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Boston Area Cinegeek? We've Got ROE Passes For ROCK THE KASBAH

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A has-been rock manager from Van Nuys, California stumbles upon a once-in-a-lifetime voice in a remote Afghan cave in Rock the Kasbah, a dramatic comedy inspired by stranger-than-fiction, real-life events and directed by Oscar winner Barry Levinson. Richie Lanz (Bill Murray), dumped and stranded in war-torn Kabul by his last remaining client (Zooey Deschanel), discovers Salima Khan (Leem Lubany), a Pashtun teenager with a beautiful voice and the courageous dream of becoming the first woman to compete on national television in Afghanistan’s version of “American Idol.” Richie partners with a savvy hooker (Kate Hudson), a pair of hard-partying war profiteers (Danny McBride and Scott Caan) and a hair-trigger mercenary (Bruce Willis) and, braving dangerous cultural prejudices, manages his new protégée into becoming the “Afghan Star.”


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FOG! Takes a Look at CON MAN starring Alan Tudyk and Nathan Fillion!

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Review by Clay N Ferno

This weekend at New York Comic Con, Alan Tudyk (Firefly) appeared with geek celebrities Felicia Day, Seth Green and Nathan Fillion to promote the new Con Man webseries at Vimeo.

Tudyk stars in the 10-minute episodes as Wray Nerely, a sci-fi actor who has entered the world of celebrity convention guest after his lauded but cancelled Spectrum series was taken off of the air.

Near to Tudyk’s heart is the story of the inner workings of fandom and conventions, and the thirteen episodes of the Indiegogo-funded series are being released on Wednesdays.


Read my review of Con Man after the jump.

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The Strange, Unlikely, and Circular Story Behind THE BEAST OF CRETACEA

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Guest Post by Todd Strasser

The idea to write a sci-fi adventure novel based on Moby Dick, and with environmental overtones, evolved in a slow and serendipitous way, beginning with an article in the New York Times about space junk -- those nuts, bolts, parts of old satellites and rockets that orbit the earth and are numerous enough to be a danger to working satellites, space vehicles, and stations.

Accompanying the the Times article was an artist’s rendering that looked something like this.

Image via NASA

Imagine that all the white stuff is debris.

If you saw the movie, Gravity, you may remember this scene where the space station is destroyed when a loose field of debris blasts through it. In an earlier scene another debris field had destroyed the space shuttle.


My original thought was to write about space junk collectors who sail through space on solar winds, pulling vast nets much the way sea-going trawlers on Earth gather fish.

Only they’d be gathering space debris.

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OK, Simmer Down About STAR WARS...

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OK, so I’m as excited as the next person about the new Star Wars coming out, except that I’m not.

Not when the next person is so excited that she or he has abandoned all reasonable bounds of how we look forward to something.

For example, this girl is really excited about the new line of Star-Wars-themed Covergirl makeup. I’m not as excited as she is.
 

Anna Kendrick wrote that “language and emojis fail to express what’s in her heart” when she watched the trailer, and Josh Gad seems to have wept his way through the entire trailer, only for the tears to turn to rage when he saw the due date.

I’m not as excited as either one of them.

When I saw Episode I, I was so excited that I could hardly contain myself. I bought the toys, went as a Jedi for Halloween that year, had the special fast-food Yoda cup – the whole bit.


Then, when I saw the movie, I wanted to like it so bad that I found things to enjoy about it. It did, after all, have some moments that a Star Wars fan could hold onto, and I held on as tight as I could.

By the end of Episode III, I not only had become soured on all of the new movies, I also had started to become more aware, upon a second and third viewing, of the things even in Episode I that initially I had tried to ignore.

 In the end, I realized that I probably shouldn’t have given myself over to my nerdthusiasm quite so hard, and that maybe I should have gone into the movies with more of an open mind for whether or not these films would be good.

Who’s going to blame me, though?

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FOG! Takes In The HUMAN BODY THEATER With MARIS WICKS!

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New York Times best selling graphic novelist (for Primates: The Fearless Science of Jane Goodall, Dian Fossey, and Biruté Galdikas), amazing artist and science nerd Maris Wicks chats with us about the inner workings of our inner workings in her new book, Human Body Theater.

From Abdomen to X-Ray, Maris takes us through the mysterious workings of the human body with a cute skeleton narrator and more than one smiley-faced platelet.

This is all ages science comics with a purpose!

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Shout! TV Announces GAMERA Movie Marathon This Saturday!

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SHOUT! FACTORY TV AND FAMOUS MONSTERS OF FILMLAND PRESENT KAIJU MOVIE MARATHON: GAMERA’S REVENGE FEATURING ELEVEN GAMERA FILMS, HOSTED BY KAIJU EXPERT AUGUST RAGONE, TO PREMIERE ON SHOUT! FACTORY TV LIVE ON OCTOBER 17TH

In celebration of Gamera’s 50th anniversary, the marathon will feature eleven classic
Gamera movies from Gamera (1965) through Gamera 3: The Revenge of Iris (1999)

Following the success of Shout! Factory TV’s Kaiju Movie Marathon in July, Shout! Factory TV has once again teamed up with the monster magazine Famous Monsters of Filmland to bring you the Kaiju Movie Marathon: Gamera’s Revenge! Featuring 11 Gamera films and hosted by Kaiju expert August Ragone the monster mayhem will stream live for 16 hours on October 17 from 8am ET to midnight ET. The marathon marks the 50th anniversary of the first Gamera movie release in Japan.

The marathon will feature all 11 classic Gamera movies in chronological order from both the original Showa series (1965-1980) and the Heisei trilogy (1995-1999).

The Kaiju marathon comes complete with original introductions by renowned Kaiju authority August Ragone, commenting on the history and impact of these classic films. A two-time Rondo Award-winning author of Eiji Tsuburaya: Master of Monsters, Ragone has commented on Japanese film and popular culture on radio, television, in print, online, and at events for more than three decades.

The event will be streaming at www.shoutfactorytv.com. For mobile, tablet and connected TV devices the marathon is accessible via the Pluto TV app. The marathon is also available via Pluto TV (CH 427), in the living room (Amazon’s Fire TV and Fire TV Stick, Android TV devices, Chromecast and Apple Airplay), on the go (apps for iOS, Android and Amazon) and at your fingertips on PCs, Macs or on the web.

Prepare yourselves for something monstrous (again)! Tune in for Kaiju calamity and live tweet with #Gamera. August Ragone, as well as other Kaiju super-fans, will be tweeting and sharing fascinating Kaiju knowledge. Shout! Factory will be offering various prizes to viewers through the marathon, including copies of Ragone’s book, limited-edition “I survived the Gamera marathon” blankets, Famous Monsters of Filmland monster poster, among other items.

KAIJU CONTENT STREAMING ON SHOUT! FACTORY TV LIVE:



Schedule of Films*

8:00 a.m. – Gamera

9:30 a.m. – Gamera vs. Barugon

11:00 a.m. – Gamera vs. Viras

12:30 p.m. – Gamera vs. Guiron

2:00 p.m. – Gamera vs. Jiger

3:30 p.m. – Gamera vs. Zigra

5:00 p.m. – Gamera: Super Monster

6:30 p.m. – Gamera: Guardian of the Universe

8:00 p.m. – Gamera 2: Attack of Legion

10:00 p.m. – Gamera 3: Revenge of Iris

*Times listed are Eastern time, approximate and subject to change.



ABOUT SHOUT! FACTORY TV
SHOUT! FACTORY TV is a premiere digital entertainment streaming service that brings timeless and contemporary cult favorites to pop culture fans. With a uniquely curated entertainment library, the channel offers an unrivaled blend of cult TV shows, movies, comedy, original specials and more – presenting an exciting entertainment alternative to major streaming services. SHOUT! FACTORY TV’s programming leverages a distinctive library of pop culture-defining entertainment curated from Shout! Factory, Westchester Films, Timeless Media Group, Scream Factory, major studios, independent producers and other sources from around the world. Whether reliving childhood memories or discovering television series, movies and comedy specials for the first time, SHOUT! FACTORY TV will provide an immersive, high-quality viewing experience across a wide variety of screens and platforms, online at ShoutFactoryTV.com and on smartphone devices, tablets and connected TV, with an initial rollout on Roku.


ABOUT FAMOUS MONSTERS OF FILMLAND
Pop Culture. Sci-Fi. Fantasy. Horror. Famous Monsters magazine covers it all, living up to its classic title while staying current — and ahead of the curve. The first and finest genre fanzine created by Forrest J Ackerman in 1958, the internationally distributed FM has always been influential within the entertainment community while fostering fan excitement for decades. Our Captain Company (www.captainco.com) sells all manner of monster goodies, and we've moved beyond the page via social media and famousmonsters.com. Often imitated. Never duplicated. Famous Monsters is the winner of the 2015 Rondo Award for Best Classic Magazine.

Clash of The Titans: SEGA GENESIS VS. SUPER NINTENDO Flashback!

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Two warriors stand on the field of war; one, the blood-and-viscera drenched upstart with everything to prove and the other, the battle-hardened veteran marred with the puckered scars of fights long forgotten.

No other time and place had ever seen a war fought such as this, and it’s doubtful if anything like it will ever be seen again. Two titans fought, tooth and nail, inch-by-inch, for supremacy over the hearts and minds of children for years.

There was no middle ground.

…unless you were that rich bastard Kyle who had lived in the big mansion with the giant TV.

I’m talking about Sega versus Nintendo.


Specifically, the Sega Genesis and the Super Nintendo.

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Win DARK PLACES on DVD!

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Academy Award winner Charlize Theron stars in Dark Places, which delves into the tragic life of a woman who survived the brutal killing of her family as a child and is forced to confront the events of that day to find out the truth. Having spent over two years straight on the The New York Times Best-Seller List, Gillian Flynn’s captivating tale Dark Places was written for the screen and directed by Gilles Paquet-Brenner (Sarah’s Key), and released theatrically by A24.

Libby Day (Theron) was only seven years old when her mother and two sisters were murdered and her brother Ben (Tye Sheridan) was jailed for the crime. Now, twenty-five years later, Libby discovers shocking evidence that Ben may be innocent—and the real killer is still at large. Nicholas Hoult, Chloë Grace Moretz, Sterling Jerins, Corey Stoll and Christina Hendricks costar in this ingeniously plotted thriller based on the best-selling novel by Gillian Flynn (Gone Girl).


And we're giving away five copies!

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CRIMSON PEAK (review)

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Review by Sharon Knolle
Produced by Guillermo del Toro, Callum Greene,
Jon Jashni, Thomas Tull
Written by Guillermo del Toro, Matthew Robbins
Directed by Guillermo del Toro
Starring Mia Wasikowska, Jessica Chastain,
Tom Hiddleston, Charlie Hunnam, Jim Beaver


Guillermo Del Toro's new movie is a beautifully made, decadent dish for any fan of old-fashioned gothic horror such as The Innocents, The Haunting or the '60s Hammer films.

If you're looking to have the wits scared out of you, Crimson Peak is not that film, but it does offer some shivery moments when heroine Edith (Mia Wasikowska) prowls the dark corridors of her new home, lit candelabra in hand, after hearing strange noises in the middle of the night.

With his ability to hint at darkness under the sunniest smile, Tom Hiddleston (best-known to the uninitiated as Marvel's Loki) was simply made for the role that's a combination of Cary Grant's penniless charmer in Suspicion and the brooding Rochester in Jane Eyre.

Much like Joan Fontaine in many a '40s film, naive American Edith has married a dashing but destitute Baronet, Thomas Sharpe (Hiddleston) who first came to her father seeking an investment to fund the excavation of the blood-red clay that forms the foundation of his hilltop home, Allerdale Hall.

Or, as the locals have dubbed it, Crimson Peak, because the red clay seeps through in the wintertime, staining the snow a bright, gory red. If that visual doesn't make you swoon a little, then this film is definitely not for you.

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TALES OF HALLOWEEN (review)

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Review by Dean Galanis
Produced by Shaked Berenson, Axelle Carolyn,
Tada Chae, Patrick Ewald, Mike Mendez
Written by Axelle Carolyn, Andrew Kasch,
Neil Marshall, Lucky McKee, Mike Mendez,
Dave Parker, Ryan Schifrin, Clint Sears, John Skipp
Directed by Neil Marshall, Darren Lynn Bousman,
 Axelle Carolyn, Lucky McKee, Andrew Kasch,
Paul Solet, Adam Gierasch and Jace Anderson,
John Skipp, Mike Mendez, Ryan Schifrin, Dave Parker
Starring Grace Phipps, Lin Shaye, Booboo Stewart,
Greg Grunberg, Barry Bostwick, John Savage,
Pat Healy, Grace Phipps, Alex Esso, Kristina Klebe


A Halloween-themed anthology film, Tales of Halloween has been receiving accolades on the festival circuit. And while the film doesn’t quite live up to the hype, it’s nevertheless an impressively consistent, fun ride.

Ten stories are told here, all taking place in the same town (and surrounding area) on Halloween night.

The big fun here is how many aspects of Halloween are brought on board. Candy, decorations, jack-o-lanterns, pranks – these holiday staples and more get their due in Tales of Halloween, some very cleverly so.

The film starts off on just the right note, with Adrienne Barbeau (in a nod to her DJ role in The Fog) introducing (and narrating) the film, which leads to a rather nifty opening credits sequence with some cool animation and a fun theme by veteran composer Lalo Schifrin (whose son, Ryan, wrote and directed one of the segments).

The first segment, “Sweet Tooth”, is a humdinger, introducing a cool (if repulsive) new horror villain and letting viewers know Tales of Halloween won’t skimp on the gore.

It inevitably gets bumpier along the way.

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MOMENTUM (review)

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Review by Dean Galanis
Produced by Donald A. Barton, Anton Ernst
Written by Adam Marcus, Debra Sullivan
Directed by Stephen Campanelli
Starring Olga Kurylenko, James Purefoy, 
Sabine Palfi, Karl Thaning, Grant Roberts, 
Daniel Fox, Dylan Edy and Morgan Freeman


The lovely Olga Kurlyenko (Quantum of Solace) stars as a bad-ass thief pulled back in by her former partner for one last gig – to steal diamonds from a high-security bank. 

Things don’t go as planned and soon she is on the run from not only the police, but a crack assassin and his band of killers, who are looking for something else Olga and the gang stole that is far more valuable than the gems.

As you’ve no doubt guessed from the summary, this is hardly a trailblazer story-wise, nor does it intend to be.


After a slightly klutzy heist opening that veers from creepily effective (the thieves full body suits act as both armor and disguise and can be somewhat unsettling) to unintentionally funny (the actors at times appear a bit clunky in these suits and the effect is sometimes giggle-worthy) to incomprehensible (the voice-altering masks give Bane a run for his money), the film settles into a being a surprisingly entertaining B-movie.

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SOUTH OF HELL Will Turn Your Black Friday Even Darker...

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AFTER FOOD, FOOTBALL AND FIGHTING FOR BARGAINS, SETTLE IN WITH WE tv FOR AN ALL-NIGHT BLACK FRIDAY BINGE OF THE NETWORK’S NEW SCRIPTED THRILLER, SOUTH OF HELL

Entire Original Series Will Make its WE tv Debut on Friday, November 27;
Available Next Day on VOD, Download to Own and TVE with
Bonus Content on WEtv.com

Charleston, South Carolina is an elusive city with many faces and the perfect home for Maria Abascal (Mena Suvari, “Chicago Fire”), a stunning, 30-year-old demon-hunter-for-hire. Alongside her brother, David (Zachary Booth, “Keep the Lights On”), she is skilled and fearless in her pursuit of the demons that live in others. Like those that she hunts, Maria is divided within herself, struggling with her own demon, Abigail, who resides inside of her, feeding on the evil Maria exorcises from others. Maria and Abigail share a soul and a destiny, but as Maria desperately tries to overtake Abigail, she will discover how far Abigail will go to remain a part of her.

WE tv announced this week that it will offer its next scripted series, “South of Hell,” as a true programming event – rolling out all seven episodes of the supernatural thriller in order in a Black Friday Binge, beginning at 6 pm ET/PT on Friday, November 27. All episodes of the series will premiere back-to-back as the suspense and drama unfolds and escalates over seven intense hours.

At the conclusion of the binge, on November 28th, the entire series will be available on VOD, download to own and TVE platforms.


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That Time of The Week: DVD & Blu-ray Releases From 9/29/15 & 10/6/15!

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To borrow a phrase from one of favorite elder statesmen, "Face Front, True Believers!"

Welcome to the latest round up of DVD and Blu-ray titles now available! And this one has it all!

TV Shows!  Super Heroes!  Horror!  Drama!  Comedy!  Sequels!  Westerns!  Thrillers! Animation! Plus, Pee-wee Herman!

Fire up those queues and clear out that shopping cart, it's That Time of The Week!

Excelsior! 


Marvel's Avengers: Age of Ultron

Disney / Buena Vista / Released 10/2/15

Good intentions wreak havoc when Tony Stark (Robert Downey Jr.) unwittingly creates Ultron (James Spader), a terrifying A.I. monster who vows to achieve "world peace" via mass extinction. Now Iron Man, Captain America (Chris Evans), Thor (Chris Hemsworth) and The Hulk (Mark Ruffalo) - alongside Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner) and Nick Fury (Samuel L. Jackson) - must reassemble to defeat Ultron and save mankind...if they can! Featuring the introduction of The Vision (Paul Bettany), Scarlet Witch (Elizabeth Olsen) and Quicksilver (Aaron Taylor Johnson). Extras include making of, commentary, gag reel, deleted and extended scenes, and featurettes.

Last Word: What Marvel has done is created a tightly knit, beautifully designed and entertaining series of films whose characters I care about and who’s stories are engaging and emotional. Avengers: Age of Ultron is no exception.

The eagerly awaited sequel to the 2012 Marvel’s Avengers film is about as good a film as you would come to expect from The House of Ideas. Boston’s own, Kevin Feige, the mastermind behind the Marvel Cinematic Universe and co-producer on every Marvel film made since 2000 has a plan and he is sticking to it.

It is a damn good plan.The films he has had a hand in molding with an insanely talented list of creators and actors has become some of the most talked about films in both the pop-culture and non-pop-culture worlds.  For those of you playing catch up, starting with the release of 2008’s Iron Man through 2019’s Avengers: Infinity War Parts 1 & 2 there has been and will be a continuous storyline carrying though 22 films and, as for now, 2 TV shows, (Agents of S.H.I.E.L.D. and Agent Carter, respectively). Age of Ultron follows in the wake of the first film and subsequently in the wake of the events in Iron Man 3, Thor: The Dark World and Captain America: The Winter Soldier.

The film opens with Earth’s Mightiest Heroes still dealing with the repercussions of the collapse of S.H.I.E.L.D following the deceit of Hydra, the secret criminal organization run by the mastermind, Red Skull. This film comes out swinging and only gives you enough time to quickly breathe so you don’t pass out in your seat. Joss Whedon, writer and director of the first Avengers, returns to helm and write this film and he is on top of his game here.

Whedon, for me is very hit or miss and his work can have that initial WHAM! POW! BANG! but lack a lot of sustainability utter multiple viewings and any type of scrutiny. Here he brings his A+++ game and does what he is known to do best: Take a varied and entangled cast of characters, make them lovable, make them vulnerable and make them, what Marvel is best known for, human.

These are heroes. They are flawed and not perfect but in the end that is what makes them great. because they don’t give up. They go where even THEY fear to tread and when one falters, the others have their backs. This films greatest success is in it’s handling of the material. Where most writers and directors might get bogged down with making sure each character has their “15 minutes” of screen time, sacrificing story for face time, and with the names that they have in this film, you would think that would be the first order of business. I like to call it the “Next Generation syndrome” where it seemed like every actor on Star Trek: The Next Generation was contractually obligated to have equal amount of screen time regardless of whether the story called for it or not, in my mind, ruining an otherwise good film. Here, what is more important to Whedon and cast and crew is getting the best story told; making sure that each character is properly represented regardless of how much they are actually on the screen.

The main story follows the creation of the artificial intelligence Ultron, who’s purpose is to be the last line of defense in the protection of man, should The Avengers fail in their mission to protect the Earth. And much like the hubris that created it, Ultron falls victim to the “Pride that Blinds” and loses sight of why he was created and begins to see the creator as the very thing it needs to destroy.  Faced with the very thing they had hoped would help them, now as their enemy, it is up to the Avengers to once again unite and overcome their fears and doubts to save the world.  Old friends and allies join the battle and the film becomes one of the best nerdgasm inducing, no-holds barred films I have seen in a very long time. Fans of the Marvel universe so far will be pleased with the return of a ton of fan-favorite characters and will be overjoyed with all the “Easter Eggs” nestled throughout.

Non-comic fans, if there are still any out there, will be blown away and kept at the edge of their seat, as the old parlance goes, with the great action and spectacle. Where it falters is so minimal that it really isn’t worth mentioning and it definitely does NOT ruin or take away from the over-all enjoyment of the film as a whole.  The introduction and use of the 'Miracle' twins Wanda and Pietro aka Scarlet Witch and Quicksilver, played by Elizabeth Olsen and Aaron Taylor-Johnson respectively, are a going to thrill the fans. The Vison and how he comes about is great. And The Blacklist star, James Spader as Ultron, is perfectly menacing and condescending in its revile of those whom it is created to protect.

I was thoroughly entertained and would put it on par with the first Avengers in terms of story and characters and definitely much larger and exciting in terms of scope. Avengers: Age of Ultron is another great addition to the Marvel Cinematic Universe.  Make Mine Marvel! (– Benn Robbins)


Magic Mike XXL

Warner Bros. / Released 10/6/15

Three years after he bowed out of the stripper life at the top of his game, Mike (Channing Tatum) finds the remaining Kings of Tampa likewise ready to throw in the towel. But they want to do it their way: burning down the house in one last blowout performance in Myrtle Beach, and with Magic Mike, the legendary headliner, sharing the spotlight with them. On the road to their final show, with whistle stops in Jacksonville and Savannah to renew old acquaintances and make new friends, Mike and the guys learn some new moves and shake off the past in surprising ways. Extras include featurettes and extended dance scene.

Last Word: Matthew McConaughey's Dallas, the elder statesman of the insanity of the first Magic Mike is absent in this adventure and it quickly becomes apparent that without a leader, you just have a bunch of homoerotically charged man-children taking off their clothes and partying non-stop.  Tatum's Mike, who reached his dream as a furniture maker, for some reason feels compelled to rejoin his former brothers in glitter for a final show.  Reprising their roles are Matt Bomer, Joe Manganiello, Kevin Nash, Adam Rodriguez and Gabriel Iglesias and joining the cast is a Love Boat worthy guest cast which includes Amber Heard, Donald Glover, Andie MacDowell, Elizabeth Banks, Jada Pinkett Smith and Michael Strahan.  It's not a bad film per se, but my tolerence for watching stupid people isn't what it used to be and most of the characters in Magic Mike XXL have an IQ that matches their body fat percentage.  I think it's fair to assess Magic Mike as an underrated sleeper and Magic Mike XXL as more of a guilty pleasure.  It's Showgirls with men; and let's hope it's not the second chapter of a trilogy.


Spy

20th Century Fox / 9/29/15

Deskbound CIA analyst Susan Cooper (Melissa McCarthy) is about to become the world's newest - and unlikeliest - secret weapon. When her partner (Jude Law) falls off the grid and another top agent (Jason Statham) is compromised, Susan volunteers to go deep undercover and bring down a deadly arms dealer. Extras include deleted and alternate scenes, gag reel, outtakes, featurettes and commentary.

Last Word: Melissa McCarthy’s latest movie Spy is a treat. Director Paul Feig graduated McCarthy from supporting player in 2011’s Bridesmaids, to co-star in 2013’s The Heat and now, badass leading lady in Spy.  The comedic sendup of the classic James Bond formula goes back at least as far as the original 1967 Casino Royale and Get Smart but also was reinvented in the ‘90s by Mike Myers in Austin Powers. Gadgets, plane fights, prat falls and cat-lady sweaters are what populates Spy.

Susan Cooper (McCarthy) is a CIA Agent, working as an assistant to field agent Bradley Fine (Jude Law). She witnesses Fine’s brutal murder via a very unrealistic ‘contact lens camera’ as she’s guiding him through his final mission. When the CIA is made aware of a possible leak, the only thing left to do is send someone after his murderer Rayna Boyanov (Rose Byrne). Hothead agent Rick Ford played by Jason Statham is a braggart and bumbling parody of the usual roles the actor plays.  Ford goes rogue when the agency picks the unassuming analyst Susan Cooper to go out into the field to Paris to gather intel on that “Thundercunt” Rayna, her bosses and a nuclear bomb!

McCarthy’s boss Elaine Crocker (Allison Janney, uncredited) sends Agent Cooper out with a series of more hilarious than the last identities, the first being a mother of four from the Midwest with a Christmas sweater.  On the plus side, Cooper is sent to the munitions garage to see Patrick (Michael McDonald - aka a Red Shirt in every Austin Powers movie!), only to be handed some cool spy gear in rather unassuming packages. We’re not talking a spy-pen. What we are talking about is poison antidote disguised as stool softener and a toe fungus spray that’s actually mace. This is one of the funnest tropes in any spy movie, and Feig and the writers did it right. It was more about what she didn’t get what she wanted but other spies have access to that cranked up the hilarity.

When Cooper arrives in Paris at an unkempt hotel, she finds Ford there, waiting in the dark á la Nick Fury in Captain America: Winter Soldier. Ford is disobeying orders and circumventing CIA protocol as he has no faith in her carrying out the mission. Spoiler warning, the two don’t take to long to team up and save the day. Just when you think that this is a straight comedy, we’re put in the middle of a bomb threat at an outdoor concert with Ford and Cooper eliminate the threat. This sparks one of the best fight scenes in the film with Cooper and the bomber facing off at the edge of a building. Let’s just say that you have every reason to fear the awesome power of rebar.

Rome is the next destination, and Cooper tires quickly of the disguises she’s given, this time, crazy cat lady! She treats herself to a cocktail dress and heads after her next target, Sergio De Luca (Bobby Cannavale) in a casino. Ford shows up again in his Bond tux, working the same angle, though unofficially. Silicon Valley actor Zach Woods makes a cameo that ends up uniting Cooper with her original target Rayna —all while retaining her cover. Rayna and Cooper have a dinner scene that rivals the Kristen Wiig maid of honor microphone passing speech in Bridesmaids (or the Jordan Almonds showdown!). Watching Byrne’s air of superiority match McCarthy’s home-grown real-person defenses is awesome and some of the best laughs in the film.

After dinner, and Rayna gaining Cooper’s trust — they head out on Rayna’s private jet. What starts as a cocktail hour ends up with a bloody confrontation with the crew. McCarthy not only shines with hilarious dialogue, she holds her own as a fighter in this movie. They give her (or her double, I should say) many Matrix-esque kick flips and figure eights. I really liked that about the movie — and that there weren’t any cheap fat jokes.  The kitchen fight scene McCarthy gets to do rivals only Quicksilver in X-Men: Days of Future Past (you know, but this time without time slowing down). Butcher knives are flying, good old konks on on the head with skillets. What more could you want? Maybe a Three Stooges eye poke would have been going too far, and they exercised restraint in that regard.

Another fine actor we haven’t mentioned in this film is Miranda Hart, playing the desk agent and best friend to Cooper as Nancy B. Artingstall. When Nancy is brought into the field, she is definitely out of her element. Nancy is the kind of best bud sidekick you need as a tool for exposition. Nancy is the one monitoring Cooper’s (still ridiculous) contact lens cam.  In the final act of the film, there is also some helicopter action to balance out the plane fight. Helicopters always make me think of Bond films so this is thematically on point.  De Luca and Rayna are exposed while the CIA team reassembles.  Spy is a great and fun movie. Treat yourself to the credits and let your imagination go wild on possible future missions for the team, as well as a surprising post-credit scene. (– Clay N Ferno)


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Win CRIMSON PEAK: THE OFFICIAL MOVIE NOVELIZATION!

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In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.

There used to be a time when movie novelizations were the only way to revisit a film "on demand".  With more and more avenues providing a way to view a film after it's release, novelizations have become a rarer occurance.

But I still love them.  This weekend I'm planning to see Crimson Peak.  And I can't wait to read it again!

To celebrate it's release, we've partnered with our friends at Titan Books to give away three copies to FOG! readers!

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Curious Goods: A Look At FRIDAY THE 13TH: THE SERIES

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By Erin Maxwell

It is only a short matter of months before hockey loving, dead teenager enthusiast Jason makes his small screen debut on the CW in the net’s new horror drama (dramorror? horrama?) Friday the 13th.

Looking to cash in on the new love for TV ultra-violence, CW is sending its viewers back to camp Crystal Lake in a what promises to be a dramatized version of the Jason mythos.

Despite interest in seeing everyone's favorite undead serial killer romp taking revenge on horny teenagers, this is not the Friday the 13th that should be revisited.


Back in 1987, American-Canadian horror drama Friday the 13th: The Series made its debut on syndicated networks. In Los Angeles, the series somehow slid into the Sunday afternoon schedule between family fare and G.L.O.W.: The Gorgeous Ladies of Wrestling. And despite what the name might imply, the series had absolutely nothing to do with a machete wielding maniac.

Have you seen me?

Instead, it featured dozens of maniacs, as well as homicidal fashion models, ugly ducking high school kids with a bloodlust, well-intentioned doctors who took things too far and many, many, many greedy little assholes with no regard for human life.


And it was glorious.

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Double Feature Movie Show: SLASH IT TO ‘EM!

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I love a good slasher. (Especially if he’s from Shropshire. Or is a slasher of prices.)

Yeah, a lot of them are basically the same. Deformed/crazy/bullied dude grows up and kills everyone he thinks is in his path to…happiness?

I dunno. Something.

Young people in various states of drunkenness/undress run away from said killer, but only the virgin survives

But where did it all start?

Well, we all know Psycho.

Norman Bates really was the first slasher of any kind. But everybody’s seen Psycho.

No, there are others that are just as influential for different reasons, but I bet you’ve never seen them.

Maybe.


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INVISIBLE INK: MY MOTHER'S LOVE AFFAIR WITH A FAMOUS CARTOONIST by Bill Griffith (review)

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Review by Lily Fierro
Written and Illustrated by Bill Griffith
Published by: Fantagraphics
Cover Price: $29.99
ISBN-13: 978-1-60699-895-3
Published: 10/3/15


All families have a level of dysfunction to them, and notable underground cartoonist and Zippy The Pinhead creator Bill Griffith’s family certainly is not an exception.

His most personal and straightforward work, Invisible Ink tracks Griffith’s own discourse on understanding his late mother’s 16 year second life as the mistress of the minor cartoonist Lawrence Lariar (what an alliteration for a name!) through her pseudo-fictional book about her life and her diary entries.

Griffith’s family origins in America are hardly humble.

As descendants of the legendary explorer, Civil War veteran, painter, and photographer William Henry Jackson, a distant relative of the man who created Uncle Sam and a man whose legacy stands so high in American history that he has a mountain peak in Yellowstone named after him, generations of Griffith’s family have struggled to rise up to the pioneering success of their leading patriarch and, as a result, have languished in William Henry Jackson’s shadow.

Opening up with Griffith’s travels to North Carolina to visit his uncle Al, his mother’s younger and definitely far more sensible brother, to dig through a box of memorabilia of WHJ (the affectionate acronym used throughout the novel to refer to the flagship of the family), the looming presence of the great WHJ remains in the lives of his descendants and throughout the plot of Invisible Ink.

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FOG! Visits KING RICHARD'S FAIRE!

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By Clay N Ferno
Huzzah!

The Renaissance Faire is still in fashion, as evidenced by my recent voyage to Carver, Massachusetts’ (aka The Carvershire) King Richard’s Faire.

The 34th Season of the Faire’s medieval revelry, turkey leg meals and large cat viewings grows ever-popular with the cosplay crowd and special events peppered throughout the eight New England weekends shows no sign of slowing down.

Perhaps my very own faux chainmail Knights Templar costume ($41.99) and gleaming knight broadsword ($8.99) added to my enjoyment to this year’s Faire, or perhaps it was just something in the mead served cold that made the day most glorious.

We witnessed Highland Hunks lift their kilts for judgement, we saw Jack Lepiarz break a Guinness Book of World Records whipping record. And of course, there were mighty cats.

What follows is a Knight Templar’s experience in King Richard’s court!

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UNITED IN FANDOM: A Union of Pencil and Ink, Body and Soul

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I recently celebrated the high holy days of my marriage: my wedding anniversary and wife’s birthday are four days apart in October.


Go ahead, make a joke about how dumb-man me did this so I won’t forget either one. It won’t matter that we both wanted a wedding in October (neither too hot nor too cold, and likely not rainy), while also staying away from our Halloween activities.


So it is.


As two geeks in love, we usually spin anniversary/birthday time through any one of our many geeky fandoms. Our honeymoon was at Walt Disney World, after all. (Not all Disney fans are geeks, but Disney fans visiting the parks without children definitely are.) On her birthday, my wife met Cinderella and showed off her earrings designed as tiny glass slippers.


Cinderella examines Mrs. Blerd Vision's glass-slipper earrings.

This year of  Geek Love High Holidays was no different.

For the birthday, I first bought my wife a Cinderella-themed bracelet charm styled as Cindy’s magically endowed ballgown – a nice callback to that honeymoon birthday and to when she met Cinderella nine (!) years ago on another Disney World vacation. (My parents came with us, the only table of only adults, and grumbled about all the girly stuff until that prime rib buffet dinner came. You’d never seen people change their tunes so fast.)


Later on this birthday excursion, as we scanned a Hot Topic and felt entirely too old to be there, my wife came away with two Doctor Who shirts: one featuring a schematic drawing of a Dalek, and the other a Weeping Angel with the words “Don’t blink.”

I’m no Whovian, but I always appreciate any love of villains.



Wayyyyyy too many cyborgs and mutants here.

It’s all part of how Two Nerds in Love work things out. Some fandoms we have in common, and we share some with each other as well.


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THE MAN FROM U.N.C.L.E. Arrives The Man from U.N.C.L.E. on Blu-ray Combo Pack or DVD on 11/17 or Own It Early on Digital HD on 10/27

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Danger has never seemed so alluring when “The Man from U.N.C.L.E.” arrives onto Blu-ray Combo Pack, DVD and Digital HD. Henry Cavill (“Man of Steel”) stars as Napoleon Solo opposite Armie Hammer (“The Social Network”) as Illya Kuryakin in director Guy Ritchie’s action adventure “The Man from U.N.C.L.E.,” a fresh take on the hugely popular 1960s television series. “The Man from U.N.C.L.E.” will be available on Blu-ray Combo Pack and DVD from Warner Bros. Home Entertainment on November 17. The film will also be available early on Digital HD on October 27.

The Man from U.N.C.L.E.” also stars Alicia Vikander (“Ex Machina”), Elizabeth Debicki (“The Great Gatsby”), with Jared Harris (“Sherlock Holmes: Game of Shadows”), and Hugh Grant as Waverly.


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