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ABC Buys Sitcom from ELLEN DEGENERES and PORTIA DE ROSSI

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While this project has been talked about a bit, it's now official that ABC has picked up Ellen DeGeneres' produced project that stars Portia de Rossi.

According to TVline, the network has ordered The Smart One, a multi-camera sitcom with Rossi starring. The script is being written by Donald Todd and DeGeneres will be an executive producer along with Lauren Corrao and Todd.

The half-hour comedy stars Rossi as a "brilliant and successful woman" to works for her less smart and more popular sister. Somehow she's the one that become the big-city mayor. No details yet on when shooting stars or when the show is expected to air.



WHATEVER IS IN THE WATER IN JAPAN Should Be Bottled And Sold Here In the U.S So That We Can Experience Hallucinations This Awesome

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This is Kyary, she did the ridiculously saccharine Pop song Pon Pon Pon that ended up stuck in my head for about three weeks.

This song is no different except that now I have a weird desire to wear false eyelashes and dance with college mascots...and so will you.

God help us all.

Source: Coilhouse


WE IS SMART...We Is Good With Knowing Stuff...We Don't Have A Chance

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I've been thinking about perhaps propagating the species with my husband but, after watching the video above, I might as well get fixed and start stocking up on canned goods and bottled water to prepare for the real life version of Idiocracy about to fall upon us.

Sweet Jeebus.

Source: Geekologie


The Mysteries of Alcatraz

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The new FOX Television series Alcatraz, from Bad Robot, the same company that brought us the very popular Lost, is a bizarre crime procedural that begins each episode with the following line from mysterious agent Emerson Hauser:
"On March 21, 1963, Alcatraz officially closed. All the prisoners were transferred off the island. Only that's not what happened. Not at all."
What actually happened is that all three hundred plus inmates, as well as forty guards and miscellaneous staff, disappeared from the island, and are now, nearly fifty years later, beginning to come back, having not aged nearly at all in the intervening time.

This being from the producers of Lost, the show is filled with mystery and intrigue, and it is not known who, beside the two main characters, Homicide Detective Rebecca Madsen and Dr. Diego Soto, can be trusted.


I don't want to get into how, over time these mysteries will be be solved (if the series survives) because the Internet will buzz with theories (if the series is popular.)

I'd like to concentrate on the character of Dr. Soto for a moment, a character with two doctorates, one in criminal justice, the other in Civil War history. He is also a comic book writer/artist, and owns a comic book store in San Francisco. He also wrote a book on the prisoners of Alcatraz, and is an expert on the place.

Detective Rebecca Madsen and Dr. Diego Soto

Now, overqualified comic book store owners are a common enough trope in fiction these days. Owners of these stores are often portrayed as having impractical degrees (on The Simpsons the character Comic Book Guy has double majored in folklore and mythology, for instance) but even that is not the main point of why I am writing.

If, as the series suggests, all the prisoners and guards disappeared off Alcatraz in 1963, then a cover-up as large as those that surround both the Roswell UFO crash and the Kennedy assassination must have ensued.

The character of Emerson Hauser is at the center of the conspiracy, and the team of Madsen and Soto are our introduction into the mystery.

But if there is in fact such a coverup at Alcatraz, it is far from the only one.

John Patrick Mason
Sometime before March 21, 1963, an illegally detained prisoner, John Patrick Mason, escaped from Alcatraz through the elaborate and largely unexplored tunnel system beneath the prison. Mason was a former British special forces soldier and a MI-6 agent disavowed by his government after he stole a microfilm containing the secrets of both the Roswell crash and the details behind who really killed President Kennedy. Mason's exploits are detailed in the 1996 film, The Rock.

The problem can be instantly appreciated by anyone paying attention to the dates.

Kennedy was assassinated in November of 1963, and Alcatraz was closed in March, six months earlier. Had Mason stolen a microfilm detailing a conspiracy to kill the President, he had details of the event before it took place. This means that the secret agent was probably trying to prevent the killing of the American President, and was prevented from doing so. Mason's escape from Alcatraz took place before the mysterious disappearance of the inmates, and one wonders if the conspiracy surrounding Alcatraz was also detailed in the microfilm he stole.

Frank Morris

Of course, John Patrick Mason was not the first man to escape from Alcatraz. That title belongs to Frank Morris, a career criminal with a genius IQ who, along with brothers John and Clarence Anglin dug out of the backs of their cells, leaving dummies in their beds, and swam towards San Francisco on a homemade raft. It was their daring escape, detailed in the 1979 movie Escape from Alcatraz, that most people regard as the reason for closing the facility.

The escaped prisoners were never seen again. The FBI claimed that they all died while attempting to cross the water, but no bodies were ever recovered. Given the revelations in the new series Alcatraz, perhaps Frank Morris and the Anglin brothers knew something they weren't supposed to know, and were able to parlay that knowledge into some sort of full pardon, or were summarily executed upon being recaptured.


I haven't even gotten into the supernatural aspects of Alcatraz. There have been several paranormal investigations carried out in the former prison, which is now open to tourists. The ghost of at least one serial killer has been dealt with on the series Charmed, for instance, and The Ghost Hunters filmed an episode there.

Whether the mysteries surrounding Alcatraz are supernatural, super scientific or merely conspiratorial in nature, the great and terrible prison is large enough to contain them all.


SONS OF ANARCHY Will Ride For At Least 6 Seasons

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FX has ordered a sixth season of its hit show SONS OF ANARCHY, while at the same time signing the show's creator Kurt Sutter to a three-year-deal, per Variety.

SONS has been FX's top rated show, coming from Sutter who also created THE SHIELD for the network. Last October FX ordered a fifth season and now a sixth, while Sutter's three-year-deal gives him the option of a seventh.


 Sutter's deal also gives him the option to write and produce other shows for the cable network.

I've never seen SONS OF ANARCHY, but I've heard nothing but good things and it's from the same network that brings us JUSTIFIED, ALWAYS SUNNY, WILFRED, LOUIE, and ARCHER, so I imagine it's a fantastic show. Better add it to my Netflix queue.


AMAZING SPIDER-MAN Gets An Amazing Trailer

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Quite possibly one of the most anticipated trailers of the year, right after The Avengers, The Amazing Spider-Man has a brand new trailer.

The new trailer shows a few clips of the villainous Lizard, a first look at Spider-Man versus the NYPD, and the unmasking of our hero. Andrew Garfield, Emma Stone, and Rhys Ifans star in this reboot that wants to show a realistic Spider-Man as the teenager that he is.

Director Marc Webb said that he "wanted to treat Peter Parker in a more naturalistic way." Watch the trailer right after the break to get a taste of what he was talking about.



DOLPH LUNDGREN Will Fight With Robots Against Zombies

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There are some robots versus zombie movies on the way, but none could be better than Dolph Lundgren leading an army of robots in Battle of The Damned.

According to Twitch, Lundgren stars in Christopher Hatton's Battle Of The Damned. The action/horror/sci-fi hybrid shows an interesting battle against things that are dead and things that were never really alive.



The movie is being financed by Boku Films from Singapore and has Bleiberg Entertainment's genre label Compound B set to produce. Development on the project has been quiet and slow, but now we have new artwork and a new synopsis.



Michael Bay is currently producing Zombies Versus Robots, an adaptation of Ashley Wood's work. That project will likely have a much larger budget and won't be seen until 2013. There is still no director signed on for the film.

Here's the official synopsis of what will happen:
On the outskirts of civilization, a remote test facility lays ruin following a catastrophic security breach. All that remains is a handful of survivors, their small armory of weapons, and a fleet of the infected. The breach lead to a viral outbreak that left hundreds dead or mutated. Now the infected walk the land, stalking the few that stayed alive.

Led by private military operative Max Gatling (Dolph Lundgren, "The Expendables," "Universal Soldier"), our heroes have learned to fight against the infected, in hopes that rescue will soon come from the outside world. What they weren't expecting, though, was the emergence of another deadly threat.

The breach also gave way to the escape of a band of malfunctioning prototype robots. Armed and incredibly dangerous, the robots could either be an indomitable force... or an unexpected ally in their battle against the infected masses.


THE AQUABATS! SUPER SHOW! Is Coming Soon

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Get ready for the delightfully crazy antics of The Aquabats and their new show at The Hub The Aquabats! Super Show!

Coming from the co-creator of Yo Gabba Gabba!, the new show is a hybrid live-action/animated series that is unlike most things currently on TV. The new show is billed towards kids and families, but I think everyone should be watching this.


The new show follows the alternative rock/ska/concept band as they travel around the universe on "a never-ending quest to right wrongs, destroy boredom and seek justice for all." The blend of live-action and animated crime-fighting will showcase the band as they use their music and superhero powers in the greatest way possible.

While the show has a target audience of 6-11, the network is using the bands clout to bring in parents and music fans through digital campaigns and marketing. They have already partnered with comic book shops, independent record stores and online music and comedy site.

The Aquabats are a real band that have been around for a while. Christian Jacobs, better known as MC Bat Commander, is the co-creator, writer, and director of Yo Gabba Gabba! He starts in the Super Show as the leader of band and is joined by Crash McLarson on bass, Jimmy the Robot on keyboards and sax and Ricky Fitness playing the drums. The newest member Eagle "Bones" Falconhawk will be the guitarist for the show.

The Aquabats started in 1994 and developed a cult sort of fan base quickly and performed at many music festivals. They have released 5 full-length albums, most recently Hi-Five Soup.


The Aquabats! Super Show! debuts on Saturday, March 3 (1 p.m. ET, with encore performances throughout the week).






The TV Casting Roundup Today Has LOUIS C.K., CHI MCBRIDE and COREY STOLL

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A light day for casting news today. Characters are returning, some are leaving and new shows are getting their linups today.

Returning to a previous role we see Louis C.K. is an officer of the law yet again. Paz de la Huerta looks like she's not returning to Boardwalk Empire. And for some new shows we see Chi McBride coming to Golden Boy and Corey Stoll headed to the new Netflix original show House of Cards.


HuffPo says that Louis C.K. is coming back to Parks and Recreation to see Leslie Knope in Pawnee. In the episode Leslie and Ben see Officer Dave and it just gets awkward from there. Also in that episode Andy and the rest of Leslie's team are working on creating a theme song for her.

Paz de la Huerta will not be coming back to Boardwalk Empire according to TVLine. HBO has decided not to give the actress a season 3 contract option, which would mean that Lucy Danziger is officially whacked. The character went out and never came back in a final episode for Season 2.

Now in pilot news, THR reports that CBS has cast Pushing Daisies alum Chi McBride in Golden Boy. The drama follows the rise of a cop as he goes from officer to detective to police commissioner. McBride will be playing a detective by the name of Don Owen, one of the first partners to the up and coming officer who quickly becomes a hero. It was also announced recently that Richard Shepard will be directing the pilot from Nicholas Wootton.

Deadline reports that Corey Stoll, mostly known for his role in Law & Order: LA, will be coming to Netflix's first original series House Of Cards which has David Fincher set to direct and Kevin Spacey starring. Stoll would play Italian-American congressman Patrick Russo, a divorced loose-cannon with two kids. After being caught in an affair with his secretary, Spacey's Underwood intervenes to save him from scandal.


ROBERT RODRIGUEZ Brings Back MACHETE

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Robert Rodriguez is ready to make a sequel to his super gore filled action film Machete.

Deadline reports that Rodriguez is working with producer Alexander Rodnyansky on Machete Kills. The film would be the second in a planned trilogy. Talking about the character, Rodriguez said, “The fan response to the Machete character has been fanatical since his first appearance. Machete is truly a super hero and Machete Kills will be bigger and more ambitious than the first time.”




Using the logline “This time, they fucked with the wrong Mexican!” Danny Trejo is being talked to about reprising his title role. Looking at an April production start, Rodriguez expect that much of the original cast will be returning for the sequel.

In the new movie, Machete is recruited by the U.S. Government to battle through Mexico and take down a madman cartel leader/eccentric billionaire arms dealer. His plan is to "spread war across the planet with a weapon in space." Of course Machete will come through with his plan to stop and dismantle the plan for global anarchy.

Rodriguez will be producing with Rodnyansky and Aaron Kaufmand and Iliana Nikolic from Quick Draw Productions. The will be the first US pic to be produced and financed by Rodnyansky.

Kyle Ward has written a script for the sequel to the film that started as a parody movie trailer in Grindhouse in 2007. The original came out in 2009 and grossed nearly $45 million while on a budget of only $10.5 million.

If you missed the original, here's a look at what happened.


Check Out Badass OLIVIA THIRLBY In DREDD

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The upcoming remake of Judge Dredd, just called Dredd now looks likes it's going to be violent if these new pictures of Olivia Thirlby are to be trusted.

In these new images Thirlby shows why the film is getting an R-rating. Recently the project has been having issues between screenwriter Alex Garland and director Pete Travis, even though they said everything was fine. Karl Urban won't get to show his face as Dredd and the movie will follow these two as the get to the villain Lena Headey. Just click the jump to see the brain splattering.









HARRISON FORD Is Not In Talks For BLADE RUNNER Update

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All over the web yesterday was the report that Harrison Ford would be coming back to star in some role in the Blade Runner reboot that is currently in the works. We were all wrong.

Today comes the announcement from Alcon Entertainment that “It is absolutely patently false that there has been any discussion about Harrison Ford being in Blade Runner.” Well I guess I'll never really know if Deckard was a Replicant after all.

Andrew Kosove and Broderick Johnson run Alcon together and today said “To be clear, what we are trying to do with Ridley now is go through the painstaking process of trying to break the back of the story, figure out the direction we’re going to take the movie and find a writer to work on it. The casting of the movie could not be further from our minds at this moment.”

Similar to how Ridley Scott's Prometheus has some association with the original Alien, it lives on its own as a standalone project. That is what they want to do with the new Blade Runner project. But there is this little gem when asked if Ford could show up: “In advance of knowing what we’re going to do, I supposed you could say yes, he could. But I think it is quite unlikely.”


DON'T GO IN THE BASEMENT - "Greatest Lines"

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This will deal with the greatest lines in horror movie history.

Now I’m not saying great lines as in Troll 2’s “They’re eating her, and then they’re gonna eat me. Oh my God!


That’s a great line if your idea of a promising career is watching YouTube videos and desperately trying to find reasons that your friends should hang out with you.

When I say “Great Lines,” I’m talking about lines that are so unexpected or so grand that they become your favorite part of the movie.

These are lines that, if the producers had any kind of forward thinking, would’ve decided “Hey, we should really put that on a t-shirt.”



“Look what your brother did to the door!” 
– Drayton “Cook” Sawyer in The Texas Chainsaw Massacre


This movie is about a family of cannibals who live in rural Texas, with the key member of the family being a giant, mentally disabled man who wears human skin to represent his emotions. And they’re worried about the broken door. It’s this kind of morbid detail that makes the entire movie great. “Yeah. In no way is the girl who we’re about to torture and devour the biggest thing in our lives. Nope. Our door has some decent-sized cuts in it and we might have more neighbors that need their faces removed. We have to keep a clean house. We need to know our priorities here.”

 “Game over, man! Game over!” 
– Hudson in Aliens


There’s something so nerdy and so oddly human about this line.

Three-fourths of this movie’s cast are so tough that they can’t high five without their pets sensing an earthquake and running away. The fact that, when faced by the extraterrestrial menace of xenomorphs, Hudson, someone who can’t flush toilets properly because he shits so many bullets says this, is monumental.

Having a character use the phrase, “Game over, man” is like saying “Yeah, none of these guys got laid in high school either. No worries, movie goers. Mario still rules.”

“It’s Halloween. Everyone’s entitled to one good scare.”
– Sheriff Brackett in Halloween 


For this scene to work, one has to obviously ignore the weird, sexual tension that permeates it.

Sheriff Brackett looks at Laurie Strode in the way that I stare at a Wendy’s value menu, with intense, hungry purpose. It works so well, because of the irony that comes before and after it. Laurie Strode gets scared about 1500 times in this movie, (screams x minutes spent running/”help me’s”x stab attempts) and it’s a wonder that Halloween 2 wasn’t just a one long phone call, with Laurie asking Brackett if he was being sarcastic.

“Just a little torture.”
– Kakihara in Ichi The Killer


At the time of this line, the person being tortured is suspended by hooks through his skin, has had a large needle shoved into his face, and has had hot oil poured onto his back and head.

Calling this “a little torture” is like calling The Great Depression “that time when a few people couldn’t have breakfast. Kinda sucked.”

As with the previous quote, irony is huge in Ichi The Killer. I’m not trying to call the average man “boring,” but usually people act sort of strange whenever the topic of psychosexual masochism is brought up. In Ichi The Killer, the characters take the subject in stride, treating it with the same amount of normality that regular people treat petting a dog with. I wouldn’t be surprised if the deleted scenes included Kakihara doing a soliloquy about how much he likes getting punched in the face.

Oh wait, there is one of those. Kick ass, Ichi.

Then again, this film was directed by Takashi Miike, who’s been documented to have an alarm clock that just emits sounds of people pleading for their lives whenever it’s set off.

“Hey Ted, where’s the corkscrew?” 
– Jimmy Mortimer, in Friday The 13th Part 4: The Final Chapter


Anyone who’s ever met me knows that if I exploded, the room would be covered in Taco Bell, Whiskey sours and Friday The 13th Special Edition DVD’s.

My love for this series knows no bounds, and if I had to choose between a hot woman and my Friday The 13th collection for a desert island, the rescue boat would find me sun burnt and desperately trying to carve a vagina into a coconut, beside a big stack of movies.

This line perfectly describes the tone of this series of movies and the brilliant sense of humor that they often have, and by brilliant, I mean don’t judge me.

Jimmy has just gotten laid by one-half of a pair of hot twins (tends to happen when you go to a cabin by the lake. Hot twins on bikes show up, and one is lame and the other wants YOU), and now he’s looking for a corkscrew to open a wine bottle. He calls out to his friend and boom, Jason stabs Jimmy’s hand to the counter with the aforementioned corkscrew. It’s poetry in motion when the meat cleaver comes down on Jimmy’s head a second later.

Every line, in King Kong (1976)


If you ask most people what their favorite iteration of King Kong is, you’ll probably receive the answer of the 1933 version or the 2005 version.

I disagree with all of these people and their stupid life decisions. King Kong ’76 is the most quotable film of all time because half the time, I’m not even sure that the screenwriters knew what “dialogue” meant, or had ever talked to another person in their lives. Characters say lines simply because it feels like they need to fill time. I’ve seen this movie dozens of times, and still, as soon as it switches away from a giant ape turning a prehistoric snake into a sandwich party tray, I have no idea what the hell is going on anymore.

Here’s a few quotes to give you an example of just how mind-bogglingly insane the actors sound.

“Ah, the power of it. Ah, the superpower! Hail to the power! Hail to the power of Kong! And Petrox!” – Fred Wilson

“I know the day, the hour you completed your toilet training.” 
– Fred Wilson

“You know we're going to be great friends. I'm a Libra. What sign are you? I bet you're an Aries. Aren't you? Of course you are." I knew it. That's just wonderful.” 
– Dwan 

“Radio your computer and ask them if you don't believe me.“ 
– Dwan

“Damn it! I'm tired of you trying to confuse this girl's mind! This is her big chance and yours too! You know there are stars in Princeton the same way there are in Hollywood Jack. You want out, you want me to cable Harvard or Yale and get Kong another keeper?” 
– Fred Wilson

I’m not a huge believer in witchcraft, but if you play the audio track to King Kong ’76 backwards, you’re sure to summon at least three demons and a hell hound. I haven’t been able to piece it all together yet, but I’m certain that “Fred Wilson” is an anagram for the name of some Norse trickster god.

Also, if you don’t ask your girlfriend to “radio her computer” at least once today, I’d be ashamed to have even brought it up.


ELI ROTH'S AFTERSHOCK Garners Multiple Offers.

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Nicolas Lopez and Eli Roth's story Aftershock is getting quite a big response and now has multiple offers on the table.

According to Deadline, the new script has started a bidding war to get the earthquake thriller. The project will be the Eli Roth Presents and Roth is also set to star in the film. It was written by Roth, Lopez and Guillermo Amoedo.



The plot said to revolve around an insane asylum on an island. During a violent quake, the inmates escape and wreck havoc. The story was inspired by Lopez's experience in the earthquake that devastated Chile in 2010. Production has already begun and is four weeks in development.

Aftershock will be the English-language debut for director Lopez whose previous films Que Pena Tu Vida and Que Pena Tu Boda were the top grossing films in Chile in 2010/2011. This new film is expected to be a microbudget project that could be bought up by Weinstein Company or Relativity Media.

“I’ve been a huge fan of Nicolas Lopez since his remarkable debut Promedio Rojo and have watched him grow into one of the best young filmmakers out there,” Roth said. “He has the incredible combination of commercial sensibility with an artistic eye, and what he has done here in Chile with their film industry is revolutionary. This collaboration marks the beginning of what we call Chilewood, making genre films for the global market using all the resources Chile has to offer. We are making a smart elevated disaster genre movie with superb production value, something really big. The film’s going to be very scary, very intense, and very real.”

Along with Roth in the cast is Selena Gomez who came to the set for a cameo after finishing a concert in Chile. Stars well known in Lopez's projects are also onboard including Ariel Levy, Nicolas Martinez and Lorenza Izzo. Natasha Yarovenko, Andrea Osvart and Miguel Asensio are all attached to the project as well.

Lopez Talked about the project saying: “I have been writing, producing and directing feature films since I was 17, and now that I’m 28 it’s time to cross over to the worldwide market, especially when you have someone like Eli Roth as your Godfather. I was a fan of Cabin Fever and Hostel, and I love that we’re mixing our sensibility. People will be shocked when they see this movie. It’s nothing that you could expect. I want this to be my Robocop.”


Magnetic Personalities—Remembering FATAL ATTRACTIONS

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Every superhero (and superhero team) has a rogue gallery to keep things interesting.

After all, without a good stock of villains, what would be the point of dressing up in garish, tight-fitting getups and parading around the city like a crazy person?

Besides trying to land a gig on MTV, that is.
But there’s always one standout, one villain that comes to define the dichotomy between good and evil, no matter how expansive the variety gets.

Batman may have the Riddler, Poison Ivy, and Penguin to tangle with, but it’s the Joker who takes the top slot in his gallery.

Spider-Man gets put through his paces by the Sandman and Dr. Octopus, but it’s Norman Osborn’s Green Goblin that steals the show.

Of my myriad of enemies, none vexes me as much as lactose. I’m don’t tolerate that crap.

For the X-Men, none of their villains can hold a candle to Magneto.


Sure, he’s one of the good guys now, and even before the current status quo he briefly served the greater good as the headmaster of Xavier’s school, but from their very first mission, the X-Men and Magneto have locked horns in battles most epic.

While Xavier preached coexistence, Magneto’s experiences in the Nazi camps brought him to the conclusion that humans were only capable of great evil and for mutants to survive, they would have to conquer.

Over the years, the X-Men battled Magneto on every continent, in space, and even in a volcano, each side being pushed to the brink on several occasions, but never going down for the count.

Not gonna lie, seeing stuff like this as a kid will leave a mental scar or two.

Of all their battles, perhaps the one with the most serious ramifications took place in 1993's Fatal Attractions.

Having been believed killed in an explosion aboard Asteroid M at the end of Claremont’s run of the X-Men in 1991, Magneto made his return as the collected X-Teams mourned the recent loss of Colossus’ sister, Illyana.

Co-opting Cable’s space station, Graymalkin, Magneto established Avalon to be a haven for all mutants who tired of oppression on earth. With the help of the mysterious Exodus, Magneto gathered any mutants who wanted to join him, regardless of prior allegiances, a strategy employed by Cyclops years later in his creation of Utopia on the wreckage of Magneto’s own Asteroid M.

Magneto had to be pissed that when this was HIS idea, they blew his ass up.

Naturally, the X-Men weren’t going to take this lightly and after Magneto retreated to space, with the now defected Colossus in tow, Xavier formed a strike force to confront him on his own turf.

In the fight on Avalon, Magneto tore through Quicksilver, Rogue, Gambit, and Wolverine while Xavier and Jean Grey tried to assault his mind.

But Jean faltered when she felt Xavier was going too far by using Magneto’s personal losses against him, and that opening allowed Magneto to tear the adamantium off Wolverine’s bones, leaving him near death.

Nice going, Jean…

Xavier’s rage at seeing another loved one at death’s door led to him using his powers to wipe Magneto’s mind, leaving him in a vegetative state as Avalon burned around them.

Magneto’s return and subsequent defeat held dire ramifications that snowballed on the X-Men for years.

Wolverine’s loss of adamantium led to the revelation that his claws were actually bone all along, and that he was born them, despite having no memory of them prior to his Weapon X days.

This of course paved the way for Marvel to finally reveal his beginnings in the aptly named miniseries, Origin.

The longer he went without the adamantium, the more savage and vulnerable he became, his condition eventually leading to his manipulation at the hands of Apocalypse, who replaced the nigh unbreakable metal and transformed him into his Horseman of Death.

Pictured: One of approximately 629 times Wolverine tried to kill his friends due to mind control.

But it was Xavier’s mindwipe that really did the damage, his actions giving birth to the entity known as Onslaught, who nearly ended all existence and, in the eyes of the world, killed the Avengers and Fantastic Four—in reality, they were transported to another world manufactured by Franklin Richards.

Onslaught’s attack gave a further setback to human-mutant relations, and opened the door for Bastion’s Operation: Zero Tolerance movement to take root, the irony being that it was Xavier’s actions that would become the impetus for humans to react in the very way Magneto always feared they would.

Magneto may be on the side of the angels now, but Fatal Attractions, and his battle with the X-Men, will long be remembered not only for what transpired during its brief six issues, but for the aftereffects that reverberated throughout the Marvel Universe for years.

But will Magneto even stay with the X-Men after this year’s Avengers Vs. X-Men event, especially as his own daughter figures to play a prominent part in the drama?

Maybe we haven’t seen the end of Magneto/X-Men smackdowns after all…

And this is NOT a guy you want to be messing with…



IRON SKY Gets A Poster

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Nazi's have been hiding on the moon since 1945. Didn't you know that? Yeah, they're coming back in 2018 so get ready for that. And check out the official poster for Iron Sky.

The crowdfunded Iron Sky is well on it's way to it's release on April 4th. The black science fiction comedy has wrapped photography and now there is an official poster. Check this thing out it's got Nazis, babes, Zepplins, Spaceships, explosions, and I think Sarah Palin. It's just all sorts of crazy that you should check out right after the break.






Dear Hollywood: Oscar Season

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Dear Hollywood,

It is nearly time for your most treasured awards ceremony, the Oscars!

Are you excited? I know I am.

I love the Oscars.

I love the bright lights, the glitter and the static face of Nicole Kidman.

I love the idea of a hundred Xanax bottles being prepped in the back of limousines, and a thousand manicured feet being forced into crystal encrusted shoes and a million tuxedos being strapped over whale boned girdles.

Every year I stay up, maxed out on caffeine, waiting for the sweet release of the ‘Best Picture’ winner.


But we all know the Oscars are not a true representation of cinematic achievement.



Deep down we’re all too aware that it’s a guilty pleasure: much like my lust for Zac Efron in High School Musical.


The ceremony itself tends to be a load of old back slapping tedium that celebrates the obvious, and in turn, rather ironically, misses the obvious.

Colin Firth wins Best Actor for The King's Speech. Obvious.

Tom Hooper wins best director for The King's Speech. Obviously stolen from Fincher.

But this year you have royally fucked up Hollywood.

You left out Drive, the best film of the year according to my sources (that’s everyone with eyes) and no, “Best Sound Editing,” does not count because it means Harry Potter has more nominations.


To punish you for this I am going to lambast you by telling you how you can make the ceremony a little more interesting and a little less political.

I do appreciate that this request comes a little too close to the ceremony, and you’re busy preparing Salmon Vol-au-vents, thawing out Billy Crystal and hovering the red carpet, but please do take a moment to read this and take stock of my advice on how to make the Oscars that little bit better.

Firstly, criteria for voters must be tougher.

Any Academy Award Member who has not been to the cinema eight times of their own accord and does not own a copy of Brief Encounter should be discounted.

All members must be kept away from the Weinsteins, issues of Vanity Fair and should be able to name at least five films by Woody Allen.

All their knowledge of nominees must come from IMDB forums, the dude behind the counter at Blockbuster and more importantly their own brain.

The Academy Award members should be given a calendar that doesn’t go past June 2011, just so they remember that films came out in the first half of the year.

Any films that have not come out in the rest of the world before the ceremony should be discounted, or the whole event should wait until everyone in the UK has a chance to see Albert Nobbs.

They should jazz up the statues by making them more anatomically correct, perhaps throwing in a female Oscar every now again with the ever present breasts of Christina Hendricks.

In fact give her an Oscar for having to spend every interview dissecting the measurements of her body instead of talking about her latest film role.

There should be cameras in the bathrooms, so instead of ad breaks we cut to Reese Witherspoon and Kirsten Dunst comparing the panther-like love making skills of Jake Gyllenhal, before buying lollipops at inflation busting prices from toilet attendants.

After this highly entertaining interlude, Kirsten Dunst should be given an Oscar for Melancholia, because at no point did she call herself a Nazi.





She deserves it more than Rooney “oh yawn” Mara.

A trap door should be installed on stage that is automatically activated by disingenuous tears, mentions of deities, L. Ron Hubbard or hilarious chidings of children watching at home when they should be in bed.

We get it, you procreated.

If George Clooney wins he must thank every single similar looking girlfriend he picked up around Oscar time and explain why he can’t seem to settle down.

They should have a montage sequence featuring all the past winners who went onto disappointment, drugs, straight to DVD erotic thrillers or increasingly badly scripted HBO vampire romps (I’m looking at you Anna Paquin and your dubious southern American accent.)


They should have the most powerful man in Hollywood, Tom Cruise, read out a list of apologies and corrections regarding past Oscar awards. For example he must apologise for the Academies decision to award the Best Picture Oscar to Dances with Wolves in 1990 rather than Goodfellas.

Perhaps to cement this apology he could give Martin Scorsese the severed head of a wolf. That way they won’t have to keep overcompensating by nominating his current films. Hugo is perfectly entertaining but that’s about it.

All presenters should test out their material much like a comedian preparing for a tour, taking it to small local hotspots to see what works and what doesn’t.

They mustn’t invite James Franco back until he apologises for his arrogance or writes a heartfelt thank you to Anne Hathaway (on scented notepaper) for her attempts to plug holes in last years sinking ship.




Until then let him get on with breaking some more fourth walls by enrolling in culinary school and proceeding to cook and eat himself as his final project. Or whatever.

Take heed of my advice Hollywood, and one day you might have a far less predictable ceremony on your hands.

Regardless of this though, I shall be watching and be all too aware that my soul is being crushed, one badly read auto cue at a time.

Love,

Ellen


WB Gives TODD PHILLIPS A New First-Look Deal With Four Projects On Tap

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Todd Phillips is known for his Hangover films, and it's made WB quite a bit of money, so they gave him a new deal that will keep him until the end of 2013. He also has four projects to work on.

Deadline reports that Green Hat Film has four films at the studio that could be potential directing vehicles for Phillips. He's currently working on Project X with Green Hat and Silver Pictures. The micro-budget project has a cast of complete newcomers.


The Hangover was Phillips first film at the studio and was a hit that led to a sequel and a third film that now in development. Now Phillips is considered “a cherished member of the Warner family for a long time, and the comedic genius he’s brought to the big screen has made for an extraordinarily successful partnership.”

Phillips is also happy with the new deal saying: “I am so grateful that they will continue to provide me with a platform to satisfy my endless hunger for revenge and schadenfreude…you know who you are.”

Here are the projects that he could be working on soon:
* An adaptation of the Tony D’Souza novel Mule, about a young couple that turns to drug trafficking to scratch a living during the recession. Green Hat’s Phillips and Scott Budnick are producing with Jamie Patricof and Lynette Howell’s Electric City Entertainment. They are out to writers.

*Arms and the Dudes, based on a Guy Lawson Rolling Stone article that chronicled the unlikely rise of two stoners in Miami Beach who became big-time arms dealers, and suddenly had it all taken away by the Pentagon. Phillips and Budnick produce with Mark Gordon and Bryan Zuriff. Stephen Chin (I Rock Iraq) is in talks to write it.

* The Island, a project scripted by Due Date‘s Adam Sztykiel from a story by Travis Fickett and Terry Matalas; the logline’s being kept under wraps and Phillips will produce and Budnick exec producing.

* Million Dollar Strong, a comedy based on the YouTube and FunnyOrDie web shorts by Mike O’Connell and The Hangover‘s Ken Jeong. Phillips is producing with Budnick and Management 360 is exec producing. O’Connell and Peter Kline (The Living Wake) are writing the script.


BRETT RATNER To Direct Spy Drama Pilot

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A little more pilot season news as Brett Ratner has signed on to direct a spy drama at Fox.

According to Deadline, Ratner will be taking on the pilot from writer Karyn Usher (The Playboy Club). He will be both directing and executive producing the pilot, which has the working title, Mountains of China White.  The directing job comes from Ratner's new overall deal that he signed in August with 20th TV.

The story revolves around the orphaned daughter of CIA operative who is recruited at the age of 17 to become an operative herself. She meets a strange rogue agent who becomes her professional mentor and a sort of surrogate father.

The project is being produced at 20th Century Fox TV with 21 Laps/Adelstein Productions. Usher, Marty Adelstein, Becky Clements, and Shawn Levy will all be executive producing alongside Ratner.


OK GO'S LATEST MUSIC VIDEO Is All About Primary Colors...And It's For Kids

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If you are a parent and want to impart knowledge to your children through song, might I suggest OK Go's newest en devour for Sesame Street, which discusses the three primary colors of red, yellow and blue in a smart, yet child-friendly way.

And then, when your children take their afternoon nap, you should crank this up on your iPod and get jiggy with it yourself.

Because you know you are gonna want to.


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