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BURT REYNOLDS FOREVER: Come and Celebrate the Awesomeness That Is, Was, And Will Always Be Mr. Burt Reynolds

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As one gets older you appreciate the things that make you truly happy.

Maybe it's the sound of children laughing, maybe it's the way an early Autumn sunset colors the sky in orange-pink, or maybe it's the desire for one hell of a mustache ride from 70s sex god Burt Reynolds.

Whatever it is (seriously, it's the mustache ride) you should probably indulge in those things that make life worth living now, before it's too late.

And, if you're like me and have a thing for HUGE, HAIRY MUSTACHES, then perhaps the following video will make your day a tiny bit better.

(you might want to get a glass of wine and put the video on a loop, I'm just saying)

L'Chaim!


Source: I Watch Stuff



X-Men NOW!—What the Marvel NOW! Initiative Means for the X-Books

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With Avengers Vs. X-Men now (barely) in the rearview mirror, the Marvel Universe is a very different place than it was when the whole event started.

For one—SUPER SPOILER ALERT!!—the mutant gene has been restored.  That’s right.  Scarlet Witch’s whole “no more mutants” magic trick from the end of House of M has been reversed after nearly seven years.

Mutants in the Marvel U are no longer an endangered species and while we don’t know just how many newbies have popped up since Hope and Scarlet Witch reignited the flames at the end of Avengers Vs. X-Men #12, we do know that, for all its flaws, Cyclops’ gamble with the Phoenix Force ultimately paid off.

Told ya’ so!

Whereas DC followed Flashpoint up with a complete linewide reboot of all of its books, complete with 52 number one issues, the Marvel NOW! Initiative doesn’t reboot everything. 


But it does relaunch a great many titles as books like the Incredible Hulk and Mighty Thor get new number ones as Unstoppable Hulk and Thor: God of Thunder, among numerous others.

This is a brand new direction with creative teams shifting, most notably the New Avengers and Avengers being written by someone other than Brian Michael Bendis for the first time in nearly a decade, and an era where the X-Men and Avengers franchises are more integrated than ever, as highlighted by the flagship Uncanny Avengers comprised of mutant and human heroes alike.

Why they look so pissed off about it, I have no idea…

But while the Avengers and New Avengers will still continue, albeit with a new start, one book is conspicuously absent—Uncanny X-Men.  For the first time since 1978, with the brief exception of the hiatus during the Age of Apocalypse, there will be no monthly Uncanny X-Men title on the shelves.

Its replacement?  All New X-Men, written by Bendis, will feature the original five X-Men time traveling from the past to arrive in our time, completely confused at what’s going on.  So, good.  Maybe they’ll get a little bit of what it’s like to be me on a regular basis.  About time.

This is all so very confusing for me.

The full details on how and why it’s all happening haven’t been revealed yet, only to say that it’s Beast who is responsible for letting them do the time warp again, but Bendis has assured fans that for as much as this sounds like a series that has a very limited shelf life—due mostly to the time paradoxes it’s sure to cause—there’s a long term plan for it and it will become the centerpiece of the X-Books for the foreseeable future.

Back in 1991, Jim Lee and Chris Claremont launched X-Men #1 and this month the book that became X-Men: Legacy with issue #208 will close its doors as well, but will keep its name with the relaunch.

Once Mike Carey rebranded it as X-Men: Legacy, it focused on Xavier before basically becoming a Rogue book with her as the central point, but this new version penned by Spurrier will turn the spotlight on Xavier’s schizophrenic son, Legion, a fitting turn given Xavier’s death and Legion being his actual legacy.

Thanks for that, Chuck.  Real swell legacy you left us…

Books like New Mutants are gone, with some members like Cannonball and Sunspot joining the ranks of the Avengers, and Wolverine and the X-Men and X-Factor will continue unchanged in number or direction.

Uncanny X-Force has been one of Marvel’s big hits since but it’s ending in December only to see a new volume led by Psylocke hit the stands in January, along with Cable and X-Force, a new book with Cable and his cohorts in the familiar position of being wanted fugitives.

Wanted by the Fashion Police apparently.

The Marvel NOW! Initiative looks to be big for the mutants in general, with many of them moving onto different Avengers teams, but as someone who has every issue of Uncanny X-Men since it was just simply called X-Men, there seems to be something missing without that title.  Despite Bendis’ reassurances, I can’t help but shake the notion that the premise of All New X-Men is too limited to sustain a multiyear series without smacking continuity around like it’s the New York Knicks, and X-Men: Legacy seems like a cool hook with Legion as the star…only he’s never been a star, so in a crowded market with bigger characters and creative teams elsewhere, I’m already cautious about its longevity.

A big part of me feels that the success of the Avengers, on screen and in print, has led to something of a marginalization of the X-Men, sucking them into the greater Marvel Universe to an extent where there’s no longer a real X-Men corner of it but rather one huge melting pot that will be sans the mutant crossovers of yesteryear like Muir Island Saga and X-Cutioner’s Song and Messiah CompleX.

But I guess that’s been the goal of the X-Men all along, hasn’t it?  To be integrated and a part of the community as a whole?  So maybe it won’t be so bad, after all.

Welcome to the Marvel NOW! Initiative, X-Men.  Hope you survive the experience…

Ah!  I see what you did there!


POCKET LIKE IT'S HOT: Snoop Lion, DeStorm Power and Andy Milonakis Rap About Hot Pockets

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 You know what?

I think we've finally reached a point in hootchie dancing where not everything you bounce your booty to is actually sexy.

And that point, believe it or not, is the Hot Pocket.

That's right, under no circumstance can you make a microwavable snack food sexy, no matter how tight your shorts are or how open you can make your mouth.

It's just not possible.

So thanks Snoop, for allowing girls who still do the butterfly on the dance floor, a chance to stop.


Source: Incredible Things


Musical Wizards

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Dear Hollywood,

I made you a mix list.

I would have made you a mix tape, but that feels too sincere.

And not in keeping with the love/hate thing we have going on. Plus the exchange of tangible items is so 1995. It’s all about inventories these days.

The following compilation is not just for you though Hollywood; it is dedicated to the composers. The unsung heroes who, with nimble fingers and good ears, can turn the most unremarkable film into a thing of majestic introspection.

Lost in Translation composer - Brian Reitzell

The musical wizards amplify the protagonist’s emotional rock bottom with an acoustic guitar, distract from unconvincing acting with a harp and add tension to futuristic chase sequences with a synth and a drum machine. They cast ambiguity when it is needed, heighten tension and know when to drop twinkly piano into a sex scene. They are the thread that knits together the directors quilt of overall purpose. Or something.

Below is my all time favourite film compositions for your listening pleasure. 

Please make this play list, but be warned, as you listen you will start to feel a little strange. You may have the sudden urge to cry, score the winning touchline, rescue a child from a burning building, tell that guy how you really feel and have sex with Harvey Keitel.

But just go with it.

Love,
Ellen


The Portal (For Whom The Bell Tolls) From Donnie Darko
By Steve Baker and Carmen Daye


You will now feel the urge to stand in a road in your pyjamas smiling inanely to yourself.

Flight to Neverland From Hook
By John Williams


You will now feel the urge to find father figures in the most unlikely of places

Lux Aeterna From Requiem for a Dream
By Clint Mansell


You will now feel the urge to seek comfort in the thatching of an old mans beard

The Heart Asks Pleasure First From The Piano
By Michael Nyman


You will not feel the urge to play chopsticks on a Casio

O Verona From Romeo & Juliet
By Craig Armstrong 


You will now feel the urge to challenge most people to a duel

Welcome to Lunar Industries From Moon
By Clint Mansell


You will now feel the urge to sweat onto a picture of yourself

Clint Mansell. What a legend.

Death is The Road To Awe From The Fountain
By Clint Mansell


You will now feel the urge to meet a Spaniard.

The Surface Of The Sun From Sunshine
By John Murphy


You will now feel the urge to look directly into the sun

Sonata for Cello and Piano in F Minor From The Royal Tenenbaums
By The Mutato Muzika Orchestra


You will now feel the urge to have a definite style

The whole of The Brothers Bloom soundtrack 
By Nathan Johnson


You will now feel the urge to be underrated.

Dead Bodies From The Virgin Suicides
By Air


You will now feel the urge to be overrated.

The Journey to the West From Princess Mononoke
By  Joe Hisaishi

 You will now feel the urge to be animated


WILL KEITH DOES NOT COTTON To Bottled Water and, By God, He Will Destroy It

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 The gentlemen you are about to meet (via the video below) is Will Keith. He is not famous for any reason, nor is he especially gifted in any way known to man.

He is, however, completely against water bottles and has made it his life's work to destroy them with swords and/or knives, before uploading the carnage on YouTube for, presumably, the head of Water Bottle City to see and feel fear.

Will Keith's best "kills" are in the following video and I'm sure you will be incredibly impressed with his skill and vagrant disregard for recycling.

I'm pretty sure his war cry is (and I'm quoting a YouTube commenter here) "Destroy All the Water, Drink All the Mayonnaise"


Source: Obvious Winner


Watch This! BOOK OF RHYMES Delivers Retro Sci-Fi Animation Awesomeness

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It's pretty refreshing to check out something so pure of awesomeness that is Book of Rhymes, a new animated project from Distrakt.  The renaissance man not only self-produced the project, but he is also responsible for every other facet including writing, direction, music composition, illustration and animation.

The results are pretty impressive and his influences are not only apparent, but recognized.  “When I was growing up reading underground comics and Heavy Metal magazines, listening to Big Daddy Kane, The Wu-Tang Clan, Michael Jackson, watching movies by Ray Harryhausen , Ralph Bakshi and George Lucus,” Distrakt says, “I knew I had been elevated and was determined to deliver my own visual and musical experiments one day. I have daydreams of launching a show on Adult Swim.”

Adult Swim should be listening.

After the jump check out the first chapter of Book of Rhymes and be sure to check out Distrakt's Official Site and Video Game Tie-In (which you can beta test).




Attention New England Geeks! Win Passes To RI COMIC CON!

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On November 3rd & 4th, the inaugural Rhode Island Comic Con will take over Providence.

With over 200 vendors, celebrity guests, artists, costume contests, gaming competitions and more, RI Comic Con will hopefully become an annual tradition.

Among the folks attending are comic book professionals Walter Simonson (Thor, Fantastic Four, The Judas Coin), Jamal Igle (Molly Danger, Supergirl), Craig Rousseau (Impulse, Perhapanauts, Kyrra Alien Jungle Girl), and Casey Coller (Transformers); writer Will Murray (Doc Savage), and wrestlers Jake "The Snake" Roberts, Hacksaw Jim Duggan, Big Van Vader.

Also in attendance are a number media guests including three original Power Rangers; voiceover artists Billy West (Futurama, Ren & Stimpy), Dan Gilvezan (Transformers, Spider-Man and His Amazing Friends), Tom Kane (Star Wars: The Clone Wars, Wolverine and The X-Men), Quinton Flynn (Naruto, Metal Gear, Bleach) and Carlos Alazraqui (Family Guy, Phineas and Ferb, Reno 911!); and actors John de Lancie (Q, Star Trek:TNG), Peter Mayhew (Chewbacca, Star Wars series), Nicholas Brendon (Xander, Buffy The Vampire Slayer), Gil Gerard (Buck Rogers), Felix Silla (Twiki, Buck Rogers; Cousin Itt, Addams Family), Robert Picardo (The Doctor, Star Trek: Voyager; Innerspace, The Howling), Lee Merriwether (Catwoman, Batman), Reb Brown (TV's Captain America), Larry Thomas (Seinfeld's Soup Nazi), Kathy Coleman (Holly, Land of the Lost) Mark Goddard (Don West, Lost in Space) and a reunion of the original Battlestar Galactica cast including Noah Hathaway, Dirk Benedict and Richard Hatch!

Forces of Geek will oversee the panels at the show and we're giving away four pairs of passes to our readers!



To enter, please send an email with the subject header "RI COMIC CON" to geekcontest @ gmail dot com and answer the following question:  

In DC Comics continuity, what fictional Rhode Island city is the home of the original Justice League of America (and later, the Doom Patrol and Young Justice)?

Please include your name and address (U.S. Residents only. You must be 18 years old). 

Only one entry per person and a winner will be chosen at random. 

Contest ends at 11:59 PM EST on October 28th, 2012.


An Interview With Cartoonist JEREMY EATON!

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Last year, John Rovnak's Panel to Panel: Exploring Words & Pictures was unquestionably one of my favorite releases, a beautifully designed tome chock full of interviews with some of the smartest and most talented creators working in the comic industry today.

John's currently working on Volume 2, but shared a new interview with Forces of Geek readers, a new interview with uber-cartoonist Jeremy Eaton, which you can find after the jump.

For more details, visit the Panel to Panel website, HERE!




IF YOU'RE TOO LAZY To Take Your Baby Out For A Walk, This Hot Rod, Motorized Stroller Might Just Be Your Ticket To Good Parenting Town

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 I had no idea that people actually walked their gelatinous newborns out in the open so color me surprised that there was a need for a motorized stroller/pram.

Now, I'm guessing there's no actual reason why a stroller filled with the body of your offspring needs to reach speeds of up to 30-50mph, but I guess if the technology is there why not use it right? It's not as if there's a downsize to speeding around town with an infant in a non-street legal apparatus made of metal.

Unless of course you're drag racing...then there's always a chance for a ticket.


Source: NotCot


Smallville: Random, Awesome and WTF?! - S8E13: Power

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Lana gets super powers—again—this time due to an experiment of Lex’s that was supposed to give him super powers.  Remember the last time Lana got powers?

Yeah, it’s like that.

Only worse, because it doesn’t go away at the end of the episode.

Isn’t being a drain on the show’s IQ a power in and of itself?

The Random:
1. Lana, to her credit, did a hell of a job cutting her own hair with a straight razor.  Maybe there is something she can do right.  You know, besides whining and such.

2. These have to be simultaneously the stupidest and kindliest kidnappers in the world, driving around with Lana completely unrestrained and even offering her something to throw up into when she feigns illness.  No wonder LuthorCorp has had so much trouble over the years.

3. Tess had enough to worry about before Regan playing against her at every turn.  This guy has just been a douche from day one.  Luckily he’s no match for her killing him to death.  She might want to get that whole rage thing checked out.  You know.  Just in case.

Somehow she looks a little less hot while kicking someone
in the face like it’s American History X.

The Awesome:
1. Tess learns that honesty isn’t always the best policy as she confesses to Clark that the whole Dear Clark video Lana left for him was done under duress—duress that she placed Lana in under Lex’s orders.  How’s that for a little twist?

2. The flashbacks aren’t really plausible all the time, but at least we get a real sense that the show is at least trying to answer some major questions about Lana and her transformation from comatose doorstop to mistress of the martial arts, and as far as plots go, it’s really actually pretty well handled.

3. The Prometheus Suit is a pretty badass piece of technology and our government needs to get on making those, pronto.  Sure, it’s wasted on Lana, but I’m not going to lie.  I totally want one.

Plus it gives you the ability to do the Magic Rainbow Butterfly move
practiced and renowned by Tibetan monks for years…


The WTF?!:
1. Why, oh why, is Clark watching Lana’s breakup video again and, more importantly, why does he even still have it?  Who keeps things like that? 

2. So we finally find out who trained Lana, a former soldier who taught her—in less than half a year, mind you—to be some sort of super ninja who can withstand extreme temperatures and fight everyone and their mother.  Because, yeah, that’s believable for her.

3. With all Lana has seen over the years with LuthorCorp experiments, does she really think it’s a better idea for her to wear the Prometheus Suit rather than just destroy it?  She does, doesn’t she?  I need to lie down, she thinks she’s a superhero now.  The road to hell, LL.  The road to hell…

This right here.  THIS is a good idea.



QUESTLOVE TO TEACH A Class Called "Classic Albums" At NYU's Tisch School of the Arts...You know, If You're Looking For An Elective Or Something

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 This Spring, The Roots member Ahmir Khalib "Questlove" Thompson will be professoring it up at NYU's Tisch School of the Arts with a course he's co-teaching called "Classic Albums".

The class (which is part of the Clive Davis Institute for Recorded Music and is worth 2-credits) will take the student on a journey of what it means for an album to be considered a Classic..."as well as take a close look at the music, lyrics, production, business aspects -- such as promotion and marketing -- that informed the release and reception of the album, and try to provide a context as to why these albums have stood the test of time" [Billboard]

Some of the albums that will be discussed during the semester are: Stand! There's A Riot Goin' On by Sly & The Family Stone, Off the Wall by Michael Jackson, IV by Led Zeppelin, Paul's Boutique by the Beastie Boys, Lady Soul by Aretha Franklin and Dirty Mind by Prince.

 If you are of college age and are interested in moving past your Justin Bieber/Katy Perry/Ke$hia relationship and discovering what real music is actually about, you should consider taking the class.

And seeing how it is being taught by a living, breathing member of band worth listening to, you might just learn something.


A Final Apologist Post On WEEDS

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About a month ago Weeds ended its eight-season run.

Despite being Showtime’s first hit series, helping the network to gain ground on rival HBO, it never got any love – and as recently as last week I am still listening to my friends complain about it.

For most of its run it’s been attacked for having jumped the shark and gone on way too long.

So here’s why everyone is wrong about Weeds.

Weeds is a "father doesn’t know best" comedy – but in this case, mother doesn’t know best.


While this genre of comedy dates back to All in the Family, it was refined in the 1980s with shows like Married with Children and The Simpsons. In these shows, not only does the head of the household not have all of the answers for his family, but often he initiates familial conflict.

On the most basic level Weeds is about someone who is the worst mother in the world. But the show is more complicated than that – it takes the father doesn’t know best premise to a whole new darker level.

In the traditional father doesn’t know best show, ultimately the family comes together, rallies around the father, and the father’s good intentions forgive whatever wrongs he has committed (this is the formula for most Simpsons episodes).

This isn’t the case in Weeds.

Nancy is not just the worst mother ever, but she is a toxic person, dragging everyone down with her.

Nancy breaks new TV ground in bad parenting because she consistently puts her needs ahead of her two children.

When her husband unexpectedly dies, she quickly realizes that she does not have sufficient funds to main her family’s lifestyle. Rather than take a job she doesn’t like, cut back on expenses, move to a smaller house, etc., Nancy decides to sell drugs – she takes a shortcut. And despite the many brushes with death, endangering the welfare of her children and eventually going to jail, she continues to do what’s best for her. She has no good intentions – nothing justifies what she puts her children through.

Where things really get insidious, is that not only does Nancy use people, but she uses her family members for her own gain. She is incredibly emotionally needy and forces her family to stay with her as her life unravels and she travels all over the country trying to escape her many enemies from the drug trade. She knows that her two sons are eager to please their mother, and she exploits that to her own advantage. The family is never reaffirmed on Weeds – it never comes together. People want to go their separate ways, but Nancy won't let them.

The reason I give the show a lot of props for its take on parenthood is because on a lot of shows bad parents find absolution from being well intentioned.

Even on a show like The Sopranos, a lot of the bad things Tony did relating to his children were more or less excused because he was genuinely trying to do what was in their best interests. One episode that comes to mind is when Tony threatens Meadow’s black boyfriend because Tony is a racist and doesn’t want his daughter dating someone who isn’t Caucasian. Because Tony is portrayed as being genuinely motivated to protect his daughter, it prevents viewers from being completely alienated by his racism. We're disgusted by what he did, it was well meaning in a twisted kind of way.

What seemed to bug viewers the most about Weeds is that it did not stick to its original premises of Nancy selling pot in the suburbs.

Eventually the show abandoned its suburban setting, ditched many of the characters, and season after season the stakes got bigger and bigger. While Weeds never claimed to be realistic, it would have been completely hollow if there were never any consequences to selling drugs where the status quo was never permanently broken.

The worst kind of TV is where the status quo gets blown-up, and yet, everything is able to reset and go back to normal. Breaking Bad has done the exact same thing as Weeds, moving so far away from the original premise of a terminally ill chemistry teacher cooking meth so he can provide for his family after death that it’s almost a completely different show.

So if all people really wanted was to watch eight seasons of a suburban mom’s hijinks as she sells pot to her neighbors, all I can do is insist that viewers would have been so bored with that after three seasons that there would have never been a season four of Weeds.

But I will concede that that the show probably should have ended two seasons ago. All of the themes had been worked to death. There haven't been too many new places to take the characters.

And this was pretty apparent in the series finale where nothing really happened. While Nancy does let one of her children escape her tentacles by allowing him to go to boarding school at thirteen, she is way passed redemption and the show clearly acknowledges that.

My guess is that Weeds will not have any kind of second life on home video/streaming, that it will quickly fade away. But I wouldn’t be surprised if someone makes a show in a few years that is thematically the same – being about an unbelievably terrible parent whose actions are inexcusable – and it gets praised for its originality.


FORGOTTEN DOCUMENTARY FOOTAGE FROM 'THE EMPIRE STRIKES BACK' Shows Rare Behind-the-Scenes Interviews

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 These two clips from Michel Parbot's documentary on the filming of the now classic The Empire Strikes Back have been relatively unknown, due to the fact that they were apparently shown on Dutch TV and not released in the US for some unknown reason.

As a Star Wars fan it is simply inconceivable that I was not aware of these 15 minutes of grainy beauty and am willing to blame all of this on the Sith Lord Lucas, because I can.

Now, the videos below are of bad quality and are in Dutch, but the interviews and such are in English so before you start getting all Xenophobic, calm down and the language you feel comfortable with will come, I promise.

Enjoy!



Source: blastr


Mix Tapes From The Midwest: When Autumn Leaves Start to Fall

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Autumn has come to the Midwest.

The days are getting shorter. The geese are honking loudly in the ecstasy of their southward flights.

On sunny days, the light is like a golden berry, and sets the crimson, orange, and yellow leaves aglow.

When it rains, everything looks brown-grey, sepia-toned, and the chill damp gets under my skin and into my bones.

I wear old sweaters full of moth-holes, drink too much coffee, and get even more introspective than usual.

And these are the songs I am listening to.

Side A

1. Lotte Lenya - September Song

Lotte Lenya, German cabaret star and actress of stage and screen, sings a song written by Kurt Weill, accompanied by an orchestra directed by Maurice Levine. Listen to the cinematic sweep of the strings and that melancholy accordion, as Lotte intones: Oh, it's a long, long while from May to December, but the days grow short when you reach September. When the autumn weather turns the leaves to flame, one hasn't got time for the waiting game.


2. Duke Ellington - Autumn Leaves

So many people have recorded versions of this song, but this version by Duke Ellington and His Orchestra, with Ozzie Bailey on vocals, is one of my absolute favorites. First, Ozzie sings it in French, and it was originally a French song - "Les feuilles mortes," which translates literally to 'the dead leaves' - written by Jacques Prevert. Then, there is the musical interlude, with Duke's beautifully understated piano, and the weeping violin. The vocals return, this time in English, to say: Since you went away, the days grow long, and soon I'll hear old winter's song. But I miss you most of all, my darling, when autumn leaves start to fall. (I also recommend tracking down the alternate take, as the violin in that version is even more goosebump-inducing.)


3. Nina Simone - Rags and Old Iron

This tune was written by Norman Curtis and Oscar Brown Jr., and Oscar Brown himself recorded a pretty killer version of it, but I have to say I love Nina Simone's take on it much, much more. The instrumentation in this recording is sparse, taking a backseat to Nina's voice. And that's the thing about this version that makes me love it so - her voice. She sounds truly hollowed out by heartache, betrayal, and sorrow when she sings: I asked that old rag man how much he would pay for a heart that was broken when you went away. For a burnt out old love light that no longer beams, and a couple of slightly used second hand dreams.


4. Peggy Lee - Black Coffee

In autumn, I turn to the sad ladies of jazz and blues who understand my loneliness. Because I am always lonely in autumn. And in this track, the incomparable Ms. Peggy Lee belts out the story of my life: I'm moonin' all the mornin', mournin' all the night. And in between it's nicotine, and not much heart to fight.


5. Irma Thomas - It's Raining

Irma Thomas is the unsung queen of New Orleans soul. She was a contemporary of - and just as talented as - Aretha Franklin, Gladys Knight, and Dionne Warwick, but she never achieved the level of commercial success they did. Which is a shame, because more people need to know her music. Particularly this track, from 1962. Despite its upbeat swing and the sweet voices saying 'drip drop, drip drop' in the background, this song is a real tearjerker. Sit by the window watching the autumn rain fall, and give this a listen. I've got the blues, so bad, I can hardly catch my breath. The harder it rains, the worst it gets. This is the time, I'd love to be holding you tight. I guess I'll just go crazy tonight.


6. Concrete Blonde - Tomorrow, Wendy

Sometimes, life just breaks your goddamn heart, and all you can do is sing about it. Johnette Napolitano always does such a good job of that. In this song, which is about a friend that died of AIDS, her pained rasp is full of rage at the unfairness of it all. In autumn, we can all raise our glasses to friends and loved ones that passed too soon, and Underneath the chilly grey November sky, we can make believe that Kennedy is still alive. We're shooting for the moon and smiling, Jackie's driving by. They say, "Good try." Tomorrow Wendy is going to die.


7. The Mountain Goats - In the Hidden Places

I've noticed that people seem to fall into one of two camps when it comes to The Mountain Goats/John Darnielle. They are either rabid fans who love love love everything that Darnielle does, or they hate all of it. I do not fall into either group. I am not a rabid fan, I don't love all of it, but I do think John Darnielle is an extremely talented songwriter with a knack for - to bastardize something he himself said - wresting small glimmers of light and hope from the screaming places. Or the hidden places, if you will. The entire album this song is from (Get Lonely) is perfect for this time of year, but this song is, in particular, because: Autumn came around like a drifter to an on-ramp. There were wet leaves floating in gutters full of rain. Took to walking barefoot around town, melodies from gradeschool kicking in my brain.


8. Leonard Cohen - There Is A War

Leonard Cohen is Mr. Melancholy himself, so of course his songs are best to listen to in autumn and winter. There is an eerie urgency to this song, with its drumbeats and its chant-like quality. And, maybe because autumn is also election season, the lyrics always seem apropos. It disturbs me that, though it was released in 1974, it is still so relevant. There is a war between the rich and poor, a war between the man and the woman. There is a war between the ones who say there is a war, and the ones who say there isn't.



Side B

1. Nick Cave and the Bad Seeds - The Carnival Is Over

Carnival season ends at the beginning of October, and doesn't start up again until May. Imagine that this song is from the score to a non-existent film about a girl who falls in love with a carnival showman. I could be the heroine in that film; the heroine could be based on me. Imagine her (my) carnival lover leaning out the window of the train or the caravan, singing this song to her as he gets further away: Oh my love, the dawn is breaking, and my tears are falling rain. For the carnival is over; we may never meet again.


2. Reverend Glasseye - Belle's Palsy

This song has a definite tinge of the gothic Americana that Reverend Glasseye is known for, but then listen to that klezmer-style clarinet. And it also owes something to Leonard Cohen - from the Hallelujah chorus on down to the lyrics. Listen to it build, just like a storm. And like this rain, I move it along, remembered only through my pathetic song. But the wind, it howls, and the mobs, they roar. The storm is coming in.


3. Rasputina - Rusty the Skatemaker

There was an autumn, a decade ago, when I listened to Rasputina quite a lot. I listened to Rasputina while writing modern re-tellings of faerie tales (hey, I was in art school, gimme a break). I listened to this song, and related to it. I didn't rollerskate to the riverbed, but I did walk to the railroad bridge, and I listened to the lonely beautiful cellos and Melora Creager singing: And she told herself that this all was enough, for a girl who was born in an oil-drum. She had her skates, didn't need lots of stuff. She didn't need it, but she still wanted some.


4. The Lawrence Arms - Minute

This song is called "Minute" but it clocks in at 1:06, what's with that? Oh, whatever, it's a perfect just-over-a-minute song, melodic punk rock with raspy vocals and a core of angst. And Ghost Stories, the album this track is from, was the perfect soundtrack to a three-month-long nervous breakdown I had. In the fall of 2000, I attended Northwestern University (alma mater of Brendan Kelly of The Lawrence Arms!), and I hated every second of it. It wasn't at all the right college for me, and because of that, and many other reasons, I just sort of...unraveled. I would listen to this song while waiting for the el. I'd stand on the platform, half-drunk, chainsmoking (though it was against the CTA rules), waiting to catch the final train of the night from Chicago back to Evanston. I'd scream the words along with this song: Gone and forgotten, my stomach feels rotten. My shoes are all soaked and my socks are all cotton. My insides are black from the smoking and pain, and every damn song is fucking the same. This same goddamn train glides soft through the rain, and I sit and dizzily wait.


5. J Church - November

When I conceived of this installment of my column, I thought it was all songs about autumn; now, I realize it could just as easily be titled 'Rain Songs,' as at least half the songs mention rain or storms. It works, perhaps because I associate autumn with rain. This pop punk gem by J Church is another song I associate with public transit, and with a particular autumn of my life. Except, where I associate the previous track with the autumn of 2000, and the Chicagoland area, and the CTA, I associate this track with the autumn of 2010, and the Bay Area, and BART. So I went home like I normally do and I put on something dry, I went out to get a coffee, read a book about anarchy, and watched the commuters walk by. Tears from the sky, I'm satisfied that I can't stop the rain. Can't justify, and I can't define, and I can't stop the rain, rain.


6. World/Inferno Friendship Society - Addicted to Bad Ideas

This song is the title track from the World/Inferno album of the same name. The album is based on the life and film-work of Peter Lorre. Have I ever mentioned that I am in love with Peter Lorre? I am, but that's not why this song is on this mix. The album was released in September of 2007, and it described everything that was going on in my life and heart and head that autumn. I could have put almost any song from the album on this mix, but I chose this one, because it, like all of World/Inferno's best songs, will make you want to dance - even when everything is falling down around you. Though I have grown older & graver, the great heart of the world remains ever young. I wasn’t always a monster, I was a prince. Now, so broken, so. Because I can, 'cause no one can stop me. 'Cause it makes up for things I lost. Because I'm addicted to bad ideas and all the beauty in this world.


7. DeVotchKa - Tragedy

Nick Urata starts this song with some spooky-lovely 'oooh-ooh-oohs,' and yes, you will feel haunted while listening to it. I believe this track is one of the finest examples of DeVotchKa's unusual blend of musical styles - rock, jazz, Americana, and Eastern European folk. And I associate this with the autumn of 2005 - why I am telling you about my associations with these songs, I promised myself I wasn't gonna get autobiographical this time, oh well, too late now - I had just moved to Milwaukee and I knew right away it wasn't going to be like I'd hoped. I felt haunted by the way it had been in my younger years, before I'd moved there. I felt like - There were ghosts, and they lit up this town, but they left when they sold off the underground. We ain't welcome here no more.


8. Tom Waits - Shiny Things

There are Tom Waits songs for every mood and every season, and this one is for autumn. Maybe it's because he sings about crows, and crows are such an autumnal bird. (There was a moment of synchronicity, just now - I'm writing this in my backyard, and as I typed that last sentence, a crow landed in a nearby tree and began cackling at me.) Or maybe it's the lonesome banjo twang, or just that the song is sad but also sweet and hopeful. Well, I'm not dancing here tonight, but things are bound to turn around, though. The only thing I want that shines, is to be king here in your eyes. To be your only shiny thing.


I COULD PEE ON THIS: AND OTHER POEMS BY CATS

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 The holidays are just around the corner and, because I am awesome and stuff, I want to help you out with the gift-giving. Take this book by Francesco Marciuliano for instance.

It features poetry (which shows you are a deep individual) written by cats (for those people on your list with an abnormal love for felines).

You see, giving a gift of cat-written poetry is a sublime way to say to that special person in your life "I don't understand your whole cat fetish thing but here's something that will make you happy while you read it on the toilet" without actually saying it to them. Thus winning their praises without them realizing you are still making fun of them.

It's really a win-win situation.

Here's a few examples of the poems found within the book:




Fantastic don't ya think?

You can order it HERE and then sit back and wait for a giant Thank You...which will probably be something in the shape of a cat.

Source: Neatorama



Otaku Lounge: 5 UNDERRATED ANIME

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‘Underrated’ is a difficult term to pin down.

In past years I’ve seen several lists of ‘underrated’ anime on various internet blogs and forums, and each of them has been referring to something different.

Some have been using the term to refer to anime that is well-known but not popular, while others have been discussing anime that are obscure despite their good quality.

Then there are those anime that have performed extremely well in Japan but have attracted little attention elsewhere, or anime that might have been more popular but were essentially a victim of the bad economy.

I believe all of these definitions have validity.

For this article, I’d like to try my hand at making my own list of what might be considered underrated televised anime.

All are titles that I judge to be ranging from pretty good to excellent in terms of overall quality (taking both production values and narrative into account), but that for whatever reason have slipped beneath the radar. None of these could be considered as being particularly niche anime – they are all relatively recent(ish) and mainstream titles that simply did not make as big an impression in the international fan community as they perhaps deserved.

While I imagine that any hardcore anime fans reading this (however you personally want to define ‘hardcore’) will have at least heard of some of these anime, I was quite surprised at the amount of fans who told me they hadn’t watched them.

Note: I have deliberately discounted any titles released from 2011 onwards, in part because it is possibly too soon to be able to tell how large an impact these have had, but also because I’ve fallen a bit behind on new releases.

Even so, this selection is only a very brief one to be viewed as a kind of rough shortlist – there are of course plenty of other anime out there that are worthy of more success than they achieved.

I’d like to invite people to comment with these if they feel so inclined.


Dennou Coil


Although this series was awarded an Excellence Prize at the 2007 Japan Media Arts Festival, and won top honours at the seventh annual Tokyo International Anime Fair as well as the Seiun Award at the 46th Japan Science Fiction Convention the following year, it has attracted considerably less attention overseas.

Exactly why it has received such a comparatively low awareness in the Western anime industry and fanbase is a mystery to me – it’s intelligent, creative, and finely crafted, yet has taken nearly five years to be officially released in English. Whether or not you are a fan of anime science-fiction, Dennou Coil is one of those rare titles with the ability to charm an extremely wide audience. Following a group of children as they make use of illegal software tool and virtual pets to explore and manipulate the half-real, half-digital city in which they live, Dennou Coil presents a kind sophistication that is lacking in many of the more popular anime.


Mnemosyne


This series is unique in that it is made up of six 45-minute episodes rather than the standard half-hour sessions, and combines several genres – action, mystery, sci-fi/fantasy, horror, yuri – into a stylishly dark anime.

Although it was licensed by Funimation just a year after its release in Japan, Mnemosyne seems far more obscure that it should be, especially considering the fact that it includes nearly everything adult viewers tend to appreciate about anime (hot chicks that kick arse, plenty of sex and violence, and smooth visuals). However, the show was broadcast on only one network (Japan’s AT-X channel, and then only one episode a month), and seems to have failed to reach a particularly large audience elsewhere.

A shame, given the originality and atmosphere of the story, which concerns a pair of immortal women running a private investigation agency.

Despite all the nudity and gore, Mnemosyne achieves a brilliant balance between plot and gritty ambiance, and somehow never seems as gratuitous as it sounds.


Moribito


This show was released in 2007 which meant that, like Dennou Coil, it was perhaps passed over for big-name titles and fan favourites like Baccano!, Gurren Lagann, and Sayonara Zetsubou Sensei.

And oddly enough, when Moribito went to air on Cartoon Network in 2008, it ran for only ten of its twenty-six episodes before being dropped from the schedule without explanation, to be re-aired in full the following year.

While Moribito does have its flaws, it also has some of the most fluid fight scenes ever to be seen in anime. Moreover, the main character is a self sufficient thirty-year old woman; an incredible rarity.

Better yet, Balsa is not oversexed, but rather a mature and quietly capable adult making a living as a spear-wielding bodyguard. The world in which she travels is both realistic and complex, with its own self-contained history and culture.

Although plenty of people seem at least aware of Moribito’s existence, the series does not get nearly as much credit as it deserves.


Mushishi


I’m not going to say that you’re not a true anime fan unless you’ve seen Mushishi, because that would be terribly elitist of me.

But seriously, if you haven’t seen Mushishi then you need to right now.

Although quite a few anime fans are aware of this masterpiece, it is astonishing to me that more people haven’t watched it. It’s won grand prizes at the Tokyo International Anime Fair, yet is far less well-known than it should be considering its stunning visuals and outstanding atmosphere – if Miyazaki ever created a moody supernatural series, it would probably look something like this.

A supernatural travelogue of a man who researches creatures called Mushi and aids people who are negatively affected by them, the anime has no overarching plot but remains compelling throughout each and every individual story.

The series was perhaps overshadowed by other new releases of the same year, such as the much-discussed gore-fest that was Elfen Lied or the tsundere-stuffed Shakugan no Shana, but is undoubtedly one of the finest anime titles ever released.


Rideback



There are a lot of people who don’t like this series, and I can understand why – it’s short, there’s a major shift in tone about halfway through, and for some, the genres of racing, mecha, and drama are incongruous, particularly with a female lead.

However, that’s part of the reason I enjoyed it; finally, a mecha show (sort of) about racing (sort of) that doesn’t involve giant robots in space or car drivers pretending to be cool. What really gripped me was the slightly unconventional yet appealing character designs, combined with the fact that it presented a sci-fi/racing story that didn’t depend on stereotypical mecha designs or a team of male teens to tell the story.

Also, the lack of panty shots pleased me.

I actually thought Rideback was relatively well known (I mean, it’s on the DVD shelf here in New Zealand so how obscure could it be?), but very few of my anime-watching friends knew what I was on about when I mentioned it.

I’d therefore like to encourage more people to at least give it a go.


A few other suggestions:

- Kino’s Journey. It reminds me a little of Mushishi in terms of the episodic layout and characterisation of the protagonist.
- Kimi ga Nozomu Eien/Rumbling Hearts. Possibly it gets passed up a lot because it’s based on a dating sim, but it’s surprisingly intelligent and well-told.
- Stellvia of the Universe. A classic example of an anime that doesn’t get watched as much as it should simply because it’s G-rated.



IDENTITY THIEF (comic review)

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Identity Thief
Writer: Bryant Dillon
Art: Meaghan O’Keefe
Producer & Editor: Barbra Dillon
Co-Producer: Sam Rhodes
Publisher: Fanboy Comics
Price: $11.99


Children often fear the monster in the closet or the creature under the bed. 

In Daphne and Craig’s case, the mysterious monster in the closet of their new apartment is anything but imaginary. 

Fanboy Comics, who previously released the graphic novel, Something Animal are back with a chilling tale called Identity Thief. 

Bryant Dillion’s dialogue effectively accomplishes what it set out to do. The artwork of Meaghan O’Keefe is the highlight of this book. In her first comic book undertaking, O’Keefe, through her imagery, conveys what is transpiring in captivating fashion. This thing, this hatch, lurking in Daphne and Craig’s closet gnaws at every fiber of your being until the disturbia reaches its climax. 

There is a lack of dialog that may be annoying to some, but the art makes up for the missing word balloons. Halloween is right around the corner and this graphic novel may be the trick, or the treat, you have been looking for.

For a preview of the book, click HERE.


Contest! Win KINGDOM Season 1 on DVD!

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Stephen Fry stars as Peter Kingdom, a country solicitor standing up for the little guy. Despite his success, though, Kingdom's life is overshadowed by the mysterious disappearance of his brother and business partner, Simon. In between driving around the picturesque beauty of the Norfolk landscape, investigating one case after another, Peter is constantly searching for clues to the mystery surrounding his brother's disappearance.

Along the way, we meet the others members of Peter's dysfunctional family and friends. His lustful younger sister Beatrice wreaks havoc when she comes to live with him after being released from a rehabilitation clinic. Trainee solicitor Lyle Anderson dreams of escaping the sleepy backwater for the bright lights of the metropolis and faithful receptionist Gloria Millington is Peter's confidante.

And we're giving away three copies on DVD!

To enter, please send an email with the subject header "KINGDOM" to geekcontest @ gmail dot com and answer the following question:


Kingdom-star Stephen Fry frequently collaborated with this comedian, who found a new audience as  prickly doctor Gregory House for eight years?

Please include your name and address (U.S. Residents only. You must be 18 years old).

Only one entry per person and a winner will be chosen at random.

Contest ends at 11:59 PM EST on November 4th, 2012.


THE HISTORY OF THE PUNK DANCE 'THE POGO' As Explained By Debbie Harry Circa The Late-Seventies NYC Cable Access Show 'TV Party'

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For you young whipper-snappers out there that may not know, The Pogo dance (jumping up and down like on a pogo stick) has always been a mainstay of the punk rock fan (I even did it at my wedding). And even though, in this clip from the brilliantly weird late-seventies cable access show TV Party (created by Glenn O'Brien and co-hosted by Chris Stein from Blondie), Debbie Harry claims that The Pogo was already "dead" in England, it didn't stay dead here in America.

So here's a little How-to from one cool chick on the proper way to Pogo.


Source: Boing Boing


DVD News: The Original DJANGO Gets Unchained in New DVD Releases!

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The Classic Spaghetti Western Franchise Now Available on DVD
DJANGO!

Available December 11th from Timeless Media Group

Before there was Quentin Tarantino’s Django Unchained, there was Django-the highly influential Spaghetti Western film series. On December 11, Timeless Media Group, a division of Shout! Factory, brings you four of the most riveting films in this classic franchise in two DVD collections. With newly re-mastered prints and all-new bonus features, these double features have a suggested retail price of $6.95 and are a must-have for fans of Westerns and cult cinema fans alike.


Django! A Man Called Django / Django and Sartana Showdown in the West Double Feature


A Man Called Django (1971): After Django’s wife is raped and killed by a group of ruthless renegades, Django (Anthony Steffen) rescues the only man who can identify the murders, a loud mouthed thief who is about to be hanged. The men team up and head west, looking for revenge!

Django and Sartana Showdown in the West (1970): A vicious gang of outlaws abduct Jessica Colby and flee to Mexico! Django (Franco Borelli) the bounty hunter and Sartana the gunslinger join forces to rescue her from the gang!

*Bonus features on this collection include all-new trailers and poster gallery


Django! Cut Price Corpses / Django Kills Silently Double Feature


Django Kills Silently (1967): A small caravan of colonists are fighting off an attack by a band of Mexican outlaws, when a young cowboy named Django (George Eastman) happens to come to their aid. After saving a young woman, Liana, they travel to Santa Anna to find the outlaws and avenge her husband’s death!

Django’s Cut Price Corpses (1971): Bounty hunter, Django (Jeff Cameron), is hot on the trail of infamous bank robbers, the Cortez Brothers. But he’s not alone. Fulton is sent by the bank to get the money back; Pickwick is after a saddle stolen from him; Pedro and Dolores, saloon owners, also would like to get the stolen loot!

*Bonus features on this collection includes a poster gallery


About Timeless Media Group
Timeless Media Group, a division of Shout! Factory, LLC, produces and distributes a variety of home entertainment products, including classic television programming, first run movies and its own award-winning military history documentaries, along with an extensive offering of special interest DVD and Blu-ray™ collections. Visit timelessvideo.com.


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