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The Netflix Threat to Quality TV

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Whether anyone intended it to happen, somehow TV has become better than just about any movie that comes out of Hollywood.

But this could all be undone rather quickly by the way Netflix and its peers are making TV shows.

There are lots of factors that have contributed to the improved quality of TV -- maybe the biggest change is that the structure of shows is no longer just the primary A-storyline with the secondary B-line; it’s now it’s A through infinity -- but cable TV, and especially pay TV don’t chase demographics in the same way that broadcast TV does.

They give the makers of their shows free reign to exercise all of their creative ideas regardless of what the 18 to 24 demo thinks, and they can afford to give a show a season or two to develop an audience. 


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HUMP DAY WTF: If Benny Hill Was Alive, This Is What He Would Have Wanted Us All To See

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What do you get when you combine two highly pissed-off ladies, a Roman Gladiator and a Vespa?

The best :30 you will probably see on the internet today.

If only Yakety Sax was playing behind the action...

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BATES MOTEL: "The Truth" S1E6 (recap)

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By Apathy Babcock
On last week’s episode, we learned that although Norma likes to tell Norman he sees things that aren’t real, he actually did see an Asian sex slave in her boyfriend’s basement.

Does this mean maybe Norma was responsible for sending Norman off to Shelby’s house to retrieve the belt?

Because this week’s episode is entitled, “The Truth,” we’re bound to learn more.  But it’s hard to believe anything’s the truth coming out of White Pine Bay…

It’s a new week for us, but the same shit night for the Bates family.  We open on Norma sitting silently on the motel patio after the terrible shock of finding the girl from her boyfriend’s basement is not only real, but is also recuperating in her motel.  Norman approaches his mother to see if she’s okay.  Understandably, Norma has nothing to say.  Discovering your hunky dream man has been keeping a sex slave imprisoned takes some time to absorb…not that it seems to bother Norman much.  Emma wants to do something for Norma, but Norman thinks, “maybe she just needs to absorb the information for a minute.”

I’d say, at least a minute.


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NOW YOU'RE COOKING WITH POWER! The Nintendo Power Glove Oven Mitt Will Make Baking Rad

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Okay, so technically the Power Glove was a Mattel product, but those who slipped one on back in 1990 didn't care who made it, they just wanted the damn thing to be as cool as it looked in the commercial (alas, it wasn't).

But for those of you who were filled with deep disappointment over the sub-par performance of the Glove, you can now rectify that feeling by slipping on a Power Glove Oven Mitt and well...taking various baking pans from a hot oven without burning yourself.

Granted, it's not as awesome as playing on what was essentially a low-functioning Wii controller 16 years ahead of its time, but at least it frakking works like its supposed to.

Hell, why not wear the Power Glove Oven Mitt while holding a Wii controller, that way you can relive the experience in a more satisfying way.

Not a bad idea...

Commercial for the oven mitt after the break.

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FOG! Chats With HIGH HEAVENS Game Creator RYAN LESSER!

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For almost two decades, game designer Ryan Lesser has been part of the Providence art scene and part of the RISD community, both as a student and later as an adjunct professor.  A long time collaborator of artist Shephard Fairey, Lesser divides his time as an artist, musician and video game designer and art director for Harmonix, working on such games as Guitar Hero, Guitar Hero II, Rock Band and The Beatles: Rock Band.

Now, Lesser is currently in the home stretch of fundraising on Kickstarter for a project that he's extremely enthusiastic about, High Heavens, a table top game that pits the ancient Norse & Greek deities and demigods against each other in battle.

Ryan took some time from his busy schedule to discuss the project and what people can expect.

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The List: End of The World Movies (80s edition)

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We humans are a narcissistic lot.

There is nothing we like better than to think that we are the end all be all of this planet, and nothing gives us a thrill more than watching it go 'boom'.

 A theory that was proven once again last weekend with the respectable box office opening of Tom Cruise's post apocalyptic action flick, Oblivion. And we’ll be seeing more end of the world tales including World War Z, Elysium, and even a comedy about global meltdown in This is The End.

Every generation has their own anxieties about the end of the world, for boomers it was conformity and the atomic age, in the 70s it was about shadowy conspiracies and for those in my age group, the 80s were all about nuclear annihilation.

A topic that was inescapable in the news and the big screen (it was even in the top 40..thanks a lot, Sting).

So today’s installment of The List are the films that used to keep my up at night about the end of the world as we know it (I’m sorry, I couldn’t help myself)...

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Hey! Hey! Hey! FAT ALBERT: THE COMPLETE SERIES Arrives on DVD!

SPRING BREAKERS Brings The Party Home This July


PAINT YOURSELF UP Like Betty or Veronica With MAC Cosmetics New Line of Beauty Products, "Archie's Girls"

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Archie always struck me as one lucky dude. I mean, the guy lands the affections of two hot babes who continuously fight over him for 60 years (not to mention the fact that he has occasionally dated the sexy redhead Cheryl Blossom) and all he has to do is sit back and watch the cat fights while looking adorable.

Which is why (I'm assuming) MAC Cosmetics debuted a line of beauty products last month that was inspired by the teen soap opera that began back in Riverdale in 1941.

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It's the End of the World, and I Love It

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I saw Oblivion recently.

It was pretty good, but then pretty much had to see it despite Tom Cruise starring in it.Oblivion was made by Joseph Kosinski, who directed TRON: Legacy, and I think he has a good eye for design and framing.

The story intrigued me, too; a mystery uncovered in a world wrecked by interstellar conflict.

If it involves the end of the world, I'll likely give it a shot. These recent years in pop culture have given us a lot of the end times, and I love every morbid bit of it.


The ruins of modern landmarks, the eyeball blood-spilling plagues, the cannibalism and radiation fallout zones. A boom in survivalist skills, a newfound interest in archery, and an overabundance of cargo pants. Seeing the unbounded joy of people when they finally get a hot shower, or happen upon a can of peaches in an abandoned farmhouse.

I'm not including stuff about people trying to save the world, or a world-ending threat tries to invade. Nope. It's over. The end of the world has happened already. The cataclysm is complete.


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HERE'S A TOM WAITS/COOKIE MONSTER Mash-Up...Thank You Internet

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I have to be honest with you, it took quite a while for me to really enjoy the raspy, whiskey and cigarette ravaged, warbled singing of Tom Waits. But it was worth it, the man knows how to write a fucking good song.

But yes, he does sound a bit like Cookie Monster with a bad sore throat so it seems only natural to Mash-up this pair of throat-challenged individuals and produce a video that feels a bit like Sesame Street After Dark (what with the cursing and all).

Still, it's much better than sitting through another rendition of an Auto-tuned tween singing about summer lovin'...Thank Jeebus.

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History of Science Fiction Cinema: 1951: The Year Worlds Collided and the Earth Stood Still

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A year after the decade that would become known as the heyday of sci-fi cinema, started out with a rocketing bang, moviehouses across the nation were spaceship happy.  But, unlike 1950, when the biggest sci-fi films of the year showcased we Earthlings heading for the stars, 1951 brought those aliens down to our planet - and not always in the "we come in peace" mode.

Two of my favourite sci-fi films of the decade, fit into this category- with only one of them being the aforementioned "we come in peace" variety.

Arguably the most famous of these alien films, is The Day the Earth Stood Still.


This classic of the genre was directed by Robert Wise and stars Michael Rennie as the alien missionary, Klaatu.  Any Rocky Horror fan worth their salt, surely knows the opening line "Michael Rennie was ill, the day the Earth stood still." 

Anyway, to swerve from one nerdy aside back to an equally nerdy main line, the story of The Day the Earth Stood Still, is simple.


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THERE'S NOW A CUP HOLDER For Your Fries...(Sigh)

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Because there is an obvious need for you to have access to your fucking fries AT ALL TIMES, McDonald's has unveiled a new holder specially created so that you can begin shoving the cracked-laced potato product in your gaping maw from the moment it enters your car until you are licking the salt from the box while pulling into your driveway safely.

Now, before you get all excited and feel a flush of wetness in your pants, McDonald's is, so far, only releasing this gem of an idea in Japan (probably to encourage them to become as fat as we Americans are) but I'm sure there will be a bunch of these Potato Holders showing up on ebay or at a flea market within the next couple of months, so you're just going to have to patient and relegate your fry binge-eating to somewhere other than your car until that day comes.

It's good to know that a massive amount of money went to develop this amazing product so that we can all remind the starving people of the world that some of us are truly assholes. 

I hate everyone.

Source: Incredible Things

View From The Brig(gs) Episode 8: A Fibonacci Cube, And The Air That We Breathe

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Hey, Brigateers!

It was a struggle to get this week's piece together (slightly late: sorry, Ed), as my last few weeks have been jam-packed with all kinds of film-making intrigue on Gary Kurtz and myself's movie, "Panzer 88".

But, without any further ado, we head off into...

THE FUNNY PAPERS!

I'm going to break with convention this time: not only am I starting with my Comic Reviews, but I'm headed off over to the Minors, as there's an auspicious date I need to tackle more than anything. Yes: over at Dark Horse, Mike Mignola finishes off Hellboy's story, with "Hellboy in Hell #3 & 4".

I'll be frank: because of my involvement with the movie, Hellboy is one of the big pushpins in my career, and I've been dreading reading these issues (and honestly stalling getting to them) as I love the Big Guy so much.

Way back in 1996, I flew over from England to meet Mike in Portland, Oregon.

Hellboy as a comic book was in its infancy back then, and I had reams of questions to ask Mike as I began adapting the film, and Mike was both forthcoming and candid with his answers.

One of my notes was: "So, where are you ultimately going with this character?"

Even back then, unlike George Lucas, Mike had a very clear idea of where the character came from, and where it was headed. He told me about Hellboy leaving the B.P.R.D.; and being the King of England; and all these crazy things I'd keep mum about for 20 years.

And also, back on that breezy, bright afternoon in 1996, Mike told me basically what I would wait to read in Issue 3 of this story: the ultimate confrontation of Hellboy finally confronting his "brothers", the other Princes Of Hell. I was surprised reading it that this portion of the story was over so fast, as I'd always imagined (probably building it up out of all proportion in my imagination) this would be a major "Lord Of The Rings"-like battle campaign, although Mike never specifically said it'd be portrayed that way. Maybe Mike just wanted to get this thing that was on his back for 20 years, over and done with? I dunno.

The final issue, #4, here is nearly all exposition, with Edward Grey (now deceased Victorian paranormal investigator) "filling in the blanks" to Hellboy. And so, the story ends.


Or does it?

See, back in '96…one of my burning questions to Mike was: "What exactly IS Hellboy's Giant Stone Hand?" And it's a question that Hellboy himself comes within a gnat's breath of discovering in Issue #3 of "Hellboy In Hell". Except…Mike holds back here from actually telling the reader!

Which I found really, really interesting.

Mostly, as Mike confided in me what Hellboy's Hand REALLY was back in 1996, and I think my surprised response then was: "Oh!" But if Mike ain't saying', I ain't tellin'. He's obviously left it as his get-out clause. And, quite right too. Your secret's safe with me, Mike.

Just as a fun trivia note, I'd like to humbly mention it was I who came up with Hellboy's actual name: "Anung Un Rama." As I spoke about with Josh Zyber in an interview for the DVD Talk website nearly a decade ago, on that fateful day I met Mike, I'd done a lot of prep from the few "Helboy" comics that existed. I’d assumed that, like Tolkein, Mike had created his own flowery language with phrases like "Obdith Sancti, Yug Jahood". Because of this, I'd spent a goodly amount of time reverse-engineering his comic book and cross-referencing the esoteric phrases to see how and where they cropped up, and this one thing, "Anung un Rama," kept popping out at me a couple of times.

Rationalizing the phrase in the story's context, it almost seemed it specifically referred to Hellboy himself. Knowing from folklore, if you knew a demon's name you wielded power over it, and that this was something I specifically wanted to do in my plot (as you saw in the final film), I'd resolved to give this to Rasputin as his way of bending Hellboy to his will.

Anyway, I thought I was pretty smart about figuring Mike's language out, and pointedly asked Mike about "Anung Un Rama".

Mike peered at me like I was nuts, then basically told me NONE of the comic book language meant anything, and he made it all up in the shower! So, we had a laugh about that, I used the phrase in the script as Hellboy's name, and – which is the cool thing, that I feel pretty good about – Mike then went back into the later comic books and then specifically also employed that random phrase he came up with as Hellboy's name himself.

So I’m kinda jazzed I gave Hellboy his name. (Hellboy’s nickname in the movie too, "Red": that was also one of mine.

But not for the reason of his coloring.

Nope, that was the little private joke homage I made to Howard Hawks movies, as Hawks would always call his girls "Red", and I thought it was amusing. Go figure.)

Enough reminiscing.


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LEARN KOMPUTERS The Easy Way With Kim Komando (1990s)

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Once upon a time computers were so scary to people that they watched VHS training tapes in order to learn how to not blow them up or accidentally start a nuclear war (which was something people thought might happen thanks to the movie WarGames).

Enter one Kim Komando, a self-described Digital Goddess, who helped a generation of people learn where a floppy disc goes by the way of her series of training videos called The Komputer Tutor (isn't it fun to turn C's into K's?).


And in this video (below) we will learn all the highlights of Dos 6.0, Microsoft Word and why it's important to have beauty pageant-worthy hair...oh, the memories.

Don't worry, this is simply a chopped-and-spliced version of her more important computer info...we already know what a mouse is.

Enjoy!

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TRIPLE SHOT: SUPERMAN FAMILY ADVENTURES #12, JUPITER’S LEGACY #1, B.P.R.D: VAMPIRE #2

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The thing about history, baby, is that it goes way back.   All the way back.

We stroll down memory lane with Miss Lane, get lost in a Legacy and follow B.P.R.D’s Simon Anders back to a small Czech town to investigate the origins of the vampire disease.

Will he escape unscathed before having to unleash his concealed garlic?


SUPERMAN FAMILY ADVENTURES #12
WRITER: Art Balatazar & Franco
ART: Art Balatazar
Publication Date: April 24, 2013
Price: $2.99
Publisher: DC Comics
UPC: 76194130973601211
Buy it HERE

Aw yeah, everybody. It’s the end of an era, not only for Superman and his family, but for fans of a certain kind of book formerly put out under the Johnny DC banner.

In 2008, Art (Baltazar) & Franco gave us elementary school versions of our favorite Titans in Tiny Titans.

The Eisner Award winning book proved itself to be fun for all ages, including not only great stories for kids but nods to serious DC continuity and clever plays on the DC tropes. A Lunch Lady Darkseid ruled the cafeteria with Anti-Slop.

After the New 52 reboot, Cyborg gets new shoes and the guys were put on a new book, Superman Family Adventures, filled with all of the clever comic book industry and Superman movie quotes of the previous series, but concentrating on the family aspect of Superman. We’ve got Clark, The Kents, Jimmy, Chief, Lois, Connor, Kara and the Super Pets.

Nearly all of the Tiny Titans, the Justice League, Steel, Lex and even Miss Teschemacher sneak their way into the send off issue of this book. It is a bittersweet moment to end this five year run of the best kids comics DC has ever done.

Even Superman’s parents Lara-El and Jor-El make an appearance in the final issue, with an interesting twist on how the two survived the explosion on Krypt’n.

Unfortunately for us, we won’t get to see any more of Art & Franco on this book but look forward to them taking on The Green Team in the New 52, a story about trillionaire teenagers. And guess what? For more all ages comics, Art & Franco have launched a Kickstarter for new publisher Aw Yeah Comics and are fully funded. Expect some issues of Aw Yeah Comics #1 starring Action Cat and Adventure Bug at C2E2 this weekend, and distro to our hands very soon.

Aw yeah. Congrats, Art & Franco! And thanks for loading up the cover with lots of pink. I like pink very much, Lois! True story.

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THE AMERICANS: "The Oath" S1E12 (recap)

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By Morayo Sayles

The FBI gets their hands on more information about Directorate S – The Jennings’ spy couple, yet thanks to the dedication of two Soviet nationals, the Soviets appear to have made moves the FBI don’t even know about.

On the FBI side, Viola (Tonye Patano), the dutiful housekeeper from episode two who planted the bug in the home of her employer, has been living in her own personal hell cleaning the clock that’s been bugged.
 
Finally unable to take it anymore, she informs the FBI who decide to use the bug to feed the Soviets potentially false/misleading information.


What a big coup for the FBI! Thanks to all the contact the two Directorate S agents had made in the past few months, the FBI has been able to compile composite drawings of them and is slowly piecing their identities together. 

But the Soviets also had their streak of luck this week.


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ARROW: "Home Invasion" S1E20 (review)

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By PJ Hruschak
This was the week of many deaths.

No hero characters died, mind you, but there were plenty of no-namers who bit the dust for the sake of plot progression thanks to a pair of assassins.

Also, as the episode title suggests, danger literally comes home and through the Queen mansion doors.

Shouldn't Your Sniper Sights be Green?
The primary plot this week involves a rather nasty assassin hired by a mod leader to take out a family who is testifying against him. They naturally seek the help of legal hottie Laurel Lance (Katie Cassidy) who just happens to be cancelling her lunch date with Oliver Queen (Stephen Amell) when they show up.

As it turns out, super accurate assassin Deadshot (Michael Rowe, but not the Dirty Jobs guy) is also in town, picking off people and ticking off John "Diggs" Diggle (David Ramsey).

As we've learned, Deadshot killed Diggs' brother, so our sidekick is a bit peeved and looking for some ugly revenge.



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PSYCH: "Juliet Wears the Pantsuit" S7E10 (recap)

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By Morayo Sayles
The fallout between Shawn (James Roday) and Juliet (Maggie Lawson) continues as Juliet places ads on Craigslist or as Shawn called it – murder-me-right-now.com and in response to the ad, girl interested in the house, the very next psych-case walks through the door.

Kimberly saw the ad on Craigslist and came to check it out, loves the space but never returns Juliet’s call.

Why?

Because she’s dead in a field somewhere.

The next person who shows interest in the space is a girl named Laura (Rachel Blanchard) who seems to hit on Shawn, turns out to be Kimberly’s old roommate Wendy, and is completely mental in a Single-White-Female kinda way.


That last conclusion was drawn from the fact that she bleached her hair like Juliet’s, cut her hair like Juliet and wore Juliet’s clothes.

SHAWN.

FREAKS.

OUT!


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Blu-Ray Reviews: Disney's Mulan, Brother Bear and The Hunchback of Notre Dame (Part 1 of 2)

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By PJ Hruschak
Disney recently released a trifecta of films on Blu-ray that each included both the main animated feature as well as the straight-to-home-video follow-up movie on the same disc.  For my sanity's sake, I've split my reviews into two: The first segment (here) focuses on the feature film on each disc whereas the second will focus on the straight-to-video followup movies also on the discs.

The Hunchback of Notre Dame


Disney went a bit to the dark side by deciding to adapt Victor Hugo's rather famous story of the hunch-backed man who is left to ring the bells of the Notre Dame cathedral in Paris. The original 1831 stories ended with pretty much all the main characters either betraying each other, coming to a gruesome death or both. The 1996 Disney-ified version, as you can imagine, is a much happier affair with singing gargoyles, lots of dancing, hardly any death and a much happier ending.


The movie has many of the books' elements including poor Quasimodo (Tom Hulce) being strapped down and people mocking him during a festival. He's saved by the beautiful gypsy, Esmeralda (Demi Moore), who then takes sanctuary in Notre Dame. Quasi demonstrates some superior strength, no doubt from pulling those bell ropes for 20 years, as well as a bit of parkour by sliding down buttresses and leaping between cathedral windows. While the ultra gloomy Judge Frollo (Tony Jay) keeps Quasi under wraps and sculks in screen, Captain Pheobus (Kevin Kline) ads some lighthearted wit. The movie's pseudo narrator, Clopin (Paul Kandal), offers some more obvious, yet enjoyable, comedy as a jester. There's also the triad of talking gargoyles - Victor (Charles Kimbrough), Hugo (Jason Alexander) and Laverne (Mary Wickes) - who are the obvious comic relief throughout. There's deceit, there's a love story in there and there's even a climactic battle scene.  Pretty much all you'd need for a decent movie.

If you are a fan of the Disney flicks, you'll notice a lot of similarities between this movie and Disney's Beauty and the Beast, released a few years earlier (aside from a quickie cameo by Belle). It mostly comes down to the music, both of which had musical genius Alan Menken but that also meant he'd undoubtedly put his flourishes into all the songs. Not that this is a bad thing because much of the movie's music is excellent (especially early in the movie). There is a nice blend of hand and computer animation which helps the city look rather nice and give the characters a nice place to play. They all look good and even Quasimodo has been engineered by Disney to be likeable to the eye (and the heart).

The obviously more positive take on such a dark story does not eliminate all the grit, so story purists will not completely cringe by the end, but it does make it a bit more palatable to parents. 75/100


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