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BLAIR WITCH Director Will Show Bigfoot EXISTS

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Eduardo Sanchez made a name for himself directing The Blair Witch Project, and now he will try agian with the story of Exists.

In a press release from co-producers Haxan Films and Amber Entertainment, it was announced that production on the project will start next week on April 9th. This time people are being stalked and hunted by bigfoot instead of the other way around.


In this found footage horror-thriller the setting is the woods of Texas as a group of friends set off for some fun in the summer. Bigfoot has other plans for them though and shortly after arriving, people start dying. Jamie Nash wrote the screenplay for the film.

Brian Steele will be wearing the Bigfoot suit and a relatively unknown cast will have the other roles. Right now those cast are Dora Madison Burge, Samuel Davis, Roger Edwards, Chris Osborn and Denise Williamson



JOSEPH GORDON-LEVITT Leaves DJANGO UNCHAINED

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Joseph Gordon-Levitt will not be in Quentin Tarantino's Django Unchained.

Gordon-Levitt talked to MTV News about the decision saying that while he would have loved to have done it, the timing just didn't work out for him to have a role in the spaghetti Western.

In the film about title character Django, a slave in the south. He is freed by a German bounty hunter who takes him under his wing to help him return to the city to free his wife.

While JGL would have added a little more star power to the project, the film already has plenty with big names like Leonardo DiCaprio, Jamie Foxx, Christoph Waltz and Samuel L. Jackson. Not to mention Sacha Baron Cohen, Kerry Washington, and Kurt Russell.


AVATAR 2 Won't Be Hitting Theater For A While

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After the immediate success of Avatar, a sequel was already in the works, but now it looks like the anticipated sequel won't be coming anytime soon.

According to The Hollywood Reporter, producer Jon Landau talked about the project saying that 2015 would likely be the new year for release. Earlier it was thought that Avatar 2 would be release in December 2014 with a third film coming out in 2015.


Talking to Empire Magazine, Landau said "We're not naming dates, but I think 2014 will be a tough date for us to make.” James Cameron recently did a dive to the bottom of the Mariana Trench and has also been working on the 3D conversion of the Titanic. While those are just two possible reasons for the delay, Landau also noted, “It's about getting it right … movies make release dates; release dates don't make movies."

The sequel to the high budget 3D film will start where the first one ended and will end rather than starting the story for the next film in what has turned into a franchise. Weta Digital is already starting work on the project with Cameron's production company.

The first new equipment they are developing is an underwater motion capture system that Cameron wants to show the oceans of Pandora. The ocean is just a setting though, and will not be where the entirety of the film takes place. Think of it like the Floating Mountains in the first one. Only one part of a very large planet.

The second and third films of Avatar will be shot back to back, but have not received any solid dates for release. Landau made it clear that they are two individual stand-alone films, saying "That's where movies fall into trouble – when they try to say: 'You know what? It's really one movie and there's an intermission' – so we want each one to be a stand-alone movie."


Check Out The Trailer For OLIVER STONE'S SAVAGES

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Director Oliver Stone is going in a slightly different direction with his latest project Savages. Just watch the trailer to see what I mean

Aaron Johnson and Taylor Kitsch star as drug dealers in Laguna Beach. After refusing to join a Mexican cartel, their shared girlfriend (Blake Lively) is kidnapped by Salma Hayek's boss character Elena. John Travolta plays a Federal agent that has been protecting the two in some sort of deal that was made.



PLASTIC FANTASTIC: THIS MUST BE THE PLACE

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History's first and only weekly stop-motion animated film review podcast. Now with extra violence!

Every Friday, FOG! will present the biggest movies reviewed, Lego style!


Following a hasty review of indie flick This Must Be The Place, Plastic Filmtastic lays a trap for the most evil filmmaker of our time.



Go To HIGH SCHOOL With This New Trailer

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High School, good times, right? Relive the good old days, or if you're a younger reader on the site, get ready. Spoiler alert: High School is nothing like this movie.

In High School, the man has imposed drug tests that can get you expelled if you fail. This is a problem for our leading man, a smart student whose first time toking up was just days before the random tests started. In order to pass, he comes up with a plan to drug everyone else in the school so that his results look normal. John Stalberg directed the film which stars Adrien Brody, Michael Chiklis, Colin Hanks, and Matt Bush.

High School opens april 20th 2012.




EASTER FUN WITH THE CANDY BUNNY!

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I don't get the whole "Picture with the Easter Bunny" thing but hey, what ever gets you through this thing called life right? I mean if you feel comfortable sitting on the lap of a furry who's covered in his own Cadbury cream then go right ahead, I'm not going to stop you, but do we have to commemorate your fetish in picture form that the rest of us have to look at?

 Beside the creep factor, there's not one Easter Bunny costume that even comes close to looking like a real bunny and while that alone should raise the eyebrow of a four-year-old, perhaps you should take a look at the following Easter pictures so that you can understand why no one wants to receive one of these 5x7 glossies that you like to consider as a present.

Next time, just give us a gift card and skip the horror show that is "Picture with the Easter Bunny".

Thanks.

 (pics after the break)

 


The Comedy World of Wheeler and Woolsey

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When naming the great screen comedians of the Golden Age of Hollywood, two names that are all too frequently absent are those of Bert Wheeler and Robert Woolsey.

While others, such as W.C. Fields, The Marx Bros., and Laurel & Hardy have achieved near-mythical status, there are a number of other comedians whose work was immensely popular in their own time but isn’t as immediately recalled today by the more casual movie buffs. Comics like Joe E. Brown, Eddie Cantor and Will Rogers were box-office champs during the ‘30s, though their individual films are not always as widely known today.

Wheeler and Woolsey entered films in 1929, and over the following eight years would star in a number of really wild and often risqué comedies, most of them produced at their home base of RKO Radio Pictures.

Their musical comedy background made them a natural for the new medium of sound film, just like the Marx Bros., and they produced some really funny work that holds up surprisingly well for new audiences.

The definitive study of the team’s work is Wheeler and Woolsey: The Vaudeville Comic Duo and Their Films (McFarland, 1994), by film historian Edward Watz. Watz’ book traces their careers both in vaudeville and motion pictures, exploring their individual films with the serious scholarly attention they deserve. This book is an absolute must for anyone interested in their films.

What I’ve always enjoyed about Wheeler and Woolsey’s comedy is their collection of great routines, often involving complex wordplay and puns. Bert Wheeler was the “clown” of the team, and Robert Woolsey the “straight” man. Much like Abbott and Costello a decade later, much of their interaction was based on Woolsey trying to “put one over” on his seemingly dim-witted companion.


The two had a wild success with the film RIO RITA, produced by RKO in 1929. Their background in musical comedy was a perfect match for the new medium of talking film, since they were used to working within a full-length plot with dialog, and found themselves very much at home in the feature-length format of films like RIO RITA.

A lavish affair, the film contained memorable comic routines and music numbers, and was followed up in short order with the musical comedies DIXIANA, THE CUCKOOS, the service comedy HALF SHOT AT SUNRISE, and a minor but fun little comedy, HOOK LIKE AND SINKER (all of them made in 1930). Many of their films featured frequent co-star Dorothy Lee, who added a delightful presence to the comic proceedings.


Popular consensus seems to agree that their best film is probably DIPLOMANIACS (1933), a delirious political satire in which no one is safe from kidding. Directed by William A. Seiter (who also helmed one of Laurel and Hardy’s best films, SONS OF THE DESERT, the same year), the film has a strong fan base and, in fact, is considered in some quarters to be superior to the Marx Bros.’ political comedy released the same year, DUCK SOUP.

In fact, the early 30s seemed to be a ripe period for political comedy; in addition to Wheeler and Woolsey’s own CRACKED NUTS (1931), Paramount released MILLION DOLLAR LEGS in 1932, with W.C. Fields, Jack Oakie, and many veterans of screen comedy, which focused around the mythical country of Klopstokia and their efforts to win the 1932 Olympic games in Los Angeles.



While DUCK SOUP is frequently regarded by fans and critics alike as a comic masterpiece, DIPLOMANIACS offers its own trove of comic treasures. In some ways, the actual political content is a bit more pointed (for example, its plot device of Wheeler and Woolsey being asked to go to the Geneva convention to represent a tribe of American Indians, who are not allowed to represent themselves), and it offers lots of surprises for modern viewers with its risqué, pre-code humor (such as the sexy female spy who arrives wrapped in cellophane!)


The pair also appeared in two early films directed by the celebrated filmmaker George Stevens, KENTUCKY KERNELS (1934) and THE NITWITS (1935). Stevens, at the beginning of his directorial career, seemed to work quite well with the team, as both of these films hold up as two of their best.





Robert Woolsey’s untimely death in 1938 (from kidney disease) sadly brought about the end of the team, though Bert Wheeler would continue performing on his own for the rest of his life, mostly on television. Throughout their extremely prolific film career, they turned out many comedies – some obviously stronger than others – and delivered consistent laughs to their fans.

To classic comedy buffs, Wheeler and Woolsey have a secure place as one of the great comedy teams of their time. To casual buffs, less familiar or perhaps completely unaware of their work, the comedies of Wheeler and Woolsey are well worth seeking out. Thankfully, they pop up with some frequency on Turner Classic Movies, which has allowed new generations to discover their delightful comic talent.




DRUNK HISTORY Jumps From Web-Series To TV Series

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Drunk History, the web-series over at Funny or Die will soon be coming to Comedy Central.

Deadline reports that the network has made a pilot presentation order for Drunk History Across America. Will Ferrell and Adam McKay will be producing the project with Chris Henchy overseeing for Gary Sanchez Productions. Creator Derek Waters will be executive producing  along with director Jeremy Konner and Owen Burke.


Konner will be directing the pilot presentation which will follow the same format at the web-series. Drunk narrators will tell the stories of America's history as well known actors star in reenactments. Along with the classic narrations there will also be interviews with city locals who will have their own stories, both about the city and personal,  re-enacted.

Just a few of the big names, along with Ferrell, that have starred in the original web project are Jim Carrey, Ryan Gosling, Jack Black, Don Cheadle, Michael Cera, Zooey Deschanel, John C. Reilly, Crispin Glover, Jason Ritter and Danny McBride.

The latest episode in the series is number six, which you can watch right here.




WTF FRIDAY: Zombie Ass: Toilet of the Dead

PHOO ACTION Revisited

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The last few years have seen British genre television make a hell of a return.

The BBC’s rejig of Doctor Who saw the show return bigger and better than before, crossing over from the cult success of the original to mainstream success.

Subsequent genre shows like Life on Mars, Ashes to Ashes, Sherlock and Being Human have continued with that success.

But for every winner, there’s a loser, a show that never got past the pilot of a handful of episodes.

One show that didn’t get the opportunity to develop past it's pilot was the wild and wacky Phoo Action, based upon Tank Girl & Gorillaz artist Jamie Hewlett’s comic strip Get the Freebies. The pilot premiered at the same time as Being Human’s original pilot, and featured a high kicking kung fu hero clad in a yellow and black tracksuit, a teenage anarchist named ‘Whitey Action’, Apollo Creed himself Carl Weathers, the Royal Family, basketball headed bad guys, a seven foot tall purple gorilla, masked Mexican wrestlers, Hong Kong legend Richard Ng and did we mention the ‘Buddhist pants of destiny’?

Forces of Geek’s Man from Hong Kong Big Mike Leeder takes a look back at the pilot and what could have/should have been.


Set in the not too distant future, 2012 in fact! The world has changed but not for the better, London is being ravaged by a terrible crime wave, with mutant criminals running amok, disturbing society and unhinging the establishment. What the world needs is a shiny hero, who will come down and save the day….



What they got was Terry Phoo (Eddie Shin) a Buddhist Kung Fu Cop from Hong Kong sent to the UK, who forms an unlikely alliance with Whitey Jackson (Jaime Winstone), an unruly teenage an anarchist who just happens to be the daughter of Police Chief Benjamin Denison (Carl Weathers).

Together they form an unlikely but surprisingly effective crime fighting team who bring together comedy, mischief, martial arts and mayhem to become the heroes of a new generation.

Ladies & Gentlemen, Boys & girls, this is PHOO ACTION!


The high concept high octane drama was developed as part of a series of 6 backdoor pilots in 2007 which included Being Human, the story of a ghost, a vampire and a werewolf who end up sharing a house.

Now while Being Human was a rating success, and spawned a subsequent series albeit with a few changes to the original concept, Phoo Action which got plenty of attention during development never got to stretch past its original pilot.

The show was adapted from Jamie Hewlett’s Get the Freebies strip which originally graced the pages of UK magazine The Face, and sadly much like the live action adaptation of Tank Girl, the show never quite got all the elements together in exactly the right way.


There’s tons of great ideas, and some fantastic casting, production design and despite a writing team that included Matt Wakeham, Peter Martin & Jessica Hines (formerly Stevenson co-creator of Spaced along with Simon Pegg), who obviously were trying to create a show influenced by everything from Hong Kong movies, the original Batman TV series from the 1960’s, Spike Jonze music videos and much more, it just doesn’t come together as well as it should.


The pilot was directed by Euros Lynn who has helmed many of the best episodes of the revamped Doctor Who including the award winning Girl in the Fireplace episode and The End of Time, and was produced by Matthew Read. Fight choreography for the pilot was handled by former Teenage Mutant Ninja Turtle David Foreman, whose credits include everything from Greystoke, The Last Samurai, Batman Begins and The Mummy: Tomb of the Dragon Emperor where I got to work with him.

Heading up the cast is Korean American actor Eddie Shin who has appeared in everything from Men of a Certain Age, Castle, Terminator: the Sarah Conner Chronicles and much more.

Shin plays the yellow and black track suited (shades of Game of Death) Buddhist martial arts sweetheart Terry Phoo, seconded to the UK from Hong Kong’s quasi mythical mutant busting JKD special task force.

Shin described his character as “Part Bruce Lee, part Jackie Chan, part Edward Scissorhands and part Inspector Clouseau!”

Shin prepared for the movie by training with Jeet Kune Do specialist Tommy Caruthers and Dave Foreman and his team, and was artfully doubled at certain times by British Chinese stuntman Liang yang (Underground/12, The Bodyguard: A New Beginning). “I had no idea what to expect with the Kung Fu & fighting’, admits Shin. ‘I had visions of being asked to do back flips off a rooftop and me blinking through tears, shaking uncontrollably all the while. Thankfully in the end it all worked out fine!’

The yin to Eddie’s yang is Whitey Action, the stepdaughter of Police Chief Benson the living personification of a generation of teenage clubbers; she’s deathly pale, bored to tears and has a bad ass booty to boot!

Jamie Winstone, daughter of the great Ray Winstone plays Whitey.

Winstone whose credits include everything from the controversial Kid Adulthood, Donkey Punch and the "Big Brother with Zombies" thriller Dead Set, described her character as ‘a rebel in search of a cause!’

The unlikely duo form a superhero match made in heaven, Terry may have the spiritual powers and martial arts background, but Whitey's the kick-ass chosen one with powers that nobody understands, and the ability to wear and control the fabled Buddhist pants of destiny!

What more could you want?

A Jackie Chan obsessed spiritual fighter teaming up with a confused and very angry teenage anarchist running around in powerful hot pants, and if in 2012 there really are little men with basketball heads and huge purple gorilla’s showing off their dance moves, I do feel confident that the world would be a safer place if these two were trying to save the day.

Ms Winstone’s final words on the show, ‘Working on Phoo was really trippy, you’re going to work and there are men running around with basketballs for a head, and seven foot tall purple gorilla’s swinging punches at you…strangely enough you kind of get used to it!’


Rounding out the cast are Whitey’s best friend, Lady Eleanor Rigby played by Tallulah Riley from the Saint Trinian’s movie, and the one and only Carl Weathers aka Apollo Creed and Action Jackson himself! Weathers seems to be enjoying himself as the long suffering Police Chief, who must not only deal with a mutant crime wave, the arrival of Terry Phoo but also his step-daughter’s ongoing teenage rebellion. While Hong Kong legend Richard Ng of My Lucky Stars & Pom Pom fame, makes the most of his cameo as the spiritual and martial arts mentor to Phoo on his quest.


It all sounds so good on paper, but watching the pilot again, while there’s so much promise and potential, it’s just not as fun or as exciting as it should be. The is incredible production design, some great performances, some nice action beats, and Lynn’s direction gets the best out of both Shin & Winstone that hints at just what could have been if the show had gone to full series.

The pilot was listed at Number 13 in John Patterson of The Guardian’s ’50 Must See Shows’, as shooting began and then upon transmission got a very mixed response from the critics with people either loving or hating it.

The Daily Telegraph's Michael Deacon hated it, writing - "BBC3 has had a revamp. Judging by Phoo Action, though, the channel remains unwavering in its commitment to diabolical television."  Whereas The Times' Andrew Billen loved it " indecent degree". Writing in The Independent newspaper on Sunday, 17 February 2008 Hermione Eyre stated the opinion that 'BBC3 struck gold with Phoo Action, a cult comedy in the making'.


 While ratings weren’t as impressive as hoped, with Being Human seeming to get the most positive response from both the critics and viewers, 6 episode seasons were ordered for both Being Human and Phoo Action but in fall 2008 just as production was about to begin on the Phoo Action series, the plug was pulled. This was in marked contrast to the BBC's statement released 14 February 2008, which read "We really believe in the originality and boldness of Phoo Action,"... "It's fantastic news that the work of Jamie Hewlett and the rest of the crew will be back on the channel.’

The cost of cancelling the show is reported to have cost the BBC close to 500,000 pounds in contract payments and cancellation fees. Of course when Being Human returned to the screen, it had undergone several changes from the original pilot and has of course gone on to become one of the best received series in recent years, with the 4th season of the BBC version having just ended and the American remake currently in the middle of its 2nd season.

Was Phoo Action perfect?


Certainly not, but there was so much potential with the series that a few changes a la the readjustments made to Being Human between it's pilot and subsequent series that could have seen the show really breaking new ground as the new cult show.

Hopefully in some other dimension, viewers are able to watch the continuing adventures of Phoo Action, along with further seasons of The Middleman and other shows that never found their audience while on the airwaves.


Hulk Smash In New Minute Long AVENGERS TV Spot

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Watch the Hulk do his thing, along with all the other Avengers in this latest clip from the film. The spot debuted as part of the Avengers Alliance Facebook game and is now readily available for everyone to watch.

The Avengers will assemble in 3D, 2D, and IMAX 3D on May 4th.


A TUNE TO GET YOU THROUGH PASSOVER

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As per tradition, tonight I will be eating a lot of matzah because the rest of the food that will be served at Mamsie's will be indigestible (brother and sisters you know what I'm talking about).

And, because I will be starving, I will accidentally digest those horrible chocolate jelly rings that look like they will taste good but never are.


Crap. Another weekend with gastrointestinal issues.

Happy Passover fellow Jews.


Smallville: Random, Awesome and WTF?! - S4E17: Onyx

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Another day, another mishap at a LuthorCorp facility, as this time some work with black Kryptonite splits Lex into two separate Lexes.

The alternate title to this episode was “Clark’s Happiest Day, Ever.”


The Random:
1. Boy, did Smallville miss an opportunity to add Megadeth’s Sweating Bullets to the soundtrack of this one. Hello me, meet the real me.

2. The biggest ramification of EviLex’s rampage isn’t going to be Lana whining, it’s going to be snapping Lionel out of his philanthropic haze.

3. Clark sure is lucky that every time Lex figures out his secret he gets mindwiped and forgets. Actually, Lex is the lucky one because most of the other ones who find out get dead.

Don’t worry, Clark, Chloe’s knocked out and EviLex will
forget all about this soon. Super away!



The Awesome:
1. Lex’s dual role as his good and evil halves is handled with all the flair you’d expect from a Luthor, and the nod to the Man in the Iron Mask is a stroke of brilliance.

2. We haven’t gotten a good old fashioned fencing duel between Lex and Lionel in a while and it reinforces my belief that Ana and I should resolve our differences like this growing up. Oh, you want to borrow the car? Grab a foil, we’ll see about that.

3. EviLex is every bit the villain Clark needs, and knowing that he exists somewhere within Lex is a total game changer for the show going forward. Kryptonite ring, shooting Papa Kent, that’s all nothing compared to the line of the series: “I am the villain of the story.”

Yes. Yes, indeed.

The WTF?!:
1. Look, we all know people die in hospitals all the time, but seriously, if people go into Smallville General with so much as a paper cut there’s a pretty reasonable chance they’re getting killed by someone wanting to stop them from talking, all while the nonexistent security and hospital staff look the other way.

2. For high school kids, Chloe and Clark certainly act rather calmly at finding dead body after dead body in this town. “Wow, another dead body. That sucks. Wanna get a coffee?”

3. Jonathan reacts awfully calm after being shot in the leg. You’d think he twisted an ankle or something, and not, I don’t know, gotten frikkin’ shot!

“Damn, does this mean I have to go back to having only ONE Lex..?”




THE WALKING DEAD MAD MEN: AMC Would Be Stupid If They Did Not Combine These Shows

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I don't know about you, but that kinda made me thirsty for a Bloody Mary (and by Mary, I mean someone named Mary...get it? 'Cause I'm a zombie and I'm eating a girl named Mary...whatever).

Source: Vulture



FOG! Visits DreamWorks Animation: After Hours

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Forces of Geek recently visited the DreamWorks Animation campus in Glendale, CA to interview a few artists (Tyler Phillips, Ted Ty, and Manny Fragelus) about their work and after work.

Pro animation requires diligence, attention to detail, and time.

Lots of it.

Somehow, these guys have managed to fit fascinating projects and hobbies into the time they have outside of working at what seems to be (for lack of a better term) a dream job.

Get it?

Because it's DreamWorks. Bwahahaha!



Note: In the video, if you see the camera jar just a bit, it's because I am giggling/accidentally kicking the tripod. This was a super fun project, not gonna lie.




I really dig animation, and I especially dig talking to animators.

I first visited the DreamWorks campus in 2006, to check out a screening of the Annie Awards nominees for Best Animated Short and to take in Pen Ward's original Adventure Time short on the big screen. I went again to sit in on a panel for Women in Animation.

I've been back several times over the past few years, as an interviewer and animation fangirl, and I love it.


Me, wearing said kung fu gold medal, 
at KFP2 opening weekend.
FUN FACT: I may have seen Kung Fu Panda (my fave animated comedy) and may have decided shortly thereafter to take up kung fu and I may have won a gold medal in the martial arts competition that followed my first year of training.*

*These results of watching animation not typical. Also, I may have been the only person competing in my category.

Go forth! Watch the video! Get to know these fantastic artists and visit www.dreamworksanimation.com for info on their upcoming releases.



STEVEN SPIELBERG Chats WAR HORSE

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Steven Spielberg is one of the movie industry’s most successful and influential filmmakers, as well as a principal partner of DreamWorks Studios. He is the top-grossing director of all time, having helmed blockbusters including Jaws, E.T.: The Extra-Terrestrial, the Indiana Jones franchise and Jurassic Park.

For his most recent project, the three-time Academy Award® winner traveled to England to shoot the wartime movie, War Horse, which is now available on Blu-ray Combo Pack and DVD. We sat down for a chat with the distinguished director to discover what attracted him to the epic project, which has already been a highly popular play and a hugely successful novel…

It’s very rare that a project is successful as a novel, as a play and as a movie – but War Horse is all three. Why do you think the story is so versatile?


The bones of the story of War Horse is a love story. That’s what makes it universal. It was that way in the book and it was certainly that way on the boards in the West End of London. That’s also what we hoped to create with our movie adaptation.



What makes War Horse unique?

I don’t often mix my metaphors, so what makes this movie unique is the fact that it’s a story of love and a story of war. This isn’t a typical war film. This is not Saving Private Ryan. This isn’t Band Of Brothers. If you really look at this movie, there are only 12 to 15 minutes of combat from the cavalry charge to the fighting in the Somme. I wanted families to see this picture together. That’s why there’s hardly any blood in this movie.

What do you think younger audiences will learn from watching the movie?

Children learn exponentially from media today, so we felt responsible for there to be truth in the history of the first World War in our adaptation. We did a lot of research and the thing that really struck me was the vast number of casualties among the horses. It wasn’t just the men who died on the American, British, French and German side – but there was a huge number of casualties among the horses, too. I think kids will be interested to learn that this was the era where the machine – the tank, the airplane and even chemical warfare – all converged. It was almost like an experimental war. It was the war to end all wars. At least, that’s what they thought back then.

Why do you have such a fondness of telling historical stories?

I love history. To be honest, it was the only subject I did well at in school. I’m not ashamed to admit I was not a good student, but I was great at history. My dad fought in World War II and he turned 95 in 2012. He was based in Karachi, which is now Pakistan, and he fought in Burma against the Japanese – and I used to love it when he told me war stories. I grew up hearing them. My first 8-millimeter movies when I was 13, 14 and 15 years old were mostly about war. They were mostly World War II movies. Another point to add is that war throws characters into chaos. There’s no better way to test a person than to put them in the middle of a war. That’s clearly going to show what kind of a character you’re telling a story about.

What made the young actor Jeremy Irvine – who plays Albert Norcross in the movie – stand out during the casting process for War Horse?


I looked at hundreds of potential Alberts, but Jeremy Irvine stood out because he had an ineffable quality that certain stars have – or certain exceptional people have – that makes them stand out and rise above the rest. I looked at hundreds of very interesting actors and newcomers, but nobody had the heart or the spirit or the communication skills that Jeremy had. He possessed those qualities even in silence, even without speaking. Jeremy tested five times and he got better and better. I’m very accustomed to working with actors who have no experience. You can look back at E.T. with Drew Barrymore and Christian Bale in Empire Of The Sun to see that. They had never made a movie before, but I see a very similar career in store for Jeremy.

What is the appeal of newcomers?

Often what happens is you get a newcomer in front of the camera and they freeze up or they imitate actors and other performances they’ve admired and they stop becoming themselves. My job as a director is always to return them to what I first saw in them, which was simply an uncensored human being. I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera.

The movie doesn’t shy away from the fact that many horses suffered during World War I. How did you manage to portray this without harming any animals?

Nothing was ever done to the horses to put them under any stress. That was very, very important to all of us. Bobby Lovgren is the name of the man who trained the horses and guarded the horses – and it was incredibly important to him to keep them safe and protected. We also had a woman from the Humane Society on set every single shooting day. When I first met Barbara, I said to her, “You’ve got the power over me.” She replied, “What do you mean?” I said, “If you ever see an animal under any kind of duress, you can say ‘Cut.’” I gave her the chance to stop a take or to even stop a take from even being taken.

There is a glorious old-fashioned feel to War Horse. Did you dip into childhood memories of directing heroes like John Ford when you were making the movie?

Yes, of course. My heroes are John Ford, Howard Hawks, Raoul Walsh, David Lean, Lewis Milestone, Victor Fleming, Michael Curtiz – and many more than that, too. It goes beyond American directors because this is a very British film, so I was incredibly inspired by Britain. At the same time, the works of John Ford in How Green Was My Valley and The Quiet Man were very evocative. He painted beautiful landscapes and he included the land as part of his storytelling, so how could we not include Devon and Dartmoor in this picture? The land was a character itself and in a sense, that’s what a lot of the old directors did – they featured the land they were standing on. It’s fun when you get to put on a wide-angle lens and not just shoot close ups for an entire movie.

Scarcely has the English landscape looked so great on film. What were your initial reactions to the movie shoot locations in Devon and Castle Combe?


Castle Combe looks like Hollywood built it. It doesn’t look real, but it’s beautiful, it’s very authentic and it’s very old. The Devon location has some of the most natural wonders in all of England with its beautiful tors. The tors are built up in a very unusual way and I’ve only seen something like this one other time in my life – and that was in New Zealand. There’s nothing in the world like the landscapes of Devon. We couldn’t believe our eyes.

The English weather is notoriously unpredictable. Did you use any digital manipulation to depict the glorious skies in the movie?

People often tell me how much they love the digital skies that we obviously painted for War Horse. Well, there’s not a single sky that we put in through special effects. The skies you see in the movie are the skies that we experienced – but it was definitely challenging at times. It took three days to shoot the spectacular sunset at the end of the movie because the sun goes down awfully fast in Devon. We had to come back again and again to get matching skies to make that whole sequence work, but it was all worth it.

The music has a huge emotional impact in War Horse. Can you talk about your work with the movie’s composer, John Williams?

John and I have had a 40-year relationship. We started working together in 1972 on Sugarland Express and he is the most important collaborator I’ve ever had in my career. He’s made me look good. He’s made my films look better. I get a lot of credit that really should be going to John.


Do you tend to work with the same creative teams over and over again?

I do, and they now feel like family. [War Horse producer] Kathleen Kennedy has been with me since 1978. My cinematographer, Janusz Kaminski, has made every movie with me since Schindler’s List. Michael Kahn has cut every motion picture I’ve directed since 1976 when we made Close Encounters together. Rick Carter has worked as a production designer on 15 of my directed films. I really believe in the family of collaboration and so John Williams is certainly no less or no more important than the entire group of all of us. However, Johnny does make a contribution that goes right to your heart. A lot of the contributions of my other collaborators are subliminal. You don’t really single them out for credit – although without them, some of the films wouldn’t have the impact that they have. John certainly has the most considerable impact because his music immediately bypasses the brain. It goes right to your heart. That’s the way it’s always been with him. He’s an amazing talent.

Your portfolio of movies is incredibly diverse. What is your decision process when you choose a new script?

I’m not sure I choose my movies; they choose me. I know that might sound glib, but it’s true. I don’t go through a torturous intellectual process to decide what to direct. I know when I want to direct the second I read something or the second I hear a story. When it grabs me in a certain way, I know I want to direct it.

Do you think of your children when you choose a new project?

It’s interesting you ask this question because my daughter Destry had a lot to do with me directing War Horse. She’s in her teens and she’s been competitively riding for around 11 years – but even before I went to see the play, she said to me, “You have to make War Horse. You have to make it for me.” So I did.

Are you familiar with horses? Do you ride?

We have 10 horses at home, and we’ve been living with horses for almost 18 years. In fact, my wife rides dressage – and that’s another reason to qualify me to direct War Horse because I know horses that way. I don’t ride, but I certainly know how to muck a stable.


The extraordinary journey of courage and friendship as seen through the eyes of one unforgettable horse named Joey and his miraculous journey to find his way back home, War Horse is a must own contemporary classic for everyone’s home entertainment collection. Spielberg’s renowned creative passion and artistry not only shine throughout the film but are also evident in all the fascinating bonus features included exclusively on the Blu-ray disc.

The premium 4-Disc Blu-ray Combo Pack in particular allows viewers to explore the filmmaking process and storytelling adventure though a special 60 minute documentary (named “A Filmmaking Journey”), created by Spielberg, that offers a never-before-seen inside look into the making of War Horse. Additional bonus features include a behind the scenes look at Spielberg’s Award-Winning “Dream Team” – the film’s scoring session with five-time Oscar-winning composer John Williams, the editing room with three-time Academy Award winning film editor Michael Kahn, the sound room with seven time Oscar-winning sound designer Gary Rydstrom, and a look through Producer Kathleen Kennedy‘s lens as she shares photos she took during the filming and recounts her discovery of War Horse.
War Horse, which received Academy Award nominations for Best Picture, Best Cinematography, Best Original Score, Best Art Direction, Best Sound Editing and Best Sound Mixing is available now.


JIMMY KIMMEL ASKS AMERICA To Silverstone Their Kids

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I do this to my dog's food all the time and he doesn't seem to mind.

I guess he's just more advanced than these kids.


COMIC-CON EPISODE IV: A FAN'S HOPE (review)

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Produced By Jeremy Chilnick, Matthew Galkin, Harry Knowles, Thomas Tull 
Presented by Stan Lee and Joss Whedon
Written By Jeremy Chilnick, Morgan Spurlock
Directed by Morgan Spurlock 
Starring Skip Harvey, Eric Hensen, Chuck Rodanzki,
James Darling, Se Young Kang



Morgan Spurlock's "documentary" Comic-Con Episode IV: A Fan's Hope is a pandering and belittling look at geek culture that strives to convince the world that being a passionate fan makes you an insider.

Whereas, San Diego Comic-Con was once the biggest opportunity to see your favorite writers and artists and the chance to network, and honor industry veterans and celebrate the medium, it's devolved into little more than a marketing opportunity for Hollywood to create buzz for their various properties.

The film focuses on five individuals; two hopeful artists (one with potential, the other blindly not), an aspiring cosplay designer, a fan trying to find the right Comic-Con moment to propose to his girlfriend and long-time comic dealer Chuck Rondanzki who faces financial worries and the potential need to sell off a prized book to keep things afloat.

Ultimately, this film says nothing except for promoting Comic-Con as mecca for society's misfits.  Celebrity talking heads don't make this self-congratulatory effort any better; if anything it's as detrimental to geek culture as shows like Comic Book Men, movies like Paul or "personalities" like Felicia Day.

Comic-Con feels like it's become nothing more than a marketing opportunity for the studios.  This film included.

Now showing in limited release and available MOD today.
For more details visit http://comicconmovie.com/


SCOTT PILGRIM Gets Some Color

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SCOTT PILGRIM LEVELS UP TO A DELUXE FULL-COLOR, HARDCOVER EDITION

This August, Oni Press and Bryan Lee O'Malley will be bringing the uber-popular Scott Pilgrim series back to store shelves, but this time as an ultra-swank, 6 X 9, full-color hardcover edition. Scott Pilgrim Color Hardcover, Volume 1 reprints the Scott Pilgrim's Precious Little Life for the first time in full color. The digital coloring is by the Shuster Award-nominated artist Nathan Fairbairn, the colorist for Batman Incorporated and Swamp Thing, and the whole thing is capped with a new cover from O'Malley.

“Everybody loves Bryan's black-and-white artwork,” series editor James Lucas Jones explained, “but after seeing the few color stories he did with Scott and the gang, it was hard to avoid imagining a 'what if?' scenario. Now those wild dreams have come true. And to have one of the best colorists in the industry at the helm, that just seals the deal.”

“It's been eight years since the first Scott Pilgrim book was published,” Oni marketing director Cory  Casoni added. “Since then, the series has seen over twenty first reprints of the original format, with over a million copies of the first volumes sold. Scott Pilgrim Color Hardcover, Volume 1 takes the familiar story from the original Scott Pilgrim series and gives it a new look. Plus it includes previously unpublished extras and bonus materials making this mighty tome one that’s required reading for Scottaholics everywhere!”

Scott Pilgrim Color Hardcover, Volume 1 will be the first of six hardcover reprints to be published bi-annually.  Scott Pilgrim Color Hardcover, Volume 2 is currently scheduled for an October 2012 release.

Each volume will be sized at 6” x 9”, making it bigger than the original versions, as well. “We're upgrading the presentation in every way,” Jones said. “The traditional black-and-white versions will be there for those who still prefer that option, but now everyone can have a choice. One, the other, or both!”

Scheduled for a August 8th, 2012 publication date,  Scott Pilgrim Color Hardcover, Volume 1 will retail for $24.99.
Check out some preview colored pages after the jump!




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