Produced by Belén Atienza,
Mitch Horwits, Jonathan King
Screenplay by Patrick Ness
Based on A Monster Calls by Patrick Ness
Directed by J. A. Bayona
Starring Sigourney Weaver, Felicity Jones,
Liam Neeson, Toby Kebbell, Lewis MacDougall

The story arc of the youth who must grow up too fast and loses a portion of their childhood is an old standard. And yet, in J.A. Bayona’s A Monster Calls there are at least a few twists and visual delights to make the predictable journey worth having.

The darkness and intimacy of the story is certainly worthy of the PG-13 rating, and well-adjusted pre-teens will find meaning in it just as much as the adults that go on their own.

The movie follows the journey of 12-year-old Conor as he struggles to come to terms with his true feelings about his mother’s terminal illness.

His turmoil awakens an ancient yew tree monster residing in the cemetery behind his home. It tells Conor that it will share three tales, and in return Conor will eventually tell his own truth.

From setting to costuming to general tone, this film is rather bleak. Never is a sky sunny or warm, only overcast and dreary. Every set is dressed deliberately and imparts the weight of watching a play rather than a movie. As much as this reflects the emotional state of our protagonist, one wishes that Bayona had included a few more scenes showing memories of happier times to remind the audience of what Conor has lost over the course of his mother’s sickness.

But perhaps this is not the choice of the director as much as having author Patrick Ness adapt his own book into the screenplay. For instance, there is a small storyline regarding Conor’s remarried father coming back to visit that could have easily been cut down more in the movie version with allusions rather than straight screen time.

This occurred in several more instances, where the set up for a scene or an emotion was heavy-handed and showed the touch of an author versus a practiced screenwriter.

The few scenes of color and movement are brought to us by the animation studio Headless (currently finishing the Guillermo del Toro Netflix series Trollhunters). Their 2D/3D storybook illustrations breathe life and beauty into the tales of the tree without fleshing them out enough to create distracting auxiliary characters.

Though the tree monster is a well-done character reminiscent of a mash-up between Groot and the trees from The Lord of the Rings for most of the movie, there are a few scenes where physical props were used. Bayona’s decision to build actual versions rather than lean on CGI for the scenes near the end enhanced those moments by making everything in the room truly real. Even amazingly rendered graphics can be a distraction during highly serious or emotional scenes, and though it was undoubtedly more expensive the experience paid off.

Outside of these forays into wonderment, the focus is very much on the real life that Conor cannot escape. At school he is plagued by bullies and at home his terse grandmother (Sigourney Weaver) rarely manages to be on the same page as him though both are struggling. In his first leading cinematic role, Lewis MacDougall carries the film with his anger and frustration at Conor’s inability to change his mother’s situation or deal with the overwhelming distress it is causing him.

Felicity Jones shows a quiet but fading strength as the mother while Sigourney Weaver is a bit one-sided playing the stern grandmother, but is given the opportunity to grow her range towards the end.

As the voice of the tree monster, Liam Neeson is a treat who adds depth and gravitas. He truly sounds as wise and old as the most ancestral trees in the forest would be if given the power of speech.

While not a choice for an uplifting night at the movies, A Monster Calls is nonetheless an appealing and deeply emotional film that leaves the audience thinking of loss, grief, and the complexities of coming to terms with unexpressed feelings as time grows short.

Produced by Stuart Cornfeld,
Dan Levine, Shawn Levy, Ben Stiller
Screenplay by John Hamburg, Ian Helfer
Story by Jonah Hill,
John Hamburg, Ian Helfer
Directed by John Hamburg
Starring James Franco, Bryan Cranston,
Zoey Deutch, Megan Mullally, Griffin Gluck,
Keegan-Michael Key, Cedric The Entertainer,
Casey Wilson, Andrew Rannells, Adam DeVine

Somewhere, there is someone saying “You know what the Oscar season really needs? A hearty helping of toilet humor and cringe-worthy awkward attempts at comedy.”

I hope they make it to this movie. It will answer their prayers.

While it would have been a stretch to have high cinematic expectations for Why Him? it would not have been unreasonable to believe that the 2 hours would be used in a cohesive way instead of on a string of hastily tied together gags.

The plot centers around Ned Fleming (Bryan Cranston), a mid-50s paper company owner who is struggling to keep his business afloat amid changing times. When his beloved daughter Stephanie (Zoey Deutch) asks for the family to fly out to LA for Christmas to meet her boyfriend Laird (James Franco), Ned is thrown for a loop at the foul-mouthed, eccentric tech whiz kid that his smart and kind little girl has fallen for.

As Laird attempts to make inroads with his girlfriend’s dad, Ned’s Christmas holiday turns into a battle to defend his way of life (or so he thinks).

It is not as if Why Him? is devoid of a couple (albeit hard won) laughs throughout the movie. Bryan Cranston is a great actor, and he originally found comedy fame playing the dad on Malcolm in the Middle. His ability to still bring out a giggle in predictable setups like “father gets accidentally caught in room that daughter is having sex in” is a testament to his acting chops. If there is one thing that saves this movie it is its on-the-money casting.

James Franco turns in a performance that is as equally off-putting as it is endearing as Laird. Given the result, the prep for this role might have been as simple as Franco internalizing Kanye West’s manic Twitter persona while intensifying a few of his own well-documented “quirks”. For example, during a morning walk with Ned, Laird is seemingly attacked by house manager Gustav (Keegan-Michael Key with creepy facial hair and an unplaceable accent) but he quickly explains that due to the combination of wealth and a disdain for security, it seemed completely reasonable to have Gustav sporadically attack him to train his reflexes and fighting abilities.

And why not? It is just one of the many reminders that his money makes him free to live the most ridiculous life possible in juxtaposition to Ned’s Michigan-bred nuclear family. From the chickens, llamas, and buffalo roaming his sleek compound (playing into a dining concept he calls “lawn to table”) to the 2018 model Japanese toilet that has no instruction manuals in English yet, Laird is the one-note embodiment of the wealthy tech millennial that is putting Ned’s printing company out of business.

This tension is of course completely one-sided in the typical “dad versus potential upstart son-in-law” trope that so many comedic male actors over 50 find themselves playing eventually. Megan Mullally also finds her wittiness and charm relegated to the “wife that urges husband to loosen up”, though she does manage to pull out some laughs during a failed post-holiday party seduction scene.

Poor Zoey Deutch gets the shortest stick as far as opportunities to shine. She exists completely as a prop for either Laird or Ned. But the entire movie is really just props and gags; a sketch that goes on a little too long until you are beaten over the head with the message of “change is ok, and so is moving forward”. A plot like this should wrap up in 90 minutes, max.

At nearly 2 hours long this movie drags out what could have been a kind of fun throwaway comedy. It is unfortunate that it’s well-deserved R-Rating keeps Why Him? out of the hands of the 13-16 year old age group that would surely flock to see this movie.

It’s the last week before Christmas, and Diamond Select Toys is delivering presents to comic shops across North America!

Four new items are hitting stores this week, including the newest Marvel Gallery PVC figure, the latest Star Trek Select action figure, and the next two Nightmare Before Christmas Vinimates vinyl figures!

Read on for details, then find a store at comicshoplocator.com and pick up that last-minute gift for the special geek on your list!

Marvel Gallery Hulk PVC Figure

A Diamond Select Toys release! The Marvel Gallery just raised the roof! Clocking in at approximately 11 inches tall, the Incredible Hulk is the biggest Marvel Gallery PVC figure so far! Based on his comic-book appearance, the Hulk flexes his muscles in a show of strength, with one foot on a heap of rubble, in a Sam Greenwell sculpt that features a high level of detail and exacting paint applications. It is in scale to all Gallery and Femme Fatales PVC figures, and comes packaged in a full-color window box. (Item #AUG162570, $45.00)

Nightmare Before Christmas Vinimates Vinyl Figures

A Diamond Select Toys release! Vinimates are the gifts that keep on giving! The Nightmare Before Christmas makes its grand entrance to the Vinimates vinyl figure format with four main characters – Jack, Sally, Oogie Boogie and the Mayor! Sculpted in the style of a Minimates mini-figure, each 4-inch PVC figure strikes a dynamic pose, and features a ball-jointed neck to further customize each pose. Each Vinimate is packaged in a full-color window box.

• Jack Skellington Vinimate (Item #JUN162371, SRP: $9.99)

• Sally Vinimate (Item #JUN162372 SRP: $9.99)

• Oogie Boogie Vinimate (Item #JUN162373, SRP: $9.99)

• Mayor Vinimate (Item #JUN162374, SRP: $9.99)

Star Trek Select Movie Khan 7” Action Figure

A Diamond Select Toys release! They say revenge is a dish best served cold, but revenge has never been this cool! Measuring approximately 7 inches tall, this action figure of Khan Noonien Singh, as he appeared in Star Trek II: The Wrath of Khan, comes with the command chair of the U.S.S. Reliant, as well as numerous interchangeable parts. With alternate legs, arms, hands and a head, you can have him seated or standing, shaking his fist or crossing his arms, shouting or savoring his victory. Just in time for the film’s 35th anniversary, this figure comes packaged in display-ready Select packaging, with spine artwork for easy shelf reference. Sculpted by Patrick Piggott! (Item #MAY162393, SRP: $24.99)

Find a comic shop at comicshoplocator.com!
International customers, check with your local shop to see what’s arriving!

For the first time in one collection, fans can relive every exciting element-bending moment from the worldwide phenomenon with The Legend of Korra: The Complete Series, available on DVD and Limited Edition Blu-ray December 13, 2016, just in time for the holidays!

With all four books of the fan-favorite series, this 8-disc collection contains every pivotal Korra moment. From meeting Avatar Korra-a teenage girl from the Southern Water Tribe-in Book One, to Korra embarking on a groundbreaking journey of self-discovery and restoring balance to the Earth Kingdom in Book Four, every Korra battle and adventure is now available in one place!

The Legend of Korra: The Complete Series contains all 52 episodes from this one-of-a-kind television series. That’s over 20 hours of air, earth, water and firebending fun!

And we’re giving away a copy on DVD!

To enter, please send an email with the subject header “KORRA” to geekcontest @ gmail dot com and answer the following:

Dante Basco who voiced General Iroh, Zuko’s grandson (and Zuko himself) is fondly remembered for this character in the movie, H<OOK?]

Please include your name and address (U.S. Residents only. You must be 18 years old).

Only one entry per person and a winner will be chosen at random.

Contest ends at 11:59 PM EST on January 8th, 2016.

A band new year brings a brand new bag of goodies to binge and a few old school favorites to watch while recouping from previous night’s festivities.

In January, Netflix auds are treated to a whole heap of goodies ranging from ‘80s classics (E.T., The Shining, Caddyshack), thrillers and crime capers galore (Ocean’s Twelve, V for Vendetta) and all the Superman movies you can shake a cape at.

Also in the new year, Netflix announced that they are going to preem a new comedy special once a week for the month of January. Jen Kirkman, Jim Gaffigan, Neal Brennan, Cristela Alonzo and Gad Elmaleh are all on deck ring in the new year with more chuckles and less bone-crushing sadness. (Sorry. 2016 really left a mark.)

JANUARY  1

Caddyshack (1980)

Bill Murray is at his Bill Murrayist in this ‘80s camp classic about fun and games and rodent destruction at a golf club.

Braveheart (1995)

Mel Gibson plays the 13th-century Scottish freedom fighter William Wallace in a movie that inspired every gym teach, drill sergeant and rando addressing a large crowd to do their bidding. Film single handedly caused the stock of blue face paint to triple almost overnight.

Boogie Nights (1997)

Paul Thomas Anderson’s epic tale of Dirk Diggler, the young busboy who becomes a sensation in the porn industry in this brilliant pic that perfectly encapsulates life in Los Angeles in the late ‘70s-early ‘80s. Star turns from everyone involved, including Mark Wahlberg, Julianne Moore, Heather Graham, Don Cheadle, Burt Reynolds and Philip Seymour Hoffman.

The Shining (1980)

Stanley Kubrick’s masterpiece of horror. A few fun facts you might not know:

• It took around 60 doors to film the “Here’s Johnny” scene
• Stephen King disliked the pic and called it “A fancy car without an engine.” In turn, Kubrick called King’s writing “weak.”
• In Spanish, the “All work and no play” line is swapped with “Although one will rise early, it won’t dawn sooner.”

V for Vendetta (2005)

The Wachowskis take on the Alan Moore comic centers on a revolutionary who looks to topple the fascist regime that is crushing society.

Once seen as a work of fiction, this can now be viewed as a how-to guide for events yet to come.

Vanilla Sky (2001)

Cameron Crowe’s slightly off-kilter sci-fi thriller starring Tom Cruise, Cameron Diaz and Penelope Cruz.

HALO Legend (2010)

Seven short anime films remind you that HALO isn’t that interesting.

Bee Movie (2007)

Seinfeld is a bee.  Not that there’s anything wrong with it…

Hugo (2011)

Scorsese’s love letter to Georges Méliès and the magic of film.

Justin Bieber: Never Say Never (2011)

Bieber’s love letter to Justin Bieber and the magic of autotune.

The Parent Trap (1961)

The eternal reminder that the only thing better than Hayley Mills is two Hayley Mills.

E.T. the Extra-Terrestrial (1982)

A boy and his alien with a generous dollop of Spielberg’s magic.

Ocean’s Twelve (2004)

Julia Roberts plays two roles, one of them being “Julia Roberts”.  She isn’t very good in that part.

Superman Returns (2006)

One of the worst movies ever made.

(Personal note: This is completely my opinion, and I understand that many people tolerate this film, but I stand by that statement.

If I ever have to deliver a 12-hour filibuster in a Texas courthouse to keep abortion legal and I need to fill the time somehow, I can easily do it with how much I hate this movie.)

Almost derailed the entire Superman franchise, but luckily, WB was able to save a little something special so they can really fuck it up a decade later.

Superman: The Movie (1978)

Everything a Superman movie should be, including perhaps one of the best casting decisions of all time: Christopher Reeves as Superman. The music, the cinematography, the acting and the script made the one of the best Superman film of all time, until…

Superman II (1980)

Supasses the original in story and drama, but will all the elements that made the first movie great. And ZOD! The best Zod ever! This is the greatest Superman movie ever made.

Superman III (1983)

Superman defeats Robert Vaughn and Richard Pryor. Not great, but better than Superman Returns.

Superman IV: The Quest for Peace (1987)

Superman defeats Lex Luthor and Nuclear Man. A horrible train wreck thanks to shoddy producers, Jon Cryer and no budget, but better than Superman Returns.

Around the World in 80 Days (2004)

Updated tellings of the Jules Verne classic tale, but with Jackie Chan and Steve Coogan.

Collateral Damage (2002)

Arnold Schwarzenegger goes vigilante on the terrorist who kills his wife and child in a bombing.

Dreamcatcher (2003)

Honestly, I have no idea what was going on in this Stephen King adaptation, and I’ve seen it twice. It’s not horror, it’s not really a thriller or a drama. It just sort of exists.

El Dorado (1967)

“A beat up band of misfits with nothing to lose but their lives.”

Howard Hawks’ classic western starring John Wayne, Robert Mitchum, “newcomer” James Caan and Ed Asner.

License to Drive (1988)

One of “The Two Coreys” films (‘80s comedies starring Corey Haim and Corey Feldman), pic centers on a teen who fails his driving test, but lies to his friends and steals his dad’s car for a crazy night out.

Nancy Drew (2007)

Before she played every bitch ever on primetime TV, Emma Roberts was the modern day version of the classic teen sleuth.

JANUARY 3

Degrassi: Next Class (Season 3, Netflix original series)

“Degrassi’s next generation of high-tech newbies and returning students navigates real-world high school drama. If you’re a teen, this is your life.”

Jen Kirkman: Just Keep Livin’? (Netflix original comedy special)

The sardonic comic and @Midnight regular get another Netflix special to make us all giggle.

It’s Always Sunny in Philadelphia (Season 11)

The gang from Paddy’s Pub return for more low-brown hijinks that includes Richard Grieco, Guillermo del Toro  as the mastermind of the milk-loving McPoyle clan and horrible, horrible Irish stereotypes. A true gem.

JANUARY 6

One Day at a Time (Season 1, Netflix original series)

“In a reimagining of the TV classic, a newly single Latina mother raises her teen daughter and tween son with the “help” of her old-school mom.”

Tarzan and Jane (Season 1, Netflix original series)

“Saved from a plane crash and given supernatural powers, teen Tarzan joins forces with brave city girl Jane to protect his jungle home from thugs.”

Coin Heist (Netflix original, 2017)

“When a crisis threatens to destroy their high school, four teens hatch a daring plan to raise $10 million. Step one? Breaking into the U.S. Mint.”

JANUARY 7

Alpha and Omega 7: The Big Fureeze (2016)

The seventh in the series of cheap Ice Age rip-offs whose key audience is confused or overworked parents who don’t pay attention to details.

Under the Shadow (2016)

Brilliant and original Iranian thriller about a mother who slowly loses her mind as she begins to believe that supernatural forces are at play during a missile strike on the city of Tehran.

JANUARY 9

Best and Most Beautiful Things (2016)

“…A celebration of outcasts everywhere, following a precocious young blind woman who disappears into quirky obsessions and isolation. With humor and bold curiosity, she chases love and freedom in a surprising, sex-positive community.” Click here for more info.

Ratchet and Clank (2016)

Toon based on the video game that went forgotten at in theaters.

JANUARY 10

Jim Gaffigan: Cinco (Netflix original comedy special)

The comedian’s fifth Netflix special.

We’re Lalaloopsy (Season 1, Netflix original kids series)

“The Lalaloopsy gang and their adorable pets know every day is a perfect day to celebrate the magic of friendship, creativity and collaboration.”

As I Open My Eyes (2015)

French-Tunisian drama about a student who rather sing than study.

Best Friends Whenever (Season 2)

It’s a Disney Channel comedy for tweens. Your kids love it.

Theo Who Lived (2016)

Docu on the American journalist who was help captive by Al Qaeda while working in Syria.

JANUARY 11

Disney’s Alice Through the Looking Glass (2016)

Yep. The Disney deal again.

In this sequel, Alice returns to Wonderland to battle Time in an effort to save the life of the Mad Hatter.

JANUARY 13

A Series of Unfortunate Events (Season 1, Netflix original series)

“The extraordinary Baudelaire orphans face trials, tribulations and the evil Count Olaf in their fateful quest to unlock long-held family secrets.”

Clinical (Netflix original film, 2017)

“A psychiatrist is plagued by flashbacks to a terrifying attack as she treats a new patient who was horribly disfigured in an accident.”

It Follows (2014)

On of the best horror pics from 2014, this time the vengeful spirit is passed along when teens awkwardly grope in the backseat of a 1989 Toyota Tercel.

Aquarius (2016)

The 60something resident of an old apartment building makes a stand against developers who wish to destroy her home.

JANUARY 14

Camp X-Ray (2014)

A young woman (Kristen Stewart) looking to better herself signs up for the military and is assigned to a Guantanamo Bay detention camp.

Cardboard Boxer (2016)

A homeless man is used as entertainment by the Rich Kids of Instagram, who hire the homeless to fight each other. Another reason to hate the upper class.

JANUARY 15

A Beautiful Now (2015)

“A beautiful dancer (Abigail Spencer) balances on the razor’s edge between reality and fantasy as she asks her friends to help her figure out the passions that have shaped who they are and who they will become.” – Official site

Pocoyo (Seasons 1-2)

A cartoon about a three year old. Good for kiddies and adults who like bright colors.

The Similars (2015)

People on a bus fall victim to supernatural circumstances.

Twisted Trunk, Big Fat Body (2013)

An attempted terrorist attack on a temple in Mumbai goes awry when a toy planted with a bomb is stolen by a child.

Wartime Portraits (Season 1)

Part toon, part live-action, this series offers a look at the forgotten heroes of wartime.

JANUARY 16

Flash of Genius (2008)

Biopic on inventor Robert Kearns, who took Ford Motor Company to court over the creation of the windshield wiper.

Halloweed (2016)

Stoner slasher film. Because apparently this is what America needs right now.

The Rezort (2015)

A high-end resort allows the rich to kill zombies for spot. What can go wrong?

JANUARY 17

Neal Brennan: 3 Mics (Netflix original comedy special)

From the official site: “Three microphones are spaced out on the stage and Brennan alternates between them; one for traditional stand-up, one for one-liners, and one for short confessional monologues.”

Fatima (2015)

Drama about an immigrant who writes letters to her French daughters in Arabic in an effort to communicate.

Ixcanul (aka Volcano) (2015)

Guatemalan coming-of-age drama about an indigenous teen who forced into an arranged marriage by her parents

Roger Corman’s Death Race 2050 (2016)

All your favorite straight-to-video players star in this action romp with tons of gore and chicks.

JANUARY 19

Friday Night Tykes (Season 3)

From the official site: “Greatness starts here. The night of tykes begins with a return to Texas and some of the most competitive youth football teams in the nation.”

Good Kids (2016)

The “good kids” from school graduate and decide they need to experience a little life before leaving for college.

JANUARY 20

Voltron: Legendary Defender (Season 2, Netflix original series for kids)

“In an all-new series, five unlikely heroes and their flying robot lions unite to form the megapowerful Voltron and defend the universe from evil. JOIN FREE FOR A MONTH”

Frontier (Season 1, Netflix original series)

“This adventure drama series follows the chaotic and violent struggle to control wealth and power in the fur trade of 18th-century North America.”

Papa (2016)

A Chinese comedy-of-errors about a talent manager who suddenly finds himself a family man after one of his acts flees the scene.

JANUARY 21

Bates Motel (Season 4, 2016)

Norman Bates and mother return for a fourth season of the Psycho prequel series.

JANUARY 24

Cristela Alonzo: Lower Classy (Netflix original comedy special)

The stand-up comedian takes a break from charming late night shows to host a Netflix special.

Gad Gone Wild (Netflix original comedy special)

Gad Elmaleh brings his unique brand of laffers to the States with his Netflix special.

Hieronymus Bosch: Touched by the Devil (2015)

A deep dive in the work of brilliant but super duper strange and often risque 15th-century painter Hieronymus Bosch.

Kill Command (2016)

It’s man vs. machine in another pic that looks to Terminator for guidance.

ARVE Error: id and provider shortcodes attributes are mandatory for old shortcodes. It is recommended to switch to new shortcodes that need only url

JANUARY 27

Home: Adventures with Tip & Oh (Season 2, Netflix original series for kids)

“A misfit alien named Oh moves in with Tip and her family, in a series that picks up the dynamic duo’s adventures where the hit film left off.”

Kazoops! (Season 2, Netflix original series for kids)

“Music meets imagination in this inventive animated series about thinking outside the box and having fun.”

iBoy (Netflix original film, 2017)

Teen merges with smartphone in this Netflix original.

JANUARY 28

Ripper Street (Season 4)

The Whitechapel drama set around the kills of Jack the Ripper returns for a fourth season with promises of more bodies and more dark alleys.

JANUARY 30

Antibirth (2016)

Natasha Lyonne, Chloë Sevigny and Meg Tilly star in this uber trippy little horror pic about a woman who becomes pregnant after a night of partying on a strange and disturbing drug.

Swing State (2016)

A DJ creates a fictional conservative personality who becomes an overnight sensation and “the voice of the people.”

JANUARY 31

Bill Burr Stand Up Special (Netflix original comedy special)

The podcaster treats fans to another Netflix special.

Sharknado: The 4th Awakens (2016)

I’m not going to lie. I’m going to watch this based on the clever name alone. I’m a sucker for good puns.

The Vestron Video Collector’s Series unleashes unspeakable horrors when The Gate arrives for the first time on limited-edition Blu-ray on February 28 from Lionsgate. When two suburban kids accidentally open a portal filled with pint-sized demons hell-bent on taking over the planet, it’s up to them to seal the gateway and save mankind! The Gate features all-new, never-before-seen featurettes and audio commentary. A must-have for all classic horror fans, The Gate limited-edition Vestron Video Collector’s Series Blu-ray will be available for the suggested retail price of $39.97.

When best friends Glen and Terry stumble across a mysterious crystalline rock in Glen’s backyard, they quickly dig up the newly sodden lawn searching for more precious stones. Instead, they unearth The Gate — an underground chamber of terrifying demonic evil. The teenagers soon understand what evil they’ve released as they are overcome with an assortment of horrific experiences. With fiendish followers invading suburbia, it’s now up to the kids to discover the secret that can lock The Gate forever . . . if it’s not too late.

SPECIAL FEATURES

• Audio Commentaries:

o   Director Tibor Takacs, Writer Michael Nankin, and Special Effects Designer & Supervisor Randall William Cook

o   Special Effects Designer & Supervisor Randall William Cook, Special Make-Up Effects Artist Craig Reardon, Special Effects Artist Frank Carere, and Matte Photographer Bill Taylor

• Isolated Score Selections and Audio Interview with Composers Michael Hoenig and J. Peter Robinson
• Featurettes:

o   “The Gate: Unlocked”

o   “Minion Maker”

o   “From Hell It Came”

o   “The Workman Speaks!”

o   “Made in Canada”

o   “From Hell: The Creatures & Demons of The Gate”

o   “The Gatekeepers”

o   “Making of The Gate”

• Teaser Trailer
• Theatrical Trailer
• TV Spot
• Storyboard Gallery
• Behind-the-Scenes Still Gallery

In its latest acquisition, Adult Swim kicks off the new year airing the stop-motion animated comedy series SuperMansion, distributed by Sony Pictures Television.

SuperMansion, created by Stoopid Buddy Stoodios, the team behind Adult Swim’s hit animated series Robot Chicken, will begin airing season one on Sunday, January 1^st at Midnight (ET, PT) on Adult Swim.

Titanium Rex (voiced by Bryan Cranston) is an aging super hero who has long been the head of the League of Freedom, a once-proud assembly of super heroes that isn’t what it used to be. The irascible Titanium Rex finds himself playing mentor to a new crop of Millennial-aged heroes who have little interest in their noble profession. Much to Titanium Rex’s chagrin, they’re all thrown together to live in the SuperMansion, where the young heroes learn how to harness their super powers and fight for justice, liberty… and the need to stay relevant to society.

The series stars Bryan Cranston, Zeb Wells and Keegan-Michael Key, with hilarious guest stars including Seth Green, Chris Pine, Nick Kroll, Ron Perlman, Jim Parsons, and more.

SuperMansion was created and executive produced by Matthew Senreich and Zeb Wells with Bryan Cranston, Seth Green, John Harvatine, Eric Towner and James Degus serving as executive producers.

Produced by Craig Evans
Written and Directed by Ryan Steven Green
Featuring Tony Cox, Martin Klebba,
Jimmy Briscoe, Kevin Thompson,
George Rossitto, Joe Gieb,
Scott Danberg, Joseph S. Griffo,
Lydia Green, Scott Green

“Such terms as dwarf, little person, LP, and person of short stature are all acceptable, but most people would rather be referred to by their name than by a label.”

— Little People of America FAQ

In regards to the above quote, I too would much rather be referred to by my name than as a label. And yet, as the decades have passed, I have often had to “get by” on the latter anyhow.

The hope is always that by continuing to go out there, proving yourself, and having others get to know you, you will eventually be accepted on your own terms.

You have probably seen many of the actors featured in the new documentary The Hollywood Shorties in any number of movies—but because they were often buried in costumes or used as one of a sea of extras, you might not have gotten to know them. Actors like Tony Cox, veteran of an impressive amount of films including Beetlejuice, Bad Santa, and Return of the Jedi. I’ve seen him everywhere in my many years of genre viewing, but I never got to know him.

Happily, through The Hollywood Shorties, I did get to know Tony—as well as his formidable free throw abilities!

The Shorties was a basketball team founded by and created for the little people working in Hollywood. When it started in the 1950s, the team was designed as a way for them to express and develop themselves athletically, and to build a sense of community. As they branched out doing charity events, The Shorties began to realize that people really enjoyed watching them play ball…and so their reputation and exhibition invitations grew.

But as the spotlight became brighter on The Shorties—hitting its peak in the 1980s—so did the question as to whether they were a “real” sports team, or merely “entertainment.” And to me this question is key, and the most fascinating part of this documentary.

Because a schism began to form in the team. One part believed that the comedy elements of their game-playing was necessary in order to “reach” a mass audience; that little people would not be accepted as athletes unless they tossed in some non-serious elements.

Other players, however—like Tony Cox—increasingly felt the need to continue to challenge their abilities and eventually be accepted as basketball players on their own merits and skill. To them, the comedic elements were becoming less and less appealing.

So eventually, the Shorties morphed into a serious basketball team—leaving, in some of the most emotional scenes of the documentary, some of the members behind. And of course, this evolution seemed to mirror what was going on professionally in Hollywood for actors and actresses of short stature, as these performers sought out better and more defined movie roles.

By the time you get to the most current indirect “off-shoot” of the Shorties team, the young players have become completely about the athletics and the competitive aspects of the game, with no traces of the “compromises” made in earlier decades in order to be accepted by a wider audience.

Which is not to cast any of the entertainment aspects of the original Shorties team in a negative light. I think everybody does what they can in the era they find themselves in. It is not a matter of “right” or “wrong,” and the Hollywood Shorties brought a lot of joy to a lot of people. Furthermore, little people—like any other group—are not part of some monolithic mind who are all of the same opinion about how they define themselves.

But by 2017, a Peter Dinklage is a Peter Dinklage—is an actor, is a “name.” He’s not defined as a label; as somebody who is a good actor for his “label.” He’s just an amazing actor, period.

That is the way it should be at this point. And yet, it is all a matter of the evolving perceptions of the masses. Groups like the Hollywood Shorties were the crucial bridges to that evolution, which is why I think watching this documentary is so important in gathering that perspective.

As presented by director Ryan Steven Green, The Hollywood Shorties is a fascinating exploration of an overlooked piece of motion picture and sports history—and one that touches upon ideas that many people, I think, can relate to.

The Hollywood Shorties is currently available on iTunes

HollywoodShorties.net

Welcome back to Graphic Breakdown!

Happy holidays to all out there!

Here’s some cool comics to read either before or after you unwrap your presents.

The Black Hood Season 2 #2   
Written by Duane Swierczynski
Illustrated by Greg Scott
Published by Dark Circle Comics

Man, it’s always a treat when an issue of The Black Hood comes down the pipeline. And today was no different. Swierczynski is one of the best current comic book writers we have and his work is always fantastic. The book has a plan to it, and it shows with every new story beat.

The storyline for “Season 2” is as follows: The Black Hood is no more. Sure, there are rumors that the former cop known as Greg Hettinger is still out there, blending in with the homeless population—and emerging only to stop a violent attack before vanishing again. But the ruthless assassin known as The Nobody considers the Black Hood a loose end, and he’s willing to slaughter dozens to flush him out.

How high must the body count rise before Greg steps forward to face an opponent he can’t possibly beat?

This is a brutal comic. But I can’t look away. It’s so raw and honest that you almost wince at times. The creative team does a great job on balancing it though. Scott’s art is perfectly suited for the story. I can’t wait to read it all together.

Want a book you can’t wait to read each month? Pick this one up. It’s fantastic and one of the best out there on a consistent basis.

RATING: A

The Punisher #7
Written by Becky Cloonan
Illustrated by Steve Dillon
Published by Marvel Comics

This issue makes me incredibly sad. It’s great, but the passing of artist Steve Dillon in October makes the whole thing tragic to me. I loved his work. He was at the top of his game still when he passed and this issue proves it.

The storyline “Into The Wild” starts with this issue!

You can’t keep Frank Castle buried for long. The Punisher’s mission to bring down a super-powered drug ring reaches new heights. As his quest sends him deep into the woods of the Northeast, it’s time for the Punisher to go off road. But as he gets deeper into the wilderness, has the predator finally become the prey? Plus, Agent Ortiz chased Frank into hell and came out the other side. Now she’s out for revenge…

scribe. Her stories really have a punch to them that the Punisher deserves. She worked very well with Dillon.

As for this series, enjoy Dillon’s art while we still can. Rest In Peace to one of the greats. He gave us years of incredible entertainment.

RATING: A

Cloonan turned out to be a great Dept. H #9   
Written and Illustrated by Matt Kindt
Published by Dark Horse Comics

The best thing to happen to comics in recent years is the invasion of Matt Kindt.

Kindt has always been great toiling on projects like Superspy and 3 Sisters. Then he started doing work for Dark Horse and some of the other mainstream publishers. And he’s great. He’s got a fresh perspective on something older. And we all have benefited from it.

His latest book doesn’t let up and is a thoughtful and thrilling comic book experience from start to finish.

Mia is trapped at the bottom of the ocean with her father’s murderer—and they must work together to repair the flooding Dept. H base. Aaron’s desperate attempt to reach the surface is their last chance at rescue, but six miles of water and the mysterious creatures that live deep in the ocean are just as dangerous as the rising water and the unknown killer inside the base.

The story and art meld perfectly. At this point, Kindt is an expert of the form. And he uses his expertise to put together some incredible work. I’m glad he’s here and that he keeps producing quality comic work.

RATING: A

Briggs Land #5 
Written by Brian Wood
Illustrated by Mack Chater
Published by Dark Horse Comics

Is Briggs Land the best new comic book series of the year?

It’s definitely in contention.

Wood has always been an incredibly storyteller. Here, he excels more than he ever has and the results are outstanding.

Grace Briggs looks for alliances where she can, both to stave off the out-of-state Aryan Nations moving into her territory and to maintain the integrity of Briggs Land in the face of legal troubles.

ATF agents Zigler and Nolan, who are conducting a terrorism investigation into her family, may be Grace’s best bet.

Mack Chater kills it on art. This is a beautiful book to look at. He’s also a gifted storyteller so when you  put he and Wood together the results are fantastic. I implore you all: Pick up this up this book. If you don’t, I promise you, you’ll soon wish you did.

RATING: A

A long time ago, in a galaxy far, far away…

We’re talking about the prequel to Episode IV, or the sequel to Episode III, depending on your generation’s affinity for the STAR WARS saga. Also, we discuss the trailers for THE MUMMY reboot, the BLADE RUNNER sequel, and the latest casting updates for the MARY POPPINS thingy.

We’re also on TWITTER at @ONTDpodcast
so please feel free to give us ideas for future episodes!

Be sure to rate us and subscribe to the podcast on iTunes

20th Century Fox has released the first trailer for Alien: Covenant!

Ridley Scott returns to the universe he created, with Alien: Covenant, a new chapter in his groundbreaking Alien franchise.

The crew of the colony ship Covenant discovers what they think is an uncharted paradise, but is actually a dark, dangerous world. When they uncover a threat beyond their imagination, they must attempt a harrowing escape.

Starring Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir, Carmen Ejogo, Amy Seimetz, Jussie Smollett, Callie Hernandez, Nathaniel Dean, Alexander England, and Benjamin Rigby, Alien: Covenant arrives in theaters May 19, 2017!

For more details visit AlienCovenant.com
Facebook • Twitter • Instagram
#AlienCovenant

An unconventional PhD dropout and his drifter best friend get tangled in a surreal web of murder and deceit in ROAD TO THE WELL, a dark, quirky thriller following in the footsteps of Blood Simple and Very Bad Things. From award-winning screenwriter and first-time filmmaker John Cvack, this festival favorite – an Official Selection at the San Diego International and Lone Star Film Festivals, and winner of “Best of Fest” at the Long Beach Indie International Film Festival — arrives on DVD ($19.99srp) and leading digital platforms including iTunes, Amazon, Google Play, Xbox and Sony PlayStation on December 20 from Candy Factory Films.

After dropping out of his doctoral Philosophy program, the unconventional Frank (Laurence Fuller) begins to fall into a mundane lifestyle, made complete with a menial office job. After catching his girlfriend with his boss, his old best friend, Jack (Micha Parker), arrives in town and hastily arranges a rendezvous with a strange and beautiful lady of the night for his down-in-the-dumps pal. However, during the steamy encounter, they’re viciously attacked, leaving the prostitute dead and Frank unconscious. After discovering his predicament, Jack convinces a drunk, panicked Frank to head up North, take a new job and, most importantly, bury the body. Thus, the duo embarks on a strange, dark and cerebral journey into the California Sierras, full of old friends, lost loves, eccentric in-laws, backwoods pimps, and a suspicious ex-Military Chaplain (Marshall R. Teague), all while seeking to discover who’s responsible for the murder.

And we’re giving away three copies!

To enter, please send an email with the subject header “ROAD TO THE WELL” to geekcontest @ gmail dot com and answer the following:

Road to The Well co-star Marshall R. Teague is fondly remembered playing
Jimmy Reno opposite Patrick Swayze in this 1989 cult classic?

Please include your name and address (U.S. Residents only. You must be 18 years old).

Only one entry per person and a winner will be chosen at random.

Contest ends at 11:59 PM EST on January 8th, 2016.

James Roberts, fresh off his run on the series, Transformers: More Than Meets The Eye, returns to the franchise with his latest series from IDW, Transformers: Lost Light.

Five years ago, Rodimus and a collection of traumatised, lovelorn and/or sarcastic Autobots set off on a quest to find Cyberutopia. So far, they’ve made a right hash of it. They’ve misplaced their map. They’ve lost their ship, the Lost Light, to a mutinous escapologist.

Oh, and they’re dead.

James took some time to discuss his career and the new series with FOG!

*  *  *  *  *

FOG!: Can you tell us a little bit about your background? What is your history with the Transformers before starting to write them?

James Roberts: My background’s pretty unglamorous: I worked for government before becoming a writer. And sadly, it wasn’t one of those covert, X-Files-y government jobs where I go round uncovering conspiracies and being a maverick. Or maybe it was and I can’t talk about.

Like every other child of the 70s/80s, I grew up with Transformers. I was a bit late to the game, though. It took the original Movie, a chance reading of a Transformers UK issue, and a couple of toys – Blitzwing and Hot Rod – to make me a fan. I can’t overstate the effect that the UK comic had on me – it’s responsible for my love of reading, of comics, of science fiction. Lead writer Simon Furman has a lot to answer for.

What can you tell us about Transformers: Lost Light?

On one level it’s a continuation of More Than Meets The Eye, one of two postwar Transformers comics (along with John Barber’s Robots In Disguise) that launched in 2012.

MTMTE is basically Jason and the Argonauts in space. A group of maladjusted Autobots and Decepticons led by the congenitally irresponsible Rodimus board a Brooklyn-sized spaceship, the Lost Light, and start quantum hopping across the galaxy in search of their ancestors, the mythical Knights of Cybertron.

They’ve been at it for five years now. Their progress has been frustrated by a series of misadventures involving spark-eating serial killers, transformation-borne viruses, parasites that feed on social status, memory carnivores, parallel universes created by unrequited love, and planets made of sitcom tropes. Midway through their quest they gained a new co-captain, Megatron – yes, that Megatron, who’s had the Transformers equivalent of a midlife crisis. He’s renounced violence and wants to make amends.

At the end of MTMTE, our heroes were victims of a mutiny and were stranded on a hollow planet used to make Cybertron. As if that wasn’t bad enough, the planet was targeted by anti-robotic peacekeepers, who detonated a bomb inside it. And that’s where the new Lost Light series picks up the ball and starts running.

Although it builds on what went before, it’s entirely possible to have not read MTMTE and jump on board with Lost Light. “A group of mismatched Autobots and Decepticons bicker while having increasingly bizarre adventures” is all you need to know.

I see by your work you plan for the long term. How long do you spend writing each issue? How much planning goes into it all?

MTMTE and Lost Light are meticulously plotted. There’s an overall ‘myth-arc’ that runs through both series; I know where everything is heading, and what the characters need to do along the way. But we also work in ‘seasons’, each running to about 25 issues, and they’re based on more self-contained, but still long-running, plots. And then within each season I try to tell as many one- and two-parters as I can, because it makes me work harder and tell better, tighter, and more varied stories.

I spend a lot of time writing each issue, but that’s not so much down to the mytharc- or season-related stuff; as I say, that’s already mapped out. No, each issues takes time because a lot happens, and there’s a lot of back-and-forth dialog, and a lot of characters, and I want everything to be perfect.

Do you have a favorite Transformer? Has that changed over time?

I think Prowl is up there. Prowl isn’t in Lost Light, though, so… Megatron? We had great fun in MTMTE ‘Season 2’ telling the story of his defection and its consequences. I’m fond of many of the core Lost Light cast: the Indiana Jones-esque adventurer, Anode; the impossible-to-remember psychiatrist Rung; the fun-phobic Ultra Magnus. I love them all.

What are the challenges when writing a licensed series?

Theoretically, writing a licensed series could be a creative straightjacket; you’d forever be running up against rules that dictate what you can and can’t do. I say ‘theoretically’, because that hasn’t been my experience with MTMTE or Lost Light at all. I can’t emphasise that enough. Hasbro has been incredibly supportive and accommodating, encouraging me to tell ambitious, envelope-pushing Transformers stories. I don’t feel restricted in any way.

How many issues make up the Lost Light storyline? What else do you have coming up?

If MTMTE and Lost Light tell the story of the quest to find the Knights of Cybertron, and that story was a TV series, we’d be halfway through by now. Seasons 1 and 2 played out over 57 issues of MTMTE, and Lost Light kickstarts Season 3 (at this point I’ll re-emphasise the fact that you can absolutely come in fresh, without having done any MTMTE homework).

The stories I want to tell take us to Lost Light #50. Whether we get there depends on all sorts of things, and whether we continue beyond issue 50 depends on all sorts of things too. We’ll see.

What are your guilty pleasures?

No pleasures should make you feel guilty. I suppose there are things I like that would make most people scratch their heads. I’m fascinated by the ephemera of my childhood – food packaging, comics, obscure toys etc – but I think most people who visit your site would get that. I don’t collect Transformers toys but I am a little obsessed with TF printed matter from the 80s: catalogs, fanzines, promotional art and the like.

Actually, yes, I do feel a little guilty about spending a lot of money on things like a German-language in-store promotional poster for Lumobots…

Transformers: Lost Light #1 is available now.

Brian Wood and Andrea Mutti’s historical comic Rebels is getting a second series in 2017. Brian Wood (Briggs Land, DMZ) scripts the series, Andrea Mutti (Rebels, Prometheus: Life and Death) showcases his illustrative prowess, and Lauren Affe (The Paybacks, Ghost Fleet) colors the art. Matthew Taylor (Arcadia, Wolf) creates the beautiful cover art for all eight issues.

The first series, Rebels: A Well-Regulated Militia, debuted in April 2015 and garnered a passionate fan base of history lovers and comics fans alike. Set in 1775, Rebels told the story of Seth Abbott, who joins the fight to win America’s independence. The new series, Rebels: These Free and Independent States, finds his son, John, coming of age as Congress authorizes America’s famous first navy, “the six frigates.” John Abbott signs up to defend his nation from multiple threats: high seas terrorism, a hostile relationship with Britain, and intense political division between Americans.

Rebels: These Free and Independent States cocreator and writer Brian Wood explains the political and cultural importance of this series in modern times: “This era of American history is always important, but since the first season of Rebels debuted, it’s reached a sort of fever pitch of relevance—in entertainment, in politics, and in real life. Our first season dealt with the War for Independence, homegrown militias, and veterans’ rights. This second series has the run-up to the War of 1812 as its focus, along with a young America struggling to find its identity and deal with partisan divide in its population.”

Rebels: These Free and Independent States #1 goes on sale March 22, 2017.

Space Goat Productions, in partnership with Studiocanal and Creative Licensing, has announced they will be producing a 4-issue comic book miniseries and board game based on the 1981 Joe Dante classic horror film, “The Howling.”

The comic book series will be written by two-time New York Times best-selling author & former Blizzard Entertainment lead writer Micky Neilson. “I can’t even tell you how excited I am to write The Howling comic book! I saw the movie when I was seventeen. It opened an entirely new window into werewolf mythology and left a lifelong impression that influences me to this day,” said Micky Neilson. “If I could choose any license to work on, The Howling is right there at the top of the list. It still stands as my favorite all-time werewolf film. I’ve been obsessed with werewolves ever since the first time I saw it.”

“Micky’s enthusiasm is contagious,” said Space Goat’s Founder and President Shon Bury. “There is a complete dearth of quality werewolf stories on the market. Exploring the lore of ‘The Howling’ with a writer of Micky’s caliber is going to be a joy ride. Werewolf fans are going to love it.”

Line art for the comic book series will be provided by industry veteran Jason Johnson, who has worked on fan-favorite books like Wetworks, Gen13, and Knight Rider. “I have always had a major fascination with werewolves!” said Jason Johnson. “They were by far the most fearsome of monsters. I will bring this story to life like only a true werewolf connoisseur can. I am also pleased to work with the Shon and the amazing team at Space Goat. They are building something truly special.”

The 4-issue comic book mini-series The Howling: Revenge of the Werewolf Queen is scheduled to be released in Summer 2017, and will take place directly after the events of the first film. The release date of the board game will be announced at a later date.

Based in the incredible true story of one man’s faith, strength and courage during one of the bloodiest battles of WWII, the Golden Globe-nominated Hacksaw Ridge arrives on Digital HD on February 7 and on 4K Ultra HD Combo Pack (plus Blu-ray and Digital HD), Blu-ray Combo Pack (plus DVD and Digital HD), DVD and On Demand February 21 from Summit Entertainment, a LIONSGATE Company.

From Academy Award-winning director Mel Gibson (Best Picture, Braveheart, 1995), with  screenplay by Robert Schenkkan (The Quiet American) and Andrew Knight (The Water Diviner), Hacksaw Ridge features breathtaking visual effects and stunning production design and has been nominated for three Golden Globes: Best Picture – Drama, Best Director – Motion Picture, and Best Actor – Motion Picture for Andrew Garfield. Garfield (The Amazing Spider-man) gives a moving performance as American hero Desmond Doss, alongside an all-star cast, including Sam Worthington (Avatar), Luke Bracey (Point Break), Teresa Palmer (Warm Bodies), Hugo Weaving (The Lord of the Rings franchise), Rachel Griffiths (Saving Mr. Banks), and Vince Vaughn (HBO’s “True Detective”).

Hacksaw Ridge is the extraordinary true story of Desmond Doss (Andrew Garfield) who, in Okinawa during the bloodiest battle of WWII, saved 75 men without firing or carrying a gun. He was the only American soldier in WWII to fight on the front lines without a weapon, as he believed that while the war was justified, killing was nevertheless wrong. As an army medic, he single-handedly evacuated the wounded from behind enemy lines, braved fire while tending to soldiers, was wounded by a grenade, and hit by snipers. Doss was the first conscientious objector to ever earn the Congressional Medal of Honor.

The 4K Ultra HD, Blu-ray and Digital HD releases feature an in-depth, behind-the-scenes look at the film in “The Soul of War: Making Hacksaw Ridge,” a comprehensive documentary detailing the making of the film, including the real-life people and story, casting, filming, special effects and stunts with interviews from Mel Gibson, Andrew Garfield and others. In addition, the release will contain deleted scenes and a special Veterans Day Greeting from Mel Gibson. The DVD will feature deleted scenes and the special Veterans Day Greeting. The 4K Ultra HD and Blu-ray discs of Hacksaw Ridge will feature Dolby Atmos audio remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. Hacksaw Ridge will be available on 4K Ultra HD Combo Pack, Blu-ray Combo Pack and DVD for the suggested retail price of $42.99, $39.99 and $29.95, respectively.

4K/BLU-RAY/ DIGITAL HD SPECIAL FEATURES

• “The Soul of War: Making Hacksaw Ridge” Documentary
• Veterans Day Greeting with Mel Gibson
• Deleted Scenes

DVD SPECIAL FEATURES

• Deleted Scenes
• Veterans Day Greeting with Mel Gibson

For more details visit Facebook.com/HacksawRidge

When 13-year-old Jake’s (Theo Taplitz) grandfather dies, his family moves from Manhattan back into his father’s Brooklyn home. There, Jake befriends the charismatic Tony (Michael Barbieri), whose single, Chilean mother Leonor (Paulina Garcia) runs the dress shop downstairs. When Jake’s parents Brian (Greg Kinnear) and Kathy (Jennifer Ehle) ask Leonor to pay a higher rent — and a feud ignites between the adults — the boys take an oath of silence against their parents in protest. Directed by Ira Sachs (Love is Strange, Keep the Lights On, Forty Shades of Blue) with his trademark humanism and insight, LITTLE MEN is the story of a life defining friendship amid family turmoil, and one of the best-reviewed American films in years.

And we’re giving away five copies!

To enter, please send an email with the subject header “LITTLE MEN” to geekcontest @ gmail dot com and answer the following:

Little Men star Greg Kinnear was nominated for an Academy Award
as Best Supporting Actor for this 1998 film?

Please include your name and address (U.S. Residents only. You must be 18 years old).

Only one entry per person and a winner will be chosen at random.

Contest ends at 11:59 PM EST on January 8th, 2016.

Paterson (Adam Driver) is a bus driver in the city of Paterson, New Jersey—they share the name. Every day, Paterson adheres to a simple routine: he drives his daily route, observing the city as it drifts across his windshield and overhearing fragments of conversation swirling around him; he writes poetry into a notebook; he walks his dog; he stops in a bar and drinks exactly one beer; he goes home to his wife, Laura (Golshifteh Farahani).

By contrast, Laura’s world is ever changing. New dreams come to her almost daily, each a different and inspired project. Paterson loves Laura and she loves him. He supports her newfound ambitions; she champions his gift for poetry.

The film quietly observes the triumphs and defeats of daily life, along with the poetry evident in its smallest details.

For your chance to win passes to the advance screening on Wednesday, January 4 at Kendall Square Cinema, 7:00PM, email PatersonBoston@gmail.com with the subject heading “FOG! Screening”.

Titan Comics are excited to announce that New York Times best-selling writer Brian Wood (DMZ, Briggs Land, Northlanders) will helm the brand-new Robotech comic series from Titan Comics, set to launch in 2017 – based on the legendary 80s animation by Harmony Gold.

First airing in the USA in 1985, Robotech was the gateway to anime for many fans – capturing their imagination with its epic generational storyline involving war, romance, and, of course, the transforming Veritech fighters that defend the Earth against extra-terrestrial attacks.

Produced by Harmony Gold USA, the original 85-episode series delved into humanity’s struggle against a series of alien invasions, from the gigantic Zentraedi to the mysterious Invid, battling for control of advanced alien technology that crash-landed on Earth.

Now, return to the Robotech Saga with Titan Comics and Brian Wood for all-new adventures!

“We are excited to have the opportunity to work with Brian to expand the Robotech universe.” said Robotech’s Tommy Yune, “His bold approach to storytelling is thoughtful and will be full of surprises for fans.”

With annual global meet-ups and conventions, a fast-growing social media following, as well an avid collector market for toys and merchandise, Robotech fans are passionate supporters of this amazing cult franchise – and a spectacular live-action movie adaption by director James Wan (Aquaman, Furious 7) is currently in development at Sony.

Look for further details on the creative team very shortly.

To keep up to date with news about Titan’s Robotech comics,
follow Titan Comics on Facebook, Twitter or Tumblr.