Featuring the complete, unedited UK edition with more than 20 minutes of footage not seen on AMC, Humans, Series 1 makes its DVD and Blu-ray debut on March 29, 2016 from Acorn, an RLJ Entertainment, Inc. (NASDAQ: RLJE) brand.

In the near future, humanoid servants called synthetics—or synths—have been created to help busy families simplify their lives. But will these perfect servants stay compliant forever? When Joe Hawkins (Tom Goodman-Hill) buys synth Anita (Gemma Chan), he hopes it will relieve the pressure on his lawyer wife, Laura (Katherine Parkinson). Although Anita is a hit with Joe’s young children, Laura feels uneasy about sharing her home with a synth. Meanwhile, retired synth engineer George (Oscar winner William Hurt) refuses to dispose of his beloved but malfunctioning synth, Odi (Will Tudor). And mysterious Leo (Colin Morgan) hides secrets that could transform the future of synth technology.

The Marvel Universe is at a crossroads. A new power has emerged, one that can predict the future—for good or ill— and the heroes of the Marvel Universe are faced with a choice: Wield the power of “predictive justice” to change the future as they see fit, or reject it and allow tomorrow to unfold unaltered.

Protect the future. Change the future. Choose your side.

Everyone's favorite tale of good versus evil takes on a whole new look in this graphic novel! Join Luke Skywalker, Han Solo, Princess Leia, Darth Vader, and the rest of the heroes and villains from a galaxy far, far away in this graphic novel collection that retells the original three Star Wars films: A New Hope, The Empire Strikes Back, and Return of the Jedi. You'll experience the saga in a way you never have before!

The helicopter descended upon the infamous Hard Rock Hotel as KISS invaded Las Vegas for an historic nine-show run. Now, for one night only on May 25, fans will be able to experience this spectacular night for themselves as ‘KISS Rocks Vegas’ hits cinemas across the globe. From this blistering live show, fans can expect sky high flames, ear-bursting volume and a few drops of blood! Includes exclusive interviews with band and footage you will only see in the cinema.

As America’s #1 Gold Record Award winning group of all time, and that’s in every category, KISS can easily be named one of rock’s most influential bands.

Famed for their iconic face paint and stage attire, KISS was formed in New York City in 1973 by Paul Stanley (Vocals, Rhythm guitar) and Gene Simmons (Vocals, Bass guitar). Their sensational live performances feature fire breathing, blood-spitting, smoking guitars, shooting rockets, levitating drum kits, and pyrotechnics to spare. Tommy Thayer (Lead guitar, Vocals) and Eric Singer (Drums, Percussion, Vocals) round out the band’s powerful lineup.  Tommy is also Producer of the film ‘KISS Rocks Vegas’.

THERE'S A NEW DON IN TOWN, AND IT COULD BE YOU

Control the streets of New York and bring power to your family in this summer's The Godfather: A New Don. Designed by Jay Cormier and Sen-Foong Lim (Orphan Black, Belfort), The Godfather: A New Don is a game for 3-6 players that sees each player taking control of one of the major mafia families, each trying to assert their power in the streets of 1950's New York in hopes of taking the reigns as the new kingpin of the criminal world. The game is playable in approximately 45 minutes.

"I'm excited that we created an area control game that uses dice in a unique way! It's accessible for inexperienced gamers but deep enough to please the serious gamers!" said Jay Cormier. 

"We've come up with a special blend of strategy and negotiation mixed with just the right amount of luck to capture the feeling of the crime families vying for control of New York. I really enjoyed tying the facets of the film into the game's mechanisms," added Sen-Foong Lim.

2016 ACADEMY AWARD NOMINEE CHARLOTTE RAMPLING STARSIN THE EMOTIONAL TOUR-DE-FORCE

“Charlotte Rampling gives a performance for the ages” (Stephanie Zacharek, Time) in the “sublimely acted, ruefully funny and quietly devastating” (Peter Travers, Rolling Stone) drama 45 YEARS, arriving on DVD and Digital HD on June 14, 2016 from Paramount Home Media Distribution.

Best Actress Academy Award® nominee Charlotte Rampling and two-time Oscar nominee Tom Courtenay give career-defining performances in this exceptional film directed by Andrew Haigh (Weekend).

The super-comprehensive BATMANʼS ARSENAL: An Unauthorized Encyclopedic Chronicle, by Matt MacNabb, documents the entire scope and history of Batmanʼs incredible crime-fighting tools from the famous cowl, the awesome Batmobile, the catacomb-like Batcave to the tank-like Tumbler – the unique weapons Batman employs to keep Gotham safe. It is really his equipment and unique gizmos that not only define him but also transform him into a superhero. After all, he's one of the very few superheroes who's as human as the rest of us.

Survey the many iterations since its debut in Detective Comics #27 in May 1939: the original ferocious and bitter avenger, the campy crusader of the '60s TV series, the dark brooding antihero of the graphic novels and the recent Chris Nolan Dark Knight films. What's the one thing that remains consistent about this most mysterious of superheroes through the decades? His gear, his arsenal. When the Bat signal hits the night sky all the world knows who's been called. If you really want to get to know Batman, you must know his material.

BATMANʼS ARSENAL: An Unauthorized Encyclopedic Chronicle includes:

• Entire history of the Bat cache of weapons

• Expert analysis of the Bat gadgetry

• Exhaustive, intimate catalog of Batman's incredible crime-fighting tools

• The Bat foes – from the Joker to Bane – with expert analysis and commentary

• In-depth interviews with the people behind the Bat cosmos

Matt MacNabb unravels the how and why of each significant piece of the Batman toolbox, along with intimate behind the scenes stories and knowledgeable commentary by the people who designed them. To really know Batman's armory, you must know this army of dedicated, talented artists, writers and technicians who are the ones who have really brought the Caped Crusader's weaponry to life. They are Batman's secret pit crew, swapping the Bat tires and equipping the Bat utility belt. Most of them grew up as super fans of the comics and the books and the TV shows and the movies the same way everyone else did, but they got the lucky break to contribute to the stockpile of the Bat armory.

Paramount / Released 3/15/16

Based on the book by Michael Lewis (The Blind Side, Moneyball), The Blind Side tells the story of bond and real estate derivative geeks who saw the housing crash of 2008 coming and bet against the collateralized debt obligation bubble, thus striking it rich. It’s kind of like betting the “Don’t Pass” line, for the craps players out there. These guys, who were really just trying to stick it to the big banks (which themselves would of course be bailed out), hit the jackpot while the American dream was being flushed down the toilet for regular Joes in the real world. Starring Christian Bale, Steve Carell, Ryan Gosling and Brad Pitt in career-best performances. Extras include featurettes and deleted scenes.

Last Word: It’s hard to articulate the complexity of The Big Short and how it’s presented, so I’ll start by saying, this film was simply excellent. The Big Short follows the discovery of the imminent implosion of the housing market leading to the economic collapse in 2008. I was curious about directorial choice of Adam McKay—how would the Anchorman director deliver the serious nature of Michael Lewis’ bestselling book?

But with this complicated and somewhat disturbing subject matter, McKay manages to create a simultaneously exhilarating, yet depressing, and occasionally satirical story, featuring the brutality of the fraudulent nature of the big banks and housing market. The film feels like a derivative of The Wolf of Wall Street and Too Big to Fail combined. The director’s stylistic approach oscillates between tense and comedic, and that juxtaposition aids in moving the 130-minute movie along at a decent pace.

Adam McKay makes the film accessible by using sporadic interruptions by celebrities, who break down the technical jargon and complex content.This adds an incredibly humorous element to the movie – a necessary requirement, as the subject matter is so dumb-founding. The end result is a fast paced, emotionally charged story that successfully conveys the greed and corruption of Wall Street.

The all-star cast performed excellently. Ryan Gosling, portraying the quick talking, ready-for-the-money, Jared Vennett, has great timing and narrates the story with wonderfully sarcastic inflection. Christian Bale, as hedge-fund manager Michael Burry, flourishes in his awkwardity, donning baggy t-shirts and no shoes. And Brad Pitt, while his role is appropriately subtle, is entertaining. No character felt superfluous. Each “side-kick” type of role is strong and truly supportive to the main characters. But, Steve Carell’s award-worthy performance takes the cake. The actor deserves tremendous applause for his role as Mark Baum. He manages to enact the emotional turmoil of knowing how bad things are about to get for the economy. Equal parts of helpless despair and revolting anger are incredibly poignant. Who would have thought that dimwitted Michael Scott would become seething and frustrated Mark Baum?

I finished the film feeling in an entertained and contemplative state. My thoughts were busy yet hard to consolidate so I’ll conclude by circling back to my opening statement. The Big Short was simply excellent. ( – Caitlyn Thompson)

Starz/Anchor Bay / Released 1/26/16

Chef Adam Jones (Bradley Cooper) had it all - and lost it. A two-star Michelin rock star with the bad habits to match, the former enfant terrible of the Paris restaurant scene did everything different every time out, and only ever cared about the thrill of creating explosions of taste. To land his own kitchen and that third elusive Michelin star though, he'll need the best of the best on his side, including the beautiful Helene (Sienna Miller). Burnt is a remarkably funny and emotional story about the love of food, the love between two people, and the power of second chances. Extras include commentary, deleted scenes and featurettes.

Last Word: Just like an “almost” experience dining out, Burnt leaves the viewer with thoughts of “that could have been better, it should have been better.” Or, “It was almost there.” Right from the start, we get a monologue of an oyster shucking Adam Jones (Bradley Cooper) talking about penance for his past deeds. This becomes one of many over-arching themes of this film. We are told Adam worked in one of the best kitchens in Paris, Jean Luc, working his way up to head chef and two Michelin stars. But he threw it all away thanks to sex, drinking, and drugs. If this sounds like a lazy cliché, it’s because it is. It speaks volumes that this is only the first of many.

Jones is a cantankerous personality. Which makes it even harder to believe when he gathers a team to start his new restaurant venture. Jones convinces his old maître d’ Tony (Daniel Bruhl) to give him the keys to his restaurant, enticing him with the possibility of 3 shiny stars. By convince, he sends a highly influential food critic to scare him with a potentially bad review and happens to show up to save the day. His sous chef from Jean Luc, Michel (Omar Sy), wants in on the action despite what Jones did to him in Paris, which is never fully explained. He manipulates Helene (Sienna Miller) into joining his team by having her current employer fire her. Helene is a single mother with some serious skills in the kitchen. As the only female of note in the film, well, it is easy to see what will happen between her and our protagonist.

Most of what is wrong with this is the result of poor writing. The characters are stale, the relationships forced, and the conflict is never fully explained. In terms of character development, there is little. Jones is a thoroughly unlikable person. Generally there is some growth and exploration with the typical drugs, sex, and drinking tales. But there is none here. The writers just present that these were past problems, he’s been sober for over 2 years, and that is that. Also, Jones comes off as hot tempered, abusive, and manipulative for 90% of the film. It’s not until the last 10 or so minutes that he starts to have some sort of introspection and growth. Even that is sudden without any kind of lead in. It just happens. The relationship between Jones and Helene also just happens. One minute Jones is screaming and borderline assaulting Helene, the next they are best friends. Not sure how it happened other than the plot demanded it and so it was done.

Despite the poor writing, Cooper gives a pretty good performance. He delivers his lines with conviction, and when the scene calls for Jones to lose his temper, Cooper believably appears as if he is on the edge. His roles playing characters with mental issues in films such as Silver Linings Playbook shows in Burnt. Bruhl’s portrayal of Tony is also a bright spot. He embraced Tony’s infatuation with Jones and shines as the foil to the acerbic Jones. Miller, however, was a disappointment. That is a shame as Miller and Cooper had great chemistry in American Sniper. Helene just seems to be a vehicle to move certain plot points forward and nothing more. In fact, they could have removed her from the film and it would not have suffered. For example, one scene has Helene introduce Adam to a sous vide machine and how to use it. Now, the film makes clear that Jones hasn’t worked in a restaurant in a number of years, but it is totally inconceivable that he would not know what sous vide is given his background and pedigree. Especially since home cooks have known of it for at least 5 years.

With all that is wrong in the character department, Burnt is a treat for those who enjoy food. The plates presented are gorgeous and worthy of anything seen at world class restaurants like the French Laundry, The Fat Duck, or Le Bernadine. Even the intensity of Jones is mirrored in mold of contemporary chefs like Gordon Ramsey or Marco Pierre White. Right down to the obsession with perfection and the flying plates of unsatisfactory cooking. The film strives for authenticity, showcasing real techniques used in the modern haute cuisine. Eye droppers, tweezers, sous vide machines, and more make appearances. The only shame is the editing can get in the way, cutting and jerking from station to station instead of one beautiful shot of the kitchen at work.

On one hand, Burnt delights with the meticulous attention to detail to make the dishes going out of the kitchen absolutely beautiful. Unfortunately, this is not enough to carry a full length film. This is where it all falls flat. The characters are lacking depth. The main subject is wholly unlikeable with few if any redeeming qualities, save for the last 10 minutes, and by then it is too late. The plot has too many holes in it. For crying out loud no one ever says what happened in France other than Jones made some people very mad and wouldn’t be welcomed back in Paris. The editing, especially in the kitchen, appears to be the work of someone suffering from ADHD and off their meds. It really is a shame because this could and should have been a good film. In the end we are left with a meal that looks pretty, but is seriously lacking in seasoning. (– Nathan Grube)

Available for the first time on Blu-Ray, DVD and Digital Rental/Download on April 19 from Magnolia Home Entertainment, DRUNK STONED BRILLIANT DEAD: THE STORY OF THE NATIONAL LAMPOON follows the eccentric and brilliant minds of the team that proclaimed to its readers “If You Don’t Buy This Magazine, We’ll Kill This Dog.” From acclaimed filmmaker Douglas Tirola (Hey Bartender, All In: The Poker Movie), the hilarious documentary follows its growth from a cult magazine to how it eventually branched out to successful radio shows, live stage performances and movies, becoming one of the biggest staples in the entertainment industry.

From the 1970s thru the 1990s, there was no hipper, no more outrageous comedy in print than The National Lampoon, the groundbreaking humor magazine that pushed the limits of taste and acceptability - and then pushed them even harder. Parodying everything from politics, religion, entertainment and the whole of American lifestyle, the Lampoon eventually went on to branch into successful radio shows, record albums, live stage revues and movies, including Animal House and National Lampoon’s Vacation, launching dozens of huge careers on the way.

Director Douglas Tirola’s documentary DRUNK STONED BRILLIANT DEAD: THE STORY OF THE NATIONAL LAMPOON - tells the story of its rise and fall through fresh, candid interviews with its key staff, and illustrated with hundreds of outrageous images from the mag itself (along with never-seen interview footage from the magazine’s prime). The film gives fans of the Lampoon a unique inside look at what made the magazine tick, its key players, and why it was so outrageously successful: a magazine that dared to think what no one was thinking, but wished they had.