife Vivian (Rebecca De Mornay) who was attacked by thugs in a parking garage.

When Detective Gibson (Sam Trammell) and other corrupt police officers are unable and unwilling to bring the killers to justice, Stanley turns to his old friend Dennis (Christopher Meloni) and decides to take matters into his own hands.

It is only then that Stanley and Dennis are found to have a mysterious past that, until now, they kept very well hidden.

Extras include commentary.

 

Acorn Media / Released 7/26/16

Acorn Media / Released 7/26/16

Jack Irish: Season 1

Jack’s back in this six-part thriller which takes us from the cultural atoll of Fitzroy to the bustling city of Manila in the Philippines, where Jack’s on-again-off-again lover Linda Hillier (Marta Dusseldorp) has landed a job as a foreign correspondent for an Australian newspaper.

As Jack and Linda say their final goodbye, it is clear that he has learned little about life, love or women. In the wake of Linda’s departure, Jack continues his important business on home soil – collecting debts, sanding cabinets, and seeing a man about a racehorse. But his fear of commitment is about to be well and truly tested by the arrival of Sarah Longmore (Claudia Karvan).

Seemingly out of the blue, Jack is engaged to track down a missing man, Wayne Dilthey (Dan Hamill).

The investigation goes pear-shaped when his quarry is killed before his eyes. The client becomes an enigma and the job is revealed to be an elaborate set-up – one that now has Jack prime suspect for murder. Even his alibi is false – the alluring but unnerving metal sculptor, Sarah Longmore, claims to have been with Jack at the time. If all this isn’t disturbing enough, the only witness to the crime has taken off in his beloved Studebaker.

Meanwhile, in Manila, Linda’s journalistic instincts tell her she is on the trail of something big. But when the beginnings of her expose are quickly quashed, the opportunity of a lifetime begins to look like a dead end job – until a mysterious meeting with a criminal in hiding. But all is not what it seems… Extras include featurettes and gallery

Includes the episodes:

  • Episode #1.1: Jack is back to debt collection and Linda takes a job in Manilla. Still, Jack soon finds himself involved in some witch hunt that has to do with a massacre that happened in the Philippines years ago.
  • Episode #1.2: Jack is still working with sculptor Sarah to find who killed her sister, and bodies start to accumulate. In the meantime, Linda is trying to get her bearings in Manila and is able to help Jack.
  • Episode #1.3: Jack’s investigation leads him to get close to a mega-church pastor, but Linda and her team fall in a trap when they explore an island that seems to be the base for criminals.
  • Episode #1.4: A tense night in the Filipino jungle results in a chance discovery for Linda and Orton. Jack’s concerned for Sarah’s well-being as she becomes consumed by manic determination following news about Tina.
  • Episode #1.5: Jack struggles to recuperate and his mind takes an increasingly turn towards Rob Shand. Back in Manila, Linda is abducted. Longmore refuses to act against the church leaving Jack alone to fight for Sarah.
  • Episode #1.6: Jack is now on the run from both the police and members of Via Crucis. Terrified yet resolved, Linda finally comes face to face with her captor.

 

Acorn Media / Released 7/26/16

Acorn Media / Released 7/26/16

Jack Irish: The Movies

Jack Irish is down on his luck. Reeling from his wife’s murder, the former lawyer has reinvented himself as a private investigator and debt collector, with a penchant for drowning his demons at the local pub. When an old client dies, Jack is thrust back into the criminal underworld that took everything away from him—but might offer his only chance at redemption.

World-weary with a dash of dark humor, Jack takes on cases that dig into the dregs of Australian society and expose conspiracy and corruption among the power elite. Along the way, he becomes involved with smart, ambitious journalist Linda Hillier (Marta Dusseldorp, A Place to Call Home), who realizes there’s an honorable man hiding behind his disheveled exterior.

Emmy winner Guy Pearce (Memento, Iron Man 3)  stars in these three television movies based on the award-winning novels by Peter Temple.

Includes the films:

  • Bad Debts: A former criminal lawyer is getting his life back together and now spends his days as a part-time investigator, debt collector, apprentice cabinet maker, punter and finding those who don’t want to be found – dead or alive. When an ex-client wants his help, he lets it pass away. But then this guy turns up dead which forces him back into the ominous past he thought he left for good.
  • Black Tide: Jack Irish has no shortage of friends, but family members are few and far between. His wife was murdered by an ex-client and his father is a fading photo on the pubs football wall of fame. So when Des Connors, the last link to his dad, calls to ask for help in the matter of a missing son, Jack is more than happy to lend a hand. But sometimes prodigal sons go missing for a reason… As Jack begins to dig, he discovers that Gary Connors was a man with something to hide, and his friends are people with yet darker and even more deadly secrets.
  • Dead Point: When a high profile judge commissions Jack Irish to locate a mysterious red book, Jack is thrown into a world of sexy club owners, drug dealers and unhinged killers.

 

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Well Go USA / Released 7/26/16

River

After refusing to obey a senior surgeon, John Lake, an American volunteer doctor in Laos, is instructed to take a leave of absence.

To regroup, he travels to a remote island in the south of Laos. The solace of the island is shattered when John intervenes in the sexual assault of a young Laotian woman, accidentally killing her assailant.

Horrified by the violence and the prospect of being sent to prison, John panics and flees. He soon discovers that he’s wanted not only for the murder of an Australian Senator’s son, but also for the rape of the very woman he saved. What follows is a harrowing journey through the Laotian interior that will test and transform John in profound ways.

Extras include trailer.

 

Drafthouse Films / Released 7/26/16

Drafthouse Films / Released 7/26/16

The Invitation

In this taut psychological thriller from award-winning director Karyn Kusama (Girlfight, Jennifer’s Body), the tension is palpable when Will (Logan Marshall-Green, Prometheus) shows up to a dinner party hosted by his ex-wife Eden (Tammy Blanchard, Into the Woods) and new husband David (Michiel Huisman, “Game of Thrones”). The estranged divorcees’ tragic past haunts an equally eerie present; amid Eden’s suspicious behavior and her mysterious house guests, Will becomes convinced that his invitation was extended with a hidden agenda. Unfolding over one dark evening in the Hollywood Hills, The Invitation blurs layers of mounting paranoia, mystery, and horror until both Will-and the audience-are unsure what threats are real or imagined.  Extras include commentary, making of, trailer, music videos and booklet featuring an original essay by critic Britt Hayes.

Last Word: One of my favorite films of the year, The Invitation, makes you second guess yourself, then third guess yourself before you realize you might have been right all along.  But you weren’t.

There’s one thing that can seriously affect any story and that’s an unreliable narrator.  When we meet Will (Logan Marshall-Green), he and his girlfriend, Kira are on their way to a dinner party hosted by his ex-wife and her new husband, David.  Still living in their old home, Eden (Tammy Blanchard) has brought Will and their old friends together for the first time in two years; following their divorce after their only child died in a freak accident.  Will soon finds himself questioning Eden and David’s intentions and as the film develops, his erratic behavior makes you question both his actions and his sanity.

To reveal more would potentially spoil and incredibly entertaining and tense film that will quickly have you watching every character trying to determine their actions and their honesty.  Highly recommended.

 

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Cohen Media / Released 7/26/16

The Last Diamond

Simon Carrerra has just been released from prison and is now on parole.

His friend Albert persuades him back to his old ways with the idea of a big-time heist of a celebrated diamond in Antwerp; The “Florentine”. The jewel’s owner, Marie Neuville, suddenly passes away and her daughter, Julia, is left in charge of the sale.

Simon encounters Julia while posing as a friend of Julia’s mother.   Slowly but surely, the two become closer. He manages to use their relationship to get to the diamond and the heist is a success.

However, another member of the heist has a different motive and Simon has to decide if he wants to continue with the crime or help Julia recover the diamond.

 

 

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Warner Bros. / Released 7/9/16

Batman v Superman: Dawn of Justice

In Batman v Superman: Dawn of Justice, fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.

Batman v Superman: Dawn of Justice Ultimate Edition features an extended cut of the film which includes 30 more minutes of story and action not seen in theaters. The extended cut is rated R. Extras include 11 featurettes.

Last Word: The theatrical release of Batman v Superman: Dawn of Justice left many disappointed with the finished product. In fact, the film was so poorly received that Warner Bros. restructured their entire film division in order to create subdivisions dedicated to specific types of movies. Director Zack Snyder was raked over the coals to such a degree that fans are demanding his resignation from the helm of Justice League, which is currently in production. So it came to the surprise of no one when a three-hour, rated R version, of BvS was released and was met with eye rolls, since the original was panned to the Nth degree.

The Ultimate Edition won’t bring that night and day differential in opinion for most who absolutely hated the theatrical release, however, it does make the film a little more enjoyable for those that liked it to begin with. Storylines are more fleshed out, whether they made sense or not. Criminals branded with the Bat symbol meant a guaranteed death sentence during incarnation. This subplot is further explored here as it’s revealed that Lex Luthor coordinated the deaths of the branded, which tied into, and expanded, his plan to force the Dark Knight and the Man of Steel to lock horns.

Africa…you all remember the Africa scene form the beginning of the movie, right? Well, the ultimate edition provides some much needed clarity by explaining how Superman was framed for the murder of the villagers. While it was refreshing to be given all of the dots so we can connect them, there is still the issue of the special bullets used on the victims, which any autopsy would have discovered thus exonerating Superman in the process.

There was some additional Metropolis and Smallville footage shown during Superman’s funeral. The Metropolis scenes, in particular, conveyed a pronounced sense of grief, loss, and admiration that failed to hit the mark in theaters since so much of the film was devoted to questioning whether he was good, evil, or should even exist. The heroistic investigative journalism of Superman/Clark Kent were highlighted throughout this extended cut and it put the character in a more positive light. I’m surprised these scenes were removed because it would have made a world of difference as to how Superman was portrayed on a number of levels.

World building was clearly near the top of Zack Snyder’s agenda here. While the Knightmare scene and Future Flash cameo were great visual spectacles, they were out of place from a narrative perspective. Steppenwolf’s scene in the Kryptonian genesis chamber, along with Batman telling Lex Luthor that he’s arranged his transfer to Arkham Asylum, perfectly fit the mold and took very little time to make this universe even bigger then it was at the start of the film. Remember several months ago, before the movie was released in this theaters, when reports emerged that Warner Bros. executives absolutely loved Batman v. Superman? This extended cut must be the version they saw because the plot was more cohesive, some plot holes either shrank dramatically or went away completely and it’s easier to understand the character’s motivations, especially in Luthor’s case.

Every single frame of these additional thirty minutes should never have been removed, despite the fact that it doesn’t make up for certain things, such as Superman not trying very hard to tell Batman that Luthor pitted them against each other. If the dark and grim tone of the theatrical version was a big turn off, this new version is a hard R, with some F-bombs and even more blood splattering murder from Batman. Some have stated that the fans owe Zack Snyder an apology for their negative comments of the director’s work after seeing this extended cut but I’m not going to jump on that train just yet. Batman v. Superman: Dawn of Justice – Ultimate Edition proves that Zack Snyder is a good film maker, but is he the right person to helm a big budget tent pole film within the confines of Hollywood?

Snyder should have known that the studio was never going to approve a three hour film that is rated R because everyone makes less money in that endeavor. The rating means less viewers due to the age restriction and the lengthy runtime would have meant theaters can’t show it as often throughout the day. Assuming Snyder had final cut over the theatrical version of the film, there were some poor decisions made that hindered the film in a variety of ways, especially when it comes to the awful editing, which made it feel disjointed while short changing certain characters. That whole deal with Clark up in the mountains with his dead father was completely pointless and could have been cut, among other things.

I’m glad that I saw the ultimate edition and its worth going out of your way to see if you liked the original. It’s an improvement over the theatrical version. It’s not going to turn a B graded paper into an A, but it proves that Warner Bros/DC can do a lot better. (– Atlee Greene)

 

Shout! Factory / Released 7/19/16

Shout! Factory / Released 7/19/16

The Return Of The Living Dead

Combining humor with horror, The Return Of The Living Dead, has become one of the zombie genres most beloved films of all time.

On his first day on the job at a medical supply warehouse, poor Freddy (Thom Mathews) unwittingly releases toxic gas from a secret U.S. military canister, unleashing an unbelievable terror.

The gas reanimates an army of corpses, who arise from their graves with a ravenous hunger… for human brains!

And luckily for those carnivorous cadavers, there is a group of partying teens nearby, just waiting to be eaten!

Extras include new 2K scan, 4 commentary tracks, featurettes, trailers, tv spots, still galleries, zombie subtitles, workprint with 20 minutes of additional footage (standard definition), feature length documentary, and interviews.

 

Warner Bros. / Released 7/19/16

Warner Bros. / Released 7/19/16

Person of Interest: The Complete Fifth and Final Season

Warner Bros. Home Entertainment provided me with a free copy of the DVD I reviewed in this Blog Post. The opinions I share are my own.

For years, the Person of Interest team, consisting of tech genius Harold Finch (Michael Emerson), ex-agent John Reese (Jim Caviezel), NYPD Detective Lionel Fusco (Kevin Chapman), cyber-hacker Root (Amy Acker) and missing-in-action operative Sameen Shaw (Sarah Shahi), have been protected by The Machine.

As worlds collided, however, and a rival AI known as Samaritan finally cornered The Machine inside the nation’s power grid, it was the POI team’s turn to protect Finch’s creation.

In season five, the cold war is over. The world might appear to look the same, but something has drastically changed. Samaritan’s lethal “correction” has initiated its control. Finch’s Machine is essentially dead. Shaw is still missing. And the team is once again hiding in plain sight. But with Samaritan’s invisible grip tightening everywhere, will Finch be able to rebuild and resurrect The Machine? And if he does, will it be the same Machine when it comes back online? Extras include featurettes and 2015 Comic-Con Panel.

Includes the episodes:

  • B.S.O.D.: Lionel is investigated in relation to Dominic’s death. Away from Samaritan, Mr. Reese and Harold try to save the Machine. Root is on the run.
  • SNAFU: Root and Finch work on bringing Northern Lights back online. They are successful and thus they start receiving numbers from the irrelevant list. However, the Machine is not as productive as before.
  • Truth Be Told: Reese’s cover could be blown when he realizes the latest POI has ties to his old CIA colleague, Kara Stanton.
  • 6,741: Shaw escapes her captors, but the team is unsure of her mental state when she begins to act paranoid and reckless.
  • ShotSeeker: Reese protects an NYPD analyst whose investigation into a software glitch has drawn the attention of Samaritan. Also, Reese and Fusco are threatened by an ally of Elias’s, who is looking to avenge his friend’s death.
  • A More Perfect Union: The Machine sends Reese and Finch to a wedding to protect a pair of POIs before their nuptials. Also, Fusco becomes angry at being kept in the dark by the team and takes it upon himself to investigate a string of missing person reports.
  • QSO: Root goes undercover at a radio station to protect the host of a conspiracy theory show who stumbles upon information that could get him killed. Also, Samaritan’s agents try to convince a member of the team that their goals are noble.
  • Reassortment: Reese and Finch become trapped in a hospital that becomes ground zero for a deadly viral outbreak. Also, Samaritan’s newest recruit has second thoughts and Shaw continues to struggle with reality.
  • Sotto Voce: The mysterious criminal mastermind known as “The Voice” returns and traps Reese and Fusco in their own precinct with several armed gang members and the latest POI. Also, Root makes a shocking discovery.
  • The Day the World Went Away: Finch’s number comes up when a fatal error blows his cover identity and sets off a deadly series of escalating encounters with Samaritan’s operatives.
  • Synecdoche: Harold goes on a road trip with the Machine, while the rest of the team receive a new number; the president of the United States.
  • .exe: As Reese and Shaw race to catch up with Finch, he infiltrates a maximum-security government facility in a desperate mission which could mean the end for not only Samaritan, but for himself and The Machine as well.
  • Return 0: Finch, Reese, Fusco and Shaw embark on one last mission to prevent Samaritan from destroying The Machine and cementing its hold over mankind.

 

Warner Bros. / Released 7/19/16

Warner Bros. / Released 7/19/16

The 100: The Complete Third Season

Warner Bros. Home Entertainment provided me with a free copy of the DVD I reviewed in this Blog Post. The opinions I share are my own.

The best science fiction series on television returns for it’s third season!  For the 100 on Earth, they have learned the hard way that in the fight for survival there are no heroes and there are no villains – there is only the living and the dead.

Reunited with the survivors of the space-station Ark that fell to Earth, Clarke Griffin and her band of juvenile delinquents have faced death at every turn: from a world transformed by radiation to the fierce Grounders who somehow managed to survive it, and the double-dealing Mountain Men from the fortified Mount Weather, whose civilized environment masked a horrible secret.

Though Clarke was alternately challenged, supported and betrayed by her own people and alliances with the Grounders, they could always find common ground in survival. United with the Grounder tribes, Clarke and her friends faced off against the lethal forces of Mount Weather to rescue the remaining “Sky People” from the Ark who were being held captive in Mount Weather. But victory came with a terrible price. The challenges continue in season three as they not only determine what kind of lives they will build, but what it will ultimately cost them. Extras include featurettes, Comic-Con Panel, deleted scenes and gag reel.

Episodes include:

  • Wanheda: Part 1: After leaving Camp Arkadia due to her inability to accept her actions, Clarke sets out on her own, dealing with her emotions while encountering new challenges. Camp Arkadia begins to see political turmoil as the hunger for power mounts.
  • Wanheda: Part 2: Bellamy and Kane put their lives on the line to rescue Clarke; Abby considers opening Mount Weather as a medical facility; Murphy schemes against Jaha.
  • Ye Who Enter Here: Now with Clarke in her possession, Lexa has the power to force Skikru to become one with the grounders. Kane and Abby journey to the Polis Summit, while the Ice Nation prepares to draw first blood against Skikru and the other grounder clans.
  • Watch the Thrones: Clarke discovers the mastermind behind a devious plan, while Kane struggles to keep the peace. Meanwhile, Jasper’s grief drives him to reckless behavior.
  • Hakeldama: Pike’s twisted crusade threatens Clarke’s attempts for peace. Raven becomes a target, while Murphy tries to conspire against Jaha.
  • Bitter Harvest: Clarke struggles with her morality while Abby grows suspicious of Jaha’s motives.
  • Thirteen: Anger and lust for vengeance and justice from the clans threatens Lexa’s position. Murphy unveils new secrets about the identity of Polis. Meanwhile, a dangerous coup brews against Clarke and Lexa and their trust for each other is tested.
  • Terms and Conditions: Kane tries to stop Pike, but he learns that he is onto him. Kane realizes that for him to ensure peace in Arkadia, he’ll have to go through drastic measures.
  • Stealing Fire: Bellamy tries to save Kane from Pike. Clarke and Murphy debate over what to do with Titus and the A.I. Bellamy confronts Octavia.
  • Fallen: Jaha employs a terrifying new method to convince Abby to join his cause, Kane is on a mission, and Bellamy is hit with a hard truth. Meanwhile, Monty finds himself in a precarious situation, and Jasper rushes to save one of his own.
  • Nevermore: Clarke and her friends try to save Raven from Allie’s control. However, they realize that they will have to undergo dangerous procedures that may cost Raven’s life.
  • Demons: Alie forces Raven’s dark side to come out, Jasper’s anger continues to grow. Meanwhile Octavia wrestles with her place in the world and Monty is forced to make a split second decision.
  • Join or Die: Clarke is on a mission that could change everything. Meanwhile Murphy gains insight that might prove useful in ensuring his survival. Lastly Kane reaches a breaking point.
  • Red Sky at Morning: Clarke, Bellamy, Octavia and Jasper hit a tragic roadblock. Meanwhile, Raven and Monty make an important discovery.
  • Perverse Instantiation: Part One: Clarke finds hope in a place she never expected. Alie’s master plan begins to coalesce.
  • Perverse Instantiation: Part Two: In the second half of the two-part season finale, everyone prepares for a final showdown as they begin to face the reality of their tragic situation in the epic and mind-bending conclusion.

 

Shout! Factory / Released 7/19/16

Shout! Factory / Released 7/19/16

Bad Moon

Full, crescent, quarter… each is a Bad Moon for Ted Harrison. By day, he’s a photojournalist visiting family in the Pacific Northwest. By night, he transfigures into a horrific half-human – a werewolf. Dead men tell no tales, so Ted’s sure he alone knows about his vile double life.

The secret, however, may be out.

The family dog Thor, devoted to defending the household, has his suspicions.

Writer/director Eric Red (Cohen and Tate, Body Parts) delivers a new infusion of thrills with this red blooded shocker. Michael Paré (Streets of Fire) portrays Ted, hiding his accursed condition from his sister (Mariel Hemmingway, Lipstick, Star 80) and nephew (Mason Gamble).

What better way to hide it than to create suspicion that the local killings are the work of another – especially if that other is the family’s all-too-wise German Shepherd!

Extras include theatrical and new director’s cut, documentary, commentary, unrated alternate opening, 3 storyboard sequences and trailer.

 

Well Go USA / Released 7/19/16

Well Go USA / Released 7/19/16

Kill Zone 2

When an undercover cop gets too close to revealing the mastermind of a drug syndicate, his cover is blown. Double-crossed and under a false identity, he’s thrown into a Thai prison, where a guard discovers the inmate – claiming he’s a cop – is a bone marrow match for his dying daughter…and his warden may have an even deadlier operation hidden within the prison walls.

In this giddily frenetic follow-up (though not a sequel) to modern martial arts epic Kill Zone (aka Spl: Sha Po Lang), action icons Tony Jaa (Ong Bak, The Protector), Wu Jing (Wolf Warrior) and Zhang Jin (Ip Man 3) team up with Hong Kong megastars Simon Yam and Louis Koo for a breakneck story of dirty cops, prison riots, and black market organ transplants, all brought together by a non-stop series of inventive, bone-crunching setpieces.   Extras include making of.

 

 Arrow / Released 7/12/16

Arrow / Released 7/12/16

Crimes of Passion

In the early eighties British enfant terrible Ken Russell traveled to America and placed his unorthodox imprint on a pair of US movies. The first was the Altered States, so out-there its screenwriter disowned it. The second was the equally crazy Crimes of Passion, starring Kathleen Turner (Body Heat, Serial Mom) at the height of her powers.

Fashion designer Joanna Crane (Turner) leads a double life. By night she is China Blue, a prostitute who’s attracted the unwanted attention of two men. One is a sexually frustrated private detective hired by her employees. The other is psychopathic priest (played by Norman Bates himself, Anthony Perkins) in possession of a murderous sex toy.

With its outré screenplay by Barry Sandler and over the top score by Rick Wakeman, Crimes of Passion may just be the most outrageous Ken Russell film ever made – and that’s quite some feat! Extras include new restoration, commentary, deleted/extended scenes, interviews, trailer and home movie footage.

 

Olive Films / Released 7/19/16

Olive Films / Released 7/19/16

Hoodlum

In the tradition of The Godfather and The Cotton Club, Hoodlum recounts the uneasy alliance between the Italian and Jewish mafias who banded together to declare war on the black gangsters of New York’s Harlem in the 1920’s.

Focusing on the relationship between the three rival leaders, “Bumpy” Johnson (Laurence Fishburne, Fled), Dutch Schultz (Tim Roth, Vincent & Theo), and Lucky Luciano (Andy Garcia, The Untouchables), Hoodlum, directed by Bill Duke (A Rage in Harlem) and co-starring Vanessa Williams (Soul Food), Cicely Tyson (Sounder), Queen Latifah (Chicago), Richard Bradford (The Mean Season) and William Atherton (Bio-Dome), is a compelling tale of gangland violence.

Extras include a trailer.

 

PBS / Released 7/12/16

PBS / Released 7/12/16

The White House: Inside Story

The White House: Inside Story takes viewers on an intimate behind-the-scenes historical tour told through the first-person stories of First Family members, former employees, historians, members of the press and a rare informal interview with President Obama inside the Oval Office.

Through current-day filming combined with stock footage and still photos of past presidents, their families and staff, viewers will experience the precision with which the Executive Mansion operates — as a private home and a workplace where military and economic decisions shape and affect history.

In addition to President Obama and former President Jimmy Carter, the program features new interviews with First Ladies Michelle Obama, Laura Bush, Barbara Bush and Rosalynn Carter reminiscing about their families’ place in the 200-year history of 1600 Pennsylvania Avenue. These personal stories are interwoven with historical facts about the “house that George Washington built.”

First Lady Michelle Obama, for example, reveals that “the White House is a fabulously magical place to live, that’s not difficult to make a home.” Former First Lady Rosalynn Carter admits that thinking about the history of the White House “gives [her] chills.” And former First Lady Barbara Bush recalls, “You can feel history, and hope you can live up to it.”

Perhaps most revealing is a story told by former Chief Usher Gary Walters, who was preparing a luncheon for the entire Congress and their families on the White House lawn the morning of September 11, 2001, when news of the terrorist attacks reached Washington. Despite Secret Service orders to evacuate the White House, Walters recalls how he quickly assessed the severity of the situation and made the decision to remain behind and dismantle the outdoor luncheon space, thus freeing up the lawn to allow the president’s helicopter to land. He then went on to prepare the Oval Office for President Bush to address the nation later that day. “One of the things that I turned to in my own mind on 9/11 was the role that the White House plays in disasters and wars,” said Walters. “People have a tendency to turn to the White House as a symbol of our American Heritage.”

 

Cartoon Network / Released 7/12/16

Cartoon Network / Released 7/12/16

Adventure Time: Card Wars

Finn and Jake play an epic card game, but when Jake becomes overly competitive and insists on playing for a “cool guy cup” and the “dweeb cup”, hilarity ensues. Adventure Time: Card Wars DVD releases with 16 episodes including the original Card Wars episode and the brand new Card Wars episode – Daddy Daughter Card Wars! Adventure Time: Card Wars DVD also comes packaged with an exclusive Card Wars playing card, making this DVD a must have for fans, collectors, and the huge following that Card Wars has accrued since the episode, app, and physical game debuted.

Includes the episodes:

  • Card Wars: Finn and Jake play an epic card game, where Jake becomes overly competitive.
  • Daddy-Daughter Card Wars: To put his embarrassing past behind him, Jake needs his daughter Charlie’s help to win an underground Card Wars tourney.
  • What was Missing: In order to open a magic door filled with stolen items, Finn and all his friends must perform in a band. But everyone’s differing musical tastes and overall tensions make things difficult.
  • Up a Tree: Finn goes on a bizarre adventure up a giant tree to retrieve a throwing disk he and Jake were playing with.
  • A Glitch is a Glitch: Ice King creates a computer virus to delete everything except him and Princess Bubblegum, so Finn and Jake try to remove the virus before it can glitch out the universe.
  • Nemesis: A mage known as the Peace Master attacks the Candy Kingdom in order to remove a horrible evil within its vicinity.
  • Evergreen: The story of Evergreen, and his young assistant Gunther, during the Cretaceous period, long before the Mushroom War, where they try to keep a major catastrophe from destroying Earth.
  • Everything’s Jake: Magic Man causes Jake to transport to a new world, to unlock his feelings deep inside.
  • The Diary: Jake’s son T.V. discovers a lost diary and sets out to solve a decades-old mystery.
    Dentist: When Finn’s toothache gets too much to take, he has no choice but to visit the dentist, where he encounters an old foe.
  • Varmints: Princess Bubblegum turns to Marceline for help when something threatens the citizens of her homestead.
  • Football: BMO and Football decide upon a deal, but one of them cannot keep up their end of the bargain.
  • Crossover: Finn and Jake crossover into Farmworld Finn’s dimension.
  • (The) Hall of Egress: Trapped and alone, Finn must unravel the riddle of the weird cave with no exit.
  • Flute Spell: Finn has been secretly meeting a powerful wizard.
  • The Thin Yellow Line: Finn and Jake discover a conspiracy after infiltrating the Banana Guard ranks.

 

 IFC / Released 7/12/16

IFC / Released 7/12/16

The Preppie Connection

How to win friends: Smuggle $300K of uncut cocaine into your snooty prep school.

Based on the wild story of a teen drug trafficker who rocked headlines in 1984, the true crime caper The Preppie Connection stars Thomas Mann (Me and Earl and the Dying Girl) as Toby, a blue-collar scholarship student at an elite boarding school who finds an in with the cool crowd by supplying them with cocaine. But things spiral out of control when Toby goes from small-time dealer to international drug trafficker, culminating in a trip to Colombia and a daring deal with a cartel.

Capturing the music, style and burgeoning “greed is good” ethos of the 1980s, The Preppie Connection, which also stars Lucy Fry (Vampire Academy) and Logan Huffman (ABC’s V, Final Girl) is a stranger-than-fiction look at the price of popularity.

 

 IFC / Released 7/26/16

IFC / Released 7/26/16

Born To Be Blue

Ethan Hawke (Boyhood, Before Midnight) lights up the screen as jazz legend Chet Baker, whose tumultuous life is thrillingly reimagined with wit, verve and style to burn in Born To Be Blue.

In the 1950s, Baker was one of the most famous trumpeters in the world, renowned as both a pioneer of the West Coast jazz scene and an icon of cool. By the 1960s, he was all but washed up, his life in shambles due to years of heroin addiction.

In his innovative anti-biopic, director Robert Budreau zeroes in on Baker’s life at a key moment in the 1960s as the musician attempts a hard-fought comeback, spurred by a passionate romance with a new flame (Carmen Ejogo, Selma, The Purge: Anarchy). Creatively blending fact with fiction and driven by Hawke’s virtuoso performance, Born To Be Blue unfolds with all the stylistic brio and improvisatory genius of great jazz.

 

 Kino Lorber / Released 7/26/16

Kino Lorber / Released 7/26/16

Deadline–U.S.A.

Screen legend Humphrey Bogart (Casablanca) stars as a fictional newspaper editor Ed Hutcheson of “The Day”, which will be folding in three days.

Even though he and his staff will be out of work within days, he intends to expose the criminal activities of vicious crime boss Tomas Rienzi (Martin Gabel, The Thief). An abundance of subplots are expertly woven together by legendary screenwriter/director Richard Brooks (Elmer Gantry) in Deadline – U.S.A. This classic film noir features stunning black-and-white cinematography by the great Milton R. Krasner (23 Paces to Baker Street) with an uniformly excellent cast that includes Ethel Barrymore (Portrait of Jennie), Kim Hunter (A Streetcar Named Desire), Ed Begley (12 Angry Men), Warren Stevens (Forbidden Planet), Paul Stewart (Kiss Me Deadly) and Jim Backus (Gilligan’s Island). Extras include commentary and trailer.

 

Shout! Factory / Released 7/26/16

Shout! Factory / Released 7/26/16

The Boy Who Cried Werewolf

Richie Bridgestone’s parents are getting a divorce, but that’s the least of his problems at the moment. Richie is hoping his parents will reconsider and on a visit to his father ’s secluded cabin, he witnesses his dad being attacked by a werewolf. Much like the tale of the boy who cried wolf, no one in the town will believe Richie’s claims that his father will change into a werewolf at the next full moon.

This was the third and final pairing of actor Kerwin Matthews and cult filmmaker Nathan Juran (Attack of the 50 Foot Woman, The Brain from Planet Arous). The two had also worked together on the classic 7th Voyage of Sinbad and Jack the Giant Killer. The film makes its home video debut with a beautiful new high definition transfer. Extras include trailer and still gallery.

‘Out of Print’ (review)

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Produced by Paul Hrissikopoulos, Julia Marchese,
Lamar Marchese, Patricia Marchese,
Tom Meyer-Klipsch, Arthur Tebbel
Directed by Julia Marchese
Starring Kevin Smith, Seth Green, Rian Johnson,
Patton Oswalt, Edgar Wright, John Landis,
Joe Dante, Joe Carnahan, Richard Kelly,
Clu Gulager, Lloyd Kaufman, Tom Holland,
Noah Segan, Marion Kerr, Mark Romanek,
Stuart Gordon, Fred Dekker, D.C. Pierson,
Grae Drake, Julia Marchese

Any passionate film lover worth his or her salt has been to a film revival house.

Obviously, big city dwellers have the advantage; I lived in Philly for almost twenty years, and over those years spent many hours at the Theater of Living Arts and Temple Cinematheque (both LONG gone, alas), the International House in West Philly, etc.

There was – and still is! – the wonderful Exhumed Films, an incredible “mobile” repertory company for genre film; they would play multiplexes, drive-ins, etc. to a rabidly loyal crowd.

There are also newer additions like Eric Bresler’s terrific PhilaMOCA. Still, even as a high schooler in relatively small-town Bethlehem, PA, in the late 80s, I could catch the “Violence in Cinema” series at the local community college to see The Warriors and A Clockwork Orange on the big screen. Hell, my senior year of high school I dragged a friend (who never really forgave me) to a screening of John Waters’ Female Trouble at Lehigh University’s Chaplain Series. (Yes, you read that right: the film where Divine famously “rapes himself” was part of the CHAPLAIN’s series. And at our screening, said chaplain sat directly behind us and guffawed through the whole movie, much to my friend’s horror).

When I moved to LA ten years ago, I was told I NEEDED to go to the New Beverly Cinema ASAP.

Ironically, the first film I saw there was a sneak of a brand new film, Steven Soderbergh’s ill-fated The Good German. But I loved the vibe of the venue and the audience, and I went back as often as I could (which is not NEARLY as often as I’d like).

The new doc, Out of Print, is a celebration of revival houses, but its main focus is the New Beverly. Thus, at times, especially at the outset, it smacks of a fawning ad for the venue. But it avoids any embarrassing genuflection while still delighting in the many wonderful aspects of the theater.

We get to meet a handful of the many regular patrons, including actor Clu Gulager, a familiar face to Western and horror fans. His story, as well as several others, brings some unexpected emotion to the film.

There are many amusing, touching and dramatic anecdotes about the New Beverly spanning the decades, and of course, everyone chimes in on the importance of revival houses, seeing films in a dark theater full of strangers, and the importance of “film” itself.

I read some postings online that referred to this film as a bunch of out of touch fuddy-duddies who refuse to acknowledge progress. They’re missing the point. Certainly there are some die-hards who will never accept the digital format, but the main thrust of the argument here is that many older films are ONLY available to be screened theatrically via a film print. Many distributors and studios won’t make the majority of their catalog available digitally (the theatrical market is too small for older titles) yet don’t keep up, or even keep, film prints of these titles.

There are other well-rendered arguments here that should be discovered by the viewer, by the likes of Kevin Smith, Edgar Wright, Joe Carnahan, John Landis, Joe Dante and more.

(There’s a clip of Dante at a New Bev screening of The Howling, which I attended with my fiancée, Emily and friend, Marc. Afterwards, the three of us chatted with surprise guest, special effects master – and notorious recluse – Rob Bottin. A memory to cherish, and my personal plug for why venues like the New Beverly are so invaluable).

Out of Print certainly pays homage to the other great revival venues in LA: Cinefamily, The Egyptian, etc., and even includes a tribute to its “sister” theater in London. But its focus remains on the New Beverly, and that’s as it should be.

By keeping it specific, Out of Print makes the argument universal. Out of Print is brisk, informative and quite entertaining. Even if you’re a hip, “film-is-dead, long-live-digital” acolyte, if you still love movies, check out OOP with an open mind.

Out of Print concludes with a truly lovely anecdote related by Patton Oswalt about a screening of Casablanca he attended at the New Bev. It’s a touching memory of an experience one can only have at a great revival house, and the perfect ending to this film.

Though you should stick through the credits for some amusing bloopers…

Out of Print is available for rental or purchase on Digital HD through Amazon

Rowling Bids Farewell to Potter, A New Michael Crichton Dinosaur Novel Surfaces, Defining Afrofuturism & More!

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Comic-Con Aftermath
A look back at this year’s Comic-Con and its relation to all things books.

Muggle Mob
With the upcoming release of Harry Potter and the Cursed Child Parts One and Two a flash mob seems just right.

Book Selling Cred
Do you have what it takes to work at The Strand bookstore?

Afrofuturism
A great article on defining the genre.

Tim LaHaye
On the passing of the coauthor of the Left Behind series.

TV News
The first American Gods trailer is available and there is a new adaptation of Les Miserables in the works.

No More Potter
J.K. Rowling declares “Harry’s story is complete.  We’re done”

Life Finds a Way
Unearthed Michael Crichton dinosaur novel to be published in 2017.


Well Go USA Acquires Remastered Cult Classic ‘Phantasm’ Series

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phatnasmtallmanangussscrimmbannerWell Go USA Entertainment announced its acquisition of North American rights for Don Coscarelli’s legendary Phantasm series, including an all-new 4K restoration of the original 1979 cult classic Phantasm: Remastered, never-before-seen HD restorations of 1994’s Phantasm III: Lord of the Dead and 1998’s Phantasm IV: Oblivion, and the long-anticipated debut of the fifth and final film in the series, 2016’s Phantasm: Ravager.

On October 7th, for the first time ever, the Phantasm series will be available in remastered, high-definition versions across all cable and digital platforms.

A Blu-ray and DVD Collector’s Edition Set of the Phantasm series will follow later this year, along with individual Blu-rays and DVDs of Phantasm: Remastered and Phantasm: Ravager, all of which will be packed with special bonus features.

Phantasm: Remastered and Phantasm: Ravager will hit theaters as well.  Phantasm: Remastered will screen across the county as part of the inaugural Art House Theater Day on September 24, 2016, and Phantasm: Ravager will be released in select theaters on October 7th, day and date with its digital HD release.  In addition, fans across the country will have the ability to bring both films to their hometowns using Tugg, an innovative platform that empowers individuals and groups to host screenings in their local theaters and community venues.

Phantasm: Remastered came into being when filmmaker J.J. Abrams, a fan of the original, wanted to screen the film for his team at Bad Robot Productions- only to find the available prints in terrible shape. Working on the premises of Bad Robot with their expert staff, director Don Coscarelli was invited by J.J. to supervise a meticulous 4K digital remaster using their state-of-the-art tools. This included a brand-new 5.1 audio mix using the original stems, ensuring Phantasm will forever be available to scare the hell out of generations to come with perfect picture and sound.

Phantasm: Ravager is an all-new film that brings one of cinema’s longest-running franchises (36 years!) without a reboot to a close, with Mike (A. Michael Baldwin) and Reggie (Reggie Banister) teaming up to confront the dimension-hopping Tall Man (Angus Scrimm, in his final role) once and for all.

“The Phantasm films are iconic, and Well Go is ecstatic to have them. We get to bring a classic to a whole new audience with Phantasm: Remastered, and with Phantasm: Ravager we get to bring the die-hard fans – of which I am one – the closure they’ve been waiting for,” said Dylan Marchetti, SVP of Well Go USA Entertainment. “This is the kind of deal that every distributor dreams of doing, and when you get to do it with a true independent like Don, well, that’s just the extra cherry on the sundae.”

“I’m thrilled to be working with Well Go USA and their talented and dedicated team,” said Phantasm creator Don Coscarelli. “I am excited by their innovative new ideas and intense drive to bring the Phantasm franchise to a new generation of fans.”

Phantasm: Remastered, Phantasm III: Lord of the Dead, and Phantasm IV: Oblivion were written and directed by Don Coscarelli.  Phantasm: Ravager was written by Coscarelli and David Hartman, executive produced by Brad Baruh, and directed by Hartman.  All films star Angus Scrimm, Reggie Bannister, and A. Michael Baldwin.

Watch ‘Man of Tomorrow’, a ‘Man of Steel/BvS:DoJ’ Re-Edit

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There’s a new cut that combines Man of Steel with Batman v Superman: Dawn of Justice into a single, and in my opinion, much more interesting and entertaining film, Man of Tomorrow.

Edited by Daniel, aka JobWillins, the editor behind the Alien re-edit, Derelict, Man of Tomorrow really does a great job in presenting a far more heroic take on the character than Zack Snyder presented.

Via:

Man of Tomorrow is a narrative experiment that combines Man of Steel and Batman V. Superman into one film.  The goal was to use material from both films to form a single, feature-length, 3-act structure that focuses on Superman.

Like many, I was less-than-enamored with Batman V. Superman.  The Ultimate Edition was much more coherent, but it was fundamentally the same film.  This was a very dark story about Batman wanting to kill Superman… and Superman being kind of a dick most of the time.  And while I wasn’t a huge fan of Man of Steel either, I did think it had some pretty great Superman moments, which BvS lacked.  I decided to try to combine material from both films, focusing on their strengths and streamlining the narrative to the rise and fall of Superman.

Since I started with Man of Steel (2.2 hrs) and Batman V. Superman: Ultimate Edition (3 hrs), keeping the running-time down to 2.5 hours was no small task.  A lot of plot wasn’t used (most of the Krypton sequence, the Smallville fight, the Africa subplot, the jar of pee…), but because the major threads that lead to the 3rd act of Batman V. Superman came directly from the battle in Metropolis (the crashed Kryptonian ship, the Kryptonite from the world engine, Batman’s distrust of Superman’s power) I chose to hone in on those story points as the core of the narrative for Man of Tomorrow.  Several scenes were reordered or reworked to fit the new narrative structure and better weave the material from the the two films together.  For example:  Batman/Bruce Wayne is introduced in the 1st act, Superman doesn’t put on his suit until Zod appears, Lex Luthor interacts with the Kryptonian ship earlier, the dour shots of Superman’s heroism from BvS are used much more optimistically, and the flashback to Pa Kent’s death is utilized very differently, just to name a few changes to the structure.

I hope you enjoy Man of Tomorrow.

Thanks to everyone who test screened it and provided feedback.

You can follow me on Twitter if you’re into that kind of thing (@JobWillins)

~Daniel (aka JobWillins)

From Small Screen to Silver Screen: 
The Meh, The Bad, The Ugly, and the Absolutely Fabulous

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p03zzkjdThe recent release of Absolutely Fabulous: The Movie is a reminder of the seemingly endless array of television series that have been turned into motion pictures. There are dozens upon dozens of movies that have been based on either a series or a recurring sketch within a variety show. Most of these TV-to-film projects are comedic in nature, though some of the best adaptations are based on action, sci-fi or drama series.

If we’re lucky, a feature movie adaptation of a hit show will be at least as engaging as a super-sized episode. More often than not, the transition from small screen to silver screen is a bumpy road and the movie fails to satisfy even the meager demands of a sitcom. Once in a blue moon, however, the filmmakers adapting a TV show strike pay dirt and the resulting movie is so good that audiences and critics—and, sometimes, Oscar voters—overlook entirely the stigma that said movie was borne from a TV show.

The new Ab-Fab movie plays like an extended holiday episode, and while it’s great to see the cast reunited—and satisfying to see the writers push the naughtiness factor into “Rated R” territory—it’s somewhat of a let-down that the movie doesn’t aspire to greater heights of sauciness. While Ab-Fab: The Movie doesn’t quite earn a place alongside the best of the best TV-to-film romps, it’s not bad at all. In fact, it could have been worse. A lot worse.

Here, for comparison and contrast, are some of the best TV-to-film projects, along with some of the worst, and a recounting of some of the many in-betweeners that are neither great nor foul, but merely “bad” or “meh.”

The Best of the Good

When recalling the greatest TV-to-film adaptations, two serious drama-based films sit at the top of the list: The Untouchables (1987) and The Fugitive (1993). Both films transcend their episodic source material and succeed as grand, larger-than-life epic adventures. Both films were nominated for several Oscars each, with both taking home the statue for Best Supporting Actor (Sean Connery for Untouchables and Tommy Lee Jones for Fugitive).

When folks reflexively say TV-to-movie adaptations are never any good, an utterance of either title will quickly shut down their argument. Other similarly worthy TV-series-turned-films include Mission: Impossible (five movies so far beginning in 1996) and The Equalizer (2014, with a sequel in the works for 2017).

mission-impossible-1996-tom-cruise

There are more comedy TV adaptations than any other genre (perhaps because there are more comedy TV shows ripe for adaptation), but rarely do funny shows or skits succeed on the big screen as splendidly as The Muppet Movie (1979), The Blues Brothers (1980), The Naked Gun (1988), The Addams Family (1991), Wayne’s World (1992), The Brady Bunch Movie (1996), Beavis and Butt-head Do America (1996), South Park: Bigger Longer & Uncut (1999), Jackass: The Movie (2002), The SpongeBob SquarePants Movie (2004), Borat… (2006), The Simpsons Movie (2007), Sex and the City: The Movie (2008), and 21 Jump Street (2012).

A few of these big-screen versions recast the main characters, but in each instance the charm and repartee of the original series remains intact, and in some cases is dressed in a new cloak of post-modern self-reference.

All but three movies (Beavis and Butt-Head, South Park, and The Simpsons), have spawned at least one theatrical sequel/spin-off, and some of them (not Bruno) are as funny as their predecessors.

When it comes to sci-fi series-turned-movies, Star Trek is the most famous and prolific, with thirteen feature films so far (1979–2016). Five of them (#’s 2, 4, 6, 8, and 11) are bonafide modern-day classics that hold up very well even for viewers unversed in the multiple television series and spin-offs.

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The X-Files has made the leap to the big screen twice so far, to decidedly mixed results (1998 and 2008, with a third feature reportedly still in development).

Thanks to vociferous devotees, the short-lived Joss Whedon space western series “Firefly” made the jump to the silver screen with the cult favorite Serenity (2005), but despite much fan and critic love, it didn’t set the box office ablaze.

A Sampling of the Meh

It’s always an intriguing proposition when big-name directors who have done incredible work take on a television show adaptation, and all the more frustrating when that project fails to generate equivocal electricity.

The western comedy Maverick (1994) reunites Lethal Weapon power duo Mel Gibson and director Richard Donner—trio, if you count the movie’s funny cameo by Danny Glover—but even with a jubilant Jodie Foster and original “Maverick” star James Garner on hand, the movie never quite takes off.

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Still, there are moments of brisk fun in Maverick, which is more than anyone can say about the dour, dull, and painfully overlong Miami Vice (2006) from respected director Michael Mann. Guy Ritchie’s 2015 update of The Man from U.N.C.L.E. was amicable but unmemorable.

Yet rarely has a blah TV show adaptation boasted as much directorial talent as the 1983 anthology Twilight Zone: The Movie—John Landis, Steven Spielberg, Joe Dante and George Miller each contribute an episode, they get better as they go along, but only George Miller’s climactic segment fully lives up to the hype.

A Plethora of the Bad

There have been more bad TV show movies than we deserve, including a spate of atrocious animation-to-live-action adaptations like The Flintstones (1994), George of the Jungle (1997), Josie and the Pussycats (2001), Scooby-Doo (2002), Thunderbirds (2004), Fat Albert (2004), Alvin and the Chipmunks (four movies so far, beginning in 2007), and the Transformers flicks (the first one in 2007 was okay, but three sequels so far are neigh unwatchable).

TRANSFORMERS

Also among the “bad” are several adaptations of police/detective/action series such as Dragnet (1987), Charlie’s Angels (2000), I Spy (2002), Starsky & Hutch (2004), and The A-Team (2010). Naturally, many flat-out comedy adaptations pad out the “bad” list, including Coneheads (1993), The Beverly Hillbillies (1993), The Little Rascals (1994), Leave it to Beaver (1997), Brain Candy (1999), Bewitched (2005), Get Smart (2008), Land of the Lost (2009), and Entourage (2015).

And don’t forget to heap some scorn upon the big-budget sci-fi dud Lost in Space (1998).

A Splatter of Ugly

Sometimes the resulting TV-to-cinema feature is so ill-conceived and misguided and flat-out awful that one has to wonder how it ever got past the boardroom planning phase. Take caution: while we’ve got our fair share of “meh” or “bad” show-to-movie adaptations, rarely do TV-based feature films sink as low or suck as egregiously as The Gong Show Movie (1980), Car 54, Where are You? (1994), McHale’s Navy (1997), Mr. Magoo (1997), The Avengers (1998), Inspector Gadget (1999), My Favorite Martian (1999), Dudley Do-Right (1999), The Dukes of Hazzard (2005), The Honeymooners (2005), G.I. Joe: The Rise of Cobra (2009), Aeon Flux (2010), The Last Airbender (2010), and Dark Shadows (2012).

Mention of any of these titles is enough to send a shiver down the spine of any self-respecting cinephile. And, finally, we come to what is perhaps the most universally loathed big-budget TV-to-movie fiasco ever produced, the Will Smith/Kevin Kline/Barry Sonnenfeld bomb Wild Wild West (1999).

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If you haven’t seen any or many of these, consider yourself lucky.

 

Cult Classic Showcase: ‘The Wizard of Speed and Time’

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WIZARDI enjoy me some good, indie, underground, cult movies. I used to have walls of videotapes of films that weren’t really big at Blockbuster Video. They took up a lot of space…a lot of space.

I eventually had to sacrifice many of those videotapes out of necessity, but not all of it could be replaced on DVD.

One such film, The Wizard of Speed and Time, never made it to DVD–at least not officially, but it did get saved from Laserdisc to YouTube.

The movie came up recently when discussing “forgotten” cult classics with some friends. Some had heard of the movie, many had not. I felt that it was time to make mention of it again.

In 1979, independent filmmaker Mike Jittlov whipped up a three-minute short entitled “The Wizard of Speed and Time”. It featured stop-motion camera animation, speeded up film, and other practical effects.

The story, such as it was, was of a man in a green wizard costume running with lightning speed across LA, slipping on a banana peel, then crashing into a small movie studio where he uses his magic to get film canisters, camera tripods, and lights to start dancing around.

It’s a cute little short, and rather impressive given that it was filmed with practically no budget, and with the help of only a few friends. While Star Wars was wowing the world with big budget special effects, “The Wizard of Speed and Time” was wowing some with low-budget special effects–showing how, with creativity and talent, magic could happen in Hollywood regardless of traditional funding.

The short was featured in a Disney animation special, and then made the rounds of various film festivals and became staple viewing at science fiction conventions. Creator Mike Jittlov decided to try and make a feature film about the making of the short and, in 1983, finished the feature length version of The Wizard of Speed and Time which eventually saw limited release in 1988 and eventual availability on VHS and Laserdisc.

mangreen2Because special effects technology changes fast, viewers in 1988 were not as impressed with the 1979 style of camera animation effects used, so its theatrical performance was not great.

Still, independent movie buffs, special effects buffs, and people who were just charmed by Jittlov’s work overall allowed it to take on an underground cult status to the point that, while not in anyone’s top-20 list of independent cult films, it still gets talked about.

As for the feature film, it stars Jittlov as a fictional version of himself.  While the character is the same soft-spoken but intense aficionado of movie special effects that Jittlov is in real life, his film character life is additionally imbued with special effects. His eyes flash, he can send little sparkles off his fingertips, he makes glowing business cards appear out of thin air, and he owns was appears to be a rather magical bicycle.

Jittlov, with the help of his friends and family, sets out to create a special effects showcase short film for a television show. The morally-challenged producers who set him up for this challenge have made a $25,000 wager as to whether or not he could complete the project in three weeks (and with no budget) with one of the producers constantly throwing impediments in Jittlov’s way.

Chase_sceneIt’s a typical underdog-against-the-system sort of movie. In addition to having to deal with a producer sabotaging his efforts, Jittlov also must deal with a heavily unionized Hollywood which is actively hostile toward independent filmmakers.

Along the way, Jittlov and friends follow a typical Hollywood story including the various tropes of “bedroom scene”, “chase scene”, and “crowd scene”, but in ways that lovingly subvert the tropes a bit–more poking gentle fun at the Hollywood system, but also at the triteness of Hollywood stories themselves.

It’s not a mean movie, but it’s a movie that does reflect many of the frustrations independent filmmakers had to suffer prior to the video and digital revolutions.

I won’t spoil the story and tell you if our heroes managed to get their short on the television program, but it’s not much of a spoiler to reveal that the short does get made. By the end of the film we’re treated to a longer, more special effects-featured and storied version of the original 1979 film. It’s fantastic and well worth the wait. That, and it’s good to see how Mike and his friends fare against the Hollywood system and if anyone ever sees their film at all.

Here’s the short film as created by end of the movie, preceded briefly by a cleaned up version of the second part of the 1979 short also featured in the main film:

Additional praise should go to the music by John Massari. The soundtrack and feature music is both impressive and catchy. Some might recognize “The Wizard Run” music theme used in trailer for the Toy Story 3 videogame. In fact, a shout out to the whole cast and crew. Many were friends and family of the core group, unpaid extras, and just folks who believed in the project.

Several participants went on to more Hollywood work. Cinematographer Russell Carpenter went on to work on films such as The Lawnmower Man, Titanic, and Charlie’s Angels. John Massari worked on Killer Klowns from Outer Space. Philip Michael Thomas plays a cop here before he ever donned a sports jacket in Miami Vice.

If I had any real complaint or criticism of the film it would be its over-reliance on certain Hollywood business stereotypes: the Jewish producers, the gay choreographer, the stoner film technician, and so on. Unsurprisingly for an 80s movie, women play solely supportive roles.

While not entirely excusable, these tropes were pretty common in movies of the late 70s to mid-80s, e.g., Animal House, The Blues Brothers, Weird Science, etc. That said, The Wizard of Speed and Time is still a pretty impressive film in other ways. The low-budget yet fairly high production values speak of some real talent. While much of the acting is a bit uneven, there are some fairly good performances in there for so many non-actors.

It’s the little film with big spirit. That’s why it’s a winner.

ManInGreenBut if The Wizard of Speed and Time was so good, why didn’t it become a viral video hit?

It would be easy to place a good part of the blame on producer Richard Kaye who did some shady things with some of the money aspects and got in the way of some of the distribution rights. Jittlov himself barely saw a dime from the production, but managed to get control of the rights eventually.

And the film did go viral…it just did so in a way that was normal for the time.

Remember, YouTube wasn’t founded until February of 2005. While streaming video was a thing in the early 00’s, it was still relatively new. For most, viral sensations on the internet featured animated gifs of dancing babies and cats.  The Wizard of Speed and Time was released in 1989. In 1989 my online reach was pretty much limited to BBS systems and unwieldy online services such as CompuServe and Prodigy. While file sharing was a thing, it was limited to fairly small things such as documents, small share-ware programs, low-res images, and the occasional music file.

What we did have in the primitive early 90s were actual videotapes. And there was a thriving video sharing network for film buffs. A movie such as The Wizard of Speed and Time would have been shared across a vast network of bootlegged copies. The quality would invariably suffer after multiple generations of copies, but it was better than nothing. In a video buff’s bootleg library, you could find a copy of Jittlov’s film as well as compilations of foreign music videos, Star Trek blooper reels, the films of Kenneth Anger, maybe some videos of Henry Rollins doing spoken word performances, a copy of The Decline of Western Civilization – Part 1, 80s anime videos, and so forth. It would be another twenty years before most of this went digital and was accessible online to larger audiences.

My copy of The Wizard of Speed and Time was a third or fourth-generation bootleg. I lent it to someone else so they could make copies to pass on, but never got my original back. (This happened back in the video trading days. Sometimes people sucked.)

Mike Jittlov was an early Internet adopter–first putting up a webpage around 1995. With his unofficial approval, fans managed to convert the laserdisc edition to DVD, but by the early 00s, bootleg DVDs weren’t really a thing outside of pirated feature films. It took fans to get copies up on YouTube to make The Wizard of Speed and Time something everyone could easily enjoy.

Which is where we are now. Previously, I linked up the original 1979 16 mm short film that started it all, then I linked up to the five-minute video with the updated version plus the final video effects spectacular featured in the movie.

Here I give you the link to the full, feature-length movie itself.

Cheers!

‘Warcraft’ Arrives on 4k Ultra HD, Blu-ray 3D, Blu-ray, DVD, and On Demand 9/27; Digital HD 9/13

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In a distant world, humankind faces extinction at the hands of a brutal enemy in the visually stunning epic, WARCRAFT, coming to Digital HD on September 13, 2016, and Blu-ray , Blu-ray 3D, 4K Ultra HD, DVD and On Demand on September 27, 2016, from Universal Pictures Home Entertainment. Based on the global video game phenomenon from Blizzard Entertainment, WARCRAFT is a seamless blend of live action and awe-inspiring visual effects.  All Blu-ray editions include over 90 minutes of bonus content, including deleted scenes, an exclusive stop-motion Warcraft comic, and several behind-the-scenes looks at stunts, visual effects, story origins, and more.

The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: Orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, an unlikely group of heroes is set on a collision course that will decide the fate of their families, their people and their home.

Directed by Duncan Jones (MoonSource Code) and written by Charles Leavitt (In the Heart of the Sea, Blood Diamond) and Jones, WARCRAFT stars Travis Fimmel (“Vikings,” Maggie’s Plan), Paula Patton (Mission Impossible: Ghost Protocol, Deja Vu), Dominic Cooper (Captain America: The First Avenger, Need for Speed) and Ben Foster (Lone Survivor, 3:10 to Yuma).

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BLU-RAY EXCLUSIVES (Available on Blu-ray editions):

  • WARCRAFT: Bonds of Brotherhood Motion Comic: Take an interactive journey through the official WARCRAFT graphic novel with a never-before-seen motion comic that brings the story of the film’s young heroes – Prince Llane, Captain Lothar and Guardian Medivh – to life in this unique experience.
  • The World of Warcraft on Film: The “World of Warcraft” is much more than just a game – it is a cultural phenomenon as documented in this comprehensive multi-part feature focused on bringing the unique environs of WARCRAFT to film:
    • The World of Talent: Fans can learn more about the casts’ reactions to being a part of the WARCRAFT film, how they prepared for their role and the challenges they encountered during filming.
    • The World of VFX: The WARCRAFT universe wouldn’t exist without the tireless efforts of the VFX crew. Follow along with the filmmakers as they tell the story of how WARCRAFT came to life through VFX.
    • Outfitting a World: Learn how the filmmakers worked with WETA workshop, Blizzard, and acclaimed costume designer Mayes Rubeo to create the weaponry and armor that must be familiar and otherworldly at the same time, all while creating a unique aesthetic for the film.
    • The World of MOCAP: An overview of the creation of the Orcs and other digital characters from inception all the way through to the final execution. Through extensive footage of the actors in their MOCAP suits and live in-camera renderings during production, the audience will see the incredible effort that went into creating the Orcs.
    • The World of Stunts: Though much of WARCRAFT was created through extensive VFX, the fight scenes and stunts had to be very real. In this featurette, fans can learn more about the extensive fight choreography and stunt work that fueled the film’s action from beginning to end.
  • Madame Tussauds’ Featurette:  Featurette on the making of the WARCRAFT wax figures by Madame Tussauds.
  • WARCRAFT Teaser: An early teaser which premiered at San Diego Comic-Con in 2013.

 

BLU-RAY and DVD BONUS FEATURES:

  • Deleted Scenes
  • Gag Reel
  • Origin Story
  • The Fandom of WARCRAFT: Delve into the history and breadth of the fandom behind the game and film, as well as the way it has influenced pop culture.
  • ILM: Behind the Magic of WARCRAFT: See some of the groundbreaking facial capture technology utilized by Industrial Lights & Magic to convey the emotion and depth of the visually impressive Orc characters in the film.

 

4K ULTRA HD

For the first time the film will also be available on 4K Ultra HD in a combo pack which includes 4K Ultra HD Blu-ray, Blu-ray and Digital HD with UltraViolet. The 4K Ultra HD will include all bonus features on the Blu-ray disc.

  • 4K Ultra HD is the ultimate movie watching experience. 4K Ultra HD features the combination of 4K resolution for four times sharper picture than HD, the color brilliance of High Dynamic Range (HDR) with immersive audio delivering a multidimensional sound experience.
  • Blu-ray features high definition picture, theater quality surround sound and exclusive extras.
  • DIGITAL HD with UltraViolet lets you watch movies anywhere, on any device. Users can instantly stream or download movies to watch on iPad, iPhone, Android, smart TVs, connected Blu-ray players, game consoles and more.

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Graphic Breakdown: ‘The Sheriff Of Babylon’ V.1, ‘March’ V. 1-3, ‘Kabuki’ Library V. 1-3 &‘Love Addict: Confessions of a Serial Dater’

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This edition of Graphic Breakdown will focus on four books that just wowed me recently.

Read these books!

SHRFBABBB_v1_CVThe Sheriff Of Babylon V. 1: Bang. Bang. Bang

(collecting Issues 1-6)
Written by Tom King and Illustrated by Mitch Gerads
Published by DC Comics/Vertigo

I have been hearing a lot about this series. I was excited to read it…and then I read Tom King’s Batman issues and I got concerned.

The Batman issues are okay at best thus far. So it was with less enthusiasm that I started reading this.

And boy, was I blown away. It’s as good as people are saying, maybe even better.

The series takes place in Baghdad in 2003. It focuses on Chris Henry who is an officer turned military contractor who is contracted to train a new Iraqi task force.

When one of the trainees winds up dead, Chris is forced to team up with Nassir, the last remaining cop in Baghdad. The details are just astonishing. King is an ex CIA agent. He knows what he’s talking about. He also knows how to write a great comic book. The details, the pacing, the sheer audacity of this comic is something to behold. I was hooked from the first panel and couldn’t put it down.

Gerads knocks it out of the park as well. His art has never been better than on this series. This is a classic in the making. I can’t say enough about it. Pick it up, read it, read it again and then give it to a friend. Then get it back quick so they don’t steal it from you.

RATING: A+

MARCHMarch Volumes #1-3 

Written by John Lewis, Andrew Aydin and Nate Powell and Illustrated by Nate Powell
Published by Top Shelf Productions

This is a Multiple Eisner winning story.

But is it any good? Hell yeah. This is a book that takes the medium of comics and does something just incredible with it.

The writing is crisp and well done and it shows the life of Congressmen John Lewis. It’s astonishing. How good is it? Well, in my opinion it should stand up on the level of Maus. It’s that good.

The series focuses on the life of Lewis as a major figure in the civil rights movement. It shows his interactions with famous figures such as Malcolm X and Martin Luther King. It also shows the events leading up to Bloody Sunday and to him receiving the Presidential Medal of Freedom from President Barack Obama.

It’s a story of granting racial freedom for African Americans for sure. But it’s also about something bigger: Humanity.

This is one of the great works in the comic book medium. Nate Powell is one of the best artists still working in the field. Everything he touches has passion, emotion, and love of the medium. He will go down as one of the true greats. Mark my words.

Pick up this book. It’s worth every penny. And once you read March, it’ll never leave you. I promise you that.

RATING: A+

LoveAddict-CoverLove Addict: Confessions of a Serial Dater  

Written and Illustrated by Koren Shadmi
Published by Top Shelf Productions

Well, Joe Matt is no longer producing comic books anymore, it seems. But that’s okay. We now have Shadmi to fill the void, so to speak.

This is quite a confessional comic. It may go a little too close to comfort for some, but hey that’s part of the fun.

After a breakup, “K” is reeling. He goes on a dating website called Lovebug and start dating. And dating some more.

Finally, he is dating like crazy. His life is falling apart as he does. Then it starts getting really dark.

This book is not for everyone. But it is a fantastic, honest look that is funny, sweet and utterly disturbing. It sometimes hurts to read it, hurts to look at it. But it’s completely compelling with a lot of truth to it.

Read this book and maybe squint a little bit while reading it…and who knows? Some of these things may have happened to you. I wouldn’t be surprised.

RATING: A

 

81QmIx8rqrLKabuki: Library Editions Volumes 1-3

Written and Illustrated by David Mack
Published by Dark Horse Comics

This is the entirety of David Mack’s epic series Kabuki. This starts from the early publications to the very end with tons of bonus features. This is sure to please longtime fans and new readers as well.

It is quite a story Mack has created one hell of a groundbreaking work with this.

The story here is takes place in an alternate near future in Japan. An agent named Kabuki is a television personality and also the law enforcement. It seems like a simple premise but it gets incredibly complex. It gets so complex in fact, the art changes as the story goes along. And the storytelling changes.

As Mack advanced in his craft you can see unique and fantastic new ways of telling a story in the comic book medium. It’s something else.

Part of the fun is seeing Mack’s development as a creator in this. Part of the other fun is seeing how he opens up worlds, how he develops them and how he shows us there is still always new ground to cover and to imagine up in this crazy medium we call comic books.

RATING: A

Forces of Geek / ‘Stranger Things’ Mash-Up T-Shirt Now Available!

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Forget the horrors of Hawkins, Indiana for just a moment and take a deep breath.

Don’t worry about the Upside-Down or the Demogorgon for a minute and just soak in the nostalgia for the summer’s must watch, Stranger Things.

And since the only thing greater than Stranger Things is Forces of Geek, this mash-up shirt is a must have!

With several styles to choose from, it might be the best investment for your Fall wardrobe.

Join The Nerd Elite and Buy it HERE!


Win ‘Halt and Catch Fire’ Seasons 1 & 2 on DVD!

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halt-and-catch-fire-season-2-joe-pace-cameron-davis-1280The critically acclaimed AMC hit drama, Halt and Catch Fire: The Complete Second Season, will be available on DVD from Anchor Bay Entertainment on August 9. From creators Chris Cantwell (“Vicariously”) and  Christopher C. Rogers, comes the ten-episode series, featuring buzzworthy performances from Lee Pace (Lincoln, “Pushing Daisies,” Guardians of the Galaxy ), Scoot McNairy (Argo), Mackenzie Davis (Smashed), Kerry Bishé (Argo, Red State) and Toby Huss (Cowboys & Aliens).

The sophomore season of AMC’s hit tech-centered drama “Halt and Catch Fire” hits the ground running. It’s March 1985. More than a year has passed since Joe MacMillan (Lee Pace) set fire to a truck full of Cardiff Giant PCs, the last in a long string of destructive acts that burned the people that made the machine possible: Gordon Clark (Scoot McNairy), Donna Clark (Kerry Bishé), Cameron Howe (Mackenzie Davis) and John Bosworth (Toby Huss). The Giant is about to go the way of the dinosaur, like any number of personal computers to enter the market in the wake of IBM. The lesson is harsh but clear: in history, only the truly disruptive ideas are destined to matter. Season two of Halt and Catch Fire thrives on the spirit of innovation and takes on world-changing scenarios, no matter the risk.

And to celebrate the Season Two DVD release, we’re giving away two sets of Halt and Catch Fire Seasons 1 & 2!!!

Halt & Catch Fire S2

In what film did Lee Pace play Ronan?

Please include your name and address (U.S. Residents only. You must be 18 years old).

Only one entry per person and a winner will be chosen at random.

Contest ends at 11:59 PM EST on August 21st, 2016.

 

Chronicle Books to Publish Official HBO’s ‘Game of Thrones’ Coloring Book

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HBOsGoTColoringBook(1)After a record-setting sixth season, HBO’s Game of Thrones is a pop-culture institution, and fans can’t seem to get enough. Now, Chronicle Books and HBO give fans a new way to connect with the people, places, and icons from the show with HBO’s GAME OF THRONES COLORING BOOK.  Featuring highly detailed illustrations of beloved characters, beautiful settings, and memorable scenes, this coloring book is a must for the millions of fans who want to experience the show in an interactive way.

Relive pivotal moments and celebrate favorite characters from the past seasons via 35 detailed black-and-white images on 60 pages of high-quality paper stock, suitable for pen, pencil and watercolor.

Characters and scenes include:

  • Jon Snow with his direwolf Ghost, Sansa Stark, Daenerys with the Unsullied, Arya with her sword Needle, Joffrey on the Iron Throne, The Red Viper, Sandor Clegane, Brienne of Tarth, and more
  • The majestic beauty of the Eyrie, Castle Black, the imposing Titan of Braavos, Dragonstone, Winterfell, and King’s Landing

Most of the scenes are represented as expansive, two-page spreads including Daenerys escaping on Drogon, the Night King at Hardhome, a map of Westeros and Essos, and the Battle of The Blackwater.

HBO’s Game of Thrones Coloring Book is a perfect gift for the Game of Thrones fan, a fun activity for show watching parties, and an entertaining way to stoke enthusiasm while awaiting season seven.

 

About the Book

HBO’s Game of Thrones Coloring Book
$15.95 US, £11.99 UK, ISBN: 978-1-4521-5430-5
Paperback, 11 ¾ x 11 ½ in, 60 pp, 35 b/w images
On Sale: November 1, 2016

‘Beauty and The Beast’ (‘La Belle et la Bête’) Gets a Poster and Trailer!

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Codt2P_VIAADOLvShout! Factory Films is proud to debut the official movie trailer for Beauty and The Beast (La Belle et la Bête)!  Directed by Christophe Gans and starring Vincent Cassel (Jason Bourne) and Lea Seydoux (Spectre), the film follows the unexpected romance between the youngest daughter of a merchant who has fallen on hard times and the mysterious beast to which her father has become indebted. This modern take on a classic fairy tale delivers a vibrant and captivating cinematic adventure not to be missed!

From director Christophe Gans (Brotherhood of The Wolf) and starring Vincent Cassel and Léa Seydoux with André Dussollier, Eduardo Noriega, Myriam Charleins, Audrey Lamy, Sara Giraudeau, Jonathan Demurger, Nicolas Gob, Louka Meliava and Yvonne Catterfeld, Beauty and The Beast (La Belle et la Bête) debuts in select U.S. Theaters on September 23rd.

1810. After the wreck of his ships, a financially-ruined merchant (André Dussollier) exiles himself in the countryside with his six children. Among them is Belle (Léa Seydoux), his youngest daughter, a joyful girl full of grace. One day, during an arduous journey, the merchant stumbles across the magical domain of the Beast (Vincent Cassel), who sentences him to death for stealing a rose. Feeling responsible for the terrible fate which has befallen her family, Belle decides to sacrifice herself and take her father’s place. At the Beast’s castle, it is not death that awaits Belle, but a strange life in which fantastical moments mingle with gaiety and melancholy. Every night, at dinner, Belle and the Beast sit down together. They learn about each other, taming one another like two strangers who are total opposites. When she has to repulse his amorous advances, Belle tries to pierce the mysteries of the Beast and his domain. And when night falls, the Beast’s past is revealed to her bit by bit in her dreams. It is a tragic story, which tells her that this solitary and fearsome being was once a majestic prince. Armed with her courage, ignoring every danger, and opening her heart, Belle manages to release the Beast from his curse. And in doing so, she discovers true love. 

#beautyandthebeast

‘Suicide Squad’ (review)

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Produced by Charles Roven, Richard Suckle
Based on Suicide Squad by John Ostrander
Written and Directed by David Ayer
Starring Will Smith, Jared Leto, Margot Robbie,
Joel Kinnaman, Viola Davis, Jai Courtney,
Jay Hernandez, Adewale Akinnuoye-Agbaje,
Ike Barinholtz, Scott Eastwood, Cara Delevingne

One thing we can all agree on is that the DC Cinematic Universe got off to a rocky start and seemed doomed with the release of Batman v Superman: Dawn of Justice.

The controversy won’t end with this film, but I can say writer/director David Ayer finally gets it. Nothing is ever perfect but this movie is more than what meets the eye from the promos.

Spanning superhero, comedy, supernatural and military genres and introducing visual elements more commonly found in video games, Suicide Squad is a wild ride.

Warning: Spoilers Below

The opening of the film introduces the players of Amanda Waller’s (Viola Davis) Task Force X in a series of individual (and quick) vignettes and we even get an appearance by Ben Affleck’s Batman early in the film.

As comparisons go, this is practically a new kind of movie. Deadpool had absurdist cursing and breaking the fourth wall. Captain America: Civil War pitted team against team. Batman v Superman introduces the idea of more metahumans in this world. What Suicide Squad does is lay out the crazy, pits the team against itself and goes all in on metahumans and specially skilled warriors.

Inevitably, the big star power does a lot of the heavy lifting. Leading the team of prisoners from Belle Reve prison are the standouts of the team; Will Smith (Deadshot), Harley Quinn (Margot Robbie) and personal favorite Joel Kinnaman (Rick Flag). Karen Fukuhara makes a killer debut as Katana, Jai Courtney as Captain Boomerang, Jay Hernandez as El Diablo and Adewale Akinnuoye-Agbaje rounds out the roster as Killer Croc. Cara Delevingne also stars as Enchantress, and of course Jared Leto is our new Puddin’, The Joker.

Contrary to the marketing, Joker and Enchantress, who both play a big part in the movie aren’t members of the Squad but play around the sandbox in a different way.

We see The Joker rise to power as a Gotham gangster with his former doctor Harley by his side.  Any criticism I have toward Leto and The Joker and this movie is all surface. They overdid it on the tattoos (they are fine, but too many, and the smile on his hand is way over the top), but overall he’s a decent Joker. He’s channeling Jokers before him while trying to make it his own. Given more screen time, I bet Leto would be able to flesh him out a bit more.

The Harley / Mr. J relationship hits all the right beats and feels as right as the animated series version. We’re even treated to a Harley origin we haven’t seen before, peppered throughout the movie. This is a great team movie, but at times, Ayer pushes the gorgeous Margot Robbie into the spotlight as the star.

Will Smith’s Deadshot is a cold blooded and precision assassin but they give him enough breathing room to be funny here, you forget that this is Will Smith in the roll and believe in the man behind the scope, Floyd Lawton.

When Enchantress turns bad and wreaks havoc on Midway City, the US government and A. R. G. U. S.  turn to Task Force X to break her down. This isn’t easy for Rick Flag, who has fallen in love with her alter-ego June Moone. Kinnaman is firm and a great military leader in this type of role. Rick Flag fits him better than the Robocop suit, but specifically fans of The Killing will appreciate how much screen time he gets in this movie as Suicide Squad leader. Both him and Waller have the ability to explode team member’s heads at anytime, as a red shirt Slipknot (Adam Beach) demonstrates.

Croc, Diablo, and Katana are also given times to shine and use their special abilities, watching Katana’s sword work is great. In fact, fight choreography was also fun to watch in this movie packed with plenty of action.

By the third act, we’ve seen a Patrick Bateman version of The Joker, supernatural monsters, tactical soldier strategy, actually funny jokes and tons of characters we’ve previously only seen in the comics books.

In a way also, this movie out-Ghostbusters Ghostbusters. Predictably, the city is almost destroyed at the end…and a big portal opens in the sky. Are we surprised at this point? Those are the new go-to moves.

Fortunately for the fans, Ayer and the creative forces behind the pages, likely Geoff Johns, and yes, Zack Snyder included plenty of easter eggs for the DC fan while making the whole experience special.

This is certainly not the Gotham of the Nolan-verse, it is closer to the world created in the Arkham video game series. There’s more rain, more grime and everyone’s dressed like a crazy person with access to a Black Amex at the worst mall in America.

Ayer has a hit on his hands, undeniably this is a fun movie that I don’t need to hate watch or re-watch to see if I ‘missed anything’ (Read: Batman v Superman). Suicide Squad rights the ship and sets the tone for what we have been teased from Comic Con with Justice League.

I will say that movies like Guardians of the Galaxy and Suicide Squad have one thing in common to their advantage. With no pre-expectations since no one knows as much about these characters from the start, the the actors can play around with what they are given. This is the opposite of what Cavill was handed with Superman, and that really hurt Man of Steel and Batman v Superman.

 

SuperSwag! A Look at The Latest Offerings From SuperHeroStuff.com!

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SUPERSWAG

We’re checking out some of the latest and greatest items from our friends at from our friends at SuperHeroStuff.com which is not only one of the industry’s oldest superhero specialty shops, but also one of the best (and one of our favorite shopping destinations on the web)

SuperHeroStuff sells everything superhero.  T-shirts, hats, hoodies, underwear, socks, action figures, stickers, buttons, belts wallets, cardboard standups, jewelry and much more including large selections for women and children.

Here’s what we recently checked out:

Batman Traditional Symbol T-Shirt

image-tsbatsymbol-primary-watermarkPerhaps the single most essential wardrobe piece to every pop culture geek, the Batman traditional symbol t-shirt is a must own.

This shirt is similar (the yellow is a different color) to my first traditional symbol shirt that I got for my birthday in 1988, a year before the Tim Burton Batman film was released.  I still have that shirt somewhere (not that I could fit into it or even survive another trip through the washing machine) and this shirt evokes a sense of nostalgia as well as class.

If you don’t own one of these already, stop reading here and order one.

 

Star Wars Holochess Grandmaster Men’s T-Shirt

image-tsswhologrand-primary-watermarkEver since we saw Chewbacca sit down to play Holochess in 1977, we were warned by Han Solo that the Wookiee was a winner.

And was ready to pull arms out of sockets to prove otherwise.

Now, there’s no need for violence as this shirt depicts a very happy Chewie sitting in his spot at the table on The Millennium Falcon, grinning like he just pulled the ears off a Gundark.

Winner Winner Chicken Dinner!

 

 

Suicide Squad Harley Quinn Card Portrait Men’s T-Shirt

image-tsssqhqportraitcard-1-watermarkHarley Quinn is without a doubt DC Comics’ top breakout character in the past decade.  Love interest for The Joker, this former psychologist turned costumed criminal has captured the hearts of readers everywhere.

Now, with the release of the Suicide Squad movie, the impeccably cast Ms. Quinn will be played by the adorable and charming Margot Robbie, who will likely capture the adoration of audiences everywhere.

This shirt features Mr. J’s main squeeze, who’s depicted sharing a wink and a baseball bat.  Love and death.  For reals…

 

Flash Lightning Reveal Men’s Bi-Fold Wallet

image-wllflshlightbifld-1-watermarkEven the fastest man alive needs to put his cash and i.d. someplace safe.  You can’t easily dig a few bucks out of your costume to buy a burrito.  Hence, the Flash wallet.  Complete with The Fastest Man Alive’s iconic lightning bolt symbol, this wallet made from a  blend of polyester and polyurethane, aka pleather, is tough enough to withstand an attack by any* one of the Flash’s rouges, be it Captain Boomerang, Weather Wizard, Mirror Master or Reverse Flash.

* Unfortunately we can’t confirm if it can handle super smart criminal simian, Gorilla Grodd.

 

 

Batman 66 Playing Cards

image-cardsbat66-primary-watermarkCapturing some of the most iconic images from the classic television series, the Batman 66 playing cards includes, without a doubt, the best Joker card around, with Cesar Romero grinning as the Clown Prince of Crime.

The perfect and most useful gift for any and every pop culture enthusiast or Bat-fan, this set will have you flipping cards and yelling, “BAM!, POW! WHAM!”

Holy high roller!

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