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MOXIE: An Animated Short Film By Stephen Irwin About the Final Days of A Suicidal, Pyromaniac Bear

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 Stephen Irwin is a genius.

There I said it.

And I'm not afraid to gush about a dude whose animation style is uber sick and stylistic to the point that it defies reason (let's just say that if I could die in a weird Ménage à trois sexcapade with him and animator Don Hertzfeldt, it would be a joyous occasion).

And his short film Moxie (which has won award after award) is no exception on the awesome scale.

Just watch it below and embrace the dark and horrifically beautiful story of a suicidal/pyromaniac bear.

Then get in line behind me to pledge your body and soul to Mr. Irwin.

MOXIE from small time inc. on Vimeo.

Source: Cartoon Brew



Damning with Faint Praise: THE BOURNE LEGACY

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The Bourne Legacy starts off during the events of The Bourne Ultimatum.

All the programs that produced Jason Bourne, and that spun off from those programs, are coming to light.


The controllers (played by the likes of Edward Norton, Stacy Keach, Dennis Boutsikaris, and Donna Murphy) decide that to protect a later program (LARX - as in, we couldn't come up with a name like the other program names, so we picked this on a lark), they must destroy all the agents of the other programs.


Aaron Cross (Jeremy Renner) narrowly escapes being blown up by a drone and goes looking for the maintenance medications that keep him functioning.

Doesn’t that sound exciting?



Verdict
If it sounds like it’s the worst of the four movies, you’re only sort of wrong.

I don’t want to come off as a hater.

I’m a big fan of Jeremy Renner, and I enjoy looking at Rachel Weisz as much as any other straight guy. Edward Norton is a terrific actor.


Tony Gilroy directed Michael Clayton and Duplicity before this, and has a longer history as a screenwriter. I thought he did a very good job directing The Bourne Legacy - as in, his direction was far less intrusive and distracting than that of Paul Greengrass.

So why am I not more positive overall?

Here we have a character in a context with a conflict, and that’s where the trouble starts.

The context is a complete muddle, from the get-go. If you haven’t seen the other three movies, and if it’s been five years since you saw The Bourne Ultimatum, you’re going to be confused.

Tony Gilroy, as a writer, is way too fond of espionage euphemisms.

While they may be realistic, they actively interfere when establishing context.


In the opening scenes, we get program names thrown around, and Edward Norton berating his subordinates for no apparent reason. He obviously cares deeply about something, we’re just not sure what.

Here we have a disconnect between the cerebral British espionage movies of the '70s and '80s, and American action movies.

The handlers are supposed to provide the taut, intellectual thrills while the field agents (like Cross) provide the physical thrills. Unfortunately, the two don't blend well here.

On another note, another flaw of this film is that it really only has two characters – Aaron Cross and Dr. Marta Shearing (Rachel Weisz).


Dr. Donald Foite (Zeljko Ivanek) sort of has a character, but his lack of development is forgivable, considering how little screen time he has.

We get lots of screen time with Retired Colonel Eric Byer, USAF (Ed Norton), Dita Mandy (Donna Murphy), Retired Admiral Mark Turso, USN (Stacy Keach), and Terrence Ward (Dennis Boutsikaris), but we have no idea who they are.


I didn’t realize either of the retired military officers were retired military officers until I checked IMDB. They’re just cardboard cut-outs of angry, desperate, government officials.

The other big problem is the script itself.

It rushes through a process of making Aaron Cross a stable, ongoing, character. It doesn’t bother to resolve anything – except the deaths of his peers.

Here are some examples of plot points that got rushed over:
  • Why is Aaron Cross in Alaska? I mean, he's supposed to be taking meds on a regular basis and getting regular check-ups, so why is he in such an isolated place? What is he training for? Is he naturally a loner?
  • Prior to Iraq and Afghanistan, the US military was raising its standards for enlistment because so many qualified people volunteered. So why did a recruiter lie about Cross's IQ to get him in the military? Better yet, why was he selected for the program, considering his obvious mental deficiencies? I could come up with reasons, but they wouldn't be supported by anything in the script.
  • Why did the government plant an operative in Sterisyn-Morlanta? That's a long-term commitment of a very expensive asset for possible need that might never arise. Wouldn't some plastic explosives or a fire caused by "faulty" wiring have been more efficient?
  • Just how much biomedical work with live viruses goes on in the Philippines? For all I know, it could be quite a lot. Expecting your audience to know that the Philippines are a hotbed for pharmacological development seems a bit much, though. There should have been dialogue explaining it.

Somehow, the idea of making a good movie got lost in the need to extend the franchise. That said, I’d watch another one. Jeremy Renner was ready for this role, and does a fine job with it.

 Hopefully, he’ll get a better script next time.

Soapbox
Let me talk about LARX for a minute.

We get a bit of throw-away dialogue describing LARX as being like Treadstone, but without the inconsistencies. LARX subjects are less emotional, and less limited by conscience.

Bullshit.

This is a crutch that many screenwriters use to justify the creation of government-sponsored monsters. I believe that it's a hold-out from many (older) writers and executives formative experiences during the Vietnam era.

What a shame they didn't learn as much from that era as the US military did.

You know that less emotion and conscience gets you? It gets you the My Lai Massacre and the Abu Ghraib scandal.

During Vietnam, the US military discounted the importance of emotional connections. They plugged replacements into units individually. The people who had served together already had no attachment to the new people, and vice versa. The result was a severe drop in morale and a loss of combat effectiveness across the board.

After Vietnam, the US military started emphasizing ethics & morality training, unit cohesiveness, and even  OSUT (One Station Unit Training), so that whole units would be together for at least their first several years in the service. The military puts a lot of effort into introducing new transfers to their units, and making them part of everyday unit life.

That conscienceless, emotionless, killer is just as likely to kill an ally, or a handler, as a target. 

So if you must use this crutch, writers, be smart about it. Put these kinds of psycho factories into the hands of less-experienced leaders in developing or Third World countries where massacres and scandals are less of an issue.

There's a reason why the US doesn't adopt Spetsnaz training methods, after all.

Okay, thanks for the chance to rant.

Now back to your regularly scheduled programming.



EMBRACE THE HOLIDAY SPIRIT In The Ugly Darth Vader Christmas Sweater

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 I have friends who are seriously thinking of turning the classic ole' holiday cocktail party on it's head and instead, requiring their guests to sport horrific Christmas-themed sweaters and awarding prizes for the ugliest.

I'm told that this is now a thing to do.

Well, pardon me for enjoying my collection of gem sweaters and various jumpers with reindeer on them asshole, I didn't know that my weird obsession offended thee.

But you know what might be fun? Instead of wearing a fleece hoody with flashing light bulbs, perhaps I could clothe myself in a lovely holiday sweater with Darth Vader on it decorating the tannenbaum with a few festive adornments.

Not only would the sweater be envied by every person in the room, my hosts would have to award me with THE GREATEST SWEATER EVER award and shove the UGLIEST SWEATER pin up their hoo-ha,  sharp-side first.

That'll show 'em to mock my Winter festive attire.

Source: Geeks Are Sexy


The Pull List: HARVEST #4, COLDER #1, DEADPOOL #1 & More!

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Check out what I checked out this week.

Whether the comics are inspiring or disappointing, I read them all.

Welcome to The Pull List.

And, as always...Spoilers ahead!


Deadpool #1 (Pick of the Week)
Writer: Gerry Duggan & Brian Posehn
Art: Tony Moore
Colors: Val Staples
Publisher: Marvel Comics
Price: $2.99

This could very well be the most fun you will have reading a comic book this year!

Someone has resurrected the deceased Presidents of the United States with a particular objective in mind.

The Avengers are on the case but there is one slight problem.

The image of watching Earth’s Mightiest Heroes strike down a great emancipator such as Abraham Lincoln on the nightly news is not in the nation’s best interest.

However, the "Merc With a Mouth" is the perfect candidate to slap around a zombified Harry Truman.

The script is engaging and clever while the art of Tony Moore produces some hilarious and horrific images. 

Val Staples' color treatment was delightful and brought the pages to life. Deadpool is a comic that doesn’t take it too seriously and with the Marvel NOW initiative in full swing, Gerry Duggan & Brian Posehn have done a phenomenal in the opening salvo of In Wade we Trust.

Grade: A+



Before Watchmen: Moloch #1
Writer: J. Michael Straczynski
Art: Eduardo Risso
Colors: Trish Mulvihill 
Publisher: DC Comics
Price: $3.99

Moloch is a villain that Alan Moore didn’t shed much light on in Watchmen.

We merely heard about his transgressions but we never knew who Moloch really is or why he turned to a life of crime.

J. Michael Straczynski answers those questions with subtle characterization that makes you sympathize for him. Eduardo Risso’s depictions perfectly capture the innocence of a young Moloch which adds to the amount of sympathy you will have for the title character.

The cover discloses Moloch’s immersion into magic and this was a creative choice considering the origin of this pastime.

His use of illusion starts off heartfelt but turns lethal in the face or torment and ridicule. Moloch’s rise to criminality is similar to that of The Penguin. While Gotham City can be unforgiving, the world of Watchmen knows no bounds which goes to show that Moloch is truly a product of his environment.

Grade: A-

Stumptown #3
Writer: Greg Rucka
Art: Matthew Southworth
Colors: Rico Renzi
Publisher: Oni Press
Price: $3.99

I’m convinced Greg Rucka could write a compelling comic book about paint drying on a wall.

Rest assured, there is nothing dry about this crime saga involving a rock star’s stolen guitar.

Fate has dealt Dex an incredible hand and now she has to decide if she is all in. The avenues she goes down create more problems and questions than ever before.

One of the great things about this series is it's ability to keep coming up with interesting subplots.

This was a concern of mine going in, but after three issues there is no shortage of storytelling goodness.


The coloring in this issue took a different approach as it consisted of more neutral colors then the vast funky assortment of color.  It didn’t take away from the overall enjoyment of the book, but it was an interesting change to see.

This is a series that is not getting a lot of attention, but certainly deserves it. Emotion, action and suspense along with Dex’s exceptional ability to deduce the facts in the case makes this a series you want to keep your eye on.

Grade: B+

Uncanny X-Force #33
Writer: Rick Remender
Art: Phil Noto
Colors: Frank Martin Jr. & Rachelle Rosenberg
Publisher: Marvel Comics
Price: $3.99

I almost didn’t read this issue because for me, this officially means we are one step closer to the conclusion of this remarkable series.

Daken and Wolverine have a lovely father/son chat that brings about some interesting food for thought.

The highlight of this book is the fight between Age of Apocalypse's version of Nightcrawler and Fred Dukes because the gruesome ending is a creative one that you won’t see coming.

All of the events that are unfolding revolve around Evan as he is closer to becoming Apocalypse which is the main objective of the Brotherhood of Evil Mutants.

What makes this team book stand out from the rest is there are real stakes involved that could not only change the fate of the characters but the fate of the world.

The story is carefully crafted with precise detail that puts this series in a league of its own.

Grade: A

47 Ronin #1
Writer: Mike Richardson
Art: Stan Sakai
Colors: Lovern Kindzierski
Publisher: Dark Horse
Price: $3.99

Mike Richardson lends his creative talents to the Japanese legend of the 47 Ronin.

The story follows Lord Asano who is a daimyo who finds himself in the midst of legislative corruption. Asano is a family man of high honor who struggles to maintain his composure amongst a slew of intrusive insults that question his honor.

The dialogue was a little off at times but overall, you feel for Asano.

Stan Sakai’s art stole the show with his beautiful imagery of feudal Japan.

The cover of the book kind of makes you think the story has some tie-in to Usagi Yojimbo with Sakai’s name on the cover but that is not to be.  The collaborative of the creative team suggests this is a passion project they have been working on for some time and they hit the mark with their first effort.

Grade: B

Harvest #4
Writer: A.J. Lieberman
Art: Colin Lorimer
Publisher: Image Comics
Price: $3.50

Harvest is the gift that keeps on giving which I think is weird considering it involves illegal medical procedures that take, take, and take some more.

To bring you up to speed, Ben Dane was the cat’s meow of surgeons until his coke habit made its way into the operating room.

Now, he spends his night harvesting human organs until he has a sudden change of heart. Ben’s plan to get himself out of this is not working out as planned.

The graphic imagery in this book is unlike anything in comics today. It’s not just gore for the sake of gore.

With one issue left, Lieberman will no doubt keep fans on the edge of their seat.



Grade: B

Colder #1
Writer: Paul Tobin
Art: Juan Ferrevra
Colors: Juan Ferrevra
Publisher: Dark Horse Comics
Price: $3.99

One look at this cover will no doubt thumb through the pages.  After that, your wallet will be four dollars lighter because this book is eerily irresistible.

We start out in the past and make out way to present day Boston where antagonist, Jack Nimble works his devilish charm to satisfy his appetite for unsuspecting souls.

Nimble is a thin and creepy looking individual who can contort his body in uncanny positions.

The lead character is a female nurse named Reece who cares for a live-in patient named Declan who Nimble is drawn to.

As good as the writing it, and believe me, it’s good, the artwork is even more amazing.


The smile on Jack Nimble’s face scares me a little bit because of the evil intentions behind it. It’s a special type of talent to capture such essence in facial reactions. The simple stuff that we normally don’t pay much attention to in comics is drawn in vivid detail such as the living room or Reece’s apartment.

Dark Horse has a sure fire winner on its hands the first installment of this psychological thriller has all the makings in an instant classic. This was ridiculously close to being my pick of the week.

Grade: A



Here are some titles that didn’t make the list but may just tickle your fancy.

Green Lantern #14 (DC Comics) 
Baz comes face to face with the Justice League while the Guardians kick their plans into full swing.

Daredevil: End of Days #2 (Marvel Comics) 
Reporter Ben Urich is determined to tell the story of Matt Murdock but it seems the rest of the world wants him to remain silent

Planet of the Apes Cataclysm #3 (Boom! Studios) 
Parts of the moon have already come crashing down on Ape City and with more on the way, is anyone safe?

Iron Man #1 (Marvel Comics)
Nothing new or exciting if you are a fan of Matt Fraction's run but a good jumping on point for news readers.


MUSIC VIDEO MONDAY: I Miss You- Björk (Animation by John Kricfalusi)

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 Back in '95 I would listen to the Icelandic Goddess known as Björk's Album Post over and over again during a particular period in my life when I was trying very hard to woo a certain dude into my pants.

It was sort of my "rev-me-up" CD before heading out to the great Club Some in Houston, Texas, which I made sure would play incessantly in my head as though it were a soundtrack to my trying my damnedest to appear worldly and sexy to guy so far out of my league, that even the copious amount of Herbal X I was on couldn't convince me I could land him.

Needless to say, I never did get the guy (probably due to my poor dancing ability and my overly abundant knowledge of Red Dwarf) but to this day whenever I hear I Miss You, tears well up in my eye sockets and I am overcome with a deep, aching desire to throw myself onto the ground and bellow to the heavens "WHY WON'T YOU F*CK ME!" just like I did every Sunday morning when I would return to my abode rejected.

Nostalgia is a bitch my friends.


FOG! Chats With REGULAR SHOW Creator J.G. QUINTEL!

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J.G. Quintel is the creator of the Emmy winning Cartoon Network series, Regular Show, which is currently in it's third season.  Regular Showrevolves around the lives and adventures of friends Mordecai, a blue jay and Rigby, a raccoon, who work as park groundskeepersForces of Geek had the opportunity to chat with J.G. about the series just as the second volume of the show, "The Best DVD In The World* (*At This Time)" arrived on DVD.


So, we’re gonna actually be extremely current and start with a Twitter post of yours from an hour ago.  You posted, “Watching cartoons makes you smarter. Well, certain ones anyway.” All right, what cartoons make you smarter and why?

Well, I mean, The Simpsons makes you smarter. I grew up watching The Simpsons and that is some really well-written stuff. I think—let’s see, what else? I can’t say Regular Show’cause that’s gonna make me sound full of myself.

Well, we’ll assume the Regular Show, obviously.

Well, thanks. Let’s see. What are some other shows that I really like watching? I remember watching Rocko’s Modern Life a lot as a kid. I felt like that was, like, more engaging thanyour typical animated fare of the day.

I really like Futurama. Let’s see. Ah, there’s too many.

OK. And why do they make you smarter, do you think?

Well, I think they make you look at life in a certain way. I mean, it’s funny when it’s drawn and they’re making this commentary on the way people are.  It’s easier to kind of dilute it into this moment where you couldn’t really get away with it in real life with real people.  With animation, you can do anything ’cause the person isn’t actually gonna get hurt and there’s no concern for budgets or anything like that. It’s infinite. You could do anything and it’s really cool to see what people come up with.

We’re you always interested in animation?

I was from pretty much as long as I can remember. My mom has a story about me, like, when I was a really little kid. She said, “What do you want to be when you grow up?” And I said, “A cartoon animator,” and she was like, “Where did you hear those words?” [LAUGHTER]

The Regular Show is fairly grounded in reality despite the fact that the main characters are a blue jay and raccoon, but both Mordecai and Rigby are 23-year-old groundskeepers. And how much of who they are is autobiographical?

Well, I would say that a lot of it has to do with my college days, pretty much me and my friends from college.


Like the “Ohhh” and the “Hmm-hmm, hmm-hmm, hmm,” that was all stuff from friends of mine in college. As far as working crappy jobs, I mean, I’ve done that several times. I used to work at a movie theater, I used to work at a bookstore shelving books in the back—I mean, just really mundane things where you try to find other things to do ’cause the job itself is pretty easy and then you’ve got, like, spare time where you’re bored and you’re just kinda slacking off all the time.

So, I feel like it’s gotta be relatable. I’m sure there’s other people working jobs like that. [LAUGHTER]

Now, it seems like since you graduated from CalArts, you’ve pretty much worked exclusively for Cartoon Network. You did Clone Wars, Lazlo, Flapjack. Was the Regular Show the first thing that you pitched?

When I interned on Clone Wars, like, that kinda my first time to pitch something that I wanted. It was a creative internship, so I ended up,besides making coffees and getting coffees, doing a pitch of a storyboard that I made and that was a really cool experience. And then it wasn’t until The Cartoon Institute came along where they—I’d been working on Flapjack for a while at that point and they asked me if I wanted to pitch anything. And so, I kind of came up with Regular Show and pitched that.

Who or what are the biggest influences on your work?

Well, again, The Simpsons, Rocko’s Modern Life. Live action-wise, in college I was—I had a roommate that was from the U.K. and he exposed me to all this British stuff, a ton of British comedy like League of Gentlemen, Little Britain, IT Crowd. Mighty Boosh was actually a really big influence on me. But all those things kind of combined with American sensibility and then finding this other, darker side with the U.K. stuff, I feel like that’s kinda what Regular Show ended up being.

I know you recruit a lot of indie comic artists to work on the show. Are you a fan of comics and what aesthetic were you looking for when you were recruiting people to work with you?

I am a fan of comics, but I’m a fan of independent comics. I really like stuff where it’s written and drawn by the same person. I was never a huge fan of superhero type comics, but when I started seeing more of these indie things at Comic Con; I’d wander the floor and look at Artist Alley and see people’s personal stuff there

When Regular Show came along—’cause it’s a purpose-driven show, so we need people who can write and draw to do the storyboards and it’s hard to find.  I feel like I’ve had the most success in finding new people through comics because you’re seeing that they can write and they can draw. And you give them a test to see if they understand perspective, do they have good acting sense, can they write, are they funny...

And you just see if the sensibilities mesh ’cause there’s so many different styles of humor and our show’s pretty specific. So, when you find them, it’s like, “Oh, please come work for us.”

The show’s TV-PG. Do you find—are there challenges to make it appeal to an older audience or do you find yourself having to push it to kind of deserve the PG or you have to scale it back to prevent it from being outside of that rating?

It’s easier for us to write it for adults ’cause we’re writing it pretty much for ourselves. The dialogue sensibilities all pretty much have regular voices except Pops, but it’s really palatable for adults to listen to and they’re talking how you would talk to your friends if you were in college, not how like little kids would talk to each other.

Mm-hmm.

And then as far as getting that TV-PG rating, I mean, we’re pretty close to the edge most of the time. I mean, we get to do a lot of things that other networks don’t get to do and I think it’s just because they’re trying to make shows for really little kids and we’re trying to make shows for everybody. So, using that PG rating to the full extent we’re going for FBI shootouts and  clever—I have jokes about Benson’s gumballs and [LAUGHTER] tons of things like that that we try to work it in when we can and make it so that adults can laugh at it with their kids.


What are you currently geeking out over?

I’ve been watching a lot of Modern Family lately. It’s so well done and I’m always waiting for it to come out on Hulu.

But I’m really geeking out over coffee right now and I’m getting to sample and like all the different types and varieties. There’s all these shops in L.A. that roast it there.  I'm getting really into coffee, which I guess is super nerdy, but it tastes so good. It tastes so many different ways. [LAUGHTER]


Regular Show airs Mondays at 8/7 Central on Cartoon Network

Regular Show "The Best DVD In The World* (*At This Time)" is Available in Stores and E-Tailers Now



Contest! Win BLADE RUNNER 30TH ANNIVERSARY EDITION Blu-ray!

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Blade Runner, “The #1 Sci-Fi Film of all time” marks it’s return post 10 month moratorium with an all new 4-Disc Blu-ray/DVD and UV 30th Anniversary commemorative gift set. Revisit the illustrious Final Cut on Blu-ray, DVD and get a UV copy of the feature. Additionally, the gift set features an all new concept spinner car for your collection, action Lenticular and a 72 page art production book with never-before-seen Ridley Scott sketches, poster art and photos from the set. 


And we're giving away a copy!

 To enter, please send an email with the subject header "BLADE RUNNER" to geekcontest @ gmail dotcom and answer the following question:


Blade Runner is based on which novel by Philip K. Dick?

Please include your name and address (U.S. Residents only. You must be 18 years old).

Only one entry per person and a winner will be chosen at random.

Contest ends at 11:59 PM EST on December 2nd, 2012.


MURDERING SOME EGGS IN SLOW MOTION...And No, I Am Not Referring To My Uterus In Any Way

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 Well, it's Tuesday, which means you've probably already contemplated suicide at least twice while at work and/or prayed for some sort of head injury to occur so that you could slip quietly into a coma and never have to deal with humankind again.

I feel ya, friend.

But don't worry, Aunt Elizabeth is here to make you feel all better about having to continue breathing.

Here's a video of a bunch of eggs being murdered in slow-motion that is almost zen-like in its execution and it should help calm you down enough to deal with the remaining hours at work before you can head to the nearest bar and drown yourself in $1 beers.

I will always have your back.


Source: Geekologie



Nerding Out On a Disney World Honeymoon

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Hello, dear readers,

Good to be back.

I've been away this past month getting married.

It's easy to say that the wedding day went just the way we wanted it to, but it's true. Our family and friends – surprisingly – applauded after we each said our self-written vows. The whole day had this feeling of “We did it!” Not just “we” as in my wife and I, but everyone there together.

I've never weeped openly the way I did that day.

And I didn't care. I was too overcome. It was this quantum-mechanical moment (timey-wimey, even) in which the entire nine years of our relationship compacted into one ever-present now. A nine years filled with its ups and downs, its triumphs and challenges, its privileged confidences, and many details that only she and I know.

My wife and I also drank about six bottles of champagne in two days.

And the wedding was a little bit nerdy.

Our wedding bands just on, we fist-bumped en route to the you-may-kiss-the-bride kiss. Rosemary's custom couture hat would have fit in at Panem in The Hunger Games. My boutonniere, a collection of feathers that I thought up with the designer, featured an old jewelry clasp that looked surprisingly like Transformers. We jokingly called it Optimus Prime. I lost count of how many people asked, “Is that a Decepticon?”

We also did a portion of the photoshoot at the comic book store we went to on our first date. Which led to the wedding photo to end all photos, as we had a Superman and Lois Lane moment to last a lifetime.


But the nerdiest thing we did was go to Disney World for our honeymoon.

Disney World poses a unique set of nerd challenges, and sets off so many conflicting attitudes that somehow can all come together there.

After nearly 80 years, Disney sits like a holographic Rorschach test. It changes color and complexity viewed from any angle, and only you may see what you see there. Yet it all exists at once.

A lot of my Disney World experience is colored by the fact that I have gone only as an adult, and never with children. I'm not wiping mouths, pushing a stroller, changing diapers in public toilets (though Disney's are the cleanest ever). I'm not yelling at someone to stop that or I'll take that pirate sword away, spending hundreds of dollars to make my daughter look like a sparkly princess, or attaching a leash to a tiny human being.

While you're busy parenting, I'm watching. And thinking.

Here are the ramblings of a nerdy adult roaming the Happiest Place on Earth.


Because Disney is a family place, a lot of directions are with that in mind. The recording on the bus transportation between parks and resorts reminds you upon exiting to “take small children by the hand.” Take any small children? The grammatical assumption – take your small children by the hand – is suddenly terrifying. The wife and I, every time we heard that recording, yelled “Nooooo!” to ourselves and laughed. Sorry, parents.

And sometimes, children almost kidnap themselves.

I had random children grab at me several times. During a Halloween-themed night at the Magic Kingdom, a tween girl gushed at me about my Superman costume, felt up the fabric on my arm and said it was nice. (Her mom was right there!)

My wife and I also want to invent a sticker or something that you put on the thigh of your pants leg that reads “not your mom” or “not your dad.” Because to small kids all adults look like mom and dad from the thigh down, they will just grab onto the nearest thigh. And then the horror on their faces when they look up and realize you're not their parent, because their actual parent carries them away. I want to save them the trouble.

If you're a Type A, calculating, chart-making kind of nerd, then Disney World is the place for you.


It's a ridiculously huge place – more than 25,000 acres. Each park has dozens of attractions, and attractions within attractions. There are shows and parades everywhere, not to mention extra concerts and stuff. (We walked past Smash Mouth playing the Epcot International Food and Wine Festival. Go figure.)

So you can't do everything. But you can try!

Have your maps ready, figure out your path the night before. If you wake up the next morning and have to figure out what you want then, you've already lost valuable playtime!

Prioritize the attractions and characters you want to see. When you get to the park, hit the FastPass to cut down on line waits, and have your route planned. You'll be walking for miles each day, so walk with purpose! You'll see more stuff that way.

Bring a bag with you to carry provisions, especially water.

Always be drinking water; it's Florida, and it's HOT and you're always sweating. Here's my system. Buy one bottle of water, and reuse that bottle the rest of your trip. Water stations are plentiful, but never when you're looking for one. When you happen to find one, drink all the water still in your bottle, refill it, drink that whole bottle, refill it again and walk away. Who cares if you're peeing all the time? Your skin will look amazing, all that moisture in it.

In Disney World, an entire atmosphere of always-be-marketing, you see gender construction at work all day. The princess phenomenon, in particular, has this way of going sweet or diva-sassy.


This isn't necessarily a bad thing on its face; it's the values/limits are placed on masculine and feminine things that bother me. At brunch one day, we saw a little girl wearing a shirt with “high maintenance” on it.

Do we really need that? How come there's no version of that shirt for boys, to inculcate negative stereotypes of manhood? If that little girl has “high maintenance” or “shopaholic” shirt, then her brother needs a “threatened by women making more money than me,” “resolves things with violence” or a “compensating for insecurity about my penis size.”

The tech nerds will be happy at Disney World.

Besides all the special effects and mechanical engineering in the attractions, you also have the landscape/ecological/environmental nerdery of transforming swamp land into this fantasy universe. The giant Tree of Life at the Animal Kingdom park is made from an oil derrick? And all these different parks, with an underground city of workers making it go, works perfectly.

This also was my first trip there with a smartphone. I had apps for line wait times. Dinner reservation needed? Just RSVP'd using the Disney Parks app. And this was my first true social media vacation, as I sent posts and pictures on Facebook in real-time. I love you, the future!


But if you use Disney's wireless with family-friendly firewall, don't be shocked if you can't read Charlie Pierce's blog on the vice presidential debate because Esquire.com is blocked as R-rated.

Goth nerds?

You are so in there. You love The Nightmare Before Christmas, and Jack and Sally are all over the place. Disney's even gone steampunk, with the Mechanical Kingdom line.

Hipster nerds?

You've got Vinylmation, which are Dunny and Labbit-style custom-painted figurines.


Got one for my brother that looks like a Kanye West teddy bear. And graphic tees with Walt Disney quotes, Mickey in neon silhouette with headphones while rocking phat beats, or Prince Philip from Sleeping Beauty with the words “Sorry, ladies, I'm taken” on it.

Food nerds?

We swam in a sea of culinary excellence at Michelin-starred restaurants of every cuisine in the world. Plus most of those places are utterly devoid of children and are very quiet.

Animation nerds?

You can take a freaking cartoon-drawing class and work some dialog tracks, or get lost in the Art of Disney store with fine collectibles.

Superhero nerds?

Disney bought Marvel, but Universal Studios has the park rights.  But more Marvel toys are creeping in, and that Avengers-painted monorail was rad. Expect more in the coming years.

Nostalgia and music nerds?

They brought back Captain EO, so get ready to party like it's 1986 with Michael Jackson at the height of his from-another-planet powers.


Sci-fi nerds?

Eat at the Sci-Fi Dine-In Theater, sitting at a table tricked out like a 1950s convertible while watching trailers for The Amazing Colossal Man, The Giant Gila Monster and every other movie you saw on MST3K. Or fly to Mars.

Star Wars nerd?


More stuff than ever; I knew that Lucasfilm/Disney sale wasn't far off, when I saw the waves of merch flying at you and the revamped, totally-awesome-now Star Tours ride with 30-odd adventures and all in 3D. And your kids can sign up for the Jedi Training Academy and fight Darth Vader on stage in front of everyone. (Of course, the session we caught had 15 boys and one girl.)

Disney even figured out the gamer nerds.

The Sorcerers of the Magic Kingdom card game combined Magic: The Gathering-style spell cards with a scavenger hunt and video games. You get a starter pack of cards, and walk from station to station gathering magic items, more cards, and fighting bad guys from the Disney movies. The cards are all free, but people are selling rare ones for hundreds of dollars online. The worker who gave us a starter pack cautioned us against getting cheated out of valuable cards.

We tried out the game for a few minutes, and it was fun. But we had other things to do. We didn't want to be the woman who approached at a game station asking to trade and saying that she was spending her last day at Disney World standing there and trying to get a few last cards to complete the set.

But we did have one card on this trip that we didn't have before: the marriage card.

And like Disney itself, it's funny to be involved in something so square yet so personal, inclusive and awesome at the same time. Everywhere we went, we ran into married couples: folks on anniversaries, from the first year to a pair of couples celebrating Nos. 61 and 64.

They gave us tons of advice and wished us well. Even an Englishman we met who, in a trademark manner of English sardonic humor, said, “It's gets heavier, the ball and chain.”

We donned our bride and groom mouse ears, and “happily ever after” buttons, and random strangers yelled congratulations for days on end.

I've never seen an interracial relationship get so much cheering outside of Seal and Heidi Klum.

In an interracial relationship (especially black and white, in my opinion), what people think or say is always there in your head.

To think that our kind of relationship was illegal in many states up to 1967, and now we're openly cheered.

One night in Epcot, we stopped at the champagne station.

While awaiting our bubbly, we chatted with a two gay men on their first anniversary, and a pair of Taylor Swiftian 18-year-olds just engaged that night. We congratulated each other and sipped our champagne, walking off into the night united and each on our own way. We all fit together here.

The Disney ethic is very much wrapped in American patriotism, with several attractions showcasing American history and the melting pot. I felt very proudly American in that moment.

And that's a lot of the Disney World experience as a whole.

Square and cool all at once, because it's really for everyone.

Because my wife and I, the corn-fed Middle American families of four, and the grizzled middle-aged man covered in tattoos and wearing a Black Sabbath shirt?

We're all riding in the same bus.

Did I mention that they were Disney tattoos?


WATCH 'ADVENTURE TIME' Creator Pendleton Ward's Newest Web-Series 'Bravest Warriors'

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 Hey Adventure Time-Fanatics, you should stop everything and watch the first episode in Pendleton Ward's newest web-series called Bravest Warriors.

Why?

Because it's a cartoon and you have nothing better to do and, let's face it, sometimes you need a reason to eat frosting straight out of a can and watching cartoons seems to go hand-in-hand with poor culinary choices.

Am I right?

Don't judge me.


We Are Legion! Part II—The Tragedy of the Muir Island Saga

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For those not in the know—ie, the non-cool kids; don’t worry, I’ll get you through all of this—Muir Island is a research facility in the X-Men books that was formerly run by Moira MacTaggart, a brilliant and beautiful scientist and expert on mutant physiology (until her death in Dream's End), and inexplicably another of Professor Xavier’s bedpost notches.

Seriously, that guy was getting girls by the truckload.  It’s gotta be the chair.


If he was in my neighborhood, he’d have spinning rims
and hydraulics with a neon undercarriage.

Based over in the United Kingdom, the main X-Men teams didn’t venture there all too often—Excalibur used it as a backdrop far more often due to their proximity—but when they did, it was never for a quick lunch. 

No, there was always some major, world-shattering threat to handle.  Their tourism bureau really needs to get on that.

On one of their first jaunts to the isle, the X-Men had to contend with Moira’s powerful mutant son, Joseph, who took the name Proteus and then proceeded to have anger management issues with all of reality.

“Proteus” sounded a lot cooler than “Purple Energy Blob of Doom.”


Luckily, he had a weakness to metal so Colossus showed him that in Russia, metal bends you.  He’d, of course, return years later, but that’s a tale for another time.

Just after Xavier returned from his time in Shi’ar space where he was—big shock here—banging an alien princess like his last name was Kirk (ironic since it was Picard who portrayed him in the movies), the mutants became embroiled in what came to be known as the Muir Island Saga.

Because it took place on Muir Island, you see.

Quick!  Guess where THIS one took place.

The Shadow King, a psychic entity that has inhabited a slew of host bodies over the centuries, wanted revenge on the only person to ever defeat him, Charles Xavier himself.

In many ways, as Chris Claremont reminded us about thirty-seven times during the story, the Shadow King was the very reason that Xavier decided to form the X-Men to combat mutants who would use their abilities for evil.

Running through Uncanny X-Men #278-280 and X-Factor #69-70, the Muir Island Saga came as the X-Books were in a major state of flux with Claremont coming off of Uncanny X-Men for the first time since 1975 and getting ready to launch X-Men with Jim Lee, X-Factor getting a complete facelift and becoming a government sanctioned team via Peter David’s brilliance, and the New Mutants transitioning to X-Force under the leadership of Cable.

He’s a creepy S.O.B., no doubt about it.

As the Shadow King’s corruption spread throughout Muir Island, he fed off the fears and anger and hatred, seeking to become powerful enough to have the entire world in his thrall.  And he found just the host to do it—Legion.

Legion’s fractured psyche was reintegrated by the Shadow King’s possession, and in control of his vast and nearly limitless power, the Shadow King forced Legion to attack his teammates and his own father, even re-crippling Xavier in the process during a battle on the psychic plane.

This was after he’d already killed the former Freedom Force member, Destiny, an act that would forever earn him the enmity of Mystique, shapeshifting terrorist extraordinaire, so to say he was having a pretty jacked up time would be a major understatement.

Getting nearly electrocuted by Storm did NOT help matters, either.

Having spent the first half of the story—and even over the course of several issues prior to the event’s beginning—controlling the mutants and forcing them into gladiatorial competitions, Shadow King stood at the endgame, prepared to use Legion to defeat Xavier once and for all.

But he underestimated Xavier’s resolve and, in the ultimate sacrifice, Xavier lashed out just as Psylocke used her psychic knife—you know, that focused totality of her abilities that Claremont liked to let us know about every six minutes—to sever a captured Lorna Dane aka Polaris from the nexus that connected to Shadow King’s power and the enemy was torn apart.

And Legion was left comatose.  All that power, all those personalities, all of that potential.  It was all gone and try and he might, Xavier couldn’t put him back together again.  But it was during that time in a coma that David Haller started to change, that his mind started to heal some of the damage and put the pieces in order.

None of the X-Men knew at the time, certainly not Xavier, that Legion wasn’t done and if they thought he was a problem under the control of the Shadow King, there was nothing they could do to prepare for what he would do under his own control once he woke…

…or what he would be wearing.  Nice scrubs, dude.



50 YEARS OF JAMES BOND: The Movie

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 What do you think would happen if you put together five minutes of each James Bond film to create one big movie?

You'd think it would be a mess right?

Well, interestingly enough, it actually makes a kind of cohesive film so hey, why don't we go ahead and watch it instead of being productive members of society.

That's what James Bond would do...if he was a wage slave working in a cubicle farm with no chance at advancement.


Oscar Season: Now For YOUR Consideration

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We are now in full swing Academy Award FOR YOUR CONSIDERATION season, but you don't have to be a member of the academy to screen some of the contenders at home this year.

Many of the Oscar contenders are no longer in theaters exclusively.


Get an early start on your award-season Geek with these titles now available on DVD, Blu-ray and Digital...

BERNIE

Jack Black is certainly the star of this one, but not in any way you've ever seen him.  Even if you think you know what to expect going in, prepared to be surprised.  Also surprising is director Richard Linklater's fake-documentary style, which works in abundance.

If you like your comedy dark, put this at the top of your queue.  It's at the top of my list as one of this year's best pictures.  

Also available now on NETFLIX Instant.



MOONRISE KINGDOM

Unfortunately, and strangely enough, this one didn't get the usual awesome Criterion Collection dusting off for fans, but that shouldn't discourage you from checking out this latest West Anderson masterpiece.

It's a solid contender for original screenplay, but I'd love to see either of the two lead kids nominated for actor awards.





ARBITRAGE

Richard Gere, Susan Sarandon, Brit Marling and Tim Roth headline this juicy return to the adult thrillers that were oh so common in the 80s.  It's getting buzz for Gere's performance, but also young director/writer Nicholas Jarecki's script.  

Available on Demand and iTunes.






THE GREY

There has been a little buzz on Joe Carnahan for director with this Liam Neeson action film.

The jury is still out on any nominations, but don't be surprised if The Grey is thrown around as a contender in even the acting or writing categories.  

Also available now on NETFLIX Instant.





THE AVENGERS

A long shot for Best Picture, but Oscar should get serious about handing out more than just the craft awards to this wowser of a superhero film from the summer.

Watch it again with an eye on Best Score, Best Film Editing, Best Sound Editing, Best Visual Effects, Bets Sound Mixing and Best Production Design, but pray for a Best Director nom for Joss Whedon.




THE INVISIBLE WAR

Not exactly the feel good contender of the year, but this documentary now on Amazon and iTunes and in select theaters is an investigation into a chilling fact: 20% of all active-duty female servicewomen are sexually assaulted.

It has already been unanimously hailed by critics this year as a breakthrough movie, and sure to be on the short list of its category.





BRAVE

Past Pixar efforts have been more Oscar sure-bets, but Brave will most definitely end up a nominee for Best Animated Picture.

Expect other solid contenders though to upstage this Pixar entry, like ParaNorman, Rise of the GuardiansFrankenweenie and Disney's own Wreck It Ralph.







* Author's Note: All movies available on DVD, Blu-ray, Netflix and Digital at the time of initial post.


WHY DOESN'T MTV PLAY MUSIC VIDEOS ANYMORE? Here's Your Frakking Answer!

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 I'm kinda old now. Seriously. I was at the gynecologist yesterday and they actually told me it was a good thing I didn't want kids because I probably don't have any good eggs left.

Yeah, that's how old I am.

So now that I'm thoroughly depressed by my antiquated baby-making parts and the fact that I am no longer a viable human being, let's talk about stuff that only matters to people my age, like, why doesn't MTV play music videos anymore?

And you know what? I have a pretty good guess as to the answer.

Probably the same one that the OB/GYN told me right before he shoved his hand into my vagina, "...you know, there's some excellent lube on the market for that dryness you're suffering from"...or something similar to that.

Whatever.

I hate my life.


RICC - JOHN DE LANCIE Talks STAR TREK, MY LITTLE PONY & More!

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Forces of Geek proudly oversaw the panels at the inaugural RI Comic Con on November 3rd & 4th and are proud to share them with you throughout the week.

Today, we've got character actor John De Lancie, best known for his work as Q on various Star Trek series, Breaking Bad and My Little Pony.

Special thanks to Steve Ahlquist, Clay N. Ferno and RI Comic Con.



Letters to Hollywood: Vibrators and Time Travel

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Dear Hollywood,

I recently watched two of the most excellent films and wanted to share my admiration of them with you.

Although one was a British period drama about the invention of the vibrator, and the other a Canadian indie about a man seeking a time traveling partner they were the best romantic comedies I have seen this year.

And nobody got marginalised either! Yay.

With a little of the old fashioned ideal about them, Hysteria and Safety Not Guaranteed expressed a sincerity rarely seen in todays cynical portrayal of celluloid romance.




Directed by Tanya Wexler, 2011’s Hysteria stars Hugh Dancy as a forward thinking doctor living in Victorian times whom has grown frustrated with his peer’s old-fashioned attitudes towards science. Dancy is struggling to find his place in the world of institutionalised medicine, and after being fired again for advocating cleanliness in a hospital ward, he begins assisting Jonathon Pryce with the cure of hysteria.

Hysteria in Victorian times was a blanket term for the frustrated or impassioned woman, and was commonly cured by an orgasm achieved through masturbation from a doctor. The service Pryce offers is both popular and lucrative, with many unfulfilled and wealthy housewives filling up his appointment book, and Doctor Dancy finds he is a natural at it.

However his hand cannot keep up with his popularity, and with the aid of inventor and philanthropist Rupert Everett he seeks to find an easier way to assist the “disturbed” women.


The doctor’s naivety towards the “cure” of hysteria highlights the deliberate ignorance towards women's sexuality at the time, and at one point Pryce even states, “I assure you it has nothing to do with pleasure.”

Maggie Gyllenhaal, on fine charismatic form as the estranged daughter of Jonathan Pryce, provides the romantic interest.


She is as passionate about the struggle of the Victorian woman as she is about the plight of the working class, and attempts to battle inequality at the root with a free school for the poor. However she is permanently at the mercy of debt collectors. Although her character could come off as unconvincingly worthy, the feisty female plot device done a million times before, Gyllenhaal brings enough warmth and humour to the role to make her fully rounded and convincing. She is passionate, but also level headed, gentle and able to poke fun of herself.

The film was pleasant, amusing, and tender. I particularly enjoyed the moment where Dancy spots the soap basin Gyllenhaal provides for the school children, “you believe in germs too?” He utters, falling in love.

The concept was intriguing enough in itself: The birth of the sexual revolution for women, and the application of science in modern medicine, but the romance also didn't feel like a side note or shoved in to fool a certain demographic to watch a film about vibrators. It was unexplotative, forgoing cheap laughs but still poking good-natured humour at the ignorance around the subject of ladies pleasures.

I actually think it would make a good family film, as it revels in the positive presentation of women and social change. Even Doctor Dancy’s original female suitor, falling by the wayside as he and Gyllenhaal grow closer, does so because she realises she wants more from life too.

Safety Not Guaranteed starred a host of quirky breakout indie stars, Jake Johnson (Nick from The New Girl) Aubrey Plaza (April from Parks and Rec) and Mark Duplass (last seen in Your Sister's Sister and co-star of The League)


Plaza stars as an introspective unmotivated wannabe journalist, interning for a Seattle newspaper. Along with her lecherous boss and fellow geeky intern she finds herself investigating Duplass, a man who has put an advert in a newspaper seeking a partner to time travel with.

Plaza ends up going undercover, convincing him she has what it takes to time travel, and as she "trains" with him she soon finds herself developing feelings for this quirky but paranoid individual who may or may not have invented a way to travel back in time. The three "fish out of water" characters who have travelled to Duplass's quiet home town could have been sketchily drawn stereotypes, the awkward but attractive female loner, the arrogant pervert boss and the virgin glasses wearing geek.


However their journeys are fully explored in a well timed and sensitive manner, without any cruelty.

By cruelty I mean the underdog is not made fun of for the sake of it, rather the imaginative Duplass is celebrated for his individualism and imagination and is shown to free up the self imposed tight shackles Plaza has placed on her self. The film encourages adults to let loose, run free and act like kids a little bit more and I liked that message because I am highly immature.


It would have been all too easy to have Duplass be some kind of nut job, and have Plaza back away from him, instead of sharing her personal demons with him. Or have him be slightly less crazy to make the burgeoning romance that much more conventional. Instead he has a mullet, steals lasers and thinks he is being followed by the government.

Both movies were touching and sweet, with fully realised characters and the film makers passion for the subjects was evident. For cynics, these films are an antidote and great examples of films where adults aren't dicks to each other and people aren't just selfish bratty one note whiners.

Rather then robots beating each other up, people should show teenagers these films so they appreciate partners should be equal, and being a little bit odd or out of sorts doesn’t mean compromising who you are for happiness.

Love,

Ellen x


Contest! Win PAINTED SKIN: THE RESURECTION on Blu-Ray!

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According to ancient lore, if a human freely offers their heart to a demon, that monster can become mortal, experiencing the true pains and passions of existence. This is the ultimate triumph of the underworld.

Xiaowei (Zhou Xun, Cloud Atlas, Flying Swords Of Dragon Gate), a millennia-old fox spirit, is freed from her frozen prison and transforms into a dangerous seductress, consuming living hearts to keep her beautiful as she searches for her chance to become human.

Meanwhile, Princess Jing (Zhao Wei, Red Cliff, Shaolin Soccer), hiding her marred beauty behind a golden mask, flees an unknown threat to her kingdom by pursuing the only man she ever loved: the guard who was unable to protect her, so many years ago.

A twist of fate brings Princess Jing and Xiaowei together, and a slow game of wits, deceit, and seduction begins for the princess' very own heart.
 And we're giving away three copies.



To enter, please send an email with the subject header "PAINTED SKIN" to geekcontest @ gmail dotcom and answer the following question:


Wei Zhao who plays The Princess, starred in Red Cliff I& II directed by this beloved filmmaker?

Please include your name and address (U.S. Residents only. You must be 18 years old).

Only one entry per person and a winner will be chosen at random.

Contest ends at 11:59 PM EST on December 2nd, 2012.


"There's No Place Like Facebook" ; THE WIZARD OF OZ Game Arrives

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Spooky Cool Labs and Warner Bros. Interactive Entertainment Open THE WIZARD OF OZ Facebook Game to the Public


The Official Social Game for the Iconic Film Includes Video Clips, Musicand Beloved Characters in Advanced 3D Game Play


Spooky Cool Labs and Warner Bros. Interactive Entertainment today announced that The Wizard of Oz game for Facebook has launched to the public. Based on the beloved film, the game sets players on the adventure of a lifetime as they join DOROTHY™, TOTO™ and all of her friends on a trip down the YELLOW BRICK ROAD, which game players must build.

With full license from Warner Bros. Interactive Entertainment, the in-game experience includes music from the original soundtrack, video clips from the film and likenesses of its beloved characters, including Judy Garland as Dorothy and Margaret Hamilton as the WICKED WITCH OF THE WEST.

“We’re proud to have created such an immersive experience based on the greatest, most-watched movie in history, The Wizard of Oz.” says Joe Kaminkow, founder and CEO of Spooky Cool Labs. “Players will get to enjoy interacting with Dorothy, GLINDA THE GOOD WITCH™, TIN MAN™, SCARECROW™, COWARDLY LION™ and all of the other characters people have loved for years. Warner Bros. is an amazing partner and it’s been a wonderful project to work on with them.”

Players arrive in Munchkinland right after Dorothy’s house lands on the WICKED WITCH OF THE EAST™. With help from Glinda, players become familiar with Munchkinland and begin to build their very-own Munchkintown. They must construct buildings, interact with and protect the locals, and build the Yellow Brick Road in order to lead Dorothy and her friends to their ultimate destination, the EMERALD CITY. 

While on their journey through the Land of Oz, players will encounter the other characters from the film, whether on the Yellow Brick Road or fending off the Wicked Witch of the West and her WINGED MONKEYS™ from attacking the town. Players can share their experience with friends by visiting each others’ Munchkinlands and helping with quests, as well as sharing their favorite moments and experiences through various social features.

In celebration of the game’s launch, Spooky Cool Labs is offering players an opportunity to collect all items that The Wicked Witch of the East left behind in addition to her RUBY SLIPPERS™. The promotion is available for a limited time, so fans of the Land of Oz can go to Facebook now to start their journey to the Emerald City: http://apps.facebook.com/wozgame.



Infographic: Check out BILL & TED'S EXCELLENT TIMELINE!

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Today, the most excellent, Bill & Ted's Excellent Adventure arrives for the first time on Blu-ray and our friends at Fox sent over a pretty excellent infographic featuring personages of historical significance.

Check it out after the jump and click to embiggen.



TV News: FRINGE Marathon Launches Weekly Block on Science Channel

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FRINGE IS REBORN ON SCIENCE CHANNELWITHSPECIAL THANKSGIVING WEEK PREMIERE EVENTS
 
--Science Channel Unveils Three Hours of FRINGE Every Tuesday Night, Beginning
November 20 at 8 PM ET/PT--
 
--Special Post-Thanksgiving Marathon Event Featuring the Complete First Season Airs Friday, November 23 and Saturday, November 24--
 
(Silver Spring, Md.) – Science Channel invites viewers to join FBI Special Agent Olivia Dunham, eccentric scientist Dr. Walter Bishop and his estranged son Peter as they investigate the universe of the paranormal and science of the unexplained on the breakthrough series FRINGE.  Beginning Thanksgiving Week, the critically-acclaimed franchise returns to its very beginning with an expanded examination of actual fringe science that only Science Channel can provide.
 
Science Channel is airing all five seasons ofFRINGE in 2012 and 2013, starting with the network premiere of the two-hour pilot and first episode onTuesday, November 20, 2012, from 8-11 PM (ET/PT). To celebrate the premiere, Science Channel is continuing season one ofFRINGE with daylong marathons on Friday, November 23 from 10:30 AM – 11 PM (ET/PT) and Saturday, November 24 from 11:30 AM – 11 PM (ET/PT). Following the marathon,FRINGE will air regularly every Tuesday night from 8-11 PM (ET/PT) beginning onTuesday, November 27 with season two.
 
Featuring leading experts such as Dr. Michio Kaku, Science Channel will examine phenomena such as time travel, dream sharing and parallel universes with the short-form series,“Science of Fringe”.  Also, every Tuesday night Science Channel airings of FRINGE will begin with a special appearance by series star John Noble, who will set the stage for the back-to-back-to-back episodes. 
 
“Viewers tuning into FRINGE on Science Channel will see one of television’s smartest and most addictive series in a more thought-provoking format than ever before,” said Debbie Adler Myers, General Manager and Executive Vice President of Science Channel.  “Audiences will find all of the action and riveting drama associated with this pop culture sensation, along with a deeper dive into the mind-blowing science that provides the foundation for the series.”
 
FRINGE explores the ever-blurring line between scientific concepts and reality, where hybrid beings tear through sewers, thieves walk through walls and portals open to parallel universes. Unable to police a world in which science has advanced beyond our wildest dreams–and nightmares–Olivia Dunham (series star Anna Torv) seeks help from Dr. Walter Bishop (John Noble) and his jack-of-all-trades son, Peter Bishop (Joshua Jackson). Under the direction of Special Agent Phillip Broyles (Lance Reddick) and assisted by Agents Astrid Farnsworth (Jasika Nicole), Charlie Francis (Kirk Acevedo) and Lincoln Lee (Seth Gabel), the Fringe Team investigates unusual incidents that defy human logic and unimaginable events that threaten our very existence on a universal scale.
 
Fringe is produced by Bad Robot Productions in association with Warner Bros. Television. The creative team behind the series includes executive producers J.J. Abrams (Lost, the Star Trek and Mission: Impossible movies), Jeff Pinkner (Alias, Lost), J.H. Wyman (The Mexican, Keen Eddie), Bryan Burk (Lost, Alias, Star Trek, Mission: Impossible – Ghost Protocol) and Joe Chappelle (The Wire) and consulting producers Alex Kurtzman (Star Trek, Transformers), Roberto Orci (Star Trek, Transformers) and Akiva Goldsman (The Da Vinci Code).
 
For Science Channel, Debbie Adler Myers is general manager and executive vice president, Bernadette McDaid is vice president of production and Dexter Cole is vice president of programming.
 
About Science Channel:
Science Channel, a division of Discovery Communications, Inc. (Nasdaq: DISCA, DISCB, DISCK), is home for the thought provocateur, the individual who is unafraid to ask the killer questions of "how" and "why not." The network is a playground for those with audacious intellects and features programming willing to go beyond imagination to explore the unknown.  Guided by curiosity, Science Channel looks for innovation in mysterious new worlds as well as in its own backyard. Science Channel and the Science Channel HD simulcast reach more than 74 million U.S. households. The network also features high-traffic online and social media destinations, including ScienceChannel.com, facebook.com/Science Channel and twitter.com/Science Channel.
 
About Discovery Communications
Discovery Communications (Nasdaq: DISCA, DISCB, DISCK) is the world's #1 nonfiction media company reaching more than 1.5 billion cumulative subscribers in over 200 countries and territories. Discovery is dedicated to satisfying curiosity through more than 140 worldwide television networks, led by Discovery Channel, TLC, Animal Planet, Science and Investigation Discovery, as well as US joint venture networks OWN: Oprah Winfrey Network, The Hub and 3net, the first 24-hour 3D network. Discovery also is a leading provider of educational products and services to schools and owns and operates a diversified portfolio of digital media services, including HowStuffWorks.com. For more information, please visit www.discoverycommunications.com.


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