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Graphic Breakdown: ‘Seven to Eternity #1’, ‘Dark Horse Presents #26’, ‘International Iron Man #7’, & More!

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Welcome back to Graphic Breakdown! The Friday edition!

Time to talk about comics!

seventoeternity_01-1Seven to Eternity #1

Written by Rick Remender
Illustrated by Jerome Opena
Published by Image Comics

This book reunites Remender and Opena again. Is it going to be any good? Early indications seem to be a resounding yes after reading this first issue. It’s a strong debut for a unique title.

The book focuses on Adam Osidis, a dying knight from a disgraced house who must make a choice. The choice is between joining a sad band of magic users to help them free themselves of an evil God, or accepting that God’s promise to give Adam what his heart desires.

Remender is a great writer who does his best work on creator owned titles. This is no different. And Opena’s art is the best of his career, full of passion. This will make him a star. This is like a Heavy Metal inspired tale and I just love it.

If you liked their work on Fear Agent, pick it up. But don’t compare it with that. This is a well developed book. If it continues to be of this quality, this may be one of the best new titles this year.

RATING: A

 

30641Dark Horse Presents #26

Written and Illustrated by a whole gaggle of creators
Published by Dark Horse Comics

So I am going to be completely honest. I only picked up this issue because of Troy Nixey.

In my youth, I hunted down a book Nixey created called Bill The Clown. I loved that comic. I would see and hunt down his work from Deadworld to more recent fare such as Batman: The Doom That Came to Gotham as well as others. I liked his stuff very much.

Nixey eventually went and did film, but I missed his crazy mind.

So when I saw he was collaborating with Kaare Andrews (another film director and comic book creator) I jumped and picked up this issue for that reason only.

And I wasn’t disappointed. Their creation “The Black Sinister” is simply wonderful.

Great story and Nixey looks like he hasn’t been this inspired since Bill The Clown.

And that is great to see.

I also commend the book itself. While a little pricey, Dark Horse Presents is one of the classiest book still being produced. Looking for some of the best creators in the business? Look no further. I’m going to go back and pick up the missing issues (I have a gap between issues 13-25.)

This is high quality stuff. Pick it up. And welcome back, Nixey. We missed you here.

RATING: A

 

1International Iron Man #7

Written by Brian Michael Bendis
Illustrated by Alex Maleev
Published by Marvel Comics

This bananas new take on Tony Stark has done something pretty amazing with Iron Man: They made him interesting.

Not since Matt Fraction’s run a few years back have I enjoyed this book at all.

Bendis ends this series (not to worry! TWO new Iron Man books coming out) with a story of Tony Stark’s mother.

There is literally no Iron Man in the book at all. Yet, they just go with it.

They show who Tony Stark’s real father is (even though he looks just like Howard Stark…Howard is not longer the father in this tale)

I’m not going to lie.

Bendis and Maleev are taking some pretty bold chances here. Some of it I’m not sure really holds any water.

But they are so into it, I’m giving them a pass. It’s fun. Funny. And well drawn. So why not?

RATING: B+

BURIED TRASURE:

jacketBATMAN: PREY

(collecting Legends of the Dark Knight #11-15)
Written by Doug Moench
Illustrated by Paul Gulacy
Published by DC Comics

I had forgotten I had this book. Back in the early days, Legends of the Dark Knight was the place.

You had creators doing top notch work. And I am damn sad this book is no longer around. You had Grant Morrison and Klaus Janson on Gothic. You had Matt Wagner doing Faces. And somewhere in there was this forgotten about gem.

This fits in after Year One, and shows the introduction of Hugo Strange and his efforts to kill the Dark Knight.

There was a semi sequel (#137-141) but man, nothing came close to this original tale. Moench shows us the psychological mindsets of these people. He does a wonderful writing job.
Paul Gulacy’s art is just underrated as well.

This book is a masterpiece and isn’t talked about as much. DO yourself a favor and track down a copy.

It’s damn awesome.

RATING: A


Magnet To Release Film Adaptation of Joe Casey & Chris Burham’s ‘Officer Downe’

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officer-downe-photoMagnet Releasing, the genre arm of Magnolia Pictures, announced today that they have acquired U.S. rights to OFFICER DOWNE, the debut feature of  M. Shawn Crahan (aka ‘Clown’), co-founder and visual architect of Grammy winning and multi-platinum band Slipknot. The film, starring Kim Coates (SONS OF ANARCHY), will be released in theaters and On Demand November 18.

Adapted from the 2010 graphic novel by Joe Casey and Chris Burnham, OFFICER DOWNE concocts a hyper-real Los Angeles for the story of a savage LA policeman who is repeatedly resurrected and returned to active duty via dark science technology. When a rookie officer named Gable is recruited as back up, he discovers there’s much more to the titular super-cop than a mindless law enforcement drone warring against a twisted rouges gallery of over-the-top super-villains.

Directed by Crahan, OFFICER DOWNE was written by Joe Casey, and produced by Mark Neveldine, Skip Williamson, Cole Payne and Casey. Executive producers were Cory Brennan and Glenn D. Feig.

The deal was negotiated by Magnolia SVP of Acquisitions John Von Thaden with CAA on behalf of the filmmakers.

 

About MAGNET RELEASING

Magnet is the genre arm of Magnolia Pictures, specializing in films from the vanguard of horror, action, comedy and Asian cinema, and the home of genre classics like Tomas Alfredson’s LET THE RIGHT ONE IN, Takeshi Miike’s 13 ASSASSINS, Christopher Smith’s BLACK DEATH, Ti West’s THE HOUSE OF THE DEVIL, Andre Ovredal’s TROLLHUNTER, Gareth Edward’s MONSTERS, Neil Marshall’s sword and sandals bloodbath CENTURION, and Tony Jaa’s ONG BAK trilogy to name a few. Recent releases include the terrifying V/H/S and ABCS OF DEATH anthologies, Xan Cassavettes’ stylish vampire film KISS OF THE DAMNED, sci-fi thriller THE LAST DAYS ON MARSTi West’s THE SACRAMENT, Israeli thriller BIG BAD WOLVESLeigh Janiak’s HONEYMOON, Maori thriller THE DEAD LANDS, Ben Wheatley’s dystopian thriller HIGH-RISE, and David Farr’s THE ONES BELOW. Upcoming releases include Nicolas Pesce’s genre-defying THE EYES OF MY MOTHER, Christopher Smith’s neo-noir thriller DETOUR, all-female-helmed horror anthology film XX, and many more.

Win ‘Neighbors 2’ Prize Pack!

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Just when you thought it couldn’t get more outrageous, Seth Rogen (This Is The End, Pineapple Express) and Zac Efron (The Lucky One, That Awkward Moment) return in the hilarious, no boundaries comedy, NEIGHBORS 2: SORORITY RISING,  now available on Digital HD, Blu-ray Combo Pack, DVD and On Demand, from Universal Pictures Home Entertainment.  The follow-up to Neighbors, the explosively funny blockbuster, NEIGHBORS 2: SORORITY RISING features even more hysterically raunchy banter and outrageous antics, but this time the ladies have taken charge.  The Blu-ray, DVD and Digital HD include deleted scenes, gag reel, line-o-rama and more.

Now that Mac (Seth Rogen) and Kelly Radner (Rose Byrne) have a second baby on the way, they are ready to make the final move into adulthood: the suburbs. But just as they thought they’d reclaimed the neighborhood and were safe to sell, they learn that the new occupants next door are a hard–partying, out-of-control sorority, led by Shelby (Chloe Grace Moretz). Mac and Kelly are forced to team up with their charismatic ex-neighbor and now secret weapon, Teddy (Zac Efron), since the ladies of Kappa Nu aren’t going down without a fight.  It’s parenthood vs. sisterhood when the new neighbors assert their right to party just as hard as the boys.

prizeAnd we’re giving away 10 prize packs which include:

  • 1 copy of Neighbors 2 Blu-ray Combo Pack
  • 1 Drawstring bag
  • 1 Neighbors 2 T-shirt!

To enter, please send an email with the subject header “NEIGHBORS 2” to geekcontest @ gmail dot com and answer the following:

 

Chloë Grace Moretz and Christopher Mintz-Plasse played arch-enemies in this superhero franchise?

Please include your name and address (U.S. Residents only. You must be 18 years old).

Only one entry per person and a winner will be chosen at random.

Contest ends at 11:59 PM EST on October 16th, 2016.

HBO’s ‘The Night Of’ Arrives on iTunes, Vudu, Google Play Today

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riz-ahmed-photo-barry-wetcher_hbo“The best TV you’ll see this summer” (Vanity Fair) will be available to own this fall when The Night Of, the acclaimed HBO limited series that captivated TV audiences this summer, comes to Digital HD today, and to DVD and Blu-ray on October 18, 2016.

Starring John Turturro in “a mind-blowing performance” (Wall Street Journal) and the “extraordinary” (Boston Globe) Riz Ahmed, The Night Of is “an anthem to television’s unique power to turn a series of understated performances into sustained magnificence” (Los Angeles Times). The series, which delves into the intricacies of a complex New York City murder case with cultural and political overtones, was a critical and ratings sensation on HBO this summer, with critics heralding the show as “exquisite… richly detailed” (The New York Times), “mesmerizing” (Entertainment Weekly) and “as complicated and layered as life itself” (TV Guide).

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In The Night Of, Pakistani-American college student Nasir “Naz” Khan, who lives with his parents in Queens, NY, takes his father’s taxi to go to a party in Manhattan. But what starts as a perfect night for Naz becomes a nightmare when he’s arrested for murder. The series examines the police investigation, the legal proceedings, the criminal justice system and Rikers Island, where the accused await trial.

The Night Of is created and executive produced by Steven Zaillian (Oscar winner, Best Adapted Screenplay, Schindler’s List) and Richard Price (The Wire, Oscar nominee, Best Adapted Screenplay, The Color of Money), based on the BBC series Criminal Justice, created by Peter Moffat. Other executive producers are Jane Tranter, James Gandolfini and Peter Moffat; co-executive produced by Garrett Basch, Nancy Sanders and Mark Armstrong.

The ensemble cast includes Michael Kenneth Williams, Bill Camp, Jeannie Berlin, Poorna Jagannathan, Payman Maadi, Glenne Headly, Amara Karan, Sofia Black-D’Elia, Paul Sparks, Ben Shenkman, Afton Williamson, Paulo Costanzo, Ned Eisenberg, Mohammad Bakri, Nabil Elouahabi, Ashley Thomas, Glenn Fleshler, and Chip Zien.

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To purchase the series, visit iTunesVuduGoogle Play

 

‘100 Bullets’ Creators Azzarello and Risso Reunite For ‘Moonshine’

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Image Comics is pleased to reveal interior pages from MOONSHINE #1. This series launch marks the first new project from writer Brian Azzarello and artist Eduardo Risso—the New York Times bestselling and Eisner Award winning creative team behind 100 Bullets—and hits Wednesday, October 5th.

Set during Prohibition, and deep in the backwoods of Appalachia, MOONSHINE #1 tells the story of Lou Pirlo, a city-slick “torpedo” sent from New York City to negotiate a deal with the best moonshiner in West Virginia, one Hiram Holt. What Lou doesn’t figure on is that Holt is just as cunning and ruthless as any NYC crime boss. Because not only will Holt do anything to protect his illicit booze operation, he’ll stop at nothing to protect a much darker family secret…a bloody, supernatural secret that must never see the light of day… or better still, the light of the full moon.
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MOONSHINE #1 Cover A by Risso (Diamond Code AUG160556) and Cover B by Frank Miller (Diamond Code AUG160557) will hit comic book stores on Wednesday, October 5th.

Banned Books Week, Amazon Comes To Beantown, Mondo Reading & More!

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Banned Books Week
Banned books weeks has begun; you know what to do: read them, check then out from the library, buy them, attend banned books events.

Old School
Here’s the classically beautiful process of a book being made.

New Agatha Christie Stamps
In Britain, new Agatha Christie stamps are coming with hidden clues and awesome artwork.

Chicago Indies
When in Chicago here are some great independent bookstores you won’t want to miss.

Reading Around the World
Here are some recommended readings pertaining to specific countries and regions around the world.

Underground Railroad TV Series
The book that Oprah made her book club pick and is now a bestseller will be adapted to a limited TV series.

Dark Tower TV Series
Along with an epic movie to look forward to, there will now be a Dark Tower TV series.

Amazon Boston
Another Amazon bookstore is in the works, planting itself on the East Coast.

FOG! Takes on Dragon Con 2016

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dragon-con-2016Dragon Con 2016 has come and gone, and boy what a show it was. This year saw over 77,000 people flood into downtown Atlanta and pack four hotels and one trade center all for a chance to take part in one of the largest celebrations of pop culture in the country.

This was also a special year for Dragon Con as 2016 marked the 30th anniversary of the seminal Atlanta event. That’s 30 years of growth, expansion and everything that comes with those two things.

 An Expanding Convention

14224787_10154583621869940_1308305435564221122_nOne of the issues Dragon Con has been dealing with for years now is managing the increasingly large crowds attracted to the event. As more and more people attend, space in the host hotels can almost seem like a premium. This year saw Dragon Con make a concerted effort to address that issue with the addition of building 2 of the Americas Mart, a large, multi-building trade center adjacent to the host hotels. The always-packed dealers room was shifted there, as was the convention’s comic book programming.

This was huge difference in navigating both aspects of the show. Once visitors made it into the building there was actual space to move around. The downside, at least for the comic programming, was that it felt more than a little removed from the rest of the convention. However, as Dragon Con continues to grow (and it certainly will), I’m sure more programming will shift to the Americas Mart to join comics making it feel a little less lonely.

Kicking Off Early

Dragon Con has always officially started on Friday morning, but for years attendees have unofficially kicked things off on Thursday. Out of town visitors staying in the host hotels typically arrive Thursday and attendees who live in Atlanta have always made a habit of heading downtown that night to pre-game the convention at the hotel bars.

So this year, Dragon Con made the decision to kick things off one day early with lots of official program offerings.

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To be honest, I was a little worried at first that this move would somehow taint the spirit of the unofficial Thursday festivities, but honestly it just enhanced everything. It was fun having something to do between drinks with friend who you often only get to see just once a year and I heard from people who don’t drink say it felt good to have something to do other than just stand around people watching.

Cosplay, Cosplay, Cosplay

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Cosplay has been a big part of Dragon Con for the bulk of the 30 years it’s been around and this year was absolutely no different. Dragon Con seems to be where the big dogs of the cosplay community show up. I personally know a few people from all over the world who spend a good chunk of the year meticulously crafting costumes.

But that’s not to say this is a just a professional cosplay show. No, people of every skill level take part; from costumes that look to be designed by a Hollywood SFX studio to ones lovingly put together from the thrift store, all skill levels are welcome and celebrated at Dragon Con.

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As an aside, it would be interesting to see what percentage of the 77,000 Dragon Con attendees cosplay. It feels like the folks who don’t are definitely in the minority. Cosplay at Dragon Con is so huge that this year a local CW station actually aired the cosplay-heavy Dragon Con parade live on TV complete with commentators.

More Convention Firsts

This year saw the debut of the Dragon Con Awards recognizing creators working in science fiction, comics, gaming, fantasy and film. It also saw actor Alan Tudyk announce the release of Con Man: The Game, a mobile game based on Tudyk’s web series Con Man. The game will allow players to build and run their own fan convention.

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And then there was the announcement from Mythbusters’ Tory Belleci and Kari Byron that garnered probably the most excitement from attendees. It was at Dragon Con 2016 that they let fans know that, along with Grant Imahara, they’d be starring in the upcoming Netflix original series White Rabbit Project. They say show will look at the science behind sci-fi staples such as jet packs and fast cars.

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It was nice seeing things like that happen at a show I’ve been attending for 19 years. It gave Dragon Con a feeling of added importance, that it was a show that you could expect things to happen beyond seeing cool cosplay and celebrities.

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Here’s hoping that trend continues because Dragon Con most certainly deserves it.

‘My Entire High School Sinking Into The Sea’ (review)

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mv5bzgi3zta1owetmzewnc00n2qxltkzowqtyzc3zdc0mtm5ogzkxkeyxkfqcgdeqxvynzqwmdiwmq-_v1_uy1200_cr9006301200_al_Produced by Kyle Martin, Craig Zobel
Written and Directed by Dash Shaw
Featuring John Cameron Mitchell, Reggie Watts,
Jason Schwartzman, Lena Dunham, Maya Rudolph,
Susan Sarandon, Alex Karpovsky

Chaos reigns in artist Dash Shaw’s feature film debut, the aptly titled My Entire High School Sinking into the Sea.

Though surrealism is pushed to good extent in this mixed-media animated movie, when the disaster strikes, you’re still in disbelief of the unraveling story.

Forever the coolest kid in cinematic high school, Jason Schwartzman voices protagonist Dash.

Of course, a semi-autobiographical account of may have and probably didn’t occur during their real high school years, Dash is a eccentric, smart, creative wannabe writer with a little too much flair for the fantastic.  His best friend Assaf (Reggie Watts) and their future book editor Verti (Maya Rudolph) round out the trio, and experience a falling out in the early moments of the film.

Dash, hungry for his next journalism career-breaker, stumbles upon a bombshell in the school records.

It seems the new gymnasium isn’t up to earthquake code.  So when the Earth begins to shake, fault lines shift and, you guessed it, his entire High School breaks from its oceanside location into the ocean below. There are fatalities from crashing waves, falling bookshelves and, yes, shark attacks.  Much of it is graphic, but from the pen of that kid you always caught doodling death in the corner of the cafeteria.

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One foot firmly in satire, the trio makes its way through to the Senior level floor above the sunken structure, with a plan to “graduate” to the roof.  Too cool for chaos classmen, name-calling bullies and despised school-staff are disposable.  Lena Dunham is Queen Bee mean-girl Mary. John Cameron Mitchell hysterically voices Prom King-turned-dictator Brent Daniels.  Susan Sarandon joins in as the philosophical mother figure “Lunch Lady” Lorraine.  Or is she supposed to be the Shelly Winters in this Poseidon Adventure with backpacks?

This is a fever dream, as comfortable dipping into psychedelia during darker moments as it is emulating vintage text-book illustration for flashback sequences.

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Combining basic animation techniques via modern means, the film has a charming crayon, colored pencil, magic marker, glue and construction paper quality that fits its schoolroom settings.  From the start, it’s visually striking and different than anything you’ve seen.  At the same time, there’s an underbelly of homage to the familiar.  With its matter-of-fact vocal direction, not to mention school setting, I was reminded of Peanuts specials or Daria episodes.  With its cycling loops of basic character animation and layered trickery, I was reminded of everything Hanna-Barbera.

Shaw has created here a beautiful punk love-hate letter to the institutions of High School and Animation.  Even the little imperfections of its design are charming.

 

MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA plays Monday, October 10th and Tuesday, October 11th at the 54th New York Film Festival.  Click here for tickets, showtimes and more information.

Warning: This film uses stroboscopic effects that can be dangerous for people with photosensitive epilepsy.


Disney’s ‘The BFG’ Arrives on Digital HD, Blu-ray and Disney Movies Anywhere Dec. 6.

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This month, the world celebrates the 100th anniversary of the birth of Roald Dahl, beloved children’s author of family favorites like “Charlie and the Chocolate Factory,” “James and the Giant Peach,” “Matilda” and Dahl’s personal favorite, “The BFG,” as well as World Dream Day, an annual event honoring “the dreamer, visionary and innovator in all of us.” It seems a fitting time to announce the in-home release of “The BFG,” Disney’s fantasy adventure film directed by Steven Spielberg, on Dec. 6 on Digital HD, Blu-ray™, Disney Movies Anywhere, DVD and On-Demand.
 
As dreamers around the globe gear up for Sunday’s World Dream Day, an annual holiday honoring “the dreamer, visionary and innovator in all of us,” it seems a fitting time to announce the in-home release of “The BFG,” Disney’s fantasy adventure film directed by Steven Spielberg and featuring a dream-collecting Big Friendly Giant. This heartwarming tale for the whole family arrives home for the holidays on Dec. 6 on Digital HD, Blu-ray, Disney Movies Anywhere, DVD and On-Demand.
“The BFG” unites the talents of three of the world’s greatest storytellers – Roald Dahl, Walt Disney and Steven Spielberg – to bring to life the classic tale of a courageous little girl named Sophie (newcomer Ruby Barnhill) and a gentle and charming Big Friendly Giant (Oscar®-winner Mark Rylance) who introduces her to the wonders and perils of Giant Country. Spielberg employs a new, hybrid style of filmmaking blending live-action and performance-capture techniques, resulting in genuine, heartfelt performances and super-photorealistic animation.
Families and fans will be swept away by this spectacular adventure and delight in extensive bonus features, including a behind-the-scenes look at the making of “The BFG” hosted by Ruby Barnhill and featuring Steven Spielberg; a charming, all-new short; a fun and whimsical tutorial on the Big Friendly Giant’s unique language of Gobblefunk; a touching tribute to screenwriter Melissa Mathison (“E.T. the Extraterrestrial,” “The Black Stallion”); and more.
Spielberg’s directorial debut with The Walt Disney Studios was a labor of love, as he’s been a fan of Dahl’s for years. In fact, he read “The BFG” to his own children when they were younger. According to Spielberg, “It’s a story about friendship; it’s a story about loyalty and protecting your friends; and it’s a story that shows that even a little girl can help a big giant solve his biggest problems.” “The BFG” is a Golden Phizzwizard* come true for Spielberg, Dahl fans and audiences around the world.
Bonus features include**:
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BLU-RAY & DIGITAL HD:

  • Bringing “The BFG” to Life – Ruby Barnhill (Sophie) hosts a phizz-whizzing journey through the making of “The BFG.” This behind-the-scenes documentary details the film’s progression through interviews with Roald Dahl’s daughter Lucy Dahl, screenwriter Melissa Mathison, executive producers Kathleen Kennedy, Frank Marshall and Kristie Macosko Krieger, and numerous members of the talented cast and crew.
  • The Big Friendly Giant and Me – Sophie wasn’t the first “bean” in Giant Country—many illustrations were created as if drawn by a little boy who was there long before Sophie.  This charming, in-world short will bring the drawings to life with animation and narration, recounting the friendship and the dreams shared between the boy and the Big Friendly Giant.
  • Gobblefunk:  The Wonderful Words of The BFG – A whoopsey-splunkers tutorial on the meaning of the gloriumptious gobblefunk in “The BFG.”
  • Giants 101 – Jemaine Clement (Fleshlumpeater) and Bill Hader (Bloodbottler) introduce us to the loathsome giants in “The BFG,” along with movement choreographer/motion capture performer Terry Notary, who collaborated with the actors and Director Steven Spielberg prior to filming to develop their movements and character traits.
  • Melissa Mathison: A Tribute – An homage to Melissa Mathison, the extraordinary, Oscar®-nominated screenwriter of “The BFG” and “E.T.,” whose talent and heart were as immense as the giants in “The BFG.”

DIGITAL/VOD:

  • John Williams: Scoring A Dream – A journey through the film’s concept art and memorable moments, interwoven with the sights and sounds of legendary composer John William’s scoring session.

DVD:

  • Gobblefunk:  The Wonderful Words of The BFG and Melissa Mathison: A Tribute
Disney and Amblin Entertainment, in association with Walden Media, present the fantasy adventure film “The BFG,” the first-ever motion picture adaptation of Roald Dahl’s resonant tale of childhood, the magic of dreams and the extraordinary friendship between a young girl and a big friendly giant. Directed by three-time Academy Award winner Steven Spielberg, the film reunites the director with his Oscar-nominated collaborator on “E.T. the Extra-Terrestrial,” Melissa Mathison, who adapted the children’s author’s timeless adventure for the big screen. “The BFG” is produced by Spielberg, p.g.a., Frank Marshall, p.g.a., and Sam Mercer, p.g.a., with Kathleen Kennedy, John Madden, Kristie Macosko Krieger and Michael Siegel serving as executive producers.
The film stars three-time Tony Award, two-time Olivier Award and Oscar winner Mark Rylance as the Big Friendly Giant; newcomer Ruby Barnhill as Sophie, the orphan who befriends him and is swept into a world of rampaging giants; Penelope Wilton as The Queen; Jemaine Clement as Fleshlumpeater, the most fearsome giant from Giant Country; Rebecca Hall as Mary, The Queen’s handmaid; Rafe Spall as Mr. Tibbs, The Queen’s butler; and Bill Hader as Bloodbottler, another unruly giant from Giant Country.
The creative team is comprised of some of Spielberg’s longtime collaborators, including: two-time Oscar-winning director of photography Janusz Kaminski; two-time Oscar-winning production designer Rick Carter; three time Oscar-winning editor Michael Kahn, A.C.E.; and Oscar-nominated costume designer Joanna Johnston, with legendary five-time Oscar winner John Williams composing his 24th score for a Spielberg-directed film.
Joining them is two-time Oscar winner Robert Stromberg as production designer and four-time Oscar winner Joe Letteri from Weta Digital, the visual effects company founded by Peter Jackson, as senior visual effects supervisor.

 

Best (Modern-Day) Westerns

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t3lrh6bnv74llvbfpqscbrgau9The new Western The Magnificent Seven is a remake of a remake, based on the 1960 Yul Brynner-Steve McQueen picture directed by John Sturges, which was itself an Americanization of Akira Kurosawa’s 1954 classic Seven Samurai.

The movie’s $35 million debut marks the best opening yet for director Antoine Fuqua, another solid launch for headliner Denzel Washington, and the second-highest first-weekend gross for a Western—a distinctly American genre once hugely popular but considered all but dormant until Kevin Costner’s epic Dances with Wolves became a massive hit and swept the Oscars in 1990.

It’s fair to say 1990 marked the start of the current modern-day renaissance of the Western: in addition to Dances with Wolves, that year saw the release of Young Guns II and Back to the Future Part III, both of which surpassed their predecessors and successfully spun the oft-stodgy frontier formula into hip crowd-pleasers. These three films blazed the trail for Clint Eastwood’s rueful revenge tale Unforgiven, which rightly took home the Best Picture Oscar in 1992.

Since then, there has been a flood of high-profile classic-style Westerns, but also a few off-beat genre-skewing pictures that jigger the traditional oater formula by tilting towards the macabre (The Quick and the Dead, 1995), girl power (Bad Girls, 1994), animation (Rango, 2011), sci-fi (Cowboys & Aliens, 2011), and outright comedy (A Million Ways to Die in the West, 2014).

In salute to this storied genre, and in advance of viewing The Magnificent Seven, here are some of the finer and more outrageous modern-day Westerns to jangle my spurs.

Unforgiven (1992)

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Clint Eastwood’s Oscar-winning meditation on killing and revenge is a deconstruction of the classic shining-hero Western mythos. There are good guys and bad guys aplenty, but none are as simplistic as we’re used to seeing in Westerns—all of them are drawn with complex and contradictory shades of morality.

Beyond the long-awaited return of star/director Eastwood to the saddle, the film boasts scenic cinematography, an exquisite production design, and superlative performances—especially from Morgan Freeman, Richard Harris, and Gene Hackman (who took home the Best Supporting Actor Oscar for his vicious villain Little Bill Daggett).

Tombstone (1993)

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Despite a troubled production that saw its director replaced mid-shoot, this insanely star-studded retelling of the Wyatt Earp legend is a rousingly entertaining, testosterone-laden, and violently bloody affair.

Starring Kurt Russell (with iconic moustache) as Earp and Val Kilmer as Doc Holliday, and co-starring a stagecoach full of solid supporting actors (Michael Biehn, Sam Elliott, Bill Paxton, Powers Booth, Michael Rooker, Billy Zane, Jason Priestly, Billy Bob Thornton, and even Charlton Heston). The O.K. Corral legend received a more elegiac treatment in Lawrence Kasdan’s sprawling Wyatt Earp a year later, but few Westerns have earned such cult appeal as this eminently quotable classic.

The Quick and the Dead (1995)

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Director Sam Raimi brings his macabre Evil Dead sensibilities and whiplash visual style to this crackerjack tale of retribution. Sharon Stone is fine in the lead role, but she’s easily outgunned by her co-stars Russell Crowe, Leonardo DiCaprio and, in his fourth Western in as many years, Gene Hackman as the Big Bad.

Open Range (2003)

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After the colossal bomb that was The Postman in 1997, Kevin Costner’s third directorial effort arrived with little fanfare but is surprisingly entertaining in an old-fashioned sort of way—the good guys are unflaggingly righteous and the bad guys are appropriately despicable. Costner is nicely partnered with Robert Duvall as a pair of longtime cowboys who arrive at a small town lorded over by a corrupt sheriff and are driven by their code of honor to intervene.

Kill Bill, Vol. 2 (2004)

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Quentin Tarantino’s Eastern-Western mash-up may indeed have been conceived as a sprawling four-hour saga, but Volume 2 is so drastically different in tone from Volume 1 that it’s hard to fathom how such a schizophrenic epic would have played to audiences. Whereas Volume 1 is a frenetic riff on Bruce Lee and Eastern kung-fu exploitation flicks, Volume 2 feels more like a traditional Western—it’s more leisurely paced, has only a few characters, and the out-for-revenge plotline is more clearly delineated. The dusty locations help immensely, too.

True Grit (2010)

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Jeff Bridges reunites with the Coen Brothers in this straightforward retelling of the novel that inspired the original John Wayne picture in 1969 (for which Wayne won the Oscar for Best Actor). Gorgeously lensed by longtime Coen Brothers cinematographer Roger Deakins, and featuring strong supporting performances from the likes of Matt Damon, Josh Brolin, and newcomer Hailee Steinfeld.

The Lone Ranger (2013)

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Yes, you read that right: The Lone Ranger.

Sure, it’s one of the biggest and most expensive bombs in Hollywood history, but long after the controversy over the film’s notoriously un-PC casting of Johnny Depp as a gonzo Tonto has been forgotten, and in the wake of several subsequent and equally embarrassing mega-budget misfires since, what fresh viewers will discover is a larger-than-life throwback to the golden years of the Wild Wild West.

Every buck of the movie’s massive budget is evident onscreen, from the many explosive action sequences to the sumptuous production design—notably those magnificent period trains. A tad overlong, granted, but eminently entertaining…and the final act shows off some of the wildest stunt choreography and full-scale practical effects ever put to celluloid.

Bone Tomahawk (2015)

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Kurt Russell and his indelible moustache are reunited for this brutal and unconventional tale of cowboys and cannibal Indians. Russell and Patrick Wilson head off into the wilderness to rescue Wilson’s wife when she’s kidnapped by a savage tribe of “Troglodytes.” Matthew Fox and Richard Jenkins are also on hand in the search party. Highlighted by crisp dialogue, panoramic vistas, a truly eerie sound design, and some of the most shocking and gut-wrenching graphic violence ever depicted in the movies, let alone in a Western.

Kurt Russell’s other 2015 Western—Quentin Tarantino’s The Hateful Eight—got more press and received a wider and more prestigious theatrical release, but this is the better film by a long shot.

Read an Excerpt of Matthew B.J. Delaney’s Sci-Fi Thriller, ‘Black Rain’

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Author Matthew B.J. Delaney’s Black Rain is a high concept science fiction thriller set in a darkly warped near future in NYC, where disease cures are brokered on Wall Street’s Genetic Stock Exchange and artificially synthesized humans, or Synthates, serve as everything from domestic slaves to combatants in savage gladiatorial Games—that is, unless the band of Synthate rebels can change everything.

Below check out the first chapter of the book, available now.

CHAPTER 1

© 2016 Reprinted with permission from 47North

The security men had advised against it. Or at least Greeley had. But Greeley advised against most things. Like taking walks, sitting by open windows, and eating in restaurants. He’d be against meltwater, Synthate shopping, and visiting pleasure parlors, if he thought anyone would pay attention. The secret to getting along with Greeley was to listen to his advice, nod, then do whatever it was you planned on doing. Only do it when he wasn’t looking.

Greeley wasn’t looking now, so Martin Reynolds slid his hand around Betsy’s waist.

“Don’t!” Her hand met his. “You’ll crush my wings.”

“I’m sorry, my angel.”

Her wings were little lacy ones, extending out from the back of her tightly fitted white dress. Reynolds slid his arm down the side of his wife’s thigh instead. The big clock on the wall chimed eleven, barely audible over the sound of the band.

What Greeley had advised against was Seeks. A silly game, really, Reynolds thought. An adult version of hide-and-seek. One that rich people played at the lavish parties Bruce Livingston had been throwing inside his Fifth Avenue mansion for years.

Reynolds had known Livingston since undergrad. Livingston had gone on to become a senator, while Reynolds had become a molecular geneticist specializing in DNA recombinant nanotechnology for Genico Industries, a job description that made most people fake calls on their syncs just to avoid small talk with him.

Livingston addressed the crowd. “In a few moments we’ll start the Seeks. At the stroke of eleven thirty, half of you will be given twenty minutes to hide anywhere on these premises. The other half will then be given the opportunity to find those hidden. Last couple not found wins a six-month-long domestic Synthate lease. Now, each couple received a card in an envelope at the door, so please open it now.”

Betsy opened her purse and produced the white envelope. Slipping her finger under the flap, she tore it open. A red letter H was printed on the card inside.

“Looks like we’ll be hiding.”

Reynolds was used to Livingston’s idea of entertaining. Once the ballroom had been the scene of a female bodybuilding contest. Another time, a hundred little people had reenacted the Battle of Hastings. The columns claimed that not a single invitation had ever been refused. Nor was any member of the media ever allowed to attend.

Tonight, the forty people standing around created that fantastic, almost surreal environment produced by only the most opulent costume balls. An African warrior stood by the bar talking with Al Capone and a NASA astronaut while Hermes danced the waltz with Mother Teresa around and around the floor.

It was absurd, really, which was why Reynolds wore only his old green hospital scrubs, untouched since he’d been a resident.

The clock neared 11:30.

Livingston was traditionally referred to as old mao. And more than that, he was old, political mao, which, before the Chinese currency crisis, would have been old money. Which was the best kind. He had access to more touch bucks in one finger than entire honeycomb blocks of the conurb.

“We’ll head for the library,” Betsy whispered. “I know a place we can hide. It’s where Livingston takes those young female interns he enjoys mentoring.”

“Who told you that?” Reynolds asked.

“The senator’s wife.”

Reynolds looked around the room again. He had the uncomfortable feeling he was being watched. And he was right. In the corner stood a man in a long black robe. His face was covered by a leather plague mask with a long, protruding nose and two perfectly round black eyes.

The masked figure turned toward Reynolds. Reynolds looked quickly away.

The clock sounded the half hour. A cheer rose from the partygoers and the band struck up a brisk rag.

Greeley headed out the door toward the front lawn. Henry VIII and Cleopatra and the others headed for the hallways and hiding places beyond the ballroom.

“Good luck, everyone!” Livingston called out. “Let the Seeking begin!”

Betsy took her husband’s hand and led him toward the rear of the ballroom. She checked her watch.

“Twenty minutes to get ourselves in place. Let’s hurry.”

They left the ballroom and quickly made their way down a long hall. Reynolds glimpsed strange sights as they passed rooms. Wyatt Earp and a Catholic schoolgirl trying to squeeze inside a closet. A clanking knight and a French maid pushing themselves underneath a bed. Husband and wife reached the foot of a wide staircase and immediately headed up. Betsy seemed to know exactly where she was going. After a bit more walking, they came to an abrupt stop.

They stood before a beautiful library. A marble fireplace was cut into the wall on their left, the stone glowing from the light cast by two red-shaded lamps. An Oriental rug, its background the same faded rust color as the bindings of the books (actual paper, what a novelty!) covered the floor. Windows looked down on the Central Park contaminant dome. And reflecting the room’s interior was an enormous mirror on the back wall framed in heavy gilded wood.

Betsy walked over to the mirror. First she inspected the trim, then she cupped her hands against the glass and tried to peer through it.

“What are you doing?” Reynolds asked. “It’s not fluxglass?”

“Give me a minute.”

When the competitive spirit seized Betsy, small talk was of little interest. A black remote sat on a nearby chair. On a whim, Reynolds pressed the power button. The wall clicked and the mirror slid outward. Betsy took hold of the frame and the whole piece swung into the room like a giant door.

Beyond the mirror was a small room with a bed, lamp, and a wooden bureau. A bottle of wine sat on the bureau, which made Reynolds think Betsy might have had this planned from the beginning. She was a very resourceful woman at times.

He slid out his father’s old Glock handgun from the pancake holster attached to his belt. He placed the gun on the bureau.

She raised her eyebrows. “Still afraid?”

“Still.”

She kissed him hard. Her hands wrapped around his back. He was still afraid. But the gun was more magic amulet than useful tool. He doubted he could actually pull the trigger. But he liked the feel of the metal against his skin. The weight of it on his belt. He hoped just having the weapon was enough to keep away whatever was out there.

Whatever they might send for him when the time came.

A single window looked down on the dark expanse of the rear garden. There Greeley burned a smoke stick as two shapes moved quickly past him, a billowing white ghost accompanied by a witch, her face painted green.

The library clock chimed midnight.

“Well, let the games begin,” his wife whispered.

The mirror door was still open, showing the view into the rest of the library and the hallway at the far end.

“Shouldn’t we be closing that?” Reynolds had the remote in his hands.

“By all means.”

She took hold of the mirror and slowly swung it shut. There was a click as the frame locked into place, sealing them inside the small room. The glass was one-way reflective, allowing them to look out into the library and see anyone approaching. Without the remote, no one could get into the room short of breaking the glass.

Through the one-way panel, Reynolds watched the empty library. Next to him, Betsy’s wings glittered and sparkled as she moved about the room. The clock chimed a final time, after which the sound slowed into a long dying tone before finally rolling out altogether. Then silence. Now, somewhere below, the Seekers would be coming for them.

Reynolds experienced an instant of stomach butterflies, like the giddy excitement of kids at play. The feeling was similar to another, more adult sensation he’d experienced many times in the presence of women, except that dose of excitement usually happened a good foot or so below his stomach. Betsy must have intuited this, because she was looking at him, her hip cocked slightly forward.

Reynolds’s heart skipped with surprise. Someone was staring at them.

Betsy frowned. “What is it?”

“Someone’s out there.”

It was the man in the plague mask. He stood in the doorway of the library, eyeholes directed at their hiding place. Reynolds reminded himself that the fellow couldn’t see them through the mirror. Betsy appeared to have come to the same conclusion.

She moved closer to Reynolds. The bells on her wings jingled. “Just ignore him.”

He allowed his gaze to flick back at the mirror. The man was still there, head cocked to the side. Listening.

“Shh, shh,” Reynolds whispered, grabbing hold of his wife, keeping her costume still.

“What’s wrong?” she asked, looking vaguely annoyed.

“I think he’s listening.”

She pulled herself away, straightening her dress. “Who is he?”

“I saw him downstairs.”

“The mirror is closed, right?”

“Yes . . .”

“So who cares? Let him listen. He can’t get in here, anyway.”

His wife had always been the adventurous one. Reynolds went to the window and looked out again. The garden stretched before him, glowing in the moonlight. Greeley had vanished. Then from the darkness came a sharp, piercing cry.

Betsy grabbed his arm tight. “What was that?”

He knew what they’d heard had been a scream.

But had the sound been real? Livingston might be up to some kind of trick. Turn out the lights, then try to scare everyone. Exactly his idea of a joke. On the other hand, the scream had struck him as authentic. So either Livingston had brought in a very motivated and talented actor for the part, or . . . or what?

Or, Reynolds thought, it was genuine. In which case . . .

From the other side of the mirror, out in the library, came a dull thump. He turned quickly from the window and looked through the mirror. The plague doctor had vanished, but Reynolds had seen something move. Gone in an instant behind the doorframe, beyond their line of sight. But in that moment, Reynolds had registered two feet, limp, dragging as someone out of sight pulled along the body of their owner.

Something that caught the light had congealed on the floor, there at the rug’s edge. Reynolds pressed his face against the glass and strained to see.

Was that blood?

“What is it?” Betsy asked. “What do you see?”

“I don’t know,” Reynolds replied. Then he surprised himself by saying, “But stay here. I’m going to go look.”

Did I really just say that? Martin Reynolds by no means considered himself brave. He’d flushed a rabid raccoon out from underneath their porch with a 7-iron once last summer, but this was a far cry from that. Any other time, he would have stayed safely hidden with his wife behind the mirror. But something about the feel of his wife against him had gotten Reynolds’s testosterone going and he suddenly felt that most dangerous of all male emotions, the need to prove something.

The Glock sat silent on the bureau, its black metal bursting with the possibility of violence. He thought of sliding it back into his holster, but he was a coward at heart. And cowards did stupid things when it came to guns. He didn’t want to shoot someone accidently, some poor domestic Synthate or, even worse, one of the other guests. Better to run than fight. That was his way.

Reynolds pressed the remote and the mirror swung slowly open, an effect akin to breaking a seal. Suddenly he could hear all the lower-register noises that had been inaudible inside the sealed room. The tick of the clock in the library. The hum of the lamp. And in the far distance, he heard a door slam.

“Stay here. Keep quiet,” Reynolds said. “I’ll be back.”

Unarmed, he stepped out into the library. The room was empty. Behind him, the mirror swung back into place. Now nothing but his own reflection showed in the glass. Betsy was suddenly invisible. Pausing, he listened. Nothing. He peeked around the door. The hall was empty in both directions.

Turning his attention to the floor, he saw a dark streak along the carpet. He bent and touched the stain. His fingers came away red. Blood. No doubt. He remembered the man in the mask. And the feet being dragged. He should call the police.

But Livingston was a strange man. The entire evening might be just an elaborate bit of theater. If Livingston knew where the Reynoldses were hiding, he could have staged a series of scenes on the other side of the mirror, intending to frighten his old college buddy. Such actions seemed implausible and made no sense, but Reynolds wouldn’t put it past him.

The bloodstains streaked down the hall before turning right and disappearing around a corner. If Livingston was playing a trick, he was certainly going to a lot of effort. And if Livingston was trying to frighten his guest, it was starting to work. Reynolds’s heart thumped rather painfully in his chest while a slow chill crept the length of his neck. Suddenly he was aware of how alone he felt in the big old house. But he pushed forward, not wanting to give Livingston the satisfaction of winning whatever little game he was playing.

“I’ll track you down, old friend,” Reynolds said to himself as he began following the wet stains. “We’ll see how this turns out.”

Blood streaks wound back and forth along the carpet like the marks of a snake over sand. At the end of the hall, he turned and tracked them to the end of a second corridor. There was no sign of other Seekers.

The streaks proceeded on and on. The blood pooled on marble floors and beaded on parquet. Livingston was ruining parts of his house with this little joke.

Then the streaks disappeared.

The marks led to large, closed double doors, vanishing beneath them. End of the line. A single beam of light shone through the keyhole below the brass knob. Quietly, Reynolds crept up to the door and placed his ear against it. From inside he heard footsteps. Livingston, I’ve got you now. Slowly he lowered himself into a crouch, then put his eye against the keyhole and peered inside.

It wasn’t Livingston.

The room was a study. Bookshelves lined a back wall, against which a shadow suddenly fell. A man stood, his arm upraised. Reynolds followed the source of the light. A lamp on an end table. The plague doctor was there, blocking the light from the lamp. He held a long, curving sickle. Greeley was there, too. The security man lay half propped up on the wall, the red stains ending at him, blood pooled all around his body. The sickle was lacquered in dripping blood. The costumed figure looked down at Greeley’s body, tapping the sickle against his leg until blood seeped into the fabric of his robe.

Reynolds fell forward slightly, in shock. His forehead hit the doorknob and the metal rattled. The plague doctor spun toward the sound. Listening and still tapping the sickle against his leg, he moved toward the door.

Reynolds pulled back from the keyhole. He had a strange urge to stand in place. Wait for the double doors to open and see what came out. Or at least bend down before the keyhole again, his rational side telling him to make sure he’d really seen what he’d seen and that the whole thing wasn’t just some fantastical delusion wrought by the circumstances. No. There was a better solution.

Turn and run.

He headed back down the way he’d come. Behind him he heard the telltale sound of doors opening, then footsteps behind across the marble floor. He ignored what he heard. Ignored the hideous evidence of somebody chasing him. Keep moving. Now the final stretch was in front of him. He moved quickly, his pursuer climbing the stairs after him.

As Reynolds entered the library, he slipped open his sync. The mirror beckoned at the far end and he sprinted for it. He pulled hard on the gilded frame. Nothing happened. He pulled again in a panic. His sync slipped from his hand and skipped across the floor. The mirror was still tight shut. The footsteps in the hall were loud now, the terrifying figure getting closer and closer. Dear God. The pounding of Reynolds’s heart seemed to him as loud as the approaching footfalls.

All at once the mirror slid open and his wife’s hand pulled him into the secret room. The mirror shut behind him and locked. There in the darkness, trying to control his breath, his heart continued to ripple painfully. He turned and looked out through the glass, back into the library.

Empty.

“Jesus, what happened?” Betsy hissed. “What’s wrong?”

Reynolds shook his head. “Quiet. He’s coming.”

He kept his eye on the library’s doorway. Watching. Watching.

Then a figure appeared. The terribly long nose, the black eyes of the plague doctor. He stopped for a moment in the doorway, then turned and kept walking, disappearing from view. What was happening in Reynolds’s chest felt like a heart attack. But then the pain dropped so hard into his stomach he felt he was going to be sick.

“Who was that?” Betsy asked, her eyes wide and scared.

“Call the police.” Reynolds’s voice wavered and Betsy froze. “I dropped my sync. Call the police now!”

She looked around, thoroughly frightened by the tone of his voice. Obediently she dialed the numbers.

“Where’s yours?”

Reynolds looked out and saw his sync on the library floor. He stared hard at it, attempting to somehow will it back into his possession. Betsy handed her sync to Reynolds. The operator’s voice picked up after the second ring, curt and impersonal.

“911, what’s your emergency?”

Forced to speak, Reynolds breathed deeply and tried to gather his words. “We need help, there’s someone here, there’s a man, trying to kill us. I’m at 578 Fifth Avenue, the townhouse, fifth floor.”

“You need the police?”

“Yes . . . please . . . right away . . .”

“Stay on the line, sir,” the operator responded.

Betsy pressed hard against Reynolds, her mouth very small and tight as she stared at something through the glass and into the room beyond.

“What is it?” Reynolds asked.

“He knows.”

Reynolds knew they had come for him. They had found out about his work. He had done his best to keep it secret, but he had always known this moment would come. He had just hoped it wouldn’t be when he was with Betsy. Reynolds reached into his waistband. They had left him no choice.

The 911 operator came back on the line. “Are you there, sir?”

“Yes.” Reynolds whispered. “There’s been a murder. He’s here now. I’m looking at him.”

“Where are you and your wife hiding?”

Reynolds opened his mouth to respond, then a warning flashed in his mind. Something was not right.

“What did you say?”

“Where in the house are you and your wife hiding?”

My wife. I never told the operator I was with my wife. His mind moved sluggishly. The voice on the sync. Someone who had seen him at the party with his wife. Someone who knew who he was. Someone who couldn’t be a 911 operator.

“Why do you want to know where we’re hiding?” Reynolds asked.

Pause.

Click.

Reynolds felt suddenly calm.

There would be no more waiting. No more secrets.

He lifted the old Glock 9mm handgun from the bureau. The weapon felt strange in his hands. Betsy stared at him, her eyes wide. “What are you doing with that?”

“They found me out.”

“Who found you out?”

“Who do you think?” Reynolds tried to remember how to flick off the safety on the weapon.

“Oh God. Where is it?”

“Hidden,” Reynolds said. “Safe for now.”

In the library, the masked figure stopped and stared down at Reynolds’s sync. Slowly he bent down, picked it up, and inspected the screen. He pressed the device with his thumb, then seemed to wait.
Reynolds suddenly knew what the man was waiting for, but he was too slow to react. In his hand, Betsy’s sync came alive and a shrill ring filled the small space. The man’s head slowly swiveled toward the sound as Reynolds’s sync fell from his fingers.

He approached the mirror and stared at it. Up close, Reynolds could see flecks of blood on the leather mask. Only feet from them, the man ran the point of the sickle over the glass. His wife pressed herself against Reynolds again. The little bells on her wings tinkled. The blade on the mirror screeched. Reynolds’s adrenaline surged as his focus narrowed to a single smudge on the unblemished glass. A fingerprint. His own that he had left behind.

The man in the mask saw the mark at the same time. The movement of the blade stopped. Slowly, he lifted the sickle, then the blade hissed down. The glass shattered and the man stepped through the broken frame, gripping the blade in his hand.

Reynolds closed his eyes, his finger tightening on the trigger, and fired.

 

 

FOG! Chats With ‘Milton’s Secret’ Writer/Director Barnet Bain

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Filmmaker and author Barnet Bain built his career telling spiritually themed stories. His film credits include What Dreams May Come, Homeless to Harvard and The Celestine Prophecy. Through his creativity workshops, Barnet guides people of all ages and walks of life to expand their vision of what is possible, and develop their gifts and talents with passion. He is the author of The Book of Doing and Being: Rediscovering Creativity in Life, Love and Work and The Third Story: Awakening the Love that Transforms.

His newest film, Milton’s Secret, based on the nook by Eckhart Tolle, focuses on twelve-year-old Milton Adams (William Ainscough), who feels his world is in crisis. With his parents (Mia Kirshner & David Sutcliffe) stressing about their careers and finances, and the neighborhood bully (Percy Hynes-White) tormenting him, he is constantly anxious. But when Milton’s optimistic Grandpa (Donald Sutherland) comes to visit, he learns the secret to finding true happiness from a man who has seen the world and who has committed to living life in the ‘now’.

Barnet took some time to discuss the film with FOG!

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FOG!: You’ve produced, written and directed before, but your new film, Milton’s Secret, is the first one you’ve done all three. Tell me about the film.

Barnet Bain: The movie is based on a work of juvenile lit meant for very young children. I saw galleys from the publisher, and thought it would make a great adult story about families and the uncertain times families live in. I met with Eckhart Tolle, who I had heard of, of course, and he encouraged me to go forward. It’s not obvious subject matter for the film establishment, so I more or less had to wear a lot of hats, at least at first.

I think it’s fair to say that much of your work can be classified as inspirational. Why do you feel inspiration is important and how has film inspired you?

When inspiration collapses, some grim things happen. We rely more on conventional wisdom. fashion and societal norms. And instead of inspiration, we participate in a kind of group think. Next hope and vision atrophy. Both are indispensable. Finally dogma increasingly substitutes for dialog. We see this so clearly in our political season. Pundits speak loudly, but do not listen, no viewpoints are changed. In all this we lose a sense of compassion and empathy. This lack of inspiration is at the root of so many great challenges in our world. That’s why inspiration matters. And cinema is among the greatest tools we have for rekindling the flame.

Milton’s Secret deals with bullying. What about this subject resonated with you?

There is the obvious violence of bullying, of course. But more subtle is the violence we do to ourselves first, and then to others as a result of our internal ‘self-talk’: you’re not good enough, smart enough, white enough, black enough, rich enough, American enough…enough. The physical violence always starts from there, whether you are a child on the playground or a billionaire banker on Wall Street. We can’t address what we don’t own about ourselves — and that felt like a very good premise to build a movie upon.

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Donald Sutherland delivers a warm performance as Milton’s Grandfather, Howard. In recent years, the actor hasn’t portrayed many characters that have been particularly kind or charming. Was it difficult to convince him to take on the role?

Donald received the script, and two days later he sent me an email. He said he went to sleep, and when he woke up next morning, his character–Stewart Howard’s slippers were already parked under his bed. So that was that. He fell in love with the role. He said he had been waiting for Stewart Howard for years. In fact, last day, we were both a little sad. Finally Donald admitted to me, I’m not ready to be done with Stewart.

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You’re also a strong advocate of creativity. Do you think that there is a general lack of creativity in modern society?

Yes. I call it structured imagination. We are products of other people’s songs, tv shows, advertising, politics, educations, religious outlooks, moneyed interests. Tragically, the first thing to be sacrificed is creative training — art, music, drama — precisely the disciplines that inform us with empathy and compassion for others.

What are you currently geeking out over?

Trees. Trees and rocks. Specifically the silence of… Stillness of…

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Milton’s Secret opens in theaters and On Demand, September 30th

First Look: Bank Robbers + Romance = ‘Violent Love’

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vl1_smallcoverCreators Frank J. Barbiere (FIVE GHOSTS, The Revisionist) and artist Victor Santos (THE MICE TEMPLAR, Polar) team up for a fresh, pulp-infused criminal romance in VIOLENT LOVE. The new ongoing series is set to launch from Image Comics this November.

In VIOLENT LOVE, readers meet Daisy Jane and Rock Bradley—two of the most notorious bank robbers in the American Southwest. And then they fell in love.

Violent Love is a dream project for me in a lot of ways. First and foremost, I think Victor is one of the most talented graphic storytellers around, and it’s an honor to be collaborating with him and have him as my co-creator on Violent Love,” said Barbiere. “I’m also thrilled to be back at Image where I launched my career in comics. I’m a big fan of crime in comics, and I think it’s very important to find something new and interesting to say within the genre. With Violent Love, we’re bringing a unique style, story structure, and romantic angle to crime comics—we can’t wait for you to fall in love with these characters and see where our story goes.”

Santos added: “My first work in the U.S. was at Image—a graphic novel titled Zombee. This was ten years ago, Image was different but promising. Later I worked on Mice Templar for almost five years. I am proud of how Image has been linked to my career, always giving me the chance to develop personal projects. Now with Violent Love, I am a more experienced artist and can again work with a close collaborator—a talented writer and a good friend—on the kind of stories I love to do and read. This book has the big words: Romance, Crime, Violence, Betrayal, and Love. I’m sure you’ll fall in love with this couple of rebel souls.”

VIOLENT LOVE begins the adventure with a double-sized issue that oozes style and will rope readers in with its fast-paced action.

 

1 2 3 4 5 6-7 8VIOLENT LOVE #1 Cover A (Diamond Code SEP160635) and Cover B (Diamond Code SEP160636) will hit comic book stores on Wednesday, November 9th.
The final order cutoff deadline for retailers is Monday, October 17th.

Hasslein Books Publishes ‘Watching Time: The Unauthorized Watchmen Chronology’

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watching_timeIn 1986, the comic-book world experienced a profound paradigm shift, thanks to writer Alan Moore and artist Dave Gibbons. Gone were the long-held notions that crime-fighters always did the morally right thing for the intellectually right reason, that heroes and villains were rigidly defined constants, that good always prevailed over evil, and that happy endings were a foregone conclusion. In their place, there was Watchmen.

Since the release of Moore’s seminal deconstruction of the superhero genre, others have revisited Watchmen‘s dystopian setting in the form of a film adaptation, role-playing books, prequel comics, and multiple video games, all built upon the foundation that Moore and Gibbons laid down thirty years ago. With DC Comics soon to bring Watchmen‘s characters into its mainstream continuity, and with a Watchmen TV show reportedly in the works, it’s time to reexamine all that has come before.

Rich Handley’s Watching Time: The Unauthorized Watchmen Chronology, now available from Hasslein Books, offers:

  • A detailed history encapsulating every recorded event from all corners of the franchise—not only the comics, games, film, and RPG books, but also viral videos and websites, trading cards, unproduced scripts, and other ancillary sources, some quite obscure.
  • A mini-“crimeline” summarizing the careers of masked crime-fighters and supervillains throughout Watchmen history.
  • A foreword by noted comic guru Brian Cronin of “Comic Book Legends Revealed” fame, whose thousands of meticulously researched articles have enthralled comics fans for years.
  • A nostalgic essay by Duy Tano, creator of the popular blog The Comics Cube, explaining why Watchmen is simultaneously dated and timeless.
  • And a gallery showcasing more than 250 covers from the Watchmen comics, trade-paperback collections, DVDs, Blu-rays, reference books, and video games.

Designed both for long-time and new fans alike, Watching Time tells you everything you need to know about Alan Moore’s highly influential and Hugo Award-winning epic and its spinoffs. The book is now available at Amazon, CreateSpace, and Barnes & Noble. For more information or to place an order, visit hassleinbooks.com/pages/book_watchmen.php.

 

About the Author
Rich Handley’s previous works include Planet of the Apes: Tales From the Forbidden Zone for Titan Books; Timeline of the Planet of the Apes, Lexicon of the Planet of the Apes, The Back to the Future Chronology, and The Back to the Future Lexicon for Hasslein Books; The Sacred Scrolls: Comics on the Planet of the Apes, Bright Eyes, Ape City: Examining the Planet of the Apes Mythos, A Long Time Ago: Exploring the Star Wars Cinematic Universe, A Galaxy Far, Far Away: Exploring Star Wars Comics, A More Civilized Age: Exploring the Star Wars Expanded Universe, and New Life and New Civilizations: Exploring Star Trek Comics for Sequart; and IDW’s five Star Trek comic strip hardcover reprint books.

About Hasslein Books
Hasslein Books (hassleinbooks.com) is a New York-based independent publisher of reference guides by geeks, for geeks. In addition to Watching Time, its lineup includes unauthorized genre-based reference books based on Planet of the Apes, Back to the Future, Red Dwarf, and Doctor Who, with future volumes slated to feature G.I. Joe, Alien vs. Predator, James Bond, and more. To stay informed regarding the company’s projects, follow Hasslein Books online at facebook.com/hassleinbooks, twitter.com/hassleinbooks, and hassleinbooks.blogspot.com.

Diamond Select Toys On Sale This Week: Dark Knights, Ghostbusters and Nightmares!

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October is just around the corner, but this week is already a spooky one at your local comic shop!

That’s because this week Diamond Select Toys ships out a bunch of scary (and scary good) products, including new action figures from The Nightmare Before Christmas, new Minimates of the new Ghostbusters, new busts based on the Dark Knight, and bottle openers from Predator and Harley Quinn!

Check below for details, then reserve your set at your local comic shop!

 

Batman The Animated Series Dark Knight Batman and Robin Resin Busts

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A Diamond Select Toys release! In Gotham City, there are many stories about Batman, and in nearly every story there is a Robin. These resin busts of Batman and Robin are based on a child’s story about the dynamic duo, as seen in the Batman: The Animated Series episode “Legends of the Dark Knight.” Inspired by the classic comic book storyline, the episode showed a bigger, more brutal Batman and his new Robin, Carrie Kelly, taking on mutants in a dystopic future Gotham City. Dark Knight Batman measures over 6 inches tall, while Dark Knight Robin measures approximately 5 inches tall; both are in scale to other Batman: TAS busts, and each sits atop an art-deco pedestal inspired by Gotham City architecture. Each bust is limited to only 3,000 pieces, and comes packaged with a certificate of authenticity in a full-color box.

  • Dark Knight Batman Bust (Item #APR162605, SRP: $59.99)
  • Dark Knight Robin Bust (Item #APR162606, SRP: $59.99)

 

Batman The Animated Series Harley Quinn Figural Metal Bottle Opener

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A Diamond Select Toys release! If she can bust the Joker out of Arkham Asylum, then she can open your bottle! Based on her appearance in Batman: The Animated Series, this sculpted metal bottle opener of Harley Quinn holding her oversized hammer can remove any bottle cap faster than you can say “puddin’”! A must-have for any Harley Quinn fan, or giant mallet enthusiast! Measuring approximately 5 inches long, it comes packaged in a full-color collector slipcase.  (Item #MAY162403, SRP: $18.00)

 

Ghostbusters 2016 Movie Minimates 2-Packs Asst.

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A Diamond Select Toys release! We’re getting a new Ghostbusters movie, with a new Ghostbusters team, and now we’re getting new Ghostbusters Minimates! The new Ghostbusters team is presented in four new two-packs, including Erin Gilbert with Jillian Holtzman, Abby Yates with Rowan’s Ghost, Patty Tolan with Slimer and a rare, one-per-case set of Slimed Patty with a ghost to be revealed! Each Minimates mini-figure features up to 14 points of articulation and fully interchangeable parts. In scale to all Ghostbusters and Real Ghostbusters Minimates! (Item #APR162600, SRP: $9.99/2-pack)

 

Lost In Space Anti-Matter B9 Robot With Lights & Sounds

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A Diamond Select Toys release! Warning, warning! Diamond Select Toys has taken their 10-inch rendition of B9, the friendly helper robot from Lost in Space, and transported it to another dimension! This Anti-Matter version features an all-new paint scheme, as seen in the episode “The Anti-Matter Man,” and features lights and sounds taken straight from the classic sci-fi TV show. Lights on his head and chest blink constantly while B9 is on, and additional lights and all-new “anti-matter” dialogue are triggered with the push of a button, including “This is the opposite world,” “So you’re the goody-goody one,” and “I don’t need help from you, punk – get lost!” You can also manually raise and lower his head, open and close his claws, extend his arms and turn his torso to the left and right. He even has wheels so you can roll him around! Comes packaged in full-color window box with try-me feature. (Item #MAY162392, SRP: $49.99)

 

Marvel Minimates Series 68 Giant-Sized X-Men 2-Pack Asst.

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A Diamond Select Toys release! In 2004, DST released the original Giant-Sized X-Men box set, and it helped establish the Marvel Minimates line as one of the most comprehensive Marvel toy lines in existence. Now, 12 years later, DST is revisiting Giant-Sized X-Men #1 as a new series of two-packs, with new parts, updated characters and never-before-seen costumes! Two-packs include Wolverine with Thunderbird, Cyclops with Banshee (in his first-ever green costume), Colossus with Nightcrawler, and Storm with Sunfire (in his first-ever classic costume)! Each 2-inch Minimates mini-figure features 14 points of articulation, a display base and fully interchangeable parts, including alternate capes for Storm, and faces for Nightcrawler! Each two-pack is packaged in a full-color window box. (Item #APR162614, $9.99/ea.)

 

Nightmare Before Christmas Select Action Figures Series 2

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A Diamond Select Toys release! One of the hottest toy lines of 2015 returns for another series! Picking up where Series 1 left off, Series 2 of Nightmare Before Christmas Select action figures features Santa Jack, the Mayor and Dr. Finkelstein, each in an approximately 7-inch scale. Dr. Finkelstein includes a rolling wheelchair,   and Santa Jack comes with his sack of presents. Each figure also includes a piece of a courtyard diorama – collect all five pieces to build the courtyard and fountain! Each figure features multiple points of articulation, and comes packaged in display-ready Select packaging, with side panel artwork. Sculpted by Dave Cortes!

  • Santa Jack Figure (#APR162624, SRP: $24.99/ea.)
  • Mayor Figure (#APR162625, SRP: $24.99/ea.)
  • Dr. Finkelstein Figure (#APR162626, SRP: $24.99/ea.)

 

Predator 2 Smart Disc Metal Bottle Opener

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A Diamond Select Toys release! First seen in the sequel film Predator 2, the glaive weapon has become an iconic part of the Predator’s arsenal. Molded to a Predator’s grip and able to be thrown great distances, the glaive can cut through almost anything – and now it can open your bottles for you! This approximately 3-inch diameter bottle opener is modeled after the glaive as it appeared on screen, made of solid metal, and has magnets on the back so it can stick to your refrigerator or trophy case until you need it. Packaged in a collector case with a full-color sleeve. (Item #MAY162394, SRP: $18.00)

 

Find your nearest comic shop at comicshoplocator.com!


NY Comic Con Hosts First-Look Panel For ‘Justice League Dark’ With Matt Ryan and Jason O’Mara

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jldark-foursome-nyccWarner Bros. Home Entertainment proudly makes its annual unveiling of the next DC Universe Original Movie exclusively for New York Comic Con fans when Justice League Dark actors and filmmakers takes the Main Stage of the Javits Center on Saturday, October 8 at 4:45pm.

The spotlight panel will include the first official film footage from the all-new animated Justice League Dark, and an enthralling discussion led actors Matt Ryan and Jason O’Mara alongside the filmmaking trio of producer James Tucker, director Jay Oliva and character designer Phil Bourassa.

Justice League Dark introduces Constantine (voiced by Matt Ryan) to the DCU animated realm, as well as his pals Zatanna, Deadman & Swamp Thing fighting alongside Batman (Jason O’Mara).

Produced by DC Entertainment and Warner Bros. Animation, Justice League Dark arrives from Warner Bros. Home Entertainment on Blu-ray/DVD/Digital HD in early 2017.

Warner Bros. Home Entertainment will open its weekend festivities with the World Premiere of Batman: Return of the Caped Crusaders. The full-length animated Batman feature film will screen on Thursday, October 6 at 5:30pm on the Main Stage at New York Comic Con, followed by an entertaining panel discussion amongst Adam West (Batman), director Rick Morales and screenwriters Michael Jelenic and James Tucker. Tucker and Jelenic also serve as Supervising Producer and Producer, respectively, on the film. Warner Bros. Animation President and the film’s Executive Producer Sam Register will moderate the panel.

Fans unable to attend New York Comic Con have several opportunities to see Batman: Return of the Caped Crusaders – first in Fathom Events screenings on Monday, October 10. The film will be available to own on Digital HD on October 11, and the Blu-ray Combo Pack and DVD street on November 1.

Boston Cinegeeks! We’re Giving Away Passes To ‘The Accountant’

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THE ACCOUNTANT is a smart, dramatic thriller starring Ben Affleck as a math savant with more affinity for numbers than people.  Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. After taking on a seemingly legitimate client, he uncovers a discrepancy that takes him on an action-packed ride of, intrigue, secrets and a rising body count… proving he is no ordinary accountant.

The film also stars Anna Kendrick , J.K. Simmons, Jon Bernthal, Jean Smart, Cynthia Addai-Robinson, Jeffrey Tambor and John Lithgow.  It  is directed by Gavin O’ Connor (“Warrior”).

For your chance to download passes to the advance screening of THE ACCOUNTANT on Monday, October 10th at AMC Boston Common click here:

http://www.wbtickets.com/hSfyr77917

Remember, seating is first come, first serve and not guaranteed.

‘Moonlight’ (review)

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Produced by Adele Romanski,
Dede Gardner,
Jeremy Kleiner
Story by Tarell Alvin McCraney
Written and Directed by Barry Jenkins
Starring Trevante Rhodes, André Holland,
Janelle Monáe, Ashton Sanders, Jharrel Jerome,
Naomie Harris, Mahershala Ali, Alex Hibbert

Moonlight is a great film.  Actually, it’s more than that, it’s important, beautiful, refreshing and real.  It is transcendent filmmaking.

I apologize for the hyperbole in advance, but believe this hype.  There will be more to come as it plays more festivals, opens theatrically and ultimately/probably scores some awards.

Written and directed by Barry Jenkins, inspired by a play by Tarell Alvin McCraney, this Miami-set drama is a coming of age film set during three distinct moments in the life of its subject Chiron.

As a boy, as a teen and as an adult, Chiron is flawlessly cast by three fantastic actors (Alex Hibbert, Ashton Sanders, and Trevante Rhodes), who make the sprawling narrative so successful.

On a similar track, the director has assembled three actors (André Holland, Jharrel Jerome, Jaden Piner) to portray Kevin, who we learn to be a major presence in Chiron’s life.

Jenkins divides the film also into three chapter headers, taken from different identities Chiron is either labeled as by others.  Or is it perhaps that he’s somewhat adapted for these labels for himself, unsure of who he is or what he can become. It doesn’t take long to realize Chiron is one of the saddest, most heartbreaking leading characters you’ve ever followed on film.

Bringing to mind the free-flow visual emotion of several Terrence Malick movies, Moonlight‘s fly-on-the-wall intimacy is engulfing.

Over neon-lit interiors and blazing sun-lit exteriors, we journey alongside Chiron’s coming of age—poor, Black, and gay.  But throughout the tale, there’s an internal struggle going on.  Chiron chooses silence and constraint, for most of his pre-adult life, so it’s all the more fascinating to experience the resulting third act.

The film’s supporting cast includes Mahershala Ali as an early role model/father figure, albeit neighborhood drug lord.  Janelle Monáe makes her feature acting debut as the equally compassionate girlfriend to Ali’s character.  But the rawest emotional counterpoint comes from Naomie Harris as Chiron’s single-mom.

And then there’s the unbilled character on screen throughout the entire story—love.  Love unfulfilled, love earned, love redeemed, love misunderstood, love rekindled.  Ultimately, we learn, this is a love story.  Unlike so many romance movies that have come before, yet refreshingly familiar enough to rank among the best of past.

 

Moonlight plays at the 54th New York Film Festival on Sunday, October 2nd and Monday, October 3rd.
Tickets are currently stand-by only. Click here for showtimes, tickets and more information.
The film is scheduled to be released nationwide on October 21, 2016, by A24.

Video Game Releases I’m Excited For This Fall

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Summer is nearing its end and now is the time for me to rejoice. The air is as crisp as the leaves I crunch loudly beneath my boot adorned feet. I start to look forward to the upcoming colours of the season, the reds and oranges, prepping my Halloween costume, carving a pumpkin, enveloping myself in a scarf as long as the Fourth Doctor’s, fireworks displays, eating hearty stews and drinking hot chocolate EVERY DAY!

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Perhaps another reason I adore Autumn (or Fall *whispers* ‘Autumn’ sounds better) is the fact it coincides with big video game releases. Games companies use the Autumnal months to push their games in a bid to drive Black Friday and Christmas gift sales. While this may just be a heavy handed marketing tactic in the interest of increased profit margins *shakes fist in air at capitalism*, it’s a pretty amazing time for gamers.

Most of the big games expos and shows have been and gone, these events spark our interest in upcoming releases but now up until Christmas is the time that most will be released.

I’m feeling enthused and reinvigorated because I really do love this time of the year so I thought I’d write about the upcoming releases of the season that have me excited the most.

 

Pokémon Sun and Pokémon Moon

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If you’ve read my previous posts on the site you’ll know that while I don’t condone keeping animals in tiny enclosed spaces and forcing them to fight for me I do enjoy the Pokémon games and I really enjoyed Niantic’s Pokémon GO which I’m still playing regularly.

However, I recently came across my old Nintendo DS while clearing out some old games which reminded me just how much I enjoy playing on handheld consoles, of course that alongside Pokémon GO reignited my interest in Pokémon games in general. Perfect timing, as a mere day after my birthday this year (yet another reason I’m excited), Pokémon Sun and Moon will be released!

Very little has been revealed about the two upcoming titles but there are alleged rumours and a lot of speculation about mega-evolutions including a possible, additional Eevee evolution. Nintendo, who are staying fairly quiet on the subject, have revealed 6 new Pokémon and suggested there will be “new version exclusive creatures” featured in the two games, whether this refers to the new 6 or to new evolutions is yet to be seen.

Let’s be honest though, if there turns out to be an additional Eevee evolution (they did show Pikachu and Eevee Z-moves in the trailer after all) then I’m sold on that alone!

 

Dishonored 2

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I can’t begin to tell you how excited I am for this title. Years ago, I complained about the games industry’s lack of new IP and how the market was flooded with sequels. Then Dishonored came along and I was not only appeased but also incredibly happy because this game was bloody brilliant! It’s a magical stealth-based action game set in a dystopian, plague ridden steampunk world where you play as Corvo Attano, bodyguard to the Empress of the Isles.

Not only can you control swarms of rats to consume your enemies, in this tale of revenge you’re also part of a resistance trying to save your home from evil, corrupt politicians who framed you for the murder of the Empress and kidnapped her daughter.

I’m excited to see the next installment, which is released in November and equally excited about the option to play as Corvo again or as new Empress Emily Kaldwin. I like the fact I’ll have the option to choose my character, even if it is only limited to two of them.

The chaos system is also making a return, which can change the game visually and thematically based on your actions. If you take too many lives, your cities are darker, more plague ridden and can affect conversation choices and change the story. I loved this system and found it an interesting way to utilise morality.

It will also feature voice acting from Rosario Dawson, Vincent D’Onofrio and Sam Rockwell and thats just to name a few! Its predecessor also featured big names (Lena Headey, Susan Sarandon, Michael Madsen, Carrie Fisher, Chloe Grace Moretz and Brad Dourif) and it definitely didn’t disappoint.

 

Titanfall 2

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Yes, another sequel *cue cries of hypocrisy*, but Titanfall is another of those games that was released as a new IP at a time where sequels dominated the market and it was a fun game so I’m pleased there’s a second on the way. Giant stomp-y mechs and parkour wall running antics made this game so much fun that you could easily forgive the lack of single player mode or storyline which to be honest, I paid no attention to as it was just background noise!

My friends and I have a running joke about the words “off-the-grid” and often shout the name “Macallan!” at one another because that’s as much of the story we remembered…I mean I guess Macallan must be a main character or something, but who knows?

Why am I so excited for a game that has next to no storyline? Well, it’s the fast-paced action and free-running that sells it for me, that and I’m a sucker for giant stomp-y battle mechs. I love Japanese culture and anime. Part of the reason I will happily defend Pacific Rim from naysayers is because I saw it as a love letter to anime and it featured all the tropes that anime often perpetuates. Seriously though, the short-lived, fast paced battles that made it incredibly fun to play online with your friends. An in a way, the lack of story meant there was no distraction.

Customisation of your Titans was a nice touch too, I enjoyed naming mine after Shakespearean plays or characters, though I’m hoping to see even more customisation in Titanfall 2, in a game which is online focused, I’d like to adorn my Titan with as many distinguishable features as possible.

Titanfall 2 has introduced a single player mode, which suggests the non-story will improve and means gamers who don’t play online can enjoy it too. It’s also set to feature lots more cool weapons such as a grappling gun to slingshot pilots or to grip your enemies and a pulse blade which is essentially a throwing knife that reveals the location of nearby enemies. I’m hopeful it will be an improvement on the original. Plus, it’s released a couple of weeks before my birthday…I know what’s going on my list!

 

Sid Meier’s Civilization VI

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Sid Meier has a rule when it comes to sequels, the “33/33/33” rule, which means 33% of the game should retain the systems that were established by the predecessor, 33% of the game should feature improved systems and the remaining 33% should be used for entirely new material.

This perhaps, explains the success behind the Civilisation series and is why I am excited for the upcoming release this October.

New ways to customise your cities and how they interact with their surroundings is one of the new features to look forward to. In the previous two games, stacks were done away with and replaced with a one unit, one tile rule. Well, in VI the Wonders are no longer able to be placed on the same single tile as the city they’re built in.

Additionally, the terrain bonuses make more sense in that mountainous areas will provide bonuses to religion and science because naturally scientists would want to study the rocks and the skies whereas religious factions might want to feel closer to their Gods. Because of this you’re now able to place pins on tiles to remind yourself what you should build there in future, this is a feature I really like as alongside all the diplomacy and advancement of it all, I do like me some forward planning and organisation.

You must also be more pro-active to advance your technology, instead of selecting a subject and waiting ages for your scientists and scholars to figure it out, your actions now come into play, for example if you want to excel at sea warfare and advance in seafaring then you receive a boost if your city is on the coast.

This dynamic means it’s much more realistic, though I really hope it doesn’t get too realistic, I don’t like the idea of selling arms to other warring civilisations. Then again, Gandhi being technologically obsessed with nukes in past games feels me with hope that this won’t be a feature.

 

Star Trek Bridge Crew VR

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I’m as surprised as you that I’m featuring a VR title but as a Trek fan, I am genuinely psyched about this and though I haven’t got the funds to purchase any VR technology, I’m hoping in a year or two, the technology will lower in price. Fortunately, I have friends who can afford to own their own VR headsets who I’m sure will let me play this title if I ask nicely and bake a batch of brownies. Ah bribery, that’s how friendship works right?

Ultimately this is an example of pure fan service. I can’t imagine non-Trekkies really caring about this title so if you’re one of those people then I apologise for next few paragraphs…but I also don’t!

One of the most exciting features about this game is that each player has their own responsibilities (and let’s face it, limitations) which means you all have to work in perfect harmony. It’s the team building exercise to destroy all others…or it could be the friendship ending exercise but let’s not dwell on negativity here!

The captain must have perfect knowledge of the ship and all of its features, the specifics of each mission and, and…oh my God, I’ve just realised it’s basically your own Kobayashi Maru test!

*runs away to have full on geek out*

*returns and takes a deep breath*

The controls look to be incredibly intuitive too and if you choose to, you can ball up your fist and shake it in the air at your fellow players…or even a finger or two depending on the situation.

Though let’s be honest, I just want to shout “ENGAGE!” or “Shields up!” to indulge in my own fantasy of being in Starfleet; exploring, peace-keeping, defending and researching the galaxy for the Federation!

 

You see, this is why I love Autumn! Great games, golden leaves, delicious food and perfect weather for spending time holed up inside playing new releases in warm pyjamas and cosy socks!

Right, I’m off to plan this years Halloween costume but until next time, let us know what upcoming releases you’re most excited about in the comments section below.

FOG! Celebrates The Iron Throne Weekend at King Richard’s Faire

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It’s that time of year again. Fall! Cool mornings, apple picking, Pumpkin Spice flavor in everything known to man, and the return of King Richard’s Faire.  Held on the border of cranberry country in Carver, Massachusetts King Richard’s Faire lets you taste the Renaissance era without out all of those pesky plagues and wars.

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Grab a map on your way in and explore the kingdom.  There are 11 stages sprinkled throughout the woods with a variety of entertainment from family friendly shows to bawdy entertainment that might require parents to answer some questions on the ride home.  There are pony rides and animal shows.  You can test your own knight’s prowess throwing axes, knives, or knocking back some arrows at the gaming glen. If you are good, you could win your own knighthood.

And no King Richard’s Faire experience would be complete without seeing at least one of the Jousts.

img_5958You say, “But, oh I have nothing to wear!”  Costumes are not required, but if the costume bug bites you, there is both a costume rental booth and for a more permanent solution a number of vendors who are ready to deck you out in the most colorful of clothing.

The food can be a bit on the pricey side, but is worth it for the novelty of a glass of honey mead and a turkey leg big enough to club your neighbor.  Vegetarians need not fear, the King’s kitchen offer more than just side dishes for their dining pleasure.

As King Richard’s Faire celebrates its 35th anniversary, it is interesting to see how it has changed since I was a child.  It adapts to the present times with it’s embracing of the pop culture.  When Braveheart came out, it embraced the Scottish games. With the rise of Pirates of the Caribbean series, there became a distinct swagger to the realm.  With Lord of the Rings, a distinct Elven presence was  felt the pine woods of Carver.  And now with Game of Thrones claiming the small screen, there is more than one Stark or Targaryen sitting on the bench next to you.

img_6025Each weekend has a theme.  You can check out their website to see the full schedule.  This past weekend was the Iron Throne weekend and I was asked to join the festivities as a guest judge for the Game of Thrones Costume Contest and Trivia Game.  Drawing a huge crowd of fans, 50 participants were chosen and broken up into 5 teams representing the a great houses of Westeros. Each round of trivia has one survivor, and the other 4 contestants are eliminated, creating a fast paced game.

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To keep it from being your standard game of trivia, the game’s host, Sir Percival also threw in a “sudden death” curveballs such as a white walker attack.  Several audience members were chosen before the game began and at Sir Percival’s que, were allowed to choose at random a participant to eliminate.  Unfair, maybe, but true the spirit of Game of Thrones.  The last contestant standing won both bragging rights and a place as guest judge for the costume contest.

After the trivia came the costume contest.  There were a number of Daenerys’ and Jon Snows as to be expected.  A few brave souls went so far as to dress as characters from the books never to have appeared on the HBO show.  Judges picked the finalists, but in King Richard’s Faire fashion, it is the crowd who picked the winner.  No just costume, but embodiment of the character won the day.  A young woman dressed as a blind and beggerly Arya Stark reigned supreme.  We can only hope that is how it works out in the show as well.

img_6021For me, that is what is so enduring about King Richard’s Faire.  It is accepting.  It embraces everyone’s secret nerdom and integrates it.  It gives the visitors a place to indulge in their childhood storytime, whether it be magic or dragons or pirates.  It is all entertainment.

If you’ve never attended before, there’s still time to visit this season. King Richard’s Faire runs every weekend until October 24th.

For more details, visit kingrichardsfaire.net

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