Long time no Z. Ben Stiller, Owen Wilson and Will Ferrell reprise their iconic roles in the “ridiculously funny” (Mara Reinstein, Us Weekly) ZOOLANDER NO. 2: THE MAGNUM EDITION, which critics are calling “every bit as good as the original classic” (Gersh Kuntzman, New York Daily News). The highly anticipated sequel hits the catwalk on Blu-ray Combo Pack, DVD and On Demand May 24, 2016 from Paramount Home Media Distribution. The film arrives fashionably early on Digital HD May 3.

Featuring Penélope Cruz, Kristen Wiig and a host of celebrity cameos including Justin Bieber and Billy Zane, the hilarious comedy tops the original with even more wild and outrageous situations. When a mystery assassin starts killing off the world’s most beautiful people, haute-shot Interpol agent Valentina Valencia (Cruz) learns the key to this deadly plot lies with Derek (Stiller) and Hansel (Wilson). Recruited for a top secret mission, they must return to the world of high fashion, reclaim their fame, and save the day. The only things standing in their way: the criminal mastermind Mugatu (Ferrell) and his evil fashion protégé (Wiig).

For five eye-opening seasons, fans tuned in to the hit Syfy series "Haven", based on Stephen King's novella "The Colorado Kid". Following former FBI agent Audrey Parker (Emily Rose) and her supernatural exploits in the small town of Haven, Maine, the series was hailed as "a must see show!" by Entertainment Weekly.

HAVEN: THE FINAL SEASON presents hometown heroes Audrey, Nathan (Lucas Bryant), Duke (Eric Balfour) and Dwight (Adam Copeland), with challenges unlike any they've experienced before. Across 13 action-packed final episodes, the town of Haven has been cut off from the rest of the world by a mysterious fog bank and is on its own. Through journeys into the past, the future, and the very fabric between worlds, events in Haven hurtle towards a cataclysmic showdown. Will the heroes be able to rid Haven of "the Troubles" forever, or will the town and its inhabitants continue to suffer the curse? Watch and see as tensions rise, allegiances shift and in a harrowing closing chapter, the mystery of "Croatoan" is finally revealed.

Holy 1960s-TV crossover! Capitalizing on the past success of the Green Hornet and The Man From U.N.C.L.E crossovers, DC Comics is partnering with BOOM! Studios to pair together two of the hippest shows from the ’60s in the new Digital First comic book miniseries BATMAN ’66 MEETS STEED AND MRS. PEEL.

Launching June 8^th as a 12-chapter, bi-weekly series based on the classic 1960s Batman TV show starring Adam West and Burt Ward, the comic will feature Batman and Robin coming face-to-face for the first time with the other (and English) dynamic duo John Steed and Mrs. Peel – characters from the hit ’60s British TV series The Avengers starring Patrick Macnee and Diana Rigg. 

As Bruce Wayne shows the beautiful head of a UK electronics company the sights of Gotham, they are interrupted by the felonious feline Catwoman! Unwilling to leave Miss Michaela Gough unprotected, Bruce resigns himself to the fact that Batman cannot save the day. But some new players have arrived in town – though even as the lovely, catsuit-clad Mrs. Peel and her comrade John Steed take control of the situation, nefarious plots continue apace!

Swinging onto DVD for the first time June 14, 2016

"The jungle: Here I was born; and here my parents died when I was but an infant. I would have soon perished, too, had I not been found by a kindly she-ape named Kala, who adopted me as her own and taught me the ways of the wild. I learned quickly, and grew stronger each day, and now I share the friendship and trust of all jungle animals. The jungle is filled with beauty, and danger; and lost cities filled with good, and evil. This is my domain, and I protect those who come here; for I am Tarzan, Lord of the Jungle!"

1. Tarzan and the City of Gold
2. Tarzan and the Vikings
3. Tarzan and the Golden Lion
4. Tarzan and the Forbidden City
5. Tarzan and the Graveyard of the Elephants
6. Tarzan's Return to the City of Gold
7. Tarzan and the Strange Visitors
8. Tarzan and the Land of the Giants
9. Tarzan and the Knights of Nimmr
10. Tarzan's Rival
11. Tarzan and the City of Sorcery
12. Tarzan at the Earth's Core
13. Tarzan and the Ice Creature
14. Tarzan and the Olympiads
15. Tarzan's Trial
16. Tarzan, the Hated

Features Art Inspired by Emmy Award-Winning Opening Credits & Dolby Atmos Audio

Game of Thrones, the most-watched HBO original series and best-selling TV on DVD title for the past five years, is now releasing in collectible Steelbook packaging.

Following the release of Steelbook Seasons 1 and 2 this past fall, the collection continues, with seasons 3 and 4 releasing in a Collector’s Edition Blu-ray set with the revolutionary new audio technology Dolby Atmos. Game of Thrones Steelbook Seasons 3 and 4 will be available on June 7, 2016 for the SRP of $79.98.

The Steelbook sets feature art designed by Elastic, the agency responsible for the series’ Emmy Award-winning opening credits.

Each Steelbook showcases a specific location that is significant to that season and includes usable magnets on packaging featuring Game of Thrones sigils and symbols.

The French psychological thriller, THE LADY IN THE CAR WITH GLASSES AND A GUN, stars Freya Mavor, Benjamin Biolay, Elio Germano and Stacy Martin, and directed by Joann Sfar, the stylish remake of the mind-bending original 1970s drama brings sex appeal, sophistication and suspense.

Based on the novel by Sébastien Japrisot (One Deadly Summer, A Very Long Engagement), the Neo-noir thriller rides along with Dany (Mavor) after she steals her boss’ blue Thunderbird in hopes of finally making her way to the sea. Dany’s fantasy joyride along the Mediterranean Coast quickly turns into a nightmare when a dead body is discovered hiding inside the trunk of her stolen car. While attempting to piece together the murder, Dany is soon battling her own psyche as she tries to understand how locals from a seaside town she’s never been to claim they have seen her before. Has she lost her mind, or is the quaint seaside town trying to pin her for a murder she didn’t commit?

See the streamlined trains of the 1930s in all of their sleek glory.

In the 1930s, streamlined styling was applied to everything from kitchen appliances to farm tractors as it captured the American imagination. Keen to regain passenger traffic lost to automobiles and expanding roadways, railroads hired industrial-design giants like Raymond Loewy, Otto Kuhler, Henry Dreyfuss, and Brooks Stevens to produce sleek, futuristic shrouds for locomotives. These streamlined locomotives and trains became the most iconic in American history. Even today, classic designs like stainless-steel Zephyrs, shrouded Hudsons, and EMD E-units remain the popular conception of what a locomotive "looks like."

Streamliners : Locomotives and Trains in the Age of Speed and Style explores the historical and scientific context for the development of streamlined locomotives and trains, the designs that became standard-bearers of North American speed and luxury, and the contemporary popularity of the streamlined look in popular culture. Illustrated with rare historical photographs in both black and white and color, as well as period advertising, route maps, and patent design drawings, Streamliners elucidates the story of this fascinating design trend by following the various technologies and styling trends and how they changed the look of American railroading. Profiles of prominent designers and preserved streamliners in use today round out and complete this picture every railfan will want.

Streamlining was the product of the last great era of American passenger trains, when elegantly styled, named trains connected cities across the continent on fast schedules. Streamliners thoroughly explores the connections between style, speed, and the rails.

Norfolk & Western’s streamlined J-Class 601 stands majestically at Cincinnati Union Station in September 1952. N&W remained loyal to steam longer than any other major railroad in the United States. While most railroads began dieselization after World War II, N&W continued to build new steam until the early 1950s and wasn’t completely dieselized until 1960. Among its elegant streamlined passenger trains were The Powhatan Arrow and The Pocahontas, both connecting Norfolk, Virginia, with Cincinnati via Roanoke. Wallace A. Abbey, courtesy of the Center for Railroad Photography & Art, www.railphoto-art.org

Star-Studded First Season Features Guest Appearances from Lisa Kudrow, Bill Murray and Many More

One of cable television’s freshest and funniest new comedies Angie Tribeca, starring Rashida Jones (The Office, Parks and Recreation) is set for release on DVD for the first time from TBS, a division of Turner.

Available May 17, 2016, Angie Tribeca: The Complete First Season will feature all 10 outrageous episodes from the hit cable television series’ premiere season plus exclusive bonus material, including behind-the-scenes featurettes and exclusive shorts. Consumers can now own the entire first season of the hilarious, offbeat police procedural that follows a squad of committed LAPD detectives who comprise the RHCU (Really Heinous Crimes Unit). Together, they investigate some of LA’s most intriguing cases, which range from the murder of a ventriloquist to a rash of baker suicides. This release will be available in advance of the season two premiere of Angie Tribeca June 6 on TBS. Angie Tribeca: The Complete First Season will retail for $24.98 SRP

Lionsgate / Released 3/22/16

Experience the epic adventure of The Hunger Games series - from start to finish - in this action-packed collector's set! Follow Katniss Everdeen's transformation from Tribute to "The Girl on Fire" to the symbolic leader of the rebellion, The Mockingjay, in this thrilling collection that movie lovers will treasure. Featuring all four films, The Hunger Games Collection contains over fourteen hours of special features that take you behind the scenes of the movie phenomenon.

Extras:

• Complete Collection: Two feature length documentaries, commentary, interviews, deleted scene, music video and over 30 featurettes. 

• Mockingjay Part 2: Feature length documentary, actor interviews and featurettes.

Last Word:

The Hunger Games: In a dystopian future, the totalitarian nation of Panem is divided into 12 districts and the Capitol. Each year two young representatives from each district are selected by lottery to participate in The Hunger Games. Part entertainment, part brutal retribution for a past rebellion, the televised games are broadcast throughout Panem. The 24 participants are forced to eliminate their competitors while the citizens of Panem are required to watch. When 16-year-old Katniss' young sister, Prim, is selected as District 12's female representative, Katniss volunteers to take her place. She and her male counterpart, Peeta, are pitted against bigger, stronger representatives, some of whom have trained for this their whole lives. (– Suzanne Collins)

Adapted by Gary Ross, Jennifer Lawrence stars as Katniss, who not only takes her sister's place, but also juggles two romantic interests Peeta (Josh Hutchinson) and Gale (Liam Hemsworth) while establishing herself as an alpha female role model. Ross fills the film with a strong ensemble and entertaining set pieces. He also does a remarkable job allowing the film stand on it's own, with future plot threads established but not dominating the story. (– Stefan Blitz)

Catching Fire: Full disclosure: I’m a BIG fan of the Hunger Games Trilogy so my feelings in this review are biased. In short – Catching Fire is EPIC.

The last we saw, Katniss Everdeen and Peeta Mellark were headed back to District 12. There they deal with the aftermath of their actions in the arena. To be clear, threatening double suicide with poisonous berries is a VERY BIG F-YOU to the Capitol and was NOT okay (to say the least) with President Snow. As victors of the Hunger Games, they must get ready to tour the country, face their victims’ families, and deal with the repercussions of their “lover’s act” – it may or may not have sparked a rebellion. And the second film begins…

Katniss and Peeta tour the country parading their love and promoting the propaganda of the Capitol’s magnificence with the main objective of suppressing any ideas of revolting. But as the 75th Annual Hunger Games approach we are given the sick twist of the story: the Tributes will be chosen from all existing pools of Victors. That means Katniss and Peeta are returning to the arena – which is a perfect depiction of Collins’ incredible world. And the forces within are ever present and torturously deadly.

The fantastical, childish nature of the first movie isn’t present in the second. Catching Fire is mature, sad and uncomfortable. It brings to light the allegoric obsession with media and reality TV and the ever-widening class systems of our current society. What I love so much about Collins’ work is that it’s an introduction to war to teens in a non-romanticized fashion. These tributes are tortured emotionally and physically for upper-class amusement and there is rarely pause for a sweet moment. This film relishes in the agony and terror of its subjects. Achieving the tension and fast pace of the book, making the two and half hour production feel full and exciting.

Every performance in this film is fantastic. The entire cast looks comfortable and confident in their respective roles and the depth of each character is subtle and incredibly genuine to the story. Jennifer Lawrence is the queen of the film. And she takes the inner monologue of the book and beams it effortlessly through her eyes with pure fear and anxiety. Katniss suffers from severe post-traumatic-stress disorder and it’s all she can do to not be trembling at any given moment. Lawrence’s ability to maintain her strength, however, in the face of all that fear is just pure genius acting. Peeta similarly suffers from PTSD, but Josh Hutcherson has such tenderness in his delivery, that even while he might be floundering under the surface, his capacity to love outweighs his fears, making him the lovable rock of these characters. While his competition, Liam Hemsworth as Gale, is towering, gorgeous and strong, he doesn’t have that innate lovability that Peeta does. The dynamic is incredible. The rest of the supporting cast is equally wonderful: starting with the unnerving calm of Phillip Seymour Hoffman as the new Head Gamemaker, Plutarch Heavensbee. Sam Claflin as Finnick Odair is sexy and confident. I have had an odd disdain for Jena Malone for a long time, but she completely kicks ass as the hardened, deadly Johanna Mason. Of course, Stanley Tucci is brilliant, terrifying, but brilliant as a comedic Host. And President Snow’s sadistic cruelty is made more horrifying by Donald Sutherland’s gentle smile and almost seductive demeanor. Woody Harrelson is tragic and comedic as the tormented victor, Haymitch. And Elizabeth Banks as Effie Trinket, promotes one of the most emotional moments of the film just with her quivering chin as her world is shattered when her young victors are forced back into the arena. The actors are so immersed that they seem to have been doing this for years, they’re deep into their roles so the emotions are authentic making the horror of the arena even more palpable. I can’t praise this film enough. There is so much more to expand upon, analyze, and cherish about this successful book-to-film production. It was done so right. (– Caitlyn Thompson)

Mockingjay Part 1:As Mockingjay Part 1 begins we're back in District 13. That's right. The place we thought was decimated by the Capital is in fact, a militarized state that has been preparing for an uprising since the rebellion which resulted in the creation of the Hunger Games seventy-five years ago.

Third installments should ascend in some way, and Mockingjay Part 1 is, overall, rather stagnant. The film feels like it might reveal something exciting, something new, something, or at least you hope it might. I’m sorry to say that it doesn’t and should have been condensed into forty minutes.

Mockingjay’s action scenes are great. The rebel acts of defiance are fast-paced and assembled well, although occasionally the soundtrack and choreography (a bit too organized) of the events make them corny instead of suspenseful. Still, they’re the most satisfying portions of the film, but they’re infrequent.

The camera work and execution of the film are awesome. The landscapes and various sets (whether CGI or real) are powerful, beautiful, and terrifying. So far we’ve seen District 12 and the Capitol, but in Mockingjay Lawrence guides us through the claustrophobic subterranean environment of District 13 where everything is cement, gloomy, and grey; it’s a survival bunker and training base, nothing more.

Contrasting the close-shots of District 13, are the long shots of flying hovercrafts, which glide over other districts, showing their incredible landscapes as well as each contributive resource (which collectively feed the Capitol’s wealth). Green mountain ranges, rich forests, and a gargantuan dam – all breathtaking sites, but home to oppression. These sections of the film are powerful. It’s when people start talking that my engagement is negatively interrupted.

The dialogue is rigid and formal, numbing even the most talented actors, which are plentiful in this film. Every time someone speaks, the film becomes a cheesy montage of non-motivating monologues and they are definitely not convincing enough to inspire citizen-soldiers for battle – it feels forced and disingenuous.

After everything the characters have been through I thought they’d depict more than an ever-teary Katniss.

Jennifer Lawrence can’t do much with her talent, neither can Phillip Seymour Hoffman, and Julianne Moore as President Alma Coin is far too stiff – I find her delivery was the worst of the film. Moore comes off as constrained and indifferent instead of strict and intimidating. Her color-contacted eyes also diminish any domineering qualities her character might have had.

The redeeming stars: Woody Harrelson and Elizabeth Banks as Haymitch Abernathy and Effie Trinket. Their timing and mannerisms are always spot on and entertaining. But is this because they are the comic relief characters and it’s perhaps easier to write funny things than war speeches? Maybe so, but Harrelson and Banks are always genuine and delightful.

Other main characters such as Finnick (Sam Claflin) and Peeta (Josh Hutcherson) don’t have a huge presence, but they are good when onscreen. And Liam Hemsworth – still gorgeous, but still has zero impact.

The Hunger Games illustrates the intensity of war without romanticizing it – an important concept for younger folks to grasp. As seen so far in the films, people die, and they die with swift brutality – that’s the horror of the series: death is an exciting form of entertainment for the Capitol, the bloodier the better. And attacks on innocent people within the districts aren’t drawn out; nobody gets to say goodbye. Gunshots, bombs, and it’s done. Doesn’t matter that the violence feels appropriate in Mockingjay, the script cripples the authenticity of the story’s message, thus diminishing the whole point of Collins’ books. (– Caitlyn Thompson)

Mockingjay Part 2:Mockingjay Part 2 is the best of the Hunger Games series. Without question.  Now, I'm wondering if it's because there was so much more action than dialogue, that the film surpassed the others.

Looking back, Catching Fire had a similar quality. Great sets, great action, appropriate violence, and few words. Same formula in Mockingjay Part 2, but with even better sets, make-up, and cinematography, that culminated into a suspenseful journey. And even though I knew what was going to happen (having read the books), I found myself holding my breath many times. A mark of a job well-done I think.

We left off with Katniss in a neck brace, needed after Peeta nearly strangled her to death. She watches him struggle in his bed; restrained and brainwashed by the Capitol to believe she is a deceitful, dangerous horror to all. It’s agonizing for her to see this friend she loves with compassionate confusion. He has been her serenity and now he has been tortured into despising her. The dynamic between the actors throughout the film is intense with a juxtaposing combination of love and trepidation.

So, immediately the story continues, satisfyingly, on the battlefield. The contrived and dull “let’s fight together and be merry” speeches within the depths of District 13 were few, happily, and the story didn’t stall for too much exposition. 

 Admittedly, I was worried at first, thankfully only briefly, that the movie would be just as kitschy as its predecessor, but Joanna Mason, played with perfect spite, wit and a sly smile by Jena Malone, came to the rescue and called out the vomit-worthy monologues and phoniness of the "Hope for Panem" typical to the movies thus far—directly to Katniss’s face. It was as though writers Peter Craig and Danny Strong were saying (through Joanna), "it's not gonna be like last time viewers, we picked up the ball and threw it up really high and caught it and held on really tight—for YOU!” And from that abandonment of child-friendly, trite portrayal of most characters, the story came together quite organically.

Jennifer Lawrence was wonderful, and she played the role of Katniss true to the book—it was hard for me not to compare. In this final chapter the character is accurately portrayed as a sensitive, indecisive young woman who wants the war to be over. She's done leading, she never wanted the role. Katniss is horribly depressed and her disdain for the depiction of herself as a triumphant hero has simmered into a mix of anger, depression and apathy for life and death. Her survival is ridden with guilt and her suffering won’t ever end, so it’s time to fight—win or die, she is ready, albeit more so for the latter. And Francis Lawrence did the best job in this last installment because he made these elements so potent. The rest of the cast did a great job as well. Again, as the script was not overdrawn, each character was far more likable, even if they were meant to be hated. Now, of course there were awkward love moments between Gale (Liam Hemsworth) and Katniss (Jennifer Lawrence), but those were expected. Hemsworth was actually the odd man out in this film. He's been the same glowering, handsome, droopy-eyed guy in the background, repeating the same line every time he gets a kiss, “I knew you’d do that.” A-boo-hoo-hoooo. Good thing the actor has a beautiful face.

The other romantic (turned psychotic) lead, Peeta (Josh Hutcherson) impressed me with a consistent performance that was actually quite poignant at times. His constant tear-filled eyes and trembling chin felt genuine, and more importantly, accurate to the story.

The Hunger Games is about war. And its catalysts are suffering from PTSD, having been traumatized by relentless loss and torture. It was nice to see that those qualities weren't glossed over in Mockingjay Part 2. I’ve said before that this series is meant to be an introduction to warfare, without romanticizing the subject, for young adults. People die swiftly and brutally—there’s no time to cue the violins and weep. Enjoy that successful aspect of this production. (– Caitlyn Thompson)