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SCANDAL, Japan's Top All-Girl Rock Act, Announces North American Shows

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Group Supports Latest Album “Hello World” With North American Concerts In Chicago, Los Angeles And Anaheim As Well As Shows Set For Mexico, U.K., France, Germany, Singapore, Taiwan And Hong Kong


Epic Records Japan recording artist, SCANDAL, embarks next month on its most extensive world tour to-date in support of the release of the band’s 20th single – “image” – from its latest album Hello World.

SCANDAL is one of Japan’s most popular rock acts, capturing millions fans with an astute mix of power driven pop-rock. The all-girl, four-piece band also has garnered substantial fan bases across North America, Europe and Asia. Mixing the melodic styles of pop, rock and alternative music with hip fashion sensibilities and unstoppable girl star power, SCANDAL is at the forefront of the burgeoning “J-Pop” and “Japan Cool” global pop culture phenomenon.


The SCANDAL WORLD TOUR 2015 “HELLO WORLD” takes the band on its most extensive international tour to-date in support of their sixth studio album for Epic Records Japan, Hello World.

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Too Much of a Good Thing - The Oft Unsaid Flipside of the Comic Book Movie Explosion

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No, friends. This is not a hoax, a dream, or an imaginary story.

The Theater of the Absurd has been reopened here at FOG!, back in business on those crazy months that give us not four, but five glorious Tuesdays, so let’s dive right in, shall we?

Right now, we’re pretty much living in the golden age of comic book movies.

After years of suffering through films like Batman and Robin, Dolph Lundgren’s Punisher, and a Steel starring Shaq, who was somehow worse at acting than at shooting free throws, quality comic book movies have finally come into their own.

There are times where I've almost convinced myself that this movie
was just a bad, alcohol induced dream..

Sure, not all of them are big hits, and there are bound to be some at the lower end of the spectrum, but by and large, comic book movies are a huge industry at the moment and that can only be a good thing, right?

Well, sure. Mostly.

Until something goes awry, and then what?

Well, of course you don’t know, it was rhetorical.

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DAREDEVIL: YELLOW: Preparation For The Netflix Premiere

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by Clay N Ferno

Digital comics retailer Comixology anticipated my heightened amplitude and heard my heartbeat though my chest in anticipation of Marvel’s Daredevil next week.

Comixology had a Daredevil sale and I revisited Jeph Loeb and Tim Sale’s Daredevil: Yellow(2001). The all-star creative team was finished off by Matt Hollingsworth on colors and Richard Starkings with Wes Abbott on letters. Ask your LCS for a hard copy.

In preparation to mainline 12 hours of television next week (over a couple of days, I’m not entirely nuts!) I pulled Yellow and some other books off of the virtual shelf to get ready for Marvel’s first binge-worthy endeavor.

And until ‘binge-worthy’ is decreed out of the lexicon for being cringe-worthy, I’ll continue to use the word. Order in the court! Sustained!

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BOB'S BURGERS TPB (review)

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Review by Lily Fierro
Bob's Burgers TPB
Written by Chad Brewster, Jeff Drake,
Justin Hook, Rachel Hastings, Mike Olsen
Art by Robin Brigstocke, Bernard Derriman, Frank Forte,
Tyler Garrison, Tony Gennaro, Kat Kosmala, Brad Rader,
 Hector Reynoso, Steven Theis, Damon Wong, Steve Umbleby
Published by: Dynamite Entertainment
Cover Price: $17.99
Diamond ID: JAN151278
ISBN-13: 978-1-60690-660-6
Published: 3/11/15

Warning: Usually, I write most of these reviews for a general audience. Given the nature of this week’s comic book, I will write this review from a bit of a different perspective...

The television show, Bob’s Burgers, has entered the comic book world!

As a loyal watcher of the show, I admittedly was thrilled when I saw the release of the first trade volume of the comic book incarnation in March.

Bob’s Burgers Volume One compiles issues 1-5 of the series, with each issue including a section to represent each family member of the Belcher family: Tina’s Erotic Friend Fiction, Bob’s Burger of the Day Ideas, Louise’s Unsolved Mysteries and Curious Curiosities, Letters From Linda, and Gene Belcher Presents.

For fans of the show, each section expands on each character’s eccentricities alluded to in the show or featured for a single episode, making the comic book series a fun pairing with the television series. Though the comics can stand alone, the television episodes establish the character of each Belcher, and the comic book series expands on the personas we’ve grown to love from the show.

To understand the connection between the comic book and the television series, let’s dive into each of the sections of the comics!


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How CINDERELLA and STEVEN UNIVERSE Unleashed A Kind of Magic

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“Any sufficiently advanced technology is indistinguishable from magic.”


Those are Arthur C. Clarke’s words, the third of the science fiction author’s Three Laws of prediction. They’re elegant, literary and simple, bonding science and magic to one of the deepest of emotions: wonder.


It’s the most quoted of Clarke’s laws, and it showed up on last week’s Archer episode, “Drastic Voyage (Part I).”

Carol, among the show’s most insane characters, goes off into surprisingly eloquent revelrie expressing astonishment at a ship full of her spy co-workers about to be miniaturized and inserted into a man’s bloodstream.




You know, that old sci-fi chestnut from Fantastic Voyage and Innerspace to episodes of SpongeBob SquarePants, Batman: The Brave and the Bold, Family Guy and Doctor Who. And on Archer, that chestnut is wrapped inside another one as the ship is covered in crisscrossing bands of metal resembling the transdimensional vessel in Contact.


Ah, Contact, in which (spoiler alert) an alien performs a magic trick by revealing himself to the protagonist in the image of her deceased father, in order to ameliorate the shock of engaging an alien consciousness.


I’ve been thinking a bit about magic these days, and my father, who died of cancer nearly eight months ago.


Memory, and the triggers of it, can work like magic, instantly transporting me to a different time and space. Sometimes, it’s like flashes in my mind – my mother’s words, my own anguished tears over my father’s casket. Other times, it’s just a dull ache of missing him.


So it goes.


My wife and I went to see the new live-action film Cinderella starring Lily James and Cate Blanchett. I gotta tell ya – damn, it was good.

Like, they-don’t-make-them-like-this-anymore good.



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Shout! Factory TV Free Streaming Service: April 2015 Programming Highlights

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NATIONAL HUMOR MONTH COMEDY SHOWCASE 


It’s no April Fools’ joke! Shout! Factory TV is presenting a slate full of comedy favorites in celebration of National Humor Month. Featuring specials from Kathy Griffin, Steve Martin, Mel Brooks, Carl Reiner, the Marx Brothers and many more, you’re sure to find your favorite brand of comedy to celebrate the most hilarious month of the year.

Discover, experience and binge-watch more than hundreds of hours of culture-defining entertainment for free on SHOUT! FACTORY TV by visiting ShoutFactoryTV.com on your desktop or through a mobile browser. Download the SHOUT! FACTORY TV app on Roku to watch through your television set.

Full line-up of April programing after the jump.


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The Pull List: SPIDER-GWEN #3, CONVERGENCE #0, PUPPET MASTER #1 & More!

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Check out what I checked out this week.

Whether the comics are inspiring or disappointing, I read them all.

Welcome to The Pull List.

And, as always...Spoilers ahead!


The Monsters of Jimmy Crumb (GN)
Writer: James Patrick
Artist: Jen Hickman
Letterer: E.T. Dollman
Price: $9.99
Publisher: 21 Pulp

The Monsters of Jimmy Crumb is a successfully funded Kickstarter project helmed and written by James Patrick, who’s been a writer on Batman and Harley Quinn books.

I had no earthly idea that this book was even a thing. Thanks to a strong recommendation from the nice lady at the comic book store, I took this home and dove right in.

The story wastes no time making me wonder what had I gotten myself into. The eight-year old titular character is reading an essay in front of his class while a ghostly looking female is murdering people in adjacent scenes. My thought process immediately came to the conclusion that Jimmy was somehow going to somehow incur her wrath.

To say I was wrong is a huge understatement as it is Jimmy who makes monsters that we thought only existed in urban legend murder for him to extract revenge from a tragic incident that stole his childhood. The dialog is a little wonky at times, but the book is narrative driven by events unfolding in a way where the reader thinks one thing, then something else occurs.

This is the strength of James Patrick’s writing as the story is constructed in a way where you never catch on to the bait and switch pattern of events. Jimmy’s classmate Haley appears to be a goody two shoes who can’t seem to mind her own business. Later on, we learn the real motivation behind her inquisitive nature along with an unsettling detail from her past.

Jen Hickman does a great job of illustrating scenes and page layouts and uses the right color palates to augment the tone of the story. Her character work presents an animated style that made me think manga on a few occasions, especially on the cover. The facial expressions hit all the right notes, but failed to play any music. Still, it didn’t detract from the experience one iota.

This was a book that I couldn’t put down even if I wanted. The story and imagery drew me in to such an extent that I had to take in everything. This isn’t so much a comic book as it is a brilliantly produced macabre experience that will keep you completely immersed from cover to cover.

Score: 5 out of 5


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Gotham Central: Taking a Look At BATMAN FOREVER (1995)

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So with this we’ve entered the second half of the Batman franchise that both resurrected and then ultimately put the nail in the coffin of comic book movies. But that’s a story for next time.

Here we’re presented with a Tim Burton production of a Joel Schumacher film and “mixed bag” can barely begin to describe it. Burton built the foundation and now Schumacher has come in to chip away at it.


Let me preface this by saying, when I first saw this movie in theaters in 1995, I was at the perfect age for it, and I LOVED Batman Forever. But I’m sad to report, it didn’t grow up with me and now it’s a bit of a struggle to sit through.

But it was the right movie at the right time despite time not being kind to it.


THE GOOD

Val Kilmer is actually great in this.


For a change, Batman is actually at the center of his own movie and Kilmer is up to the task. In some ways he’s even, dare I say it, a better Bruce Wayne than Michael Keaton. He just feels more comfortable in the role of the handsome playboy with a secret and we completely buy ever second of it. Kilmer has been great in a lot of other roles and this is no exception as he effortlessly fills the Bat suit, making it his own, despite occasionally being fed dumb dialog like “I’ll get drive thru.”

With Burton out, Elfman didn’t stick around either so Elliot Goldenthal stepped in to take over scoring duties and it actually turned out pretty good. The new Batman theme is distinct and memorable and he takes it in a new direction. It matches the tone of the movie and comes across very triumphant and confident so the tradition of a memorable score in a Batman movie continues here.



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WITCH GIRL: 'The Chilling Adventures Of Sabrina' Fan Film is a Must Watch

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Considering it's inspired by a comic book that's only had a single issue, this is pretty impressive.

Then again, so's the comic.

Based on Archie Comics' Chilling Adventures Of Sabrina by writer Roberto Aguirre-Sacasa and artist by Robert Hack, Witch Girl is a prequel to the first issue, which is part of Archie's new horror line (the other title, also written by Aguirre-Sacasa is Afterlife With Archie).


The revamped Sabrina, takes the familiar teen witch and gives her origins a dark re-imagining with healthy dose of H.P. Lovecraft mythos, and sets it in the sixties:

On the eve of her sixteenth birthday, the young sorceress finds herself at a crossroads, having to choose between an unearthly destiny and her mortal boyfriend, Harvey. But a foe from her family's past has arrived in Greendale, Madame Satan, and she has her own deadly agenda.

Witch Girl, from Spanish writer/director Ricardo Uhagón Vivas features an even younger take on the character, depicting the pre-teenage witch in the late 1950's.  Included in the short are her cat, Salem, her aunts and love interest Harvey Kinkle. 

Check it out after the jump and read the director's statement.


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WHILE WE'RE YOUNG (review)

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Review by Caitlyn Thompson
Produced by Scott Rudin and Noah Baumbach
Written and Directed by Noah Baumbach
Starring Ben Stiller, Naomi Watts, 
Adam Driver, Amanda Seyfried, Charles Grodin, 
Brady Corbet, Ryan Serhant, Maria Dizzia, Adam Horovitz


I initially thought While We're Young was a movie ripe with potential—the cast and trailer are quite seductive, but I wasn’t thrilled by its digression into a satirical doof-fest of young versus old couples.

It’s funny for sure— Noah Baumbach's script is witty and seems promising and smart. The timing and chemistry of the actors is spot on, however, there are too many storylines that don’t feel complete. And the central theme of authenticity is lost as it becomes an overly dramatized compilation of hyperbolic awkward moments.

Ben Stiller and Naomi Watts play Josh and Cornelia—a 40ish year old couple, married, content, happy enough, but bored. They are revitalized when befriended by intensely intense hipsters, Jamie (Adam Driver) and Darby (Amanda Seyfried).

A beautifully shot film, While We’re Young is wistful and bright. Baumbach keeps scenes in perfect sync with the timeless soundtrack.

He addresses all the expected stereotypes of hipsters and old people.

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Best Of 2015 SXSW Film Festival

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By Mark Wensel

I’m going to take a break from my usual Double Features to tell you what I saw at South By Southwest that’s worth your time. It’s more than two and even more than my not quite as usual five.

But these movies were ALL worth it and I didn’t want to cut any out just to conform to a number.

‘Cause I’m from Austin, dammit! I refuse to conform!

Until they build a condo where I stand.

After the jump check out the films that I thought were the best.


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Stream On: New This Month on Netflix

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By Erin Maxwell

April is upon us, and Netflix is doing some major rearranging.

As we say adios to 56 choices, 50 new selections will be available for streaming in the next month, including a handful of Nollywood dramas and comedies, some great indie horror and the long awaited debut of the first Marvel Studios collaboration, Daredevil.

April 1

And Now ... Ladies & Gentlemen... (2002)
Starring Jeremy Irons and French crooner Patricia Kaas, this thriller is about a former thief and a jazz singer looking for a second chance in Morocco.



Bandolero (2000)
This thriller from Mexico follows a gun for hire makes goo-goo eyes at hottie. With slightly abysmal reviews and rehashed plot, feel free to skip and watch the superior Bound.


Barnyard (2006)
Animated fare about a dairy cow with a wild side. Starring the voices of Kevin James, Danny Glover and Courteney Cox, this mediocre family fare will at least offer something for the kiddies in a month that is slightly anemic in as far as Netflix offerings for the younger sect.


Bound (1996)
Before the Wachowskis began making nonsense like “Jupiter Ascending,” they made this amazing noir thriller starring Gina Gershon and Jennifer Tilly as a mafia gal pal and an ex-con who team to steal $2 mil from the mob. Featuring the hottest girl-on-girl sex scene in the creation of celluloid, watch it with someone you love.



Buffalo Soldiers (2001)
Before he started taking everything so seriously, Joaquin Phoenix starring in this satire following the hijinx of Army misfits on a German military outpost. Based on the 1993 novel by Robert O'Connor, this film is best known for it’s delayed release in the wake of 9/11.



Down to Earth (2001)
Chris Rock stars in the remake of Heaven Can Wait, which was a remake of Here Comes Mr. Jordan. Rock plays a comedian who is hit by a truck, but opts to finish out his life span as rich white man with enemies to spare.



Leprechaun 3 (1995)
Warwick “Wicket the Ewok” Davis returns in the role that helped him buy that beach house. Story follows a murderous mythical creature aiming to protect his gold from twentysomethings who can’t follow simple instructions.



The Beautician and the Beast (1997)
Fran Drescher plays the finds romance with a former Bond in the comedy that made people forget she was in Spinal Tap.



The Crocodile Hunter: Collision Course (2002)
The late, great Steve Irwin and his wife battle a croc that swallowed a tracking device. Honestly folks, nothing to see here. Move along…



Leprechaun 4: In Space (1997)
An early leader in the horror movie trend “when all else fails, try setting it in space.”



Leprechaun 6: Back 2 Tha Hood (2003)
Yes, there were six of these friggin’ things. This one stands out because it features Davis rapping about his gold.



Suicide Kings (1997)
Rich twentysomethings kidnap mob boss Christopher Walken, who proceeds to steal every single scene from them. There’s a kidnapping, in-fighting and a kooky twist.



Sunset Strip (2000)
Hipsters, rockers and half the cast of Dazed and Confused try to make it in Hollywood during the heyday of the Strip in 1972. Stars a pre-Oscar, post-Jordan Catalano Jared Leto.



Underworld (2003)
Kate Beckinsale makes her big break out of indie films and period pieces with the super entertaining Underworld. Following the war between the Lycans (werewolves) and vamps, Beckinsale breaks through her images as a prim and proper beauty with a penchant for tea as the ass-kicking Selene.



Whiteboyz (1999)
Wannabe rappers realize they are not who they appear to be. Horrible stereotypes ensue.



Wrong Turn at Tahoe (2009)
Small-time criminal Cuba Goodning Jr. takes on drug lord Harvey Keitel in this direct-to-DVD thriller.




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Kids Costumes: From Paddington Bear to...Christian Grey?

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Kids costumes always seem to be the easiest ones to throw together.

They’re small, so buying a costume or parts for a costume will never cost as much as it would if you were buying for a fully grown human. And, they’re kids so they can also get away with a lot more than adults feel like they can.

If little girls want to dress like characters from the latest god-awful Disney movie to go to Walmart with their parents, people barely give them a second look.

Wear an Elsa costume to work as an adult however and your job might be on the line. Because all kids love to dress up but only some adults, there is always an abundance of costumes for children available everywhere you might think to look for one for yourself.

Any online costume search for your next project will frustratingly and inevitably, unearth hundreds of pictures of child sized outfits illustrating what you’re trying to create for yourself.

With this in mind, why some parents still seem to struggle to come up with good ideas for their kids costumes is really beyond me.



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Win KILLERS on Blu-ray!

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A series of horrific murders just went viral, posted anonymously by the handsome and seductive Nomura (Kazuki Kitamura), a predator with a taste for torture. Thousands of miles away, disgraced journalist Bayu (Oka Antarra) can’t stop watching – and in a reckless moment discovers he, too, can kill.

One man in Tokyo. One in Jakarta.  A serial killer and a vigilante. As the posts multiply and the body count rises, a bizarre and psychotic rivalry begins – and the face-to-face showdown that’s coming will paint the city in blood.


And we're giving away three copies!

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The Stars Align To Bring STAR TREK and GREEN LANTERN Together This July

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IDW & DC Entertainment Team Up For An Epic Comic Book Crossover Event 


IDW Publishing, CBS Consumer Products and DC Entertainment announced they will boldly go where no one has gone before…in brightest day, in blackest night. Two iconic franchises will meet this summer in a legendary crossover event with the release of a six-part comic book miniseries, STAR TREK/GREEN LANTERN: THE SPECTRUM WAR. Both Star Trek and Green Lantern are known for their strong cast of interstellar characters and when they come together for the first time this July, fans new and old are sure to experience a galaxy-sized thrill.

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EVINE LIVE Hosts DYNAMIC FORCES - The Comic Industry's Leading Producer of Limited Edition and Autographed Memorabilia

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TWO-HOUR SPECIAL FOCUSING ON STAR WARS, MARVEL, DC, IDW, AND DYNAMITE COMIC COLLECTIBLES


Dynamic Forces is proud to announce that EVINE Live (evine.com), the digital retailer and television network delivering entertainment shopping to millions of viewers, will feature a two-hour program focusing on Dynamic Forces' exciting line of comic book collectibles, including some of the most beloved pop culture properties of today, such as Star Wars, Marvel Comics, DC Entertainment, IDW Publishing, and Dynamite Entertainment. The two-hour premiere event takes place on Wednesday, April 8th, at 1:00am EST (Tuesday, April 7th at 10:00pm PST).

Dynamic Forces will offer a wide selection of products featuring autographed limited editions and - in some cases - hand-drawn sketches from the highest caliber of comic book creators. Signatures will represent some of the most important creators in comics, including Stan "The Man" Lee (the industry legend and co-creator of so many "marvelous" characters, such as Spider-Man, The Avengers, Iron Man, Thor, and many more), Bob Kane (creator of Batman), Greg Land (Spider-Woman, Ultimate Fantastic Four), John Cassaday (Star WarsAstonishing X-Men), Alex Ross (Kingdom Come, Project Superpowers), Jae Lee (Batman/Superman), Frank Thorne (Red Sonja), and many more. Dynamic Forces products range from all-time classics that celebrate milestone 75th and 100th anniversaries to the hottest launches of this very year.

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THAT TIME OF THE WEEK...The Long Overdue DVDs & Blu-rays To Check Out/Review Extravaganza

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And suddenly, spring has arrived.

Weather wise it's been a rough winter on the East Coast.  Things seem to be finally clearing up and after this week we're hopefully back on track.  There's lots and lots of goodness in here including a few Oscar films, some classic television, some great catalog titles and two decent werewolf pics.

Fire up that queue and prep that shopping cart.


Maude: The Complete Series

Shout! Factory / Released 3/17/15

Uncompromising, enterprising, anything but tranquilizing…

Television history has given us many memorable, amazing women… and then there’s Maude. Bea Arthur (The Golden Girls) stars as the feisty and funny title character in Maude: The Complete Series, finally available on DVD from Shout! Factory.

Created by Norman Lear (All In The Family), Maude pushed the boundaries for network television during its six-year network run from 1972 to 1978. Often controversial and always refreshingly honest, the series never shied away from tackling the topical issues of the day, yet its depth of character and humor left audiences laughing all the way.

Decades after its initial broadcast, Maude remains a benchmark in television for its sharp, intelligent writing, impressive supporting cast (including Bill Macy, Adrienne Barbeau, Conrad Bain and Rue McClanahan) – and of course, the amazing Ms. Arthur. In a role that earned her a well-deserved Emmy award, Bea Arthur created an indelible portrait of a fiercely liberated woman, paving the way for other noteworthy, female-driven sitcoms from Roseanne and Murphy Brown to 30 Rock. Right on, Maude!

Extras include Original All In The Family Episode "Cousin Maude's Visit", Original All In The Family Episode "Maude - Pilot", Unaired Episode 115 "The Double Standard", Unaired Episode 316 "Maude's New Friends", and featurettes.

Last Word: There wasn't likely a more interesting and observant commentator on American culture than television producer in the Seventies than Norman Lear.

The fact that series like Maude and All in The Family wouldn't likely make it to air today is a testament to how groundbreaking his work was. And during the height of women's lib, Lear's series Maude was a revelation. The character, portrayed by Bea Arthur, was a fierce Democrat, a civil rights and equality advocate who very much an independent woman, and occasion a little too intense for the people around her. She's married to her fourth husband Walter (Bill Macy) and very involved in the life of her daughter, Carol (Adrienne Barbeau).

Among the topical issues covered over the course of the series were alcoholism, nervous breakdowns, abortion, domestic violence, prescription anti-depressants, marijuana, psychotherapy, and suicide; all taboo topics for network television at the time. Esther Rolle appeared as Maude's houskeeper, Florida Evans who was later spun off into her own series, Good Times). Conrad Bain and Rue McClanahan played recurring characters and among the recognizable guest stars during the series' six season run were Ed Begley Jr., Cesare Danova, Vincent Gardenia, Van Johnson, Tom Bosley, John Amos, Johnny Brown, Ron Glass, Fred Grandy, John Hillerman, Conchata Ferrell, John Wayne, Jill Clayburgh, Hector Elizondo, James Cromwell, Paul Benedict, Audra Lindley, Richard Dysart, Matthew 'Stymie' Beard, Bernadette Peters, Teri Garr, Lyle Waggoner, Alice Ghostley, Henry Fonda, Jerry Houser, Clive Revill, Bob Balaban, Martin Balsam, Dick Van Patten, Michael O'Keefe, William Schallert, Conrad Janis, James Coco, John Byner, Michael Keaton, Eve Arden, Richard Kline, Roscoe Lee Browne, Tim Reid, Terry Kiser, and James Hong.

A combination of smart writing and strong performances from over three decades ago are as sharp as ever, making Maude both a snapshot of the times and a constant reminder of how far we still need to come. Highest recommendation.


Into the Woods

Disney / Released 3/24/15

From the director of Chicago and the producer of Wicked comes a modern twist on the beloved fairy tales you thought you knew. Meryl Streep stars in this epic musical saga about daring to venture - Into The Woods. Iconic characters, such as Cinderella, Little Red Riding Hood, Jack and the Beanstalk and Rapunzel, find their fates intertwined with a humble baker and his wife, whose longing to have a child sends them on a quest to reverse a witch's (Streep) curse. With an all-star cast, this spellbinding adventure is everything you could ever wish for! Extras include commentary, featurettes, and never before performed song by Stephen Sondheim (performed by Meryl Streep).

Last Word: This production was perfect to me.  Some musical productions don't translate well to film but Into the Woods is actually mesmerizing on screen.  Centering around a childless baker and his wife, Into the Woods intertwines several familiar fairy tales stories (Cinderella, Red Riding Hood, Jack and the Beanstalk, Rapunzel) as the main characters scramble to find ingredients for a potion that will lift a witch's curse of infertility. Charming and hilarious we follow each character through mishaps and songs as shenanigans ensue.

Hilarious and witty, the entire cast is lovely and on point.  While every line is sung, the movie is never awkward because of the lack of dialogue. Look at Les Miserables--it was a powerful production, intense and imposing, but there were times when it felt just incorrect on-screen--the singing dialogue was unnatural where it wouldn't have been in stage. Some productions should just remain there, on stage. Les Miserables is one. And Rent is another. I won't even discuss the atrocity of that film adaption.

Into the Woods is rich with stellar performances. Meryl Streep is, as ever, spectacular. Emily Blunt and Anna Kendrick having excellent timing and charm. Chris Pine is hilarious -- I didn't know Captain Kirk had such a sultry voice. Everyone's enthusiasm is infectious and delightful. The majestic settings and exuberant story are so incredible and exciting, enthralling even. The camera immerses you into the thick woods, rich with detail and color. And through each adventure we bounce along with wonder and smiles with the story.

Really I could not stop smiling. I really enjoy musicals, hence my intense compliments of this film--truly it's a wonderful and visually pleasing movie that should be enjoyed by the whole family. Perhaps not the young ones however, the second half is a bit more mature, even depressing--albeit still surprisingly upbeat. The overall life lessons are appropriate and well-delivered. Into the Woods emphasizes that "nice is different than good", illustrating the flaws in fairytale characters and the importance of recognizing reality versus fantasy.  An odd fact considering this show is full of magic. (– Caitlyn Thompson)


Foxcatcher

Sony / Released 3/3/15

Based on true events, Foxcatcher tells the dark and fascinating story of the unlikely and ultimately tragic relationship between an eccentric multi-millionaire (Steve Carell) and two champion wrestlers (Channing Tatum and Mark Ruffalo). Directed by Academy Award nominee Bennett Miller (2005, Best Director, Capote), it is a rich and moving story of brotherly love, misguided loyalty and the corruption and emotional bankruptcy that can accompany great power and wealth. Extras include featurette and deleted scenes.

Last Word: There's a fascinating movie to be made about the true-life events surrounding wrestlers Dave and Mark Schultz and eccentric billionaire, John du Pont but Foxcatcher isn't it. The pre-release buzz on the film was inordinately high, with massive praise for Carell's serious (and heavily made up) turn as du Pont. While there are moments where Carell's humor shines through, the actor seems intent on being as absent as possible from the proceedings, as if being more present would ruin his characterization. du Pont was evidently an eccentric, socially awkward man, but Carell is so determined not to be his usually funny, charming self that he makes very little impact as the odd character.

Channing Tatum is equally opaque as the troubled wrestler Mark Schultz, who is trying to get out from the shadow of his older, more confident brother (Mark Ruffalo). Although Carell earned a Best Actor Oscar nomination, the lead role is really Tatum's. We're sympathetic to Mark's struggles, but we never really get to know or care about him. Deeper troubles are hinted at, but never revealed. The one bright spot in the film is Ruffalo, who has less screen time than his two co-stars, but whose natural affability comes across despite the limitations of the script.

The film opens three years after the 1984 Olympics where the brothers took gold, Dave has a family and a job, but Mark is struggling. He's taking the place of his more famous brother at speaking gigs for a mere $20.  When he gets a call out of the blue from du Pont, Mark is flattered but puzzled. He's flown from his dingy apartment to the palatial du Pont estate, where the billionaire offers to sponsor him for the next Olympics. Mark tries to talk Dave into accepting the same deal, but Dave doesn't want to uproot his family.

And so the pieces are set for a strange relationship of power, money, ambition, and overwhelming jealousy. We see brief glimpses of why du Pont and Mark might bond: du Pont learned at 16 that his mother (Vanessa Redgrave) was paying his only companion, the chauffeur's son, to be his friend. Mark was raised by his brother and the two were constantly on the move. They're both adrift and, for a moment, seem to find some hope in each other.  Unfortunately, the film is glacially paced and we never get much insight into the main players' motivations or thoughts. You leave the film wanting to know more: Was there a sexual relationship between du Pont and Mark?

It's only hinted at in the film, which also glosses over some key developments after a horrible crime has been committed. (The Wikipedia article has the whole story, as does Mark's book. Regardless of how many details you know going in, you'll likely need to hit up Wikipedia to fill in the film's many blanks.)  The failure to connect may also lie with wrestling itself; It's not a particularly cinematic sport. unlike, say, running or racing.The settings are also decidedly unattractive, mostly dull gray gym interiors and sports arenas. Apart from the beautiful du Pont estate and his mother's horses (which John has always hated), there is very little to catch the eye in the whole film.  It's a film I wanted to like, having been a fan of Bennett Miller's Capote. But his aloof approach means we are never given enough pieces of the puzzle and never get involved in the story. (– Sharon Knolle)


The Flintstones and WWE: Stone Age Smackdown

Warner Bros. / Released 3/10/15

Get ready for some raw-kin' action in this all-new, original movie that brings some of WWE's toughest, wildest superstars to Bedrock! When Fred loses his family's vacation money, he hatches one of his hair brained plans to get it back. It's a sports entertainment spectacle that involves throwing his best bud, Barney into the wrestling ring with the likes of John Cenastone (John Cena), Rey Mysteriopal (Rey Mysterio) and even The Undertaker, with Fred himself as event promoter! The crowds roar, the "clams" are pouring in from ticket sales and even Mr. McMagma (Vince McMahon) is taking notice of all the hoopla. Can Fred keep serving up bigger and badder matches or is he in for the rocky ride of his life? Including all-star appearances from The Boulder Twins (Brie and Nikki Bella) Marble Henry (Mark Henry) and Daniel Bry-Rock (Daniel Bryan), it's time to get the whole family together for a collection of hard-hitting, side-splitting laughs from the most epic event in all of prehistory!

Last Word: For fans of WWE this is a must have.  Personally, I thought that the inclusion of real life wrestlers was a misstep, simply because none of them do a particularly good job with their line delivery.  Fortunately, the character design by Shane Glines is amazing (reminscent of the great Ed Benedict) and the primary voice cast (Jeff Bergman, Tress MacNeille, Kevin Michael Richardson, and Grey Griffin) is fantastic.  The writing on the other hand is a stumbling block.  For fans of The Flintstones, it's nice to see that the franchise isn't completely dead and hopefully, Warner will see this as a sign to do a new feature without a gimmick or tie in.


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WONDERCON 2015 Photo Gallery

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Wondercon is becoming THE West Coast convention for Cosplay.

It's also a vision of SDCC years past.  A convention of good size and great energy that is still realistic (and affordable) to attend.  It was a fantastic weekend, great costumes, vendors, displays and panels...

But don't take my word for it, just check out some photos for the weekend.

Wondercon 2015!

Check out the pics after the jump!


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A Taste of George R.R. Martin, Checking into The Overlook, Gritty Fantasy & More!

DEEP STATE Vol. 1: DARKER SIDE OF THE MOON TPB (review)

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Review by Atlee Greene
Deep State Vol. 1: Darker Side of the Moon
Writer: Justin Jordan
Artist: Ariela Kristantina
Colorist: Ben Wilsonham
Cover: Matt Taylor
Letters: Ed Dukeshire
Publisher: BOOM! Studios
Released 4/1/15
Price: $9.99

Deep State is a series that no one openly talks about on the regular, like one would about Saga or Daredevil. You also won’t find the series on Diamond Distributors top 100 comic book sales of the month.

However, twelve days after the release of the first issue, BOOM! Studios sold the books TV rights to 20th Century Fox Television.

This graphic novel collects the first four issues which also covers the first story arc of the series. It has an X-Files vibe as clandestine government agents track down conspiracy theories that have gone from fiction to fact.

The conspiracy in question deals with how it was the Russians, not the Americans, who first landed on the Moon, five years before Neil Armstrong would grace its lunar surface.

Chapter 1 is a nice set-up issue that establishes the secrets of the moon landing, along with introducing us to the two lead protagonists. John Harrow is the been there, done that king of secret agents. He recruits Ms. Branch, a government agent working in Washington D.C. who clings to the truth like white on rice. The journey from acceptance to the first mission on Branch’s part seemed rushed because one would assume there would be some training involved.

Normally, that would be an issue, but it works here because Justin Jordan is able to firmly establish that Harrow absolutely knows what he is doing and that he only recruited someone who could hit the ground running. Branch’s intelligence, coupled with her desire to discover the truth, makes the transition to her new position almost seamless.

The visual set up by Ariela Kristantina is dark and mysterious with a touch of levity that strikes at the right times throughout the book which makes the imagery so absorbing. Ben Wilsonham’s coloring complements the narrative and is able to change with the mood, such as when a dark wooded area is set ablaze making me feel as if someone turned the lights on.

And of course, what good would this story be without a monster of some sort? Well he, or it, appears and its presence on the final page was drawn with eerie intentions but also expands on the moon mystery.

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